Log in

Relevant bibliographies by topics / Contemporary Russian literature / Journal articles

To see the other types of publications on this topic, follow the link: Contemporary Russian literature.

Journal articles on the topic 'Contemporary Russian literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Contemporary Russian literature.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

DUNCAN, PETER J. S. "CONTEMPORARY RUSSIAN IDENTITY BETWEEN EAST AND WEST." Historical Journal 48, no. 1 (March 2005): 277–94. http://dx.doi.org/10.1017/s0018246x04004303.

Full text

Abstract:

This is a review of recent English-language scholarship on the development of Russian identity since the collapse of the USSR in 1991. The first part examines literature on the economic and political changes in the Russian Federation, revealing how scholars became more sceptical about the possibility of Russia building a Western-type liberal democracy. The second part investigates approaches to the study of Russian national identity. The experience of empire, in both the tsarist and Soviet periods, gave Russians a weak sense of nationhood; ethnic Russians identified with the multi-national Soviet Union. Seeking legitimacy for the new state, President El'tsin sought to create a civic identity focused on the multi-national Russian Federation. The Communist and nationalist opposition continued to promote an imperial identity, focused on restoring the USSR or creating some other formation including the Russian-speaking population in the former Soviet republics. The final section discusses accounts of the two Chechen wars, which scholars see as continuing Russia's imperial policy and harming relations with Russia's Muslim population. President Putin's co-operation with the West against ‘terrorism’ has not led the West to accept Russia as one of its own, due to increasing domestic repression and authoritarianism.

APA, Harvard, Vancouver, ISO, and other styles

2

Bali, Morad. "Contemporary Literature Review of the Russian Rouble Determinants." Economics. Law. Innovaion, no. 1 (March 30, 2021): 26–31. http://dx.doi.org/10.17586/2713-1874-2021-1-26-31.

Full text

Abstract:

This short literature review’s goal is to examine available papers regarding the study of Russian Rouble determinants. For purpose of analysis, 35 articles were studied among which 22 were selected, for a total of 414 pages shelled. This work analyzes most recent empirical articles, in order to identify factors responsible for the Russian currency fluctuations. Different models will be compared to learn if some are more effective than others, from basic Linear regression to Structural vector autoregressive, through Ordinary least squares or Vector error correction models. Moreover, a very special and particular attention will be paid to variables used. Which combinations of variables are used to study factors influencing the Russian currency? While it seems vital to include oil prices, interest rate, and consumer price index, is it important to have them all together in the same model? Are results among papers similar? In addition, would it be necessary to add variables such as GDP, gold price, gas price, M2 aggregate or sanctions? However, this paper will compare data from each model and try to find out if there is one best way to study the Russian currency determinants.

APA, Harvard, Vancouver, ISO, and other styles

3

Vasiljeva, Elina, and Elvira Isajeva. "Contemporary Russian Literature in Latvia: Children’s Literature." Respectus Philologicus, no. 41(46) (April 15, 2022): 145–54. http://dx.doi.org/10.15388/respectus.2022.41.46.115.

Full text

Abstract:

Throughout the 20th century, Russian children’s literature in Latvia was a unique phenomenon. Against the background of the general trends of Soviet children’s literature, Latvian children’s literature (in both Latvian and Russian) developed in a space that was less constrained in respect of ideological censorship. 21st century children’s literature in Latvia is developing both taking into account the previous history and current trends. The article is devoted to the specific features of children’s literature in Russian, taking into account the general status of the Russian language as a foreign language and general trends in the socio-cultural space of Latvia. The study considers two main issues. First, it is a sociological analysis of the situation: an assortment of children’s books, the specifics of the school programme, awareness of contemporary Latvian and Russian children’s literature. On the other hand, the corpus of texts of contemporary children’s literature is studied, and an overview of the oeuvre of contemporary Latvian authors is presented. The material for literary analysis was the book by Vladimir Novikov, “The Mischief of the Obedient Martins”. In the course of the analysis, the specifics of the traditional children’s story, the cultural and historical context of the cross-border identity of the author and his potential readers, the specifics of the contemporary narrative, the identification of the concept “one’s own – other’s” were revealed.

APA, Harvard, Vancouver, ISO, and other styles

4

Xue, Zhao. "Perception of Contemporary Chinese Literature in Russia." Philology & Human, no. 1 (July 15, 2021): 145–56. http://dx.doi.org/10.14258/filichel(2021)1-10.

Full text

Abstract:

This article attempts to comprehend the perception of contemporary Chinese literature in Russia. One of the main research areas of Russian Sinology focused on the study of Chinese literature is Chinese classical literature and modern literature. However, at the turn of the XX-XXI centuries, the interest for contemporary Chinese literature becomes more and more obvious. In recent years, the translation of contemporary Chinese literary works has been continuously developing. The most typical characteristic of contemporary Chinese literature in the interpretation of Russian sinologists is pluralism, which is understood as the simultaneous existence of various literary trends, ideologies, genres, etc. The author analyzes the main trends of reception in the research of Russian scientists and comes to the conclusion that the most interesting for sinologists is the problem of attention to “People” in contemporary Chinese literature, the problem of tradition and modernity, the works of Chinese women writers.

APA, Harvard, Vancouver, ISO, and other styles

5

Noskov, George. "Currents in Contemporary Russian Avantgarde Literature." Orbis Litterarum 48, no. 1 (April 1993): 51–56. http://dx.doi.org/10.1111/j.1600-0730.1993.tb00911.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Gandlevsky, Sergey, Marina Boroditskaya, and Maria Falikman. "Contemporary Russian Poetry." Wasafiri 26, no. 1 (March 2011): 28–32. http://dx.doi.org/10.1080/02690055.2011.534262.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Dolgachev, Fedor L., and Olga A. Nesterova. "Reception of Russian Literature in China’s Contemporary Digital Space." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 3 (2021): 199–214. http://dx.doi.org/10.15826/izv2.2021.23.3.054.

Full text

Abstract:

This article studies translated Russian literature as a factor of the development of contemporary Russian-Chinese intercultural communication. The authors examine the main traits of the reception of Russian literature in contemporary China, the mechanisms of the transformation of the interest of the Chinese public at large in the works of Russian writers, and the reasons for the sustainable role of Russian classic literature (A. Pushkin, M. Lermontov, N. Gogol, I. Turgenev, F. Dostoyevsky, L. Tolstoy, A. Chekhov, M. Gorky, M. Sholokhov, and N. Ostrovsky) as a basic element of the image of Russia. The authors identify the reasons why the Russian literature of the second half of the twentieth and early twenty-first centuries whose translations are available in China (some of them have received the Best Foreign Novel of the Twenty-First Century award) has not managed to change the established structure of priorities remaining at the periphery of contemporary processes of intercultural communication. It is demonstrated that the reception of classical and contemporary Russian literature in China has followed two scenarios, i.e. “profound” and “superficial”. The study of works of Chinese literary critics and cultural figures (Liu Wenfei, Wang Jiezhi, Cui Guoxin, etc.) makes it possible to identify the main criteria for the selection and perception of literary works in the conceptual, ethical and stylistic domains, and the domains of plot and imagery. It is emphasised that 21st-century Russian literature, which has lost its function as a model for emulation and a standard for copying, is interesting to Chinese specialists and readers as a corpus of texts that reflects aesthetic issues and ethnocultural regional traits without generating qualitatively new worldviews. The authors present the results of the quantitative and qualitative analysis of digital resources (Baidu, Sogou, etc.) that reveal the main features of the contemporary perception of Russian literature by Chinese Internet users.

APA, Harvard, Vancouver, ISO, and other styles

8

Frank, Margot K., and Robert Porter. "Four Contemporary Russian Writers." World Literature Today 64, no. 1 (1990): 144. http://dx.doi.org/10.2307/40145972.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Deditskii, Bogdan. "Mikhail Kachkovskii and Contemporary Galician-Russian Literature]." Biblioteka zhurnala «Rusin», no. 2 (December 1, 2017): 9–99. http://dx.doi.org/10.17223/23451734/7/2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Pevak, Elena. "Ethics and Aesthetics in Contemporary Russian Literature." Stephanos Peer reviewed multilanguage scientific journal 48, no. 4 (July 31, 2021): 108–14. http://dx.doi.org/10.24249/2309-9917-2021-48-4-108-114.

Full text

Abstract:

Ethical totalitarism in the sphere of culture – a feature of the present time – is more dangerous than ethical indifferentism. One of the possibilities for realizing the principle of ethical independenсe is focusing on aesthetic issues. The history of Russian literature shows that the less ethics bounds there is in creativity, the more successful is the creativity itself, and it is less dangerous to exist within the framework of some generally accepted moral codes than in situation of self-limiting by ethics rules. It turns out that, on the one hand, the rights of individuality are expanding in the modern world, on the other, the behavior of an individual is strictly regulated by the rules that are put forward by representatives of certain social groups. In the realm of aesthetic experimentation, the author seems to have more rights than responsibilities; in the sphere of ethics author is limited by the dominated norms of social institutions.

APA, Harvard, Vancouver, ISO, and other styles

11

Zilberbourg. "What to Read Now: Contemporary Russian-language Literature." World Literature Today 93, no. 2 (2019): 8. http://dx.doi.org/10.7588/worllitetoda.93.2.0008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

ZAİCHENKO, Sofiia. "COMPARATIVE ANALYSIS OF CONTEMPORARY RUSSIAN AND CHINESE LITERATURE." INTERNATIONAL PEER-REVIEWED JOURNAL OF COMMUNICATION AND HUMANITIES RESEARCHES, no. 10 (March 30, 2016): 236. http://dx.doi.org/10.17361/uhive.20161016616.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Serdechnaia, Vera V. "William Blake in Contemporary Russian Literature and Culture." Imagologiya i komparativistika, no. 15 (2021): 71–88. http://dx.doi.org/10.17223/24099554/15/4.

Full text

Abstract:

The article discusses the creativity of the English romantic William Blake comprehended in contemporary Russian literature and culture. These facts are quite significant, since many Russian thinkers and writers, such as Igor Garin and Merab Mamardashvili, mention Blake in their works. Blake, partly remembered as a symbolist and mystic, loomed large in the cultural universe of the Moscow mystical “Yuzhinsky” circle, members of which were, in particular, Yuri Mamleev, Yevgeny Golovin, Alexander Dugin, Yuri Stefanov. For them, Blake was an integral part of the great Tradition or ancient knowledge, lost by the civilization. Blake has been mentioned and quoted in the prose by Yuri Buida, Alexey Gryakalov, Ivan Ermakov, Ksenia Buksha, Oleg Postnov and in the poetry by Olga Kuznetsova, Maria Galina, Alla Gorbunova, Maxim Kalinin and others. Andrei Tavrov enters into a creative dialogue with the English Romanticist in his poetic cycle Lament for Blake (2018). Tavrov creatively renders Blake’s metaphysics of human physiology. The poem “Blake. Sparrow” shows an impressive fusion of Blake’s motives and lyrics. in particular, the multilevel character of the mythological world (from Ulro to Eden), conversations with Angels and traveling through the stars in “The Marriage”, the image of a sparrow and a visionary bird in general, images of insects guided through the night (“Dream”), the image of Milton like the meteorite in the heel of the narrator, the figure of Flaxman and the philosophy of creation by the word. In Tavrov’s work, Blake inhabits in a bizarre world of metaliterature, including Gogol and Derzhavin, Velasquez and Newton, Lear and Oedipus, Pan and Melchizedek. Blake, as the creator of overlapping worlds, becomes for Tavrov the key to the total poetization of the universe; where a transition is made from the hermetic principle “as above, so below” to the principle “everything in everything”. This principle turns out to be the most important for contemporary poetry. Blake’s paintings and drawings have become a part of Russian book culture: the famous engraving of the Creator God with a compass “The Ancient of Days” is often used in book graphics; the Moscow conceptualist Viktor Pivovarov, the author of samizdat, admitted that Blake inspired him with his experience in book printing. Blake’s influence can also be seen in the works of contemporary sculptor Alexander Kudryavtsev (1938–2011), namely, his ceramic fresco “The Creation of the World”. Thus, Blake, who came, among others, through the work of The DOORS and Jarmusch’s Dead Man, plays a significant role in the space of contemporary Russian literature. In these terms, the most significant of his works are “Songs” and “The Marriage of Heaven and Hell”, as well as mystical revelations of prophetic poems and his creative life of a genius unrecognized during his lifetime in general.

APA, Harvard, Vancouver, ISO, and other styles

14

Zilberbourg, Olga. "What to Read Now: Contemporary Russian-language Literature." World Literature Today 93, no. 2 (2019): 8. http://dx.doi.org/10.1353/wlt.2019.0232.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Kerig, Patricia K., Yulya Y. Alyoshina, and Alia S. Volovich. "Gender-Role Socialization in Contemporary Russia." Psychology of Women Quarterly 17, no. 4 (December 1993): 389–408. http://dx.doi.org/10.1111/j.1471-6402.1993.tb00652.x.

Full text

Abstract:

This article represents a collaboration between Russian and Western researchers concerned with the cross-cultural study of gender. A contemporary Russian psychoanalytic perspective on gender role development in the context of their own culture is presented, and its relationship to the Soviet and Western research literature is explored. Historical changes are noted in the transitions from prerevolutionary peasant society to Soviet socialism and to the new reforms in Russia. A long standing ambivalence toward agentic values is described throughout these phases of Russian history, and its legacy is identified in current social problems. Difficulties inherent in using Western conceptualizations of gender roles in this different context are discussed, as are points of compatibility, and their application to an investigation of Russian gender roles is illustrated.

APA, Harvard, Vancouver, ISO, and other styles

16

Rubins, Maria. "The Non-Humanist Vector in 20th-Century Russian Literature." Russkaya literatura 2 (2020): 183–200. http://dx.doi.org/10.31860/0131-6095-2020-2-183-200.

Full text

Abstract:

The article focuses on a corpus of narratives written in various cultural and historical contexts both within metropolitan Russia and in diaspora, which engaged with the process of dehumanization of the world and mankind and the inadequacy of Russian literature’s traditional arsenal to represent the anthropological experience of the 20th century. These texts revised the humanist pathos of Russian culture, the European legacy and Eurocentric discourse, and created an alternative conceptual and aesthetic language that became particularly relevant for contemporary Russian literature.

APA, Harvard, Vancouver, ISO, and other styles

17

Borkowska, Emilia. "„Russkij malczik” – bohater współczesnej literatury rosyjskiej." Adeptus, no. 2 (December 15, 2013): 44–52. http://dx.doi.org/10.11649/a.2013.011.

Full text

Abstract:

‘Russkiy malchik’ – the hero of contemporary Russian literatureThe aim of this article is to present certain processes in contemporary Russian literature and the new hero of this literature. Russia literature after the collapse of the Soviet Union changed its position in the post-soviet culture. This was the result of cultural changes in this area. Some Russian critics noticed that a crisis in Russian literature had started at the beginning of the 90’s. Although Russian literature moved from the centre to the periphery of culture, this is, however, not crisis literature. It is literature that exists in times of crisis and with a new point of view describing the surrounding world. ‘Russkiy malchik’ – the new hero of Russian literature searches for his identity in a world that has changed unpredictably. He appears in the novels and dramas of present day Russian writers: postmodernist Victor Pelevin, realist Zahkar Prilepin and sentimentalist Evgeniy Grishkovec. These writers present different styles, generations and literary genres but their heroes are prone to the same problem: How to exist in a reality that they do not understand or accept.

APA, Harvard, Vancouver, ISO, and other styles

18

Piper, D. G. B., and Robert Porter. "Four Contemporary Russian Writers." Modern Language Review 86, no. 3 (July 1991): 813. http://dx.doi.org/10.2307/3731145.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Ryan, Karen. "Failures of Domesticity in Contemporary Russian-American Literature: Vapnyar, Krasikov, Ulinich, and Reyn." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 4 (February 5, 2011): 63. http://dx.doi.org/10.21992/t9b91v.

Full text

Abstract:

Hybrid literature has flourished in the Russian diaspora in the last decade and much of it is semi-autobiographical, concerned with the reconfiguration of identity in emigration. It dwells productively on the translation of the self and (more broadly) on the relationship between center and margin in the post-Soviet, transnational world. Gender roles are subject to contestation, as writers interrogate and reconsider expectations inherited from traditional Russian culture. This article situates Russian hybrid literature vis-à-vis Western feminism, taking into account Russian women’s particular experience of feminism. Four female writers of contemporary Russian-American literature – Lara Vapnyar, Sana Krasikov, Anya Ulinich, and Irina Reyn – inscribe failures of domesticity into their prose. Their female characters who cannot or do not cook or clean problematize woman’s role as nurturer. Home (geographic or imaginary) carries a semantic load of limitation and restriction, so failure as a homemaker may be paradoxically liberating. For female characters working in the West to support their families in Russia, domesticity is sometimes even more darkly cast as servitude. Rejection of traditional Russian definitions of women’s gender roles may signal successful renogotiation of identity in the diaspora. Although these writers may express nostalgia for the Russian culture of their early childhood, their critique of the tyranny of home is a powerful narrative gesture. Failures of domesticity represent successful steps in the redefinition of the self and they support these writers’ claim to transnational status.

APA, Harvard, Vancouver, ISO, and other styles

20

Borden, Richard C., and Robert Porter. "Four Contemporary Russian Writers." Slavic and East European Journal 35, no. 2 (1991): 299. http://dx.doi.org/10.2307/308336.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Frei, Michael, and Malcolm MacLaren. "A ‘Common European Home'? The Rule of Law and Contemporary Russia." German Law Journal 5, no. 10 (October 1, 2004): 1295–315. http://dx.doi.org/10.1017/s2071832200013225.

Full text

Abstract:

Russian President Vladimir Putin was quoted in a newspaper article last year as claiming that “[b]y their mentality and culture, the people of Russia are Europeans”. The accuracy of this claim has been a topic of considerable debate in Russian literature and politics from the time of Czar Peter the Great at least. The pressing question is whether Russia wants to be part of today's Europe. Mounting evidence from the domestic and foreign policy of the Russian Federation suggests that the answer to this question is ‘nyet'.

APA, Harvard, Vancouver, ISO, and other styles

22

Hoover, Marjorie L., and Gerald S. Smith. "Contemporary Russian Poetry: A Bilingual Anthology." World Literature Today 68, no. 1 (1994): 158. http://dx.doi.org/10.2307/40149994.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Haber, Erika, and Sally Laird. "Voices of Russian Literature: Interviews with Ten Contemporary Writers." Slavic and East European Journal 44, no. 2 (2000): 314. http://dx.doi.org/10.2307/309966.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Givens, John. "The Old and the New in Contemporary Russian Literature." Russian Studies in Literature 48, no. 4 (October 2012): 3–6. http://dx.doi.org/10.2753/rsl1061-1975480400.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Kozhinov, Vadim, Yuri Azarov, and William Riggan. "The Magazine Nash Sovremennik (Our Contemporary) and Russian Literature." World Literature Today 67, no. 1 (1993): 34. http://dx.doi.org/10.2307/40148843.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Parthé, Kathleen. "The Righteous Brothers (And Sisters) of Contemporary Russian Literature." World Literature Today 67, no. 1 (1993): 91. http://dx.doi.org/10.2307/40148869.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Caffee, Naomi. "‘Not only Russian’: Explorations in Contemporary Russophone Literature. Introduction." Russian Literature 127 (January 2022): 1–10. http://dx.doi.org/10.1016/j.ruslit.2021.12.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Čech, Ľubomír. "ISLAM AND ITS REFLECTION IN RUSSIAN SCIENTIFIC LITERATURE." EUrASEANs: journal on global socio-economic dynamics 6, no. 31 (November 30, 2021): 78–86. http://dx.doi.org/10.35678/2539-5645.31.2021.78-86.

Full text

Abstract:

When it comes to Islam in general, there is a growing interest in its specific characteristics and practices in all spheres of society. The same applies to academic discussions and communities in the Russian Federation. In the first part of this paper, we analyse the Islamic revival in Russia. The second and the third parts present our analysis of scientific literature carried out on the basis of the Web of Science databases as well as major research areas and selected aspects of contemporary discourse.

APA, Harvard, Vancouver, ISO, and other styles

29

Parthe, Kathleen, and Robert Porter. "Four Contemporary Russian Writers." Russian Review 49, no. 3 (July 1990): 331. http://dx.doi.org/10.2307/130164.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Galvane, Linda. "Representation of Geisha in Contemporary Russian Literature: Olga Lazoreva^|^rsquo;s Russian Geisha." Russian and East European Studies 2010, no. 39 (2010): 70–81. http://dx.doi.org/10.5823/jarees.2010.70.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Hrpka-Veškovac, Ivana. "Contemporary approaches in Russian instructive literature for initial teaching of solfeggio." Artefact 4, no. 1 (2018): 41–49. http://dx.doi.org/10.5937/artefact4-19042.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Karriker, Alexandra Heidi, and Helena Goscilo. "Balancing Acts: Contemporary Stories by Russian Women." World Literature Today 64, no. 3 (1990): 486. http://dx.doi.org/10.2307/40146746.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Lappela, Anni Irmeli. "(Literary) Capital of the Russian Arctic: Murmansk in Russian Literature." Poljarnyj vestnik 21 (November 21, 2018): 31–55. http://dx.doi.org/10.7557/6.4446.

Full text

Abstract:

In this article, I examine depictions of the city of Murmansk in Soviet and contemporary Russian literature: how different works describe Murmansk’s liminal location and role as a frontier city in the Russian Arctic. I approach this question by analyzing three themes central in the texts about Murmansk: 1) future visions of the city, 2) the role of the sea/ocean and the port in the city life, and 3) depictions of the geographical location and natural surroundings of the city. I ask how the image of the city may have changed during the last century and how different actors and places in the city space influence the urban experiences of the protagonists. The Arctic became “a key component of the modern mythology” in the Soviet Union in the 1930s (McCannon 1998: 81). This “Arctic myth”, examined extensively by John McCannon (1998, 2003), is an important context for my study. I am interested in the role of urbanization, focusing on the city of Murmansk, in the Arctic myth and in conquering the North in the 1930s. I also cover questions about the relationship between gender and urban space in this Arctic city text.My theoretical frameworks come from literary urban studies, geocriticism, ecocriticism and semiotics. I analyze Soviet texts in parallel with the contemporary material. The geocritic Bertrand Westphal proposes the geocentered approach to texts: “the geocritical study of literature is not organized around texts or authors but around geographic sites” (Prieto 2011: 20, italics mine). According to Westphal, analyzing a single text or a single author makes the study of a place lopsided, and geocritical study should emphasize the space more than an observer (Westphal 2011: 126, 131, italics mine). Applying Westphal’s geocentered approach to texts, I analyze depictions of Murmansk in multiple texts from different authors and decades. I prefer this kind of approach because exploring different eras’ texts about Murmansk, I want to give a comparative perspective to the history of Murmansk as a literary city.

APA, Harvard, Vancouver, ISO, and other styles

34

Brintlinger, Angela. "The Hero in the Madhouse: The Post-Soviet Novel Confronts the Soviet Past." Slavic Review 63, no. 1 (2004): 43–65. http://dx.doi.org/10.2307/1520269.

Full text

Abstract:

Using Viktor Pelevin's Chapaev and Pustota and Vladimir Makanin's Underground or a Hero of Our Time, Angela Brintlinger explores the way contemporary fiction portrays the post-Soviet intelligentsia and its search for identity in postmodern Russia. These authors juxtapose contemporary heroes with literary and historical heroes of the Russian and Soviet past in a struggle to come to terms with Soviet experience and the intelligentsia's relationship to Russian literature. Both Pelevin and Makanin use the chronotope of the madhouse to examine the idea of the hero in Russian literature and history. In making such deliberate use of the Russian past, from its literary heroes to the insidious institution of the mental asylum, both authors force their post-Soviet readers to confront die fact that the flow of history is as much about continuities as it is about change.

APA, Harvard, Vancouver, ISO, and other styles

35

Zueva, Ekaterina, Tatiana Vasilieva Shalneva, and Oleg Osovskiy. "Genre Transformation of the Fairy Tale in Contemporary Russian Literature." Journal of History Culture and Art Research 6, no. 4 (September 30, 2017): 436. http://dx.doi.org/10.7596/taksad.v6i4.1110.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Karasik, Olga, and Nadezhda Pomortseva. "Multicultural Challenges: Teaching Contemporary American Literature for Russian Philological Students." Procedia - Social and Behavioral Sciences 199 (August 2015): 684–88. http://dx.doi.org/10.1016/j.sbspro.2015.07.598.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

KASPE, IRINA. "Certificate of What? Document and Documentation in Contemporary Russian Literature." Russian Review 69, no. 4 (September 16, 2010): 563–84. http://dx.doi.org/10.1111/j.1467-9434.2010.00582.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Walsh, Harry. "Intertextuality at Work: Prince Andrei Kurbskii in Contemporary Russian Literature." Canadian Slavonic Papers 40, no. 3-4 (September 1998): 251–72. http://dx.doi.org/10.1080/00085006.1998.11092187.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

PLOTNIKOVA, Elena B., Yulia S. Markova, and Evgeniya V. Plotnikova. "ADDRESSING SOCIOCULTURAL RISKS IN CONTEMPORARY RUSSIA: THE ROLE OF ENTERPRISES." Tyumen State University Herald. Social, Economic, and Law Research 6, no. 3 (2020): 46–58. http://dx.doi.org/10.21684/2411-7897-2020-6-3-46-58.

Full text

Abstract:

This paper analyses the academic literature on the role of enterprises in addressing sociocultural risks at the regional level in contemporary Russia. The studied literature was collected using two sources: the database of the Institute of Sociology of the Russian Academy of Science and the Russian Scientific Electronic Library “eLIBRARY.RU”. The search time¬scale covered the period between 2000 and 2019. Two questions informed the literature search and analysis: 1) What sociocultural risks are identified in the literature? 2) What is the role of enterprises in addressing these risks? The results show that the academic literature distinguishes between two categories of sociocultural risks. Firstly, the risks causing the dysfunction of socio-economic and political structures. Secondly, the risks related to the deterioration of moral values, cultural traditions and social identities at individual, community, and national levels. The role of enterprises in addressing these risks is revealed in two areas. Firstly, these are the corporate social responsibility (CSR) practices: provision of social benefits to employees, supporting vulnerable groups in local communities, investing in educational and sport activities and events. Secondly, some enterprises introduce innovative instruments, such as sociocultural projects. However, most studies of such projects refer to either small or non-industrial enterprises. Further analysis should focus on the implementation of sociocultural projects by the industrial enterprises at the regional level in Russia, since there is a lack of empirical studies in this area.

APA, Harvard, Vancouver, ISO, and other styles

40

Curanović, A. "Conventional Wisdom and Contemporary Russian Messianism. A Critical Verification." MGIMO Review of International Relations 64, no. 1 (March 22, 2019): 28–44. http://dx.doi.org/10.24833/2071-8160-2019-1-64-28-44.

Full text

Abstract:

The article offers a critical overview of nine views common in academia related to Russian messianism. The main premise of messianism which is important for its political dimension, is: Providence has a plan along which History unfolds, and in this plan the chosen one (individual or collective) has a special role to play (mission). Under «mission» we understand that a certain community (state/nation) is exceptional and that this exceptionality manifests itself in its special destiny. I discern three distinctive, but interconnected, features of «mission»: (1) the conviction of having a special destiny, (2) a sense of moral superiority, (3) the conviction that the state’s activity is motivated not only by its own national interest but also by a higher cause important for a broader (regional, global etc.) community. The first two components of mission express exceptionalism of the mission-beholder, while the third component refers to the universalistic nature of the calling.This selection of nine views is not a complete catalogue but it does include the core concepts that may be encountered while reading about Russian messianism. The article seeks to verify and put in order the existing body of knowledge on this topic. The critical verification is based on the material that comes from two main sources. The first is the existing body of academic literature (in English and Russian) which is used to identify and cross-examine the views circulating among academia. The second source comes with the material gathered as a result of the content and discourse analysis of the official statements of Vladimir Putin. The article is structuralised along the enumeration of nine popular views on Russian messianism. Each view is critically combined with the academic literature and the empirical data. The views discussed in the article tend to essentialise Russian messianism and essentialise Russia as well.

APA, Harvard, Vancouver, ISO, and other styles

41

Porter, Robert, and Karen L. Ryan-Hayes. "Contemporary Russian Satire: A Genre Study." Modern Language Review 93, no. 2 (April 1998): 599. http://dx.doi.org/10.2307/3735483.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Izumi, Marina Akirovna, Grigoriy Vyacheslavovich Ponomarev, and Aleksandr Anisimovich Skoromets. "Contemporary view on subarachnoidal hemorrhage: literature review." Vestnik nevrologii, psihiatrii i nejrohirurgii (Bulletin of Neurology, Psychiatry and Neurosurgery), no. 1 (2022): 8–17. http://dx.doi.org/10.33920/med-01-2201-01.

Full text

Abstract:

Subarachnoid hemorrhage is a severe, life-threatening variant of hemorrhagic stroke. It happens due to the blood release into the subarachnoid space and requires emergency medical care. This review contains data on modern epidemiology, morphology and pathophysiology, clinical presentation and peculiarities of diagnostics and treatment of subarachnoid hemorrhage. It covers key studies of Russian and foreign scientific groups on the causes and risk factors of subarachnoid hemorrhage and mechanisms of cerebral vasospasm development. Main professional scales used in daily clinical practice are mentioned. The sensitivity and specificity of the existing methods of unruptured aneurysms neuroimaging and subarachnoid hemorrhage are analyzed. Also, the article includes summarized information on existing and prospective options for nonsurgical and surgical treatment.

APA, Harvard, Vancouver, ISO, and other styles

43

Karriker, Alexandra Heidi, and Masha Gessen. "Half a Revolution: Contemporary Fiction by Russian Women." World Literature Today 70, no. 4 (1996): 983. http://dx.doi.org/10.2307/40152450.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Rebel, G. M. "Turgenev’s depictions in contemporary cultural studies." Voprosy literatury, no. 6 (February 7, 2019): 142–66. http://dx.doi.org/10.31425/0042-8795-2018-6-142-166.

Full text

Abstract:

A review of S. Volkov’s History of Russian Culture during the Romanovs Rule. 1613–1917 [Istoriya russkoy kultury v tsarstvie Romanovykh. 1613–1917] and A. Davydov’s Neopolitical Liberalism in Russia [Neopoliticheskiy liberalism v Rossii], the article is concerned with depiction of I. Turgenev’s personality and creative legacy. Both historians set ambitious culturological goals for themselves, yet their interpretations of the subject betrays their very tentative knowledge of historical and cultural realia, as well as poor grasp of art’s aesthetic nature. Volkov chooses to build his story around a para-literary gossip verging on an abusive lampoon, with Turgenev’s character downgraded and distorted, and the scale of his work completely overlooked. In his search of ‘neopolitical liberalism’ in Russian literature, Davydov finds it in unexpected places, while missing it altogether in Turgenev’s works, where it constitutes an ideological foundation and key element of their meaning and poetics. The studies by Volkov and Davydov tend to sacrifice historical-literary and artistic material in favour of prejudice and subjectivity, as well as arbitrary concepts.

APA, Harvard, Vancouver, ISO, and other styles

45

Rudova, Larissa. "Paradigms of Postmodernism: Conceptualism and Sots-Art in Contemporary Russian Literature." Pacific Coast Philology 35, no. 1 (2000): 61. http://dx.doi.org/10.2307/3252067.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Zlochevskaya, Alla. "Pushkin in Perception of Contemporary Slovak Researchers of Russian Literature: Summarizing." Stephanos. Peer reviewed multilanguage scientific journal 38, no. 6 (November 30, 2019): 147–50. http://dx.doi.org/10.24249/2309-9917-2019-38-6-147-150.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Maroshi, V. V. "Between myth and literary anthropology: Ket ethnicity in contemporary Russian literature." Sibirskiy filologicheskiy zhurnal, no. 65 (December 1, 2018): 95–107. http://dx.doi.org/10.17223/18137083/65/9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Bakuła, Bogusław. "Rosyjska dyskusja postkolonialna w latach 2000–2018." Miscellanea Posttotalitariana Wratislaviensia 8 (July 22, 2021): 235–65. http://dx.doi.org/10.19195/2353-8546.8.16.

Full text

Abstract:

The article deals with two issues: research on the history of Russia in a post-colonial perspective; manifestations of Russian, imperial and colonizing ideology in contemporary essays and literature until 2018. Variants of Russian postcolonial academic thought are considered: M. Berg, A. Etkind, M. Tlostanova and others. The article also presents the literary and journalistic work of E. Limonov, A. Dugin, and A. Prokhanov, who are considered to be representatives of Russian neocolonial nationalism associated with the government policy of V. Putin.

APA, Harvard, Vancouver, ISO, and other styles

49

Ali Khudair Bahari, Hussein. "Роль В.Пелевина,В.Маканина и В.Сорокина в развитии современной русской литературы." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, no. 2 (June 12, 2019): 103–14. http://dx.doi.org/10.36473/ujhss.v58i2.878.

Full text

Abstract:

The present paper tackles the viewpoints of Russian literary critics, and their evaluation of contemporary writers, along with their roles in the development of the Twenty-First century literature. We have pointed out the importance of the works of Viktor Pelevin, Valdimir Makanin, and Vladimir Sorokin, and how they influenced modern Russian literature. Also, it has been showed that these writers were not less important than the Russian classic writers, despite that some of their works were characterized with a sense of dialectic with the classic text. Thus, a contemporary Russian text has become desired and understood all over the world.

APA, Harvard, Vancouver, ISO, and other styles

50

Dunn, J. A., and Derek Offord. "Using Russian: A Guide to Contemporary Usage." Modern Language Review 93, no. 4 (October 1998): 1179. http://dx.doi.org/10.2307/3736359.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!