Relevant bibliographies by topics / Contemporary Spanish Novels

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Contemporary Spanish Novels'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Contemporary Spanish Novels"

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Mohring, Agatha. "Therapeutic Journeys in Contemporary Spanish Graphic Novels." European Comic Art 11, no. 2 (2018): 98–117. http://dx.doi.org/10.3167/eca.2018.110206.

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María y yo by Miguel and María Gallardo, Arrugas by Paco Roca and Una posibilidad entre mil by Cristina Durán and Miguel Ángel Giner Bou are contemporary Spanish graphic novels that can be considered pathographies. This article shows how they use the metaphor of the journey to deconstruct social representations and challenge preconceived ideas about autism, Alzheimer’s disease and cerebral palsy. By making readers travel to the unknown territory of differences and diseases, these works help them to discover and understand alterity. I also study how the authors use techniques specific to travel
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Murray, N. Michelle. "On Feminist Paradoxes: Transnational Domestic Encounters in Contemporary Spain." Letras Femeninas 41, no. 1 (2015): 265–81. http://dx.doi.org/10.2307/44733782.

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Abstract This essay analyzes Spanish feminisms through an exploration of the domestic sphere and its transformations, as represented in two recent novels: Ángeles Caso’s Contra el viento (2010) and José Ovejero’s Nunca pasa nada (2007). In these works, the juxtaposition of Spanish women and immigrant women in the domestic sphere creates sites of solidarity between nationals and immigrants as women. While the relations between these two groups of women are steeped in power paradigms that reflect the asymmetries extant in the global world system, the influence the foreign women wield within this
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Xue, Yutong. "The Media Reception of Contemporary Chinese Novels in Spain." Advances in Humanities Research 12, no. 1 (2025): 13–17. https://doi.org/10.54254/2753-7080/2025.21373.

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This study examines the reception of contemporary Chinese novels in Spain, focusing on translations published between 1990 and 2024. By combining quantitativedata with textual analysis, the research explores how contemporary Chinese literature has been received by Spanish media. Based on book review data and publication records from Spains mainstream media, the study reveals the phased characteristics of the dissemination of Chinese literature, its reception effectiveness, and the influencing factors. The findings provide empirical insights for the international promotion of Chinese literature
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Veysey-White, Isaac. "Shifting Hegemonies and Neoliberal Dystopias in La polilla en la casa del humo and El último sueño by Guillem López." Hispania 108, no. 1 (2025): 81–95. https://doi.org/10.1353/hpn.2025.a953557.

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Abstract: Contemporary Spanish literature continues to be informed by the 2008 economic crisis and neoliberalism. Dystopia is relevant to this discourse, but the dystopian fiction of the Spanish author Guillem López has not been considered extensively in the academy. This paper considers López’s La polilla en la casa del humo and El último sueño . While prior scholarship has acknowledged these novels’ anti-neoliberal commentaries, it has neither considered them together, nor analyzed their themes of religious authoritarianism. Consulting with scholars of neoliberalism, dystopia, and literature
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Lindqvist, Yvonne. "Bibliomigration från periferi till semi-periferi." Tidskrift för litteraturvetenskap 48, no. 1-2 (2018): 90–104. http://dx.doi.org/10.54797/tfl.v48i1-2.7615.

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Bibliomigration from Periphery to Semi-Periphery. About Contemporary Spanish Caribbean Literature in Swedish Translation
 The aim of this article is threefold: firstly to describe the bibliomigration patterns of contemporary Spanish Caribbean literature to Sweden, secondly to test the Double Consecration Hypothesis, and thirdly to discuss the importance of translation in relation to World Literature. The material studied consists of 25 novels written by 15 Spanish Caribbean authors from Cuba, Puerto Rico and the Dominican Republic translated into Swedish during the period 1990–2015. The c
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Martin, K. W. "Contemporary Spanish American Novels by Women: Mapping the Narrative. Susan E. Carvalho." Contemporary Women's Writing 4, no. 1 (2009): 73–74. http://dx.doi.org/10.1093/cww/vpp011.

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Artemova, L. V. "La leyenda negra” in contemporary Spanish authors´ articles." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 36 (2019): 102–16. http://dx.doi.org/10.17721/2663-6530.2019.36.08.

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This article is dedicated to the expression of the main concepts of the historic issue “The Black Legend” in the modern public Spanish language on the material of the publications of two authors, J. Marias and J. Cercas, in the Sunday supplement to the newspaper “El País”. It deals the historically marked notion artificially introduced into the circulation during the next two centuries by the countries-enemies of Spain on the political stage and it influenced the attitude of the other countries and even the population of Spain itself to their Motherland and to themselves. Being the historical
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Grigore, Rodica. "Memory, Fiction and Reality in Antonio Muñoz Molina’s Novels." Sæculum 47, no. 1 (2019): 97–105. http://dx.doi.org/10.2478/saec-2019-0009.

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AbstractOften compared to Jorge Luis Borges or even to William Faulkner for the intricate and symbolic structure of his work, the Spanish writer Antonio Muñoz Molina always tried to evaluate within his novels the complex relationship between reality and fiction. The Spanish Rider (1991), one of his most exquisite creations also deals with the significance of memory as far as his protagonist’s evolution and decisions are concerned. Above all these, the novelist analyzes the influence of history on common people’s life and underlines the necessary balance that has to be established between the h
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Awaad, Hala Abdelsalam. "Tipología De La Novela Histórica Contemporánea." European Journal of Multidisciplinary Studies 5, no. 1 (2017): 437. http://dx.doi.org/10.26417/ejms.v5i1.p437-454.

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The present study investigates the variability of the historical literary genre with special reference to two contemporary novels: Vázquez Montalbán´s Galíndez, and Eduar El-Jarrat´s The Road of the Vulture. At face value, both works can be considered poles apart: both works are written in two different languages, Spanish and Arabic, belong to two different cultures, and each has undergone a social-historical development inspired by literary theory and a new critical vision. Therefore, both authors are unified by their innovated literary vision: they have created two novels which transcend the
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Bies, Andrea. "Spanien in aktuellen deutschen Reiseromanen." Revista de Filología Alemana 29 (June 5, 2021): 93–108. https://doi.org/10.5209/rfal.78404.

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Depictions of Spain in contemporary German travel novels represent an area that has hardly been researched to date. Therefore, this study analyses five novels of different genres published since the turn of the millennium, which are dedicated to the experiences of German travellers in Spain. Their images of Spain are produced on two levels: the imaginary and the actual experience of space, whereby the great discrepancy between these two levels leads to disappointment. Through various narrative techniques the characters are exposed as naive and their mostly negative images of Spain as a mirror
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Dissertations / Theses on the topic "Contemporary Spanish Novels"

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Icleanu, Constantin C. "A CASE FOR EMPATHY: IMMIGRATION IN SPANISH CONTEMPORARY MEDIA, MUSIC, FILM, AND NOVELS." UKnowledge, 2017. http://uknowledge.uky.edu/hisp_etds/33.

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This dissertation analyzes the representations of immigrants from North Africa, Latin America, and Eastern Europe in Spain. As engaged scholarship, it seeks to better the portrayal of immigrants in the mass media through the study of literature, film, and music about immigration spanning from the year 2000 to 2016. Because misconceptions continue to propagate in the media, this dissertation works to counteract anti-immigrant, xenophobic representations as well as balance out overly positive and orientalized portrayal of immigrants with a call to recognize immigrants as human beings who deserve
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Henricksen, Richard A. "The Flux of Agency: Unsettling Objects in Contemporary Spanish Civil War Novels (1998-2008)." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1470585727.

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Aguilera, José Luis Bellón. "Literary field and social world in the contemporary Spanish novel : Miguel Espinosa and Juan Marsé." Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403470.

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Ellison, Mahan L. "Literary Africa: Spanish Reflections of Morocco, Western Sahara, and Equatorial Guinea in the Contemporary Novel, 1990-2010." UKnowledge, 2012. http://uknowledge.uky.edu/hisp_etds/7.

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This dissertation analyzes the strategies that Spanish and Hispano-African authors employ when writing about Africa in the contemporary novel (1990-2010). Focusing on the former Spanish colonial territories of Morocco, Western Sahara, and Equatorial Guinea, I analyze the post-colonial literary discourse about these regions. This study examines the new ways of conceptualizing Africa that depart from an Orientalist framework as advanced by the novelists Lorenzo Silva, Concha López Sarasúa, Ramón Mayrata, María Dueñas, Fernando Gamboa, Montserrat Abumalham, Javier Reverte, Alberto Vázquez-Figuero
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Rossi, Maura. "La memoria transgeneracional: presencia y persistencia de la guerra civil en la narrativa española contemporánea." Doctoral thesis, Università degli studi di Padova, 2015. http://hdl.handle.net/11577/3424172.

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A substantial number of literary works elaborated and published in contemporary Spain features the memory of the Spanish Civil War and successive Francoist dictatorship as a recurring topic within its plots. Brought forward by authors who are unable to resort to a biographical connection with the events they tell about, this kind of narrative tackles the literary explicitation of painful events which still appear to retain a traumatic and conflictive nature. This thesis aims at investigating the features through which the memory of the 1936-1939 conflict is still reflected in peninsular narra
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Marcari, Maria de Fátima Alves de Oliveira [UNESP]. "A recriação do siglo de oro espanhol em El Capitán Alatriste, de Arturo Pérez-Reverte." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/103664.

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Made available in DSpace on 2014-06-11T19:32:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-07-30Bitstream added on 2014-06-13T19:43:34Z : No. of bitstreams: 1 marcari_mfao_dr_assis.pdf: 912757 bytes, checksum: 6bbf978002f9f328f562b62463397b97 (MD5)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Este trabalho tem como objetivo analisar os seis romances que constituem a série El capitán Alatriste (1996-2006), do escritor espanhol Arturo Pérez-Reverte, com o intuito de comprovar a tese
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Mohring, Agatha. "Les dispositifs de l'intime dans le roman graphique espagnol contemporain : une approche intermédiale." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20040.

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Les romans graphiques contemporains abordent des thématiques intimistes telles que l’autobiographie et le récit de la vie quotidienne. Ils se confrontent aux problématiques de représentation de l’indicible, de l’intériorité qui résiste à la monstration directe face auxquelles ils doivent inventer des modalités de dévoilement qui ne risquent pas de dénaturer l’intime. Pour ce faire, les artistes ont fréquemment recours à des procédés propres à d’autres médias, ou à des références à ceux-ci, qui créent une brèche dans la narration et la figuration, et permettent de laisser entrevoir l’intime. Le
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Bonvalot, Anne-Laure. "Formes nouvelles de l'engagement dans le roman espagnol actuel : Alfons Cervera, Belén Gopegui, Isaac Rosa." Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30032.

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On prétend éprouver dans cette étude l'hypothèse suivante : le retour, dans le roman espagnol récent, d'un courant défendant ouvertement la puissance critique et politique de l'écriture littéraire. Saisie à la fois comme discours social et comme forme du savoir, la littérature serait dès lors porteuse de dissensus et potentiellement transformatrice. Cette tendance à contre-Courant, si elle reste minoritaire, n'en est pas moins profondément significative. Au plan esthétique, la revendication des notions de responsabilité, d'intentionnalité et de politicité de l'écriture n'implique pas de recour
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Marcari, Maria de Fatima Alves de Oliveira. "A recriação do "siglo de oro" espanhol em "El Capitán Alatriste", de Arturo Pérez-Reverte /." Assis : [s.n.], 2008. http://hdl.handle.net/11449/103664.

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Orientador: Antonio Roberto Esteves<br>Banca: Heloisa Costa Milton<br>Banca: Maria Dolores Aybar Ramirez<br>Banca: Silvia Inês Cárcamo<br>Banca: Lygia Rodrigues Vianna Peres<br>Resumo: Este trabalho tem como objetivo analisar os seis romances que constituem a série El capitán Alatriste (1996-2006), do escritor espanhol Arturo Pérez-Reverte, com o intuito de comprovar a tese de que a reescritura do século XVII espanhol elaborada pela série tem a pretensão de veicular um conhecimento "objetivo e verdadeiro" da história, por meio de uma visão monológica dos fatos históricos ficcionalizados, reafi
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Sainz-Pardo, Gonzalez Carlos. "Écriture et engagement dans les romans d’Andrés Sorel (1963-2013)." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAL026/document.

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Romancier, essayiste, ancien secrétaire général de la Asociación Colegial de Escritores de España, Andrés Sorel (Ségovie, 1937) est surtout connu pour son activité de militant antifranquiste. Il a pourtant publié à ce jour quinze romans et un nombre considérable d'essais. Depuis les années soixante, toute son œuvre est écrite sous le signe de l’engagement, ce qui peut expliquer en partie une forme de mise à l'écart du marché éditorial. Cette thèse vise à analyser comment sa dissidence intellectuelle contre l’idéologie dominante se construit dans sa production romanesque. On tentera de définir
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Books on the topic "Contemporary Spanish Novels"

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Piña-Rosales, Gerardo. La obra narrativa de Segundo Serrano Poncela: Crónica del desarraigo. Edwin Mellen Press, 1999.

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Labanyi, Jo. Myth and history in the contemporary Spanish novel. Cambridge University Press, 1989.

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González, Aníbal. Love and politics in the contemporary Spanish American novel. University of Texas Press, 2010.

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Jonathan, Swift. Gulliver's travels: With an introduction and contemporary criticism. Ignatius Press, 2010.

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Pearce, Joseph, ed. Romeo and Juliet: With contemporary criticism. Ignatius Press, 2011.

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Amell, Samuel. The contemporary Spanish novel: An annotated, critical bibliography, 1936-1994. Greenwood Press, 1996.

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Joseph, Conrad. Heart of darkness: A case study in contemporary criticism. St. Martin's Press, 1989.

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Charles, Boland Roy, and Harvey Sally, eds. Magical realism and beyond: The contemporary Spanish and Latin American novel. VOX/AHS, 1990.

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Shakespeare, William. The tragedy of King Lear: With classic and contemporary criticisms. Ignatius Press, 2008.

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Palacios González, Daniel. Making Monuments from Mass Graves in Contemporary Spain. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048560134.

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This book narrates how, beginning in 1936, bodies buried in mass graves during the Spanish War and subsequent dictatorship were turned into monuments. The book describes how the production of monuments evolved and what forms this process and these monuments took; it examines how the monuments were incorporated into society and used to influence public opinion; and it argues that this process was not simply based on the formal logic of tradition but instead reflected a conscious plan with a specific and rational end goal. As such, this book puts forward the idea that the monument as a material
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Book chapters on the topic "Contemporary Spanish Novels"

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Richardson, Nathan. "A New Heaven for a New Earth: Religion in the Contemporary Spanish Novel." In The Sacred and Modernity in Urban Spain. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-60020-2_9.

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Kuzminskaitė, Dovilė. "Non-Motherhood and the Narrative of the Self in Nuria Labari’s The Best Mother of the World." In Palgrave Macmillan Studies in Family and Intimate Life. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-66697-1_3.

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AbstractIn her novel The Best Mother in the World (La mejor madre del mundo, 2019) contemporary Spanish writer and journalist Nuria Labari presents both an intimate and a panoramic view of infertility, assisted reproduction, motherhood, and abortion. Her protagonist, a young middle-class woman living in Barcelona, narrates her story of becoming a mother in the first person, starting from an initial lack of desire to become a mother to a newly discovered longing to become one and, finally, the decision to abort her third, unexpected pregnancy. TheBest Mother in the World presents a socio-politi
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Mohring, Agatha. "Therapeutic Journeys in Contemporary Spanish Graphic Novels." In Spanish Comics. Berghahn Books, 2020. http://dx.doi.org/10.2307/j.ctv29sfvvp.14.

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Davies, Ann. "The Gothic Bestseller: The Circulation of Excess." In Contemporary Spanish Gothic. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402996.003.0003.

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This chapter considers the work of best-selling Spanish authors Arturo Pérez Reverte and Carlos Ruiz Zafón as part of the trajectory of popular Gothic writing. Focusing specially on the successful and widely translated novels El club Dumas/The Dumas Club and La sombra del viento/The Shadow of the Wind, this chapter begins by looking at books and libraries in terms of fakery and unreliability – the book as treacherous. It then proceeds to draw on the theories of Fred Botting concerning Gothic as writing of excess and the postindustrial circulation of Gothic imagery to foreground contemporary ci
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Mohring, Agatha. "Chapter 10 Therapeutic Journeys in Contemporary Spanish Graphic Novels." In Spanish Comics. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781789209983-012.

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"Conclusion." In Contemporary Spanish American Novels by Women. Boydell and Brewer, 2007. http://dx.doi.org/10.1515/9781846155277-009.

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"Frontmatter." In Contemporary Spanish American Novels by Women. Boydell and Brewer, 2007. http://dx.doi.org/10.1515/9781846155277-fm.

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"1 Textual Situations: At the Crossroads of Literature and Geography." In Contemporary Spanish American Novels by Women. Boydell and Brewer, 2007. http://dx.doi.org/10.1515/9781846155277-003.

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"2 In the Commercial Pipelines: Restrepo’s La novia oscura." In Contemporary Spanish American Novels by Women. Boydell and Brewer, 2007. http://dx.doi.org/10.1515/9781846155277-004.

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"3 Captured on Film: Allende’s Retrato en sepia." In Contemporary Spanish American Novels by Women. Boydell and Brewer, 2007. http://dx.doi.org/10.1515/9781846155277-005.

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Conference papers on the topic "Contemporary Spanish Novels"

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Arroita Azkarate, Izaro. "Conflicting Memories and Families in Conflict: Identity and Otherness in Contemporary Basque Literature." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8454.

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Contemporary Basque literature shows a clear interest in our conflictive past. A growing number of works deal with the Spanish Civil War, Franco's dictatorship, or all that we commonly call the ‘Basque conflict’. Although there is a variety of literary perspectives and approaches, we can observe some recurring motifs that may be especially significant for understanding the negotiations on memory and identity in the Basque Country. Specifically, I will analyze some narratives in which that Other who can be represented as a perpetrator or as a political opponent (a Falangist, a terrorist), also
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Chun Wai, Wilson Yeung, and Estefanía Salas Llopis. "THE SPACE BETWEEN US." In INNODOCT 2020. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.

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This article explores how to integrate the collective creation of contemporary art exhibitions, and how to transform exhibition works into contemporary language and novel visual art materials, thereby generating cultural exchange between Australia and Spain. The Space Between Us (2017- ), co-curated by Australian artist-curator Wilson Yeung and Spanish artist Estefanía Salas Llopis, resolve these questions by examining the contemporary art exhibition. This paper also asks how to transform art exhibitions into laboratories, how artists and curators work together in a collective innovation envir
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Vedeld, Knut, Håvar Sollund, and Olav Fyrileiv. "Recent Advances in Pipeline Free Span Design: A New Revision of DNV-RP-F105." In ASME 2016 35th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/omae2016-55010.

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Pipeline free span design has evolved from basic avoidance criteria in the DNV ’76 rules [1], to fatigue and ultimate limit state considerations in Guideline no. 14 [2]. Modern multimode, multi-span free span design is predominantly performed according to DNV-RP-F105 [3]. In 2006, the latest revision of DNV-RP-F105 [3] was written as a direct result of extensive research, performed due to significant free span challenges in the Ormen Lange pipeline project. DNV-RP-F105 was at the time, and still is, the only pipeline design code giving contemporary design guidance for vortex induced vibrations
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Reports on the topic "Contemporary Spanish Novels"

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Feller-Simmons, Paul G., and Cesar D. Favila. The Virgin Mary's Essence in New Spanish Song. Society for Seventeenth-Century Music, 2025. https://doi.org/10.53610/bdlm1317.

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This edition features thirteen villancicos transcribed from the Sánchez Garza Collection held in Mexico City’s Centro Nacional de Investigación, Documentación e Información Musical Carlos Chávez (CENIDIM). Their publication provides ensembles music for performance that was originally notated for and performed by women, in this case the nuns of Puebla’s Santísima Trinidad convent. This convent was founded in the seventeenth century in colonial Mexico (New Spain) and left behind the largest collection of women’s notated music from New Spain. The novel organization of this edition, featuring vill
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