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Dissertations / Theses on the topic 'Contemporary writer'

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1

Wendolowski, Brittany A. "Pushing the Boundaries: Scott Bradfield as a Contemporary Writer." Cleveland State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=csu1452971501.

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2

Ignatov, Mikhail Sergeevich. "Body in Motion: Furukawa Hideo, Writer for the Multimedia Age." Thesis, The University of Arizona, 2011. http://hdl.handle.net/10150/144389.

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The purpose of this study is to serve as an introduction of the work of the contemporary Japanese author, Furukawa Hideo (b. 1966), to the Anglophone audience. I consider Furukawa to be a member of the 'post-Murakami' generation, not only in terms of chronology but also in terms of influence. Murakami Haruki (b. 1949) left an identifiable impact on Furukawa's fiction, however it would be erroneous to consider Furukawa a Murakami imitator. In this study, I attempt to highlight the elements that make Furukawa unique as an author; specifically his careful manipulation of the theme-space matrix, a
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3

Farkas, Zita. "The reception of Jeanette Winterson's work: The manufacture of a Contemporary British Writer." Thesis, University of York, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489192.

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This thesis examines the ways in which four different reception areas shape the reception of Jeanette Winterson's work. These reception areas are the academic, the writer's own view on her work and its reception, the mass media and university syllabi. The analyses of these areas explore how the reception of Winterson's work is influenced by readers' negotiation with interpretations of her work within and among these kinds of reception.
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Wise, Kristyn. "Conservations with my mother : the daughter-mother relationship and the contemporary woman writer." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390523.

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5

Thompson, Rachel Grace. "Narratives of return : the contemporary Caribbean woman writer and the quest for home." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/11741/.

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This thesis investigates how diasporic Caribbean women writers use the vehicle of the novel to effect a ‘writing back’ to the Caribbean home through what I propose to consider as a specific sub-genre of Caribbean literature: ‘narratives of return’. I argue that novels which constitute ‘narratives of return’ reveal how diasporic identity continues to be informed by a particularised connection to the Caribbean homeland. Firstly, I propose the region’s literary representation within these narratives as the home of cultural memories which fully inform the hybridised nature of diasporic subjectivit
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Chaffe, Tomas. "The Secret Writer." Thesis, Konstfack, Institutionen för Konst (K), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3980.

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This essay reflects a particular method and way of working that I employ when undertaking artistic research. My artworks are rooted and develop from the situation I find myself in as an artist, the very context I exhibit the work within. I do this by trying to understand this position, both on the micro and macro scale. As an artist currently studying at—and subsequently exhibiting in relation to— Konstfack, I base my research with the physical manifestation of the school. An imposing building that was part of a huge headquarters and factory site for the telecommunication company, Ericsson, in
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7

Summers, Joanna. "The writer in prison : textual authority, contemporary discourse, and politicised self-presentation in some late-medieval texts." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365487.

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8

Jacques, Amanda Farriá. "A escrita de si e as representações do escritor em Cristovão Tezza." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7137.

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Esta dissertação se detém em duas das principais características da literatura brasileira contemporânea: a profusão de escritas de si e a recorrência de personagens-escritores na produção romanesca. Nesse contexto, a discussão concentra-se em algumas das obras de um dos mais consagrados escritores brasileiros da atualidade: Cristovão Tezza. Em se tratando das escritas de si, discutimos a respeito do premiado romance O filho eterno (2007), por ser uma narrativa que congrega elementos factuais e criação ficcional. Nesse sentido, fazer da relação com o próprio filho Down a matéria-prima de um rom
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9

Cruz, Talita Mochiute. "A ficção australiana de J. M. Coetzee: o romance autorreflexivo contemporâneo." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-10092015-160114/.

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Esta dissertação propõe uma leitura da chamada ficção australiana de J. M. Coetzee composta por Elizabeth Costello (2003), Homem lento (2005) e Diário de um ano ruim (2007). Esses romances da fase madura do autor compartilham um núcleo de questões estéticas e éticas, configurando um conjunto significativo marcado pela inflexão autorreflexiva. O trabalho acompanha a constituição e a trajetória dos escritores-personagens Elizabeth Costello e Señor C, discutindo como a inserção do recurso do duplo do escritor desestabiliza as noções de autor, personagem e narrador, além de borrar os limites entre
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Stewart, Cori Anne. "The culture of contemporary writers' festivals." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/31241/1/Cori_Stewart_Thesis.pdf.

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This thesis examines the culture of contemporary writers’ festivals in an international context. In the last five decades writers’ festivals have emerged in cities across the world, and during this time they have expanded their literary discussions and debates to include numerous other topics of broad interest to society. To examine the expanded popularity and function of writers’ festivals, this thesis establishes a new vantage point for theorising the content now typically generated by these events using concepts in urban festivals and public culture research. Importantly, the new vantage po
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Cohen, Stephanie B. "Four contemporary Jewish women writers from Argentina." Thesis, Boston University, 2000. https://hdl.handle.net/2144/38020.

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Thesis (Ph.D.)--Boston University<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>Until recently little attention has been paid to Latin American women writers and even less to those of them who are Jewish. This dissertation is an attempt to remedy that situation through the study of four
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Goulart, Clarice de Mattos. "A quem cabe a última palavra? O lugar social do escritor e do crítico em Rubens Figueiredo." Niterói, 2017. https://app.uff.br/riuff/handle/1/3605.

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Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-15T18:01:02Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Clarice Goulart - final.pdf: 681792 bytes, checksum: c405eb14f771b9a868e3146d5b87c11a (MD5)<br>Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-16T17:31:39Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Clarice Goulart - final.pdf: 681792 bytes, checksum: c405eb14f771b9a868e3146d5b87c11a (MD5
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Minunno, Marisa. "Subjectivity in women writers' contemporary Arabic short stories." Thesis, SOAS, University of London, 2009. http://eprints.soas.ac.uk/28770/.

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This thesis examines the development of female subjectivities as presented in the short stories of women writers who started writing In Arabic in the second half of the 20th century in Egypt and the Levant (represented by Lebanon, Syria and Palestine), Iraq and the Gulf (represented by United Arab Emirates and Saudi Arabia) and North Africa (represented by Morocco and Tunisia). My theoretical approach draws on the theories of subjectivity elaborated by Michel Foucault, Simone de Beauvoir and other critical re-elaborations of Foucauldian concepts by several feminist theorists. This thesis aims
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Bretag, Tracey. "Subversive mothers : contemporary women writers challenge motherhood ideology /." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09ARM/09armb844.pdf.

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MacLachlan, Sarah. "Border fictions : questions of identity and contemporary US cultures." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285757.

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Ha, Jingjun. "Remapping Chinese literature digitizing contemporary Chinese writers, 1949-1999 /." online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?MR22155.

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Ament, Gail R. "The postcolonial Mayan scribe : contemporary indigenous writers of Guatemala /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/8307.

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Yan, Qigang. "A comparative study of contemporary Canadian and Chinese women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21657.pdf.

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19

BEZERRA, NAYARA MARFIM GILABERTE. "WRITERS ON THE SCENE MEDIA CONSTRUCTION OF THE CONTEMPORARY AUTHOR." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=29986@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Esta dissertação reflete sobre algumas nuances da valorização e construção midiática da figura/persona do escritor no mundo contemporâneo, e discute possíveis questões relacionadas à forma como isso incide na produção e recepção de suas criações artísticas. Partindo de um mapeamento inicial que apontou para a crescente participação de escritores em atividades que acontecem em torno do livro, como as entrevistas, palestras, feiras, programas de televisão etc., o presente trabal
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Nekrasova, Alena. "The Representation of the Soviet Past by Contemporary Russian Writers." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13436.

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The Soviet Union had existed for 70 years and was labeled as the "evil empire". Its technological achievements and geographical discoveries are amazing. However, its dark aspects such as censorship, "purges", and freedom restrictions are shocking as well. The effects of its collapse in 1991 were felt throughout the world in many aspects of peoples' day-to-day lives. Nowadays, many average Russians feel tenderness and nostalgia for what they had back then. This thesis addresses the perception of the Soviet past by two contemporary Russian writers, Elena Chizhova and Elena Katishonok. Despite
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21

李仕芬 and Shi-fan Lee. "The male characters in the fiction of contemporary Taiwanese women writers." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.

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Gantzert, Patricia L. "Throwing voices, dialogism in the novels of three contemporary Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq23313.pdf.

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23

Chacón, Gloria E. "Contemporary Maya writers : Kabawil and the making of a millenarian literary tradition /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2006. http://uclibs.org/PID/11984.

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Vogt-William, Christine Florence. "Women and transculturality in contemporary fiction by South Asian diasporic women writers." Thesis, University of York, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489210.

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My thesis investigates how transculturality is articulated and theorised in contemporary fictional works from the 1990s onwards by South Asian diasporic women writers from England, Canada and America. Using the paradigm of transculturality, diasporic and postcolonial theories as well as gender concepts, the thesis takes a broadly chronological approach in addressing South Asian diasporic female identificatory processes in South Asian women's cultural production.
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25

Rountree, Wendy Alexia. "THE CONTEMPORARY AFRICAN-AMERICAN FEMALE BILDUNGSROMAN." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin997212820.

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Smith, Bradon T. L. ""It is written" : representations of determinism in contemporary popular science writing and contemporary British fiction." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/229765.

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This thesis examines the representation of two broad fields of science – the new physics (relativity and quantum mechanics) and the modern biological synthesis (genetics and evolutionary theory) – in two genres of writing – popular science writing and narrative fiction. Specifically, I consider the representations of determinism in recent works by a number of writers from both genres, concentrating on the literary techniques employed by popular science writers, and the scientific concepts incorporated by contemporary authors. I argue that there is a tendency in popular science books on the new
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Ki, Young-In. "La fiction contemporaine des écrivains d’origine asiatique en France et au Royaume-Uni : pour une typologie de la littérature de migration." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA034.

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La présente étude propose une topologie de la littérature contemporaine issue de l’immigration asiatique en Europe à travers les romans publiés pendant les vingt dernières années par des écrivains d’origine asiatique établis en France et au Royaume-Uni. Si les études sur la littérature de migration sont en plein essor en Europe, il y a encore quelques lacunes, comme un corpus bien établi des œuvres d’écrivains européens d’origine asiatique. La première partie de cette thèse présente les concepts clés des études de la littérature de l’immigration, telles les notions de migration et de cosmopoli
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CAMARGO, Flávio Pereira. "A dicção ensaístico-ficcional do personagem-escritor na narrativa brasileira contemporânea." Universidade Federal de Goiás, 2012. http://repositorio.bc.ufg.br/tede/handle/tde/2845.

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Made available in DSpace on 2014-07-29T16:29:28Z (GMT). No. of bitstreams: 1 FLAVIO PEREIRA CAMARGO.pdf: 1480039 bytes, checksum: 36569b5479da5d28b954010a35fed89b (MD5) Previous issue date: 2012-08-24<br>In our research, we propose initially to rescue some of the current trends of contemporary Brazilian prose fiction in order to introduce the reader to some of its main lines of force, especially a metafictional narrative, produced in the late twentieth century and early twenty-first century. To accomplish this bibliographical study, we chose to divide it into two parts. In the first part, en
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Chen, Lifen. "Fictionality and reality in narrative discourse : a reading of four contemporary Taiwanese writers /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6624.

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Pérez, Fernández Irene. "In search of new spaces: contemporary black British and Asian British women writers." Doctoral thesis, Universidad de Oviedo, 2009. http://hdl.handle.net/10803/83470.

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La tesis doctoral es un estudio de la obra literaria de novelistas contemporáneas británicas pertenecientes a la diáspora africana, caribeña y asiática que emigró al Reino Unido en la segunda mitad del siglo XX. El corpus literario bajo análisis engloba las siguientes autoras y obras: Andrea Levy, Small Island (2005), Monica Ali, Brick Lane (2001), Zadie Smith, White Teeth (2000), Diana Evans, 26ª (2006) y Jackie Kay, Trumpet (1999). La tesis analiza la representación y codificación espacial en la obra de dichas autoras partiendo de los postulados teóricos que consideran el espacio como constr
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Hipkins, Danielle E. "Unmanned territories : contemporary Italian women writers and the intertextual space of fantastic fiction." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/50761/.

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Thethesis examines how somewomen writers of fiction relate to the question of literary tradition in the 1980sand 1990s. Contemporary literary practice appears to be dominated by postmodern anxiety about a state of 'late arrival' as writers. I wish to explore how womenwriters' experience of the weight of literary predecessors is affected by their different subject position. I chooseto site this study within the area of fantastic fiction for several reasons. The fantastic tradition in Italy was largely overlooked by the critics until the 1980s- a factor which has exacerbated the neglect ofwomen'
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Ford, Anna Jane. "Endangered bodies : woman and nature in the contemporary British novel by women writers." Thesis, Brunel University, 2004. http://bura.brunel.ac.uk/handle/2438/5793.

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Criticism that involves the linkage of the terms ‘environment’ and ‘literature’, or ‘ecocriticism’, has focused largely on texts such as nature writing or on fiction that is set in rural or wilderness settings. This project attempts to widen the scope of ecocriticism by analysing the contemporary British novel, in which nature conceived in such stereotypical ways is largely absent. However, in my analysis of the fifteen texts selected here, I demonstrate that British women writers employ new discursive constructions of nature in order to contest deterministic formulations that subjugate both w
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Monteith, Sharon. "White writers advancing sisterhood : black and white women's friendships in contemporary Southern fictions." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339614.

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Hsiao, Yun-hua. "The Chinese Atlantic : contemporary women writers of Chinese Ancestry in Britain and America." Thesis, University of Newcastle Upon Tyne, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437859.

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Steenkamp, Lize-Maree. "Place, space and patriarchal femininities in selected contemporary novels by African women writers." University of the Western Cape, 2019. http://hdl.handle.net/11394/6639.

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Philosophiae Doctor - PhD<br>In much feminist literature, women’s spaces are analysed as constructive and supportive sites that may offer respite from patriarchy. However, women’s spaces are not inherently emancipatory. Through the socio-spatial dispersal of patriarchal power, places and spaces varying in scale – nations, cities, rural towns, private-public places and the home – can construct women who further the interests of men. Specifically, homosocial spaces, spaces where women interact with other women, can produce femininities that oppress other women by actively advancing patriarchal c
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Lee, Joanne Sarah. "Representations of travel and displacement in the work of contemporary Italian women writers." Thesis, University of Bristol, 2008. http://hdl.handle.net/1983/68a98ea2-4b57-47a9-8206-18420a29b199.

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Crawford, Amy S. "Re-charting the present: feminist revision of canonical narratives by contemporary women writers." Thesis, Anglia Ruskin University, 2015. https://arro.anglia.ac.uk/id/eprint/582051/1/Amy%20Crawford%20final%20thesis.pdf.

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In this thesis, I explore the textual strategy of feminist revision employed by contemporary women writers. After investigating Jean Rhys’s Wide Sargasso Sea as a prototype of feminist revision, I focus specifically on Angela Carter’s “The Bloody Chamber” as a revision of Charles Perrault’s “Bluebeard,” Michèle Roberts’s The Book of Mrs Noah as a revision of the Old Testament Flood narrative, Margaret Atwood’s The Penelopiad as a revision of Homer’s Odyssey and the Troy narratives, and Ursula K. Le Guin’s Lavinia as a revision of Vergil’s Aeneid. Through investigating the historical and litera
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Crawford, Amy S. "Re-charting the present : feminist revision of canonical narratives by contemporary women writers." Thesis, Anglia Ruskin University, 2015. http://arro.anglia.ac.uk/582051/.

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In this thesis, I explore the textual strategy of feminist revision employed by contemporary women writers. After investigating Jean Rhys’s Wide Sargasso Sea as a prototype of feminist revision, I focus specifically on Angela Carter’s “The Bloody Chamber” as a revision of Charles Perrault’s “Bluebeard,” Michèle Roberts’s The Book of Mrs Noah as a revision of the Old Testament Flood narrative, Margaret Atwood’s The Penelopiad as a revision of Homer’s Odyssey and the Troy narratives, and Ursula K. Le Guin’s Lavinia as a revision of Vergil’s Aeneid. Through investigating the historical and litera
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Liu, Jia. "The reception of the works of contemporary Chinese glam-writers in mainland China." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/947/.

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This thesis examines the reception of five contemporary Chinese glam-writers and their works in mainland China. It explores three different types of reception by three reading constituencies: literary critics, actual women readers, and participants on the glam-writers’ personal blogs. Drawing in part on western reception theory and reader-response criticism, this thesis focuses on the role of the reader in reading and interpreting the glam-writers’ works and makes an original empirical contribution to audience research in mainland China where such research is as yet not developed. By adopting
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Emanuel, Elizabeth F. "An examination of embodied female identity in contemporary crime fiction by women writers." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/98017/5/Elizabeth%20Emanuel%20Exegesis.pdf.

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This practice-based dissertation explores issues relating to women's identity and embodiment within the framework of the crime fiction novel and contends that the genre offers women writers the opportunity to question, undermine, and redirect existing values related to the construction of the female image.
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Celdran, Lynn Y. "LETTERS AS SELF-PORTRAITS: EPISTOLARY FICTIONS BY WOMEN WRITERS IN SPAIN (1986-2002)." UKnowledge, 2013. http://uknowledge.uky.edu/hisp_etds/17.

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My study seeks to explore the interest that Spanish women authors such as Josefina Aldecoa, Carme Riera, Nuria Amat, Esther Tusquets, Marina Mayoral, Carmen Martín Gaite, and Olga Guirao have taken in the revival of epistolary fiction in recent decades. Eighteenth- and nineteenth-century epistolary fiction in Spain was conditioned by social practices and by literary conventions that typically confined its heroines to an amorous plot and women authors to anonymity. I contend that if modern tradition of epistolary practices and other male-discriminatory practices kept women writers silenced or i
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Jackson, Laura Ann. "Representations of the hysteric in contemporary women's writing in French." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8944.

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This thesis explores how the celebratory figure of the hysteric as imagined by proponents of écriture féminine is developed and complicated in more recent representations of hysterical female bodies in contemporary women’s writing in French. With the aim of understanding the evolution of the hysteric from a traditionally negative embodiment of patriarchal parameters of femininity to a potentially revolutionary female figure, this thesis undertakes single-chapter studies of the most telling contemporary representations of hysterical bodies. The first chapter focuses on the physicality of Lorett
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Boada-Montagut, Irene. "'Women write black' : a comparative study of contemporary Irish and Catalan short stories." Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263244.

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Macfarlane, Karen E. "The politics of self-narration : contemporary Canadian women writers, feminist theory and metafictional strategies." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/NQ44504.pdf.

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Socolovsky, Maya. "Remembrance narratives : place, history and community in contemporary U.S. Latina and and Chicana writers." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365643.

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Chang, Mei-tsu, and 張美足. "A study of the prose-writings of contemporary women writers in Taiwan (1980-2000) =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45014668.

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Hoh, An-Chi. "Contemporary short stories by women writers in Kuwait from the 1970s to the present." Thesis, University of Manchester, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712699.

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48

Weingarten, Laura Suzanne. "Homelands in exile : three contemporary Latin American Jewish women writers create a literary homeland /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2316.

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Ponzanesi, Sandra. "Paradoxes of postcolonial culture : contemporary women writers of the Indian and Afro-Italian diaspora /." Albany : State university of New York press, 2004. http://catalogue.bnf.fr/ark:/12148/cb400414161.

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Chabwera, Elinettie Kwanjana. "Writing black womanhood : feminist writing by four contemporary African and black diaspora women writers." Thesis, University of Leeds, 2004. http://etheses.whiterose.ac.uk/7186/.

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This thesis explores the concept of black womanhood and female identity in Africa and its diaspora. It examines questions of black womanhood in relation to cultural concepts of black women. It analyses the ways black women perceive and represent themselves and how they articulate their self-perceptions within and outside the traditional cultures of their societies. The problems of black women foregrounded in most postcolonial black women's texts reflect their marginal and oppressed position. The study will explore the textual voice, social and political agency, and how black women's experience
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