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Journal articles on the topic 'Contemporary Woen'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Angulo Egea, María. "Las nuevas cronistas latinoamericanas. La violencia contra las mujeres en el periodismo narrativo contemporáneo." Slow Journalism: estilo, contenidos, nuevos formatos y audiencias, no. 21 (March 1, 2024): raeic112102. http://dx.doi.org/10.24137/raeic.11.21.2.

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Este artículo muestra la amplia nómina de mujeres cronistas latinoamericanas contemporáneas que, pese a su numerosa presencia y a su gran calidad periodística, han sido invisibilizadas, infravaloradas y/o tratadas como excepcionalidades dentro del periodismo narrativo. El estudio se centra en el análisis de algunos de los trabajos publicados en pleno siglo XXI realizados por cronistas nacidas a partir de los años 80 en países latinoamericanos. En particular, se analiza el tratamiento de la violencia contra las mujeres como tema crucial y estructurador de la crónica contemporánea.

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2

M, Dr Shenbagam. "Role of Women in Contemporary Society: Contributions & Challenges." International Journal of Research in Arts and Science 5, Special Issue (March 29, 2019): 130–43. http://dx.doi.org/10.9756/bp2019.1001/16.

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3

Islam, Shariful. "Political Empowerment of Women: A Contemporary Study of Assam." International Journal of Science and Research (IJSR) 12, no. 1 (January 5, 2023): 587–89. http://dx.doi.org/10.21275/mr23115183814.

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4

Bertram, Vicki. "Contemporary Women Poets." Feminist Review 62, no. 1 (1999): 1–5. http://dx.doi.org/10.1080/014177899339108.

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5

Moloney, Caitriona, and Patricia Boyle Haberstroh. "Women Creating Women: Contemporary Irish Women Poets." Tulsa Studies in Women's Literature 16, no. 1 (1997): 165. http://dx.doi.org/10.2307/464051.

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6

Pelan, Rebecca, and Patricia Boyle Haberstroh. "Women Creating Women: Contemporary Irish Women Poets." Canadian Journal of Irish Studies 25, no. 1/2 (1999): 532. http://dx.doi.org/10.2307/25515293.

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7

Wu, Fatima, and Eva Hung. "City Women: Contemporary Taiwan Women Writers." World Literature Today 76, no. 2 (2002): 135. http://dx.doi.org/10.2307/40157308.

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8

Cranston, Mechthild, and Michael Bishop. "Contemporary French Women Poets." World Literature Today 70, no. 3 (1996): 661. http://dx.doi.org/10.2307/40042145.

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9

Roney, Lisa, and Virginia Watson-Jones. "Contemporary American Women Sculptors." Woman's Art Journal 8, no. 1 (1987): 54. http://dx.doi.org/10.2307/1358351.

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10

Lunati, Montserrat, and Anny Brooksbank Jones. "Women in Contemporary Spain." Modern Language Review 95, no. 4 (October 2000): 1108. http://dx.doi.org/10.2307/3736674.

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11

Stokrocki, Mary, and V. Watson-Jones. "Contemporary American Women Sculptors." Studies in Art Education 29, no. 1 (1987): 63. http://dx.doi.org/10.2307/1320458.

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12

Zarnowski, Myra. "Learning about Contemporary Women." Social Studies 79, no. 2 (March 1988): 61–63. http://dx.doi.org/10.1080/00220973.1944.11019890.

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13

Knapp, Bettina L. "Contemporary Chinese Women Writers." World Literature Today 66, no. 4 (1992): 774. http://dx.doi.org/10.2307/40148801.

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14

Rosman-Askot, Adriana, and Gabriella de Beer. "Contemporary Mexican Women Writers." Hispania 81, no. 2 (May 1998): 322. http://dx.doi.org/10.2307/345030.

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15

Grace, Stephen. "Contemporary Irish Women Poets." Irish Studies Review 28, no. 2 (March 15, 2020): 283–86. http://dx.doi.org/10.1080/09670882.2020.1740399.

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16

Cruz, Humberto Lopez, Gustavo Fares, and Eliana C. Hermann. "Contemporary Argentinean Women Writers." South Atlantic Review 64, no. 2 (1999): 184. http://dx.doi.org/10.2307/3201998.

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17

Wilson, Emma. "Contemporary French women filmmakers." French Studies 59, no. 2 (April 1, 2005): 217–23. http://dx.doi.org/10.1093/fs/kni132.

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18

Peluritytė, Audinga. "History in Contemporary Lithuanian Literature." Interlitteraria 25, no. 2 (December 31, 2020): 394–407. http://dx.doi.org/10.12697/il.2020.25.2.11.

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The purpose of this article is to show the evolution of the historical novel that began in the era of independence, to highlight the peculiarities of male and female historical narratives, and to capture critical reactions and tendencies of assessment of that kind of novel. At the beginning of independence, the poetic prose of a minimal story was established in Lithuanian literature, which was created by the most prominent Lithuanian prose writers, and the historical novel made its debut as a complex experience of poetic narration. Poetry and prose focused on archetypal narratives, national consciousness and ethnic semantics and were characterized by an abundance of associations, but not by a clear storyline. Among common variations of the male historical novel, we can observe historical novels written by women, which have won both literary awards and readers’ approval.

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19

Peluritytė, Audinga. "History in Contemporary Lithuanian Literature." Interlitteraria 25, no. 2 (December 31, 2020): 394–407. http://dx.doi.org/10.12697/il.2020.25.2.11.

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The purpose of this article is to show the evolution of the historical novel that began in the era of independence, to highlight the peculiarities of male and female historical narratives, and to capture critical reactions and tendencies of assessment of that kind of novel. At the beginning of independence, the poetic prose of a minimal story was established in Lithuanian literature, which was created by the most prominent Lithuanian prose writers, and the historical novel made its debut as a complex experience of poetic narration. Poetry and prose focused on archetypal narratives, national consciousness and ethnic semantics and were characterized by an abundance of associations, but not by a clear storyline. Among common variations of the male historical novel, we can observe historical novels written by women, which have won both literary awards and readers’ approval.

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20

Antonson, Joan M., and Jenifer Lee Fratzke. "Alaska's Women Pilots: Contemporary Portraits." Western Historical Quarterly 37, no. 2 (July 1, 2006): 242. http://dx.doi.org/10.2307/25443361.

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21

Luftig, Victor, Daniel J. Casey, Linda M. Casey, Louise DeSalvo, Kathleen Walsh D'Arcy, and Katherine Hogan. "Stories by Contemporary Irish Women." Tulsa Studies in Women's Literature 10, no. 1 (1991): 139. http://dx.doi.org/10.2307/463960.

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22

Valis, Noel M., and Janet Perez. "Contemporary Women Writers of Spain." Hispania 71, no. 4 (December 1988): 832. http://dx.doi.org/10.2307/343279.

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23

Carter, Mia, and Leslie Gourse. "Madame Jazz: Contemporary Women Instrumentalists." Notes 52, no. 4 (June 1996): 1145. http://dx.doi.org/10.2307/898380.

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24

Ordonez, Elizabeth J., and Janet Perez. "Contemporary Women Writers of Spain." South Central Review 6, no. 1 (1989): 116. http://dx.doi.org/10.2307/3189519.

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25

Brown, Joan Lipman, and Janet Perez. "Contemporary Women Writers of Spain." Hispanic Review 58, no. 3 (1990): 413. http://dx.doi.org/10.2307/473832.

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26

Rudik, I. V., and O. F. Vykhor. "CONTEMPORARY BRITISH WOMEN SPEECH PORTRAYAL." Тrаnscarpathian Philological Studies 1, no. 17 (2021): 177–81. http://dx.doi.org/10.32782/tps2663-4880/2021.17-1.35.

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27

Cooper, Barbara J. "Farm Women: Some Contemporary Themes." Labour / Le Travail 24 (1989): 167. http://dx.doi.org/10.2307/25143247.

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28

Qingyun, Zhang. "The Ideals of Contemporary Women." Chinese Studies in Philosophy 26, no. 3 (April 1995): 43–60. http://dx.doi.org/10.2753/csp1097-1467260343.

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29

Eisenstein, Hester, Norma Grieve, and Ailsa Burns. "Australian Women: Contemporary Feminist Thought." Contemporary Sociology 25, no. 3 (May 1996): 427. http://dx.doi.org/10.2307/2077516.

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30

Teklemichael, Makda. "Contemporary Women Artists in Ethiopia." African Arts 42, no. 1 (March 2009): 38–45. http://dx.doi.org/10.1162/afar.2009.42.1.38.

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31

Becker, Lucille, Margaret Atack, and Phil Powrie. "Contemporary French Fiction by Women." World Literature Today 66, no. 1 (1992): 91. http://dx.doi.org/10.2307/40147882.

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32

Bauer, Heike, Andrea Greenbaum, and Sarah Lightman. "Contemporary comics by Jewish women." Studies in Comics 6, no. 2 (December 1, 2015): 201–8. http://dx.doi.org/10.1386/stic.6.2.201_7.

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33

Eiriz, Vasco, and Luís M. de Castro. "Women and entrepreneurship: contemporary classics." International Entrepreneurship and Management Journal 3, no. 3 (June 29, 2007): 345–47. http://dx.doi.org/10.1007/s11365-007-0051-2.

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34

LOTHSTEIN, LESLIE M. "Psychoanalysis and Women: Contemporary Reappraisals." American Journal of Psychiatry 145, no. 10 (October 1988): 1309—a—1310. http://dx.doi.org/10.1176/ajp.145.10.1309-a.

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35

Lindop, Samantha. "Violent women in contemporary cinema." Continuum 32, no. 5 (April 18, 2018): 664–66. http://dx.doi.org/10.1080/10304312.2018.1458821.

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36

Hofer, Alison. "Contemporary plays by African women." South African Theatre Journal 32, no. 2 (May 4, 2019): 186–90. http://dx.doi.org/10.1080/10137548.2019.1676571.

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37

Beswick, Katie. "African theatre 14: contemporary women." Studies in Theatre and Performance 38, no. 2 (November 10, 2016): 207–8. http://dx.doi.org/10.1080/14682761.2016.1256111.

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38

Aricò, Santo. "Contemporary Women Writers in Italy." Italian Culture 9, no. 1 (January 1991): 381–91. http://dx.doi.org/10.1179/itc.1991.9.1.381.

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39

González‐Alvarez, Julio, and Rosa Sos‐Peña. "Women in contemporary cancer research." International Journal of Cancer 147, no. 6 (March 4, 2020): 1571–76. http://dx.doi.org/10.1002/ijc.32938.

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40

Sarip, Hasmina Domato. "The Images of Women in Selected Contemporary Short Stories by Contemporary Filipino Women Writers." International Journal of English Language Studies 3, no. 2 (February 27, 2021): 111–19. http://dx.doi.org/10.32996/ijels.2021.3.2.12.

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This inquiry sought to discover the images of women as portrayed in the contemporary short stories entitled “Fallout” by Maria L.M. Fres-Felix and “Language” by Sunantha Mendoza. Feminist Literary Criticism, specifically liberal, radical, Freudian, socio-cultural, stereotypical feminist perspective were employed to critically analyze the actions and feminist perspective of the female characters. The study attempted to meet the following objectives: 1) to describe the images of women as depicted by the authors in the stories; 2) to identify the dominant devices used in the stories; and, 3) to determine the feminist themes conveyed in the stories. Through examining and analyzing the short stories, different images of women were discovered. The close textual reading resulted in the researcher’s coming up with the following findings: female characters are portrayed as involved, sophisticated, strong-minded, competitive, independent and unconventional. The dominant devices are symbols, juxtaposition, foreshadowing, imagery, idiom, metaphor, irony and figures of speech were effectively utilized in the stories to probe the images of women that are found in each story. Indeed, women will come a long way in facing the battle against patriarchal values.

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41

BENEVIDES, Rafaelle F. C., and Georges D. J. B. BORIS. "A Experiência Vivida de Mulheres na Conjugalidade Contemporânea: Uma Perspectiva Fenomenológico-Existencial." PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 26, no. 1 (2020): 13–25. http://dx.doi.org/10.18065/rag.2020v26n1.2.

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This article is the result of a master's research that aimed to understand how women experience the roles in contemporary conjugality and in the exercise of motherhood, and what the senses they attribute to these experiences. From the existential-phenomenology of Jean-Paul Sartre and the invaluable contributions of Simone de Beauvoir about the situation of women, it was possible to understand how is developed the being project of the collaborators of this study, middle-class women, workers, living a relationship, and with children, residents in Fortaleza, Ceará. For data collect, the phenomenological interview was used with a triggering question "how is being a woman?". For the analysis of the results, the Progressive-Regressive method was used. The results show that, even with a formal instruction and a financial independence of women, their roles in conjugal relationships have undergone few modifications in relation to the increase of responsibilities that fall on them. The idea that there is a feminine essence permeates the experience lived by these women in motherhood, in the contemporary conjugality and in the job market, pointing out that there are still many obstacles to solve social problems through the life history of these women.

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42

son of Najmuddin, Akramov Giyosiddin. "DEFINING MARGINALIZATION IN CONTEMPORARY SOCIAL CONTEXTS." International Journal of Advance Scientific Research 4, no. 3 (March 1, 2024): 70–75. http://dx.doi.org/10.37547/ijasr-04-03-15.

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The work focuses on how marginalization manifests itself in various contexts, including the workplace, education, health and housing, and how it affects various groups of the population, including minorities, women, youth and people with disabilities. The author emphasizes the importance of an intersectoral approach to the problem of marginalization, calling for the integration of the efforts of Government, the private sector, non-governmental organizations and marginalized groups themselves in finding sustainable solutions to overcome exclusion and promote social inclusion and equality. In addition to theoretical analysis, the article contains practical recommendations for the development and implementation of policies and programs aimed at reducing marginalization and its negative consequences. The author emphasizes the need to take into account the diversity of experiences and perspectives of marginalized groups in order to create a more just and inclusive society.

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43

Kalman, Hildur. "Faking Orgasms and the Idea of Successful Sexuality." Janus Head 13, no. 1 (2013): 97–118. http://dx.doi.org/10.5840/jh20141316.

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In the Nordic countries, at a time when women have only recently won the right to their own bodies and to a sexuality of their own and for themselves, women nevertheless fake orgasms. Moreover, a common question posed to the Swedish Association for Sexuality Education (RFSU) deals with lack of desire. Not only are women faking and complaining of lack of desire, but men as well. It seems that contemporary ideals surrounding sexuality converge with quests for not only pleasure and love, but also for fitting in and experiencing what is conceived of as normal and “successful” sexuality. This essay examines the contemporary and prevalent phenomenon of faked orgasms from the perspectives of feminist theory and phenomenology.

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44

Garner, Anita Miller, Catherine Rainwater, and William J. Scheick. "Contemporary American Women Writers: Narrative Strategies." South Atlantic Review 51, no. 4 (November 1986): 170. http://dx.doi.org/10.2307/3199781.

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45

Sapio, Maria Del, Maggie Humm, and Moira Monteith. "Feminist Criticism: Women as Contemporary Critics." Modern Language Review 84, no. 4 (October 1989): 959. http://dx.doi.org/10.2307/3731202.

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46

Goodman, David S. G. "Revolution postponed: women in contemporary China." International Affairs 62, no. 3 (1986): 554–55. http://dx.doi.org/10.2307/2617959.

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47

Chiti, Judith, and Liz McQuiston. "Women in Design: A Contemporary View." Woman's Art Journal 10, no. 1 (1989): 51. http://dx.doi.org/10.2307/1358137.

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48

Simpson, Pamela H., and Clare Lorenz. "Women in Architecture, a Contemporary Perspective." Woman's Art Journal 12, no. 2 (1991): 51. http://dx.doi.org/10.2307/1358293.

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49

Ph.D., Kwok. "Christianity and Women in Contemporary China." Journal of World Christianity 3, no. 1 (2010): 1. http://dx.doi.org/10.5325/jworlchri.3.1.0001.

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50

Smith, Verity, and Mirta Yanez. "Cubana: Contemporary Fiction by Cuban Women." Modern Language Review 94, no. 2 (April 1999): 580. http://dx.doi.org/10.2307/3737206.

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