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Gonullu, Ayse. "Contemporary Women&." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/2/12606618/index.pdf.
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The main aim of this study is to investigate the tools of the women’
s activism which are used in transforming the gender equality agenda in Turkey in terms of legislative reform. To illustrate and study of the tools of women&
#8217
s activism descriptively, a case study on the women&
#8217
s activism for legislative reform in Turkey is conducted. The findings of the research verified the research thesis that women&
#8217
s activism that occurred after 1980s and institutionalized during 1990s was incredibly influential in transforming the Turkey&
#8217
s political agenda. The inner organization manner of women&
#8217
s movement, its use of the media, lobbying activities such as finding allies in the commission and parliament, engagement with international women&
#8217
s rights mechanisms, conducting effective communication through list-serve, arranging street demonstrations and actions can be enumerated as important tools.
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Mohammed, Elattag Mona I. "Women in contemporary Islamic societies." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ47781.pdf.
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Gibney, Delmarie. "Biblical images for contemporary women." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
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Kuhlman, Olivia. "Inequities of Contemporary French Women." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/60.
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This thesis is an analysis of the current situation of women in contemporary France. It analyzes the current situation of French women in education, the work force, politics, and French society, with the intent of uncovering the gender inequalities French women encounter in contemporary France.
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Salem, Lema Malek. "Women in contemporary Palestinian cinema." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/women-in-contemporary-palestinian-cinema(20e6c0d2-f5e8-4b75-bdd7-6933c8ab7432).html.
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This thesis seeks to increase recognition of contemporary Palestinian women’s cinema and locates it firmly within the Palestinian film industry. I argue that Palestinian women’s cinema has created and developed a nuanced cinema whilst sustaining and enhancing the Palestinian film industry. The twenty-first century has undeniably witnessed the vigorous development of a Palestinian women’s cinema and the number of Palestinian women filmmakers and films is still on the rise. Scholars have often focused on increasing worldwide recognition of mainstream Palestinian films directed and produced by well-known Palestinian filmmakers. This has resulted in the marginalisation of Palestinian women’s cinema within an already marginalised Palestinian film industry. I locate Palestinian cinema, in the introduction, as a transnational cinema and I also explain my rationale for placing women’s film under the category of “women’s cinema”. In order to offer a comprehensive analysis and to understand and examine the corpus of films in this thesis, I firstly provide an overview of the historical and contemporary background of Palestinian popular arts and cinema, highlighting Palestinian women’s participation. In chapter 2, I discuss women’s roles in Palestinian politics in order to trace women’s positions and roles in political public life because it is difficult to separate activism from social life and thus from cinema, as these three intersect and mutually influence one another. In chapter 3, 4 and 5 I argue, through detailed discussion and analysis of this body of work that, unlike Palestinian cinema at large, Palestinian women filmmakers embody, interweave and reflect on the complex and often contradictory contemporary and historical issues taking into account ideologies and socio-cultural differences in a complex geopolitical space (e.g. sexual restrictions, power and authority, femininity and masculinity, restriction on movement and hyphenated identities). I also argue that these women filmmakers are interested in developing responses to what they see as heterogeneous and hyphenated Palestinian identities while adapting traditional and modern filmic styles. Here I have studied their works thematically as this provided greater insight into the social and historical contexts of contemporary Palestinian lives. I argue that films by Palestinian filmmakers living inside Palestine focus and revolve around socio-culturally sensitive and underrepresented issues of love and sexuality (chapter 3), violence and power (chapter 4). I also argue that hyphenated Palestinian filmmakers, in this case, Palestinian American filmmakers, explore through their work themes of displacement and the imagined homeland by reflecting on historical events and also through examining the different ‘journeys’ of their hyphenated characters, both internal and geographical. I study the films in this thesis within contemporary discourses on culture, cultural capital, discourses of power, identity, migration and diaspora, exile, feminist debates, gender politics, postcoloniality and borderlands.
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Bolzt, Kerstin. "Women as artists in contemporary Zimbabwe /." Eckersdorf, Germany : Breitinger, 2007. http://www.loc.gov/catdir/toc/fy0804/2008400471.html.
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Brennan, Zoe. "Representations of older women in contemporary literature." Thesis, University of the West of England, Bristol, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271040.
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This study argues that novels by contemporary women writers, such as Doris Lessing, May Sarton, Barbara Pym and Jenny Diski, through their representation of older female protagonists, create alternative discourses of ageing to those that dominate Western society. By placing these figures at the centre of their narratives, the texts counteract the silence and pejorative stereotyping that routinely surrounds the lives of the aged. The technique of studying literary representations of women is not new; in fact, it is a trusted part of feminist methodology. However, one of the assertions of this dissertation is that it is rarely used to investigate texts about the senescent, reflecting feminism's failure to include the older women in their theories. Part one of the dissertation examines such issues in depth, setting out the theoretical orientation of the study. It considers popular representations and paradigms of ageing, as well as considering the power of normalising discourse and dynamics of representation. Part two uses this material to analyse the strategies that British and North American authors have employed, since the 1960's, to challenge common stereotypes of older women. The first three chapters focus on novels that portray protagonists who display emotions, not usually associated with the old, which are revealed in relation to different aspects of ageing: anger and frustration (dependency); passion and desire (sexuality); and contentment (daily life). Chapter 7, 'The Wise and Archetypal Older Woman', shifts its attention away from more realist texts to study characters who emerge from the covers of ratiocinative fiction. It argues that conventional critiques of the genre often negate its more polemical elements, which is a result of their failure to use an age- and gender-aware approach and a problem that generally greets intelligent novels about female senescence. This thesis sees itself as part of a movement that aims to create a space in which older female characters' voices can be heard and recognised. It contends that the authors treated here produce visions of ageing that are not solely concerned with stagnation and decline. They represent a varied and compelling group of protagonists and, in doing so, illustrate that older women are worthy of literary, social and feminist interest.
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Petty, Sue. "Working-class women and contemporary British literature." Thesis, Loughborough University, 2009. https://dspace.lboro.ac.uk/2134/5441.
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This thesis involves a class-based literary criticism of working-class women s writing. I particularly focus on a selection of novels by three working-class women writers - Livi Michael, Caeia March and Joan Riley. Their work emerged in the 1980s, the era of Thatcherism, which is a definitive period in British history that spawned a renaissance of working-class literature. In my readings of the novels I look at three specific aspects of identity: gender, sexuality and race with the intersection of social class, to examine how issues of economic positioning impinge further on the experience of respectively being a woman, a lesbian and a black woman in contemporary British society. I also appropriate various feminist theories to argue for the continued relevance of social class in structuring women s lives in late capitalism. Working-class writing in general, and working-class women s writing in particular, has historically been under-represented in academic study, so that by highlighting the work of these three lesser known writers, and by indicating that they are worthy of study, this thesis is also complicit in an act of feminist historiography.
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De, Leeuw Patricia, Francine Cardman, M. Shawn Copeland, and Megan McCabe. "Women for a contemporary Church: A conversation." The Church in the 21st Century Center at Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104057.
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Listen to a conversation about the prophetic witness of Catholic women, who through their passion, talents, scholarship, and personal sense of vocation, remain committed in hope to a Catholic Church at its best
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Henderson, Gwen Deborah. "Evangelical women negotiating faith in contemporary Scotland." Thesis, Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/323/.
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Thesis (Ph.D.) - University of Glasgow, 2008.Ph.D. thesis submitted to the Department of Theology and Religious Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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Cohen, Stephanie B. "Four contemporary Jewish women writers from Argentina." Thesis, Boston University, 2000. https://hdl.handle.net/2144/38020.
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Thesis (Ph.D.)--Boston UniversityPLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
Until recently little attention has been paid to Latin American women writers and even less to those of them who are Jewish. This dissertation is an attempt to remedy that situation through the study of four contemporary Argentine Jewish women writers. My introduction explores theoretical issues relating to the specificity of both Jewish and women's writing. Chapter One considers the work of Alejandra Pizarnik (1936-1972). Although a Jew by birth, she shows very little overt Jewish influence in her work because she did not acknowledge her heritage. However, her background appears obliquely throughout her writing, for example, in many biblical references. Pizarnik's perspective on women is equally elusive, but nonetheless can be traced in her treatment of love and loss. Ana Maria Shua (1951- ), whose writing is the subject of the second chapter, is openly Jewish and unavowedly feminist. I study those aspects of her work that can be considered Jewish, such as her interest in the immigrant experience and her recounting of traditional Jewish folk tales. Although Shua does not admit to being a feminist, her books portray female dominance over men, particularly in El marido argentino promedio. Chapter Three centers on the writings of Manuela Fingueret (1945- ). Traditional customs, the Yiddish language and biblical references appear in her fiction and poetry. She depicts her female characters as strong and independent. Her poetry contains an element of eroticism, which she presents from a distinctively feminine perspective. The final chapter studies the work of Alicia Steimberg (1933- ). Steimberg's characters indicate contradictory feelings about being Jewish. Steimberg, like Shua, deals with the Jewish immigrant experience; she focuses on women, many of whom work outside the home. Steimberg's treatment of eroticism is idiosyncratically straightforward in its emphases. The dissertation's epilogue summarizes its conclusions and points the way for additional work to be done on Latin-American Jewish women writers.
2031-01-01
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Lindner, Katharina. "Spectacular physicalities female athleticism in contemporary cinema /." Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/611/.
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Thesis (Ph.D.) - University of Glasgow, 2008.Ph.D. thesis submitted to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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Hepp, Arlene. "Women of the Old Testament contemporary role models /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
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Hanna, Heather. "Women framing hair : serial strategies in contemporary art." Thesis, Open University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551616.
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This thesis explores the complex and enigmatic motif of hair in the work of five contemporary women artists, Chrystl Rijkeboer, Alice Maher, Annegret Soltau, Kathy Prendergast and Ellen Gallagher, from the late 1970s to the present. The purpose of the research is to investigate why hair is such a productive and resonant site of meaning, how it is suggestive of and responds to serial strategies, and why it appears to be of particular significance to women who are artists. I explore the implications of hair as an embodied material, as well as its role as a haptic metaphor of the life cycle. I also discuss some of the divergent histories of hair as a rich marker of identity in cultural discourses of beauty, myth and femininity, and as a symbol of status and power. What might be seen as a darker, more liminal side of hair as a site of excess and body waste, and its ability to represent trauma and 'wounding', are also explored. As I argue, through its somatic connections hair can be positioned both of, and yet abjected from, the living body. Informed by a range of theoretical approaches, this research has drawn on Julia Kristeva's theorizations of the abject, Helene Cixous's notion of ecriture feminine, and a Deleuzian consideration of difference. A major concern is the different artists' strategies and negotiations with notions of seriality, which enable rich and compelling possibilities for writing the female body in imaginative and fluid ways. This, together with gender issues, identity and the body - specifically the head - and memory as a marker of biography, are key themes throughout the thesis. In combination with its historiography, the medium of hair and its simulacra in art practice are seen to have the potential to challenge and subvert conceptions of feminine identity and some of the bastions of traditional painting and sculpture.
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Eskandari, Maryam S. M. Massachusetts Institute of Technology. "Women places and spaces in contemporary American mosque." Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/65546.
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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2011.Cataloged from PDF version of thesis.
Includes bibliographical references (p. 104).
There is an ever-present demand for Mosques in American cities to accommodate the more than 8 percent of the American population that are Muslims; the majority of which are American-born Muslims or American converts. However, Muslim-American communities have implemented the same architectural vocabulary of mosques seen in the Middle East into their American neighborhoods. Nevertheless, this architectural transplantation from the Middle East to America does not come without problems. The weaving of Middle Eastern architectural culture with an American application of Islam, which is prominent within Modern American society, gives rise to internal tensions felt within the community, in particular to the issue of Muslim women's' place in community mosques. Through the numerous case studies and investigations of the American Mosques that I documented, it is clear that the community does not provide adequate spaces for their women members. My thesis explores the process of modifying and developing a new architectural vocabulary for the American mosques within the confinements and boundaries in Islam, in particular, creating an adequate space for women. A lack of attention to the needs of American Muslim women in the states has caused a gender conflict over the adequacy of spaces for Muslim women within American mosques. For example, in the 2006 controversial documentary titled the "Mosque of Morgantown"1 , located in West Virginia, a significant dilemma was created dividing the Muslim community residing in the United States. The "Mosque of Morgantown" set the social precedent for some Muslim women to question some of the religious rulings regarding prayers and set the tone for numerous other protests, of which the most recent occurred at the Islamic Center of Washington DC. In early part of 2010, the Islamic Center of Washington D.C.2 had an outburst of escalating tensions between genders. Thirty Washington D.C. women united in protest and refused to pray in the basement of the mosque, which was their designated area of worship. Instead they decided to attend prayers under the same roof as the men during worship. This seemingly simple act of protest was frowned upon. The Imam of the mosque declared that the allocated rows were for men only. The presence of women in the rows resulted in the delay of the obligatory Friday prayer that is mandatory for men in Islam. Through these incidences, it is clear that an investigation of a new architectural expression, within the confinement of the religion, for women-driven spaces needs to be conducted.
by Maryam Eskandari.
S.M.
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Al-Mannai, Salah. "Women in contemporary Qatar : their rights and welfare." Thesis, University of Leicester, 2006. http://hdl.handle.net/2381/28890.
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The State of Qatar is in the process of change, a process that started only in the last decade. This change includes modernising its institutions, introducing democracy, and moving towards becoming a more open economy and society. The State authorities have introduced legislation, policies and guidelines to support and enhance these changes. Women’s rights have attracted much attention during this process and there has been concern to help and support women in taking up their place within society since there is a significant gap between the roles and rights of males and females in the State. Qatari society is conservative; it has strong Arabic and Islamic values, norms and traditions. Therefore, research into women’s issues is of great interest to the State authorities in helping them with their decision-making. Furthermore, the State lacks information, data and research regarding women’s issues and this research is the first comprehensive study to be carried out on the rights of Qatari women. The main aims of this research are to explore, examine and investigate the political, educational, work and welfare rights of women in Qatar. This includes identifying the obstacles which stand in the way of women’s rights and offering recommendations regarding measures that would help in overcoming these difficulties. The research aims to open, promote and explore issues concerning the rights of women and seeks to discover if any changes in values and norms have occurred since the new Emir took over as State ruler in 1993. Extensive fieldwork has been carried out to provide the necessary data and information; also, a framework based on system theory, and the ideas of Islam and feminism, have been used to address the aims and objectives of the research. On the basis of this work, a number of conclusions have been drawn.
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Choi, Mina. "Revision of Euripides' Tragedies by Contemporary Women Playwrights." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386041799.
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Abdulla, Aqeel. "Representations of Muslim women in contemporary British theatre." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/24354.
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This PhD thesis sets out to study how Muslim women have been depicted in contemporary British plays. I am studying these depictions in eight plays: 1. Deadeye by Amber Lone, first performed in October 2006 at The Door, Birmingham Repertory Theatre. 2. Sweet Cider by Emteaz Hussain, London 2008. 3. Shades by Alia Bano, London 2009. 4. What Fatima Did by Atiha Sen Gupta, London 2009. 5. Sisters by Stephanie Street, Sheffield 2010. 6. Burq Off! by Nadia Manzoor, London 2014. 7. My Name Is ... by Sudha Bhuchar, London 2014 8. East Is East by Ayub Khan-Din, London 2014. I am arguing in my introduction that there is an emerging theory within feminism that I am calling Islamic feminisms, and I am using it as a framework for my analysis of the plays in the thesis. Islamic feminisms draw on, and are influenced by questions of cultural hybridity, second wave Western feminism, and religious ideology. Three key issues emerge from study of the plays: the question of the hijab, the position of women within the Muslim family, and the integration/non-integration of Muslim women in British society. Each chapter develops an extended study of one of these key issues, including a literature review of the social, political, religious, or cultural backgrounds of the issue, and then goes on to analyse a selected number of plays where these issues are either the main or one of the main topics. The analyses look at the play as a cultural event, examining the circumstances surrounding the writing and producing of each play and assessing the possible contribution that the play has made to contemporary debates about these issues. I analyse not just thematic content, but also the ways in which performativity has conveyed messages and initiated or invited dialogues about the issues. My analysis develops an evaluation of the significance of these plays to the cultural debate in the UK around these key issues, and reflects on the contribution of these plays and the development of Muslim feminist plays in the future.
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Bricker, Margaret (Margaret S. ). Carleton University Dissertation Comparative Literature. "Feminism, postmodernism, and contemporary Canadian writing by women." Ottawa, 1996.
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Aydemir, Cigdem. "Image and Voice: Muslim women in Contemporary Art." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15723.
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This paper investigates the Western image of the Muslim woman in the context of contemporary art. Through my art practice I use the veiled woman cipher to reflect on personal experiences whilst broadening definitions and displacing hegemonic representations of veiling and Muslim women in an Australian cultural context. These are exemplified through autobiographical elements, parody in the Extremist Activity series, performative interventions illustrating the concept of the body as an occupied site and architectural devices that (re)create notions of inclusion, exclusion and otherness in space. From loquacious and overbearing noblewomen to helpless harem slaves awaiting rescue by her Orientalist saviours, an analysis of the development of the Muslim woman’s image throughout history reveals the shifting and contingent nature of her role in the Western imagination. Finally, an examination of current representations of Muslim women in Australian contemporary art demonstrates how these images often repeat and reinforce, rather than depart from, Orientalist and neo-Orientalist constructs.
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Meneses, Romero Mariana. "Women cooking art : hospitality and contemporary art practices." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20638/.
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This thesis examines the notion of hospitality in light of contemporary food-based artistic practices created from 2000 to 2015 by female artists Sonja Alhauser, Mary Ellen Carroll, Leah Gauthier, Ana Prvacki, Alicia Rfos, Jennifer Rubel I, Miriam Si mun, and Anna Dumitriu, and the experimental food artists Sam Bompas and Harry Parr. The aim is to make sense of how food practices, art, and feminism intersect, especially in light of the gendered history of the food system, including cooking, when opened onto a philosophically developed notion of hospitality. I explore the intricacies of hosting the "other", considering the multiple levels in which the relationship between the host and the guest develops. Hospitality is examined as a continuous cycle of relationships where dynamics and discourses of power and of generosity are constantly rehearsed. I focus on four main stages within the food system: 1) the gathering of edibles; 2) the cooking process; 3) the moment when food is shared and ingested with others; and 4) the digestive process. Throughout this thesis, I consider hospitality as an open structure that sheds light on the understanding of the encounters between human and non-human species-including animal, vegetable, and microbial-in the food chain. My analysis is situated within contemporary debates of gender studies, cultural studies, food studies, and philosophy of hospitality, in particular, Jacques Derrida's ethics of the other, and the imperative that "one must eat well". Eating is discussed as the literal and metaphorical assimilation and incorporation of the other, and incorporates feminist theoretical engagements which highlight Western thought as being structured by a series of gendered dichotomies, including those of nature-culture, male-female, mind-body, object-subject. I argue that the philosophical notion of hospitality and feminist theory enable a critical approach to the food system as a continual ethical imperative for and to the other.
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Minunno, Marisa. "Subjectivity in women writers' contemporary Arabic short stories." Thesis, SOAS, University of London, 2009. http://eprints.soas.ac.uk/28770/.
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This thesis examines the development of female subjectivities as presented in the short stories of women writers who started writing In Arabic in the second half of the 20th century in Egypt and the Levant (represented by Lebanon, Syria and Palestine), Iraq and the Gulf (represented by United Arab Emirates and Saudi Arabia) and North Africa (represented by Morocco and Tunisia). My theoretical approach draws on the theories of subjectivity elaborated by Michel Foucault, Simone de Beauvoir and other critical re-elaborations of Foucauldian concepts by several feminist theorists. This thesis aims at filling some of the lacunae in the available studies of Arab women literary achievements, which tend to be scarce, geographically limited, and concentrated on few famous names, dealing mostly with the novel and history of literature. Therefore the geographical area covered is extensive, showing the cultural, social and political variety of Arab countries against its mass media image of a monolithic whole. Whenever possible the authors have been selected among the younger, little known or translated women writers. The focus on the short story rather than the novel provides an insight into a dynamic area of Arab women's literary production which is widely understudied. Selecting subjectivity enables the study to move from the phase of history of literature to a deeper critical appreciation of women's literary achievements. Moreover subjectivity allows one to meet and hear the voices of female subjects with differences, opinions, sexualities, and so forth, and hence overcomes the many stereotypes diffused by mass media about 'Muslim women', transformed into a homogeneous, ahistorical and universalised category.
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Bruinsma, Raelene. "Restoring Inanna - an ancient myth for contemporary women?" Thesis, Curtin University, 2014. http://hdl.handle.net/20.500.11937/1523.
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Combining a range of performative methods, including original song and platform storytelling, this autoethnographic practice-led feminist study explores the ways in which the 4-5000 year stories and poems of the goddess Inanna from Ancient Sumer (present day Iraq) speak to contemporary women. Weaving together data gained from creative practice, trial performances, contextual research and discussion forums, the results are presented in a live one woman performance, documented in an accompanying DVD, and a written exegesis.
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Bretag, Tracey. "Subversive mothers : contemporary women writers challenge motherhood ideology /." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09ARM/09armb844.pdf.
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Chivers, Marian. "The warrior woman in contemporary romance fiction." Thesis, Federation University Australia, 2014. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/96448.
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Master of Arts by ResearchThe warrior woman is a recurring figure in myth and history. She could be seen as an ambiguous character as she challenges patriarchal assumptions about gender roles with her capability for masculine aggression while being recognisably female and “feminine”. In the new millennium, she has reappeared as the action heroine in films, televisions, comics and video games and she has also infiltrated romance fiction, a genre often considered one of the most conservative genres in terms of gender roles and equality. The Silhouette Bombshell line was created by the multinational publisher Harlequin to capitalise on the popularity of “action heroines” in popular culture. The romance genre, perhaps the most derided of all scorned literature, is often accused, particularly by feminist critics, of reinforcing the patriarchal structure of society. This thesis examines how this character type in romance fiction can provide a means to question and even subvert traditional or patriarchal gender expectations. It will undertake the close examination of the first six books of the Athena Force series, which were published in 2004-2005 as part of the Silhouette Bombshell line. Both the warrior woman and the romance genre are defined and historically reviewed, together with an outline of the workings of the contemporary romance industry with regard to category, genre and publishing guidelines. There follows a detailed analysis of the warrior woman character as she appears in the Athena Force series with regard to agency, violence, sisterhood, professional career, performance of femininity and romantic relationships. This study of the warrior woman in romance fiction challenges many critical and social preconceptions about the romance genre in general, and its treatment of gender roles in particular
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Vogt-William, Christine Florence. "Women and transculturality in contemporary fiction by South Asian diasporic women writers." Thesis, University of York, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489210.
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My thesis investigates how transculturality is articulated and theorised in contemporary fictional works from the 1990s onwards by South Asian diasporic women writers from England, Canada and America. Using the paradigm of transculturality, diasporic and postcolonial theories as well as gender concepts, the thesis takes a broadly chronological approach in addressing South Asian diasporic female identificatory processes in South Asian women's cultural production.
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Foley, Rebecca C. (Rebecca Claire) 1974. "The challenge of contemporary Muslim women activists in Malaysia." Monash University, School of Political and Social Inquiry, 2001. http://arrow.monash.edu.au/hdl/1959.1/9128.
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Gibbs, Brock Henry. "Women versus the counterrevolution, relating Marcuse to contemporary feminism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ27580.pdf.
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Cook, Méira. "Speaking in tongues, contemporary Canadian love poetry by women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0025/NQ31971.pdf.
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Burrows, Andrea C. "A social study of women in contemporary biological sciences." Diss., This resource online, 1991. http://scholar.lib.vt.edu/theses/available/etd-07282008-135540/.
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Donner, Fentje Henrike. "Women and gold : gender and urbanisation in contemporary Bengal." Thesis, London School of Economics and Political Science (University of London), 1999. http://etheses.lse.ac.uk/1539/.
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The thesis is based on data collected during a twenty months period of fieldwork undertaken in Calcutta, India. The main concern is with the effects of processes of urbanisation on middle-class women's lives in a heterogeneous neighbourhood. While focusing on members of the Bengali Hindu majority comparative material drawn from data referring to the Bengali Christian and Marwari communities is incorporated. Initially the socio-economic history of different castes and communities and in particular the Subarnabanik Bene (goldsmiths and sellers of gold) occupational and ritual patterns as well as educational standards are investigated. In the following chapters the effects of socio-economic change on marriage patterns (love- and arranged marriages) and their evaluation as well as various types of marriage transactions undertaken are described and interpreted. In the course of the remaining chapters household structures, women's work in the domestic sphere and female employment as well as redefined concepts relating to segregation and seclusion are analysed. Throughout the thesis various aspects of women's ritual activities, reproductive behaviour and kinship relations are investigated in a rapidly changing urban setting. Within the given context concepts of gender- and community-identity are explored and the influence of long-term and recent economic changes are analysed. Different meanings of phenomena like dowry, seclusion or the joint family and ideologies employed to legitimise the same are described with reference to traditional and modern practice. The domestic sphere identified with women and kinship is interpreted as linked to concepts of status within the urban setting where caste and community affiliation are among a number of defining features of group affiliation such as class and regional origin. Relations between gender and community are explored within the context of the locality and its history. As an overall hypothesis the flexibility and modern content of assumedly traditional concepts and practices is demonstrated.
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BASTOS, ROMULO COELHO LISBOA. "IRONY AND CITY STREETS: TWO YOUNG CONTEMPORARY WOMEN POETS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30155@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROPROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Partindo da discussão sobre o que se entende por poesia contemporânea, passando pelos possíveis recortes geracionais da segunda metade do século passado até a atualidade, esta dissertação analisa a obra de duas jovens poetas contemporâneas, Angélica Freitas e Alice Sant Anna, cujos livros de estreia foram publicados no século XXI.
On the basis of the discussion concerning what is meant by contemporary poetry and what counts as a generation in the period from the mid twentieth century to the present, this thesis examines the work of two contemporary young women poets, Angélica Freitas and Alice Sant Anna, who published their first books in the twenty-first century.
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Kim, Natalia N. "Transnational Women Protagonists in Contemporary Cinema: Migration, Servitude, Motherhood." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429100119.
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González, María Carmen. "Toward a feminist identity : contemporary Mexican-American women novelists /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu148769438939502.
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Kim, Hyun Mee. "Labor, politics and the women subject in contemporary Korea /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/6404.
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Al-Matrafi, Huda. "The representation of women in contemporary Arab-American novels." Thesis, University of Essex, 2012. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570661.
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Contemporary Arab-American women's writing is preoccupied with the ambivalence of the Arab-American identity. Analyzing Soheir Khashoggi's, Diana Abu-Jaber's, and Laila Halaby's novels, this thesis investigates what is meant by 'Arab-American' in these works by comparing and contrasting the representation of women as citizens both of an Arab world and an American one. Examining their novels from feminist and social perspectives and using these paradigms to understand Arab-American literature, the study shows how the three novelists introduce specific key themes concerning the lives of women, such as individuality, dignity, love, violence, the veil, virginity, honor killing, marriage, marital rape, and labor. A key feature of the three novelists' texts is the manner in which their fiction highlights the idealization of western civilization and the portrayal of Arab culture as backward. This generates two opposed worlds and clashing cultures, which introduce the reader to the issue of 'otherness', whether that of being a woman, an Arab, or an Arab- American. In others words, this study draws attention to how these authors' fiction testifies to the segregation and oppression of Arab women, on one hand, and demonstrates the resilience and strength of Arab-American women on the other. In order to do this, the authors frequently have recourse to authentic religious sources and traditional practices, as well as to political crises, such as the 9/11 attacks. This study aims therefore to show how these novelists, who are all Arab-American women living in the dilemma of political disasters occurring between the Arab world and the American world, have managed in their writings loudly to call for changes on personal, social, and political levels. Furthermore, it examines how the novelists involve the reader in the victimization of the female characters in order either to highlight, or to criticize the popular stereotypical image of Arabs and of Arab-Americans that exists today.
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Al-Harby, Nesreen Abdullah. "Veiled pearls : women in Saudi Arabia in contemporary fiction." Thesis, University of Leicester, 2018. http://hdl.handle.net/2381/42480.
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In comparison to other Arab/Muslim women, Saudi women are underexamined and/or often misrepresented. This thesis resists Saudi women’s obscurity and sheds light on their struggle to overcome domination and achieve emancipation. It analyses Hilary Mantel’s Eight Months on Ghazzah Street (1988), Rajaa Alsanea’s Girls of Riyadh (2008), Zoe Ferraris’s trilogy, Finding Nouf (2009), City of Veils (2011), and Kingdom of Strangers (2012), and Alys Einion’s Inshallah (2014). The thesis examines the significance of pre- and post-9/11 political and social contexts of representations of women in Saudi Arabia, compares depictions of Western (English, Welsh, and American) and Saudi women, and scrutinizes the effect of genre (the Gothic, the thriller, detective fiction and Chick Lit) on representations of women in a Saudi context. It draws on Arab/Muslim feminism to assess the degree to which the novels reproduce or challenge prevailing discourses of gender and Orientalism. This thesis argues that, through their employment of genre, the writers examined highlight women’s injustices. It contends that, although the novels analysed indicate that white women are not less oppressed than Saudi women, they provide an Orientalist representation of Saudi Arabia as a fearful space. Finally, this thesis demonstrates that Alsanea is the only writer that provides Saudi self-representation. However, she falls into self-Orientalism by restricting her depiction of Saudi women to the social elite. This thesis sheds light on Western representations of women in Saudi Arabia, broadens the very limited number of feminist studies of Saudi women, paves the road for more studies of gender in Saudi Arabia and provides much-needed material for international scholars interested in investigating the lives of women in Saudi Arabia.
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Seminet, Georgia Smith. "Redefining nation : space and desire in contemporary Mexican women's writing /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992909.
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Bush, Mary Gwen. "Noctilucent." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103295/.
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This dissertation is composed of two parts. Part I discusses the evolution of meditative poetry as a genre, with a particular emphasis on the influence of women poets and feminist critical theory. Part II is a collection of poems. Although several popular and critically-acclaimed poets working today write meditative poems, meditative poetry as a genre has not been systematically examined since M.H. Abrams’s essay on the meditative mode in Romantic poetry, “Structure and Style in the Greater Romantic Lyric.” Because one of the driving forces of meditative poetry is a longing for, or recognition of, a state of perception that lies between individual being and some form of universal ordering principle, meditative poetry might seem to be antithetical to a postmodern world that is fragmentary, contingent, and performative; indeed, earlier definitions of meditative poetry, tied to historical and cultural understandings of the individual and the Universal, no longer reflect “how we know” but only “how we knew.” However, this essay argues that there is a contemporary meditative structure that allows for a continued relationship between the individual and the Universal without resorting to the essentialism implicit in the genre as traditionally described. This new structure owes much to feminist theory, in particular écriture féminine, which models a method for recovery of self in language that would seek to efface it. In order to expose the boundaries of the contemporary meditative mode, and to outline its relationship to écriture féminine, this essay analyzes meditative poems from four contemporary poets: Kay Ryan, Jorie Graham, Linda Gregerson, and Linda Bierds, and contrasts contemporary variations on the genre with earlier traditions, identifying an evolved form that better reflects a postmodern rhetoric.
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Lau, Lisa. "Women's voices : the presentation of women in the contemporary fiction of south Asian women." Thesis, Durham University, 2002. http://etheses.dur.ac.uk/2021/.
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This thesis contains a detailed study of the genre of contemporary South Asian women's writings in English. It is still a relatively young literary subculture, and thus the majority of the works here discussed are those produced from the 1980s onwards. The study takes into account the postcolonial legacy of a culturally, racially and religiously diverse South Asia as well as the current social changes and upheavals in the region. The study encompasses the works of those writing both from within and without South Asia, noting the different social patterns emerging as a result of the geographical locations of the authors. The research primarily investigates issues pertinent to these writers; as women writers, as South Asian writers, as South Asian women writers, and as South Asian women writers writing in English. One key issue is the negotiation by these writers between the English language and the South Asian reality. Because it is literature written by the women of a traditionally proudly patriarchal society where the position of women has mostly been one of subservience, another form of negotiation in the literature is that between the centre and the periphery, the Self and the Other. In the course of this study, it will be seen that South Asian women writers have carved out a space for themselves on the literary scene, and staked an intellectual, literary and emotional territory of their own. The thesis focuses in particular on the representation of women, within the genre as well as in other contexts. Their literature creates images and identities of and for South Asia, South Asians, and South Asian women. The diasporic writers in particular play a vital role in the promotion and distribution of these images. The research also considers how readers respond to this literature and how publishers market the same.
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Thresher, Tanya. "Seductive strategies for female subjects : how contemporary Scandinavian women dramatists represent women on stage /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6587.
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Johnson, Joyce Starr. "Motivational factors among contemporary female needlework producers /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9998489.
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Mamelouk, Douja. "Redirecting al-nazar contemporary Tunisian women novelists return the gaze /." Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/649823780/viewonline.
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Lee, Andrea Kathleen Wahlman Maude. "Envisioning the sacred expressions of spirituality by contemporary women artists /." Diss., UMK access, 2006.
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Thesis (Ph. D.)--Dept. of Art and Art History and Center for Religious Studies. University of Missouri--Kansas City, 2005."A dissertation in art history and religious studies." Advisor: Maude Southwell Wahlman. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Jan. 29, 2007. Includes bibliographical references (leaves 354-398). Online version of the print edition.
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Yan, Qigang. "A comparative study of contemporary Canadian and Chinese women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21657.pdf.
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Graham-Bertolini, Alison. "Home of the Brave: Vigilante Women in Contemporary American Fiction." LSU, 2009. http://etd.lsu.edu/docs/available/etd-04142009-191748/.
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Vigilante literature tells the stories of individuals who rectify injustice by taking matters into their own hands. Examples of this plot can be found in American literature dating from colonial times, when settlers made an effort to preserve their moral code without the aid of an established justice system. The popularity of this theme finds further currency in tales of the frontier and the Wild West, and more recently, Hollywood has capitalized on its popularity by drawing from the myth of American pioneer culture and the theme of the lone avenger. This project identifies an analogous theme in contemporary fiction by women writers, who in the twentieth century began frequently employing female avatars of vigilante justice to challenge (in an illegal or extralegal fashion) those who violate the economic, social, or political rights of women. This dissertation analyzes a collection of novels and short stories by contemporary American women who employ the avatar of the vigilante woman, and demonstrates how female avengers, warriors, bandits, and killers extend and amend the vigilante tradition in the United States.
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Vorrasi, Natasha Jaclyn. "Black men, white women : interracial relationships in contemporary Hollywood film /." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arv954.pdf.
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Neuman, Sandra. "The issue of sexual violence against women in contemporary India." Thesis, Linnéuniversitetet, Institutionen för samhällsstudier (SS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27363.
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India is often described to be a country with a fast growing economy and progressive indicators of human development. However, over the last decade there has been a growing concern of increased reporting of sexual violence in India which seems to contradict the first description. Therefore this creates a problem on how we can understand and explain this. The objective of this study is to try to gain a deeper understanding of some of the underlying factors of increased reporting of sexual violence in India, and to understand in what way the ‘modernization’ process possibly could be put in relation to this, something that is analyzed with help from Durkheim’s theory of anomie. This study draws on a qualitative desk study with a compilation of material from existing research on sexual violence against women, both at home and in public spaces. The findings were analyzed in relation to Durkheim’s theory of anomie and gender theories from two authors. The results show that some of the underlying factors for increased reports of sexual violence against women in India, like patriarchy, education and employment for women and gendered power inequalities are in a complex interplay. It was further seen as ‘traditional’ norms and values clashed with ‘modernity’ and caused these factors for violence. The outcome of the study showed that the increased reporting of sexual violence can be related to the ’modernization’ process both in a positive and negative way. Through Durkheim’s theory of anomie it was possible to see that ‘modernization’ could have caused a state of anomie, which has lead to deviant behavior and resulted in increased reporting of sexual violence against women.
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Yoo, Dong-Ju. "Consuming modernity : women, food and promotional culture in contemporary Korea." Thesis, Loughborough University, 1986. https://dspace.lboro.ac.uk/2134/7156.
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The process of modernisation has created tension and confusion in selfidentity in spite of its various new opportunities. This impact of modernity is more intense in a non-western society. Korea is experiencing a unique pattern of the dynamics and dilemmas modernity has presented. Korean women are experiencing clashes between modernity and tradition, capitalism and Confucianism, and Western and Korean cultural values. The gap created from these tensions is widely mediated by the logic of consumerism. This process is clearly revealed in women's values and attitudes towards food and eating. Although rapid economic development and social changes have considerably modified people's eating habits, women's roles and expectations in regard to food and eating are much more ambiguous and confusing than in the past. Korean advertising displays sharp contradictions of these aspects. While advertising reflects and actively reshapes the prevailing images of women, women constantly reconstitute their identities by selecting, rejecting and negotiating with the public messages in their everyday lives. This thesis aims to examine the changing female identities in contemporary Korea in the process of modernisation and Westernisation by exploring the tensions and contradictions in regard to women's values and attitudes towards food and eating, through the examination of the representations of Korean advertising and women's everyday experiences and negotiations.
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Xiao, ShuQiao. "International human rights law and abused women in contemporary China." Thesis, University of Warwick, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403139.
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