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Books on the topic 'Contemporary sonnet'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Press, Funtime. Chapbook: Trish: A Romance. Edited by Funtime Press. Conshohocken, Pa: Funtime Press, 2019.

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2

Lenbachhaus, Städtische Galerie im, ed. Sonne statt Regen. Ostfildern-Ruit: Hatje Cantz, 2003.

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3

Kay, Dennis. William Shakespeare: Sonnets and poems. New York: Twayne Publishers, 1998.

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4

Attersee, Christian Ludwig. Attersee: Atterseebarock : Sonne zur Braut : Werkauswahl 1985-1995. [Passau]: Museum Moderner Kunst Passau, Stiftung Wörlen, 1995.

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5

William Shakespeare: His life and times. New York: Twayne Publishers, 1995.

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6

McNaught, Judith. Tender Triumph (Sonnet Books). Pocket, 1991.

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7

Plutonic Sonnets. Baltimore, USA: PublishAmerica, 2008.

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8

Baer, William. Sonnets: 150 Contemporary Sonnets. University of Evansville Press, 2005.

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9

1948-, Baer William, ed. Sonnets: 150 contemporary sonnets. Evansville, IN: University of Evansville Press, 2005.

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10

Pateman, Kerrie. Poetry Now Book of Contemporary Sonnets. Forward Press, 1995.

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11

Hunter, Walt. Forms of a World. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282227.001.0001.

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Forms of a World: Contemporary Poetry and the Making of Globalization shows how the forms of contemporary poetry are forged through the transformations of globalization from 1970 to the present. The book’s inquiry springs from two related questions: what happens when we think of poetry as a global literary form, and when we think of the global in poetic terms? I argue that analyses of globalization are incomplete without poetry and that contemporary poetry cannot be understood fully without acknowledging the global forces from which it arises. Forms of a World contends that poetry’s role is not only to make visible thematically the violence of global dispossessions, but to renew performatively the missing conditions for intervening within these processes. Poetic acts—in this book, the rhetoric of possessing, belonging, exhorting, and prospecting—address contemporary conditions that render social life ever more precarious. I turn to an eclectic group of Anglophone poets, from Seamus Heaney and Claudia Rankine to Natasha Trethewey and Kofi Awoonor, whose poetry and whose lives are, in different but related ways, inseparable from the contemporary global situation. These poets creatively intervene in global processes by remaking their poetry’s repertoire of forms, from experiments in the sonnet to contemporary inventions of the ode.

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12

Woodhorn Colliery Museum: Layers of meaning : the rag rug - a contemporary approach. Ashington: Mid Northumberland Arts Group, 1997.

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13

Post, Jonathan F. S. Shakespeare's Sonnets and Poems: A Very Short Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/actrade/9780198717577.001.0001.

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Shakespeare’s Sonnets and Poems: A Very Short Introduction introduces all of Shakespeare’s poetry: the Sonnets; the two great narrative poems, Venus and Adonis and The Rape of Lucrece; A Lover’s Complaint; and ‘The Phoenix and Turtle’. Describing Shakespeare’s double identity as both poet and playwright, in conjunction with several of his contemporaries, it evaluates the reciprocal advantages as well as the different strategies and strains that came with writing for the stage and the page. Exploring their reception, both with contemporary audiences and through the ages until today, this VSI explores the core themes of love and lust, and analyses how the sonnets compare with other great love poetry of the English Renaissance.

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14

Hosseini, Khaled. Tausend strahlende Sonnen. Bloomsbury Berlin, 2007.

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15

Tausend strahlende Sonnen. Berlin, FR of Germany: Bloomsbury Berlin, 2008.

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16

Gagliano, Marco da. Madrigals, Part 4. Edited by Edmond Strainchamps. A-R Editions, 2021. http://dx.doi.org/10.31022/b221.

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Il quarto libro de madrigali a cinque voci, the fourth of six books of madrigals by the Florentine composer Marco da Gagliano, was published in 1606. The book is distinguished by the excellence of its music as well as by its varied settings of texts by some of the most celebrated poets of the day. Five of the madrigals use texts by Giovanni Battista Guarini, three by Giambattista Marino, one each by Gabriello Chiabrera, Cosimo Galletti, and Alsaldo Cebà, and a final two-part madrigal for six voices sets a sonnet by the great fourteenth-century poet Francesco Petrarca. In addition to fourteen madrigals by Gagliano, the book contains three by guest composers Luca Bati and Giovanni and Lorenzo Del Turco. Gagliano's madrigals in book 4, in contrast with those of his earlier books, are lighter and show the clear influence of the contemporary canzonetta, which is manifested in their brevity; the discrete sectioning of the music, frequently with concurrent rests in all the voices that separate the presentation of individual poetic lines; the omnipresent syllabic setting of words; and the simpler and shorter motives that are most often presented in a homophonic texture. In some of these madrigals, motives shaped by the melody and rhythm of spoken language might serve well in monodies. Indeed, in his magisterial study of the madrigal, Alfred Einstein went so far as to suggest that some of these madrigals have the effect of polyphonic, imitative arrangements of Florentine monodies.

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17

Brown, Henry. The Sonnets of Shakespeare Solved, and the Mystery of His Friendship, Love, and Rivalry Revealed: Illustrated by Numerous Extracts from the Poet's Works, Contemporary Writers, and Other Authors. Adamant Media Corporation, 2005.

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18

GRAIN: Mystical Poems. San Jose, USA: Smashwords Independent Publishing Platform, 2013.

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19

GRAIN: Mystical Poems. Seattle, USA: Create Space, 2013.

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20

GRAIN: Mystical Poems. Seattle, USA: Amazon Kindle Direct Publishing, 2013.

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