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Journal articles on the topic 'Contemporary writer'

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1

Abdualim Qizi, Abdualimova Shalola. "Writer In Memory Of His Contemporaries And In The Eternal Honor." American Journal of Social Science and Education Innovations 03, no. 01 (2021): 344–57. http://dx.doi.org/10.37547/tajssei/volume03issue01-67.

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This article covers the difficult life and career of the great writer, the founder of Uzbek novels Abdullah Qadiri, his experiences, the warm words of contemporary poets and writers about the writer, the author's multifaceted work and other information.
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Alavi, Samad. "Literary Subterfuge and Contemporary Persian Fiction." American Journal of Islam and Society 32, no. 4 (2015): 109–13. http://dx.doi.org/10.35632/ajis.v32i4.1008.

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For at least the past several decades, Persian literary scholarship has drawnits conceptual framework largely from the social sciences. Despite severalnoteworthy exceptions, a tendency to read Persian literature for its sociopoliticalcontent still guides the way scholars write about and teach the fieldtoday. Indeed, a brief survey of course syllabi with “Persian literature” in theirtitles would no doubt reveal that instructors (the present writer included) byand large introduce writers and their works based on non-literary socio-historicaldevelopments, either arranging texts chronologically by
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Young, Howard T., and Estelle Irizarry. "Writer-Painters of Contemporary Spain." Hispania 68, no. 2 (1985): 310. http://dx.doi.org/10.2307/342182.

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Gautam, Shreedhar. "Political Consciousness in the Select Works of Chinua Achebe, Ngugi Wa Thiong’o and Richard Wright." Harvest 2, no. 1 (2023): 87–92. http://dx.doi.org/10.3126/harvest.v2i1.54410.

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This paper introduces three writers Chinua Achebe, Ngugi Wa Thiong’o and Richard Wright to explore the socio political consciousness reflected in their select works. The first two writers come from African countries which have gone through the experience of colonialism and neo-colonialism that resulted in common social, political and economic problems. As a result, the literature that emerged from these countries has a unifying theme despite diverse sociological contexts. Richard Wright, with an African origin, is a prominent black writer from America. It is evident from wright’s writings that
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Janaki Devi M and Baiju Krishnan. "Amit Chaudhuri: The Writer’s Writer." International Journal of Applied and Scientific Research 3, no. 5 (2025): 341–54. https://doi.org/10.59890/ijasr.v3i5.28.

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This study aims to examine Amit Chaudhuri’s dual identity as both a writer and a trained Hindustani classical musician, exploring how his musical sensibilities shape his literary style, thematic preoccupations, and narrative rhythm. Amit Chaudhuri is an acclaimed Indian novelist and essayist whose work often resists conventional narrative structures. His literary output—marked by lyrical prose, digressive form, and an acute attention to the everyday—is influenced by his background as a vocalist trained in Indian classical music. Understanding the intersection of these two artistic identities r
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Ben-Ami, Naama. "Rituals of Memory in Contemporary Arab Women’s Writing." American Journal of Islam and Society 25, no. 4 (2008): 125–27. http://dx.doi.org/10.35632/ajis.v25i4.1438.

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Gender, an issue that has been in the headlines for decades now, has naturallyalso attracted the scholarly attention of both men and women. In thebook under review, Brinda Mehta, professor of French and FrancophoneStudies at Mills College, inquires into the subject of gender from the perspectiveof a select group of leading contemporary women writers in theArab world whose compositions express the complexities of life for Arabwomen in the Middle East (Lebanon, Syria, and Iraq), NorthAfrica (Egypt,Algeria, andMorocco), and the United States (LosAngeles). The authors areallArabs on both sides, ex
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Alakbarova, Kh. "POLITICAL CHALLENGES IN CONTEMPORARY EGYPTIAN LITERATURE." POLISH JOURNAL OF SCIENCE, no. 73 (April 16, 2024): 31–33. https://doi.org/10.5281/zenodo.10981259.

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Alaa Al Aswany was born on May 26, 1957 in Cairo in a family of writers. His works have been translated into 30 languages. The article looks at the works of the well-known writer, and briefly discusses the novels “The Yacoubian Building” and "Chicago", which have brought him fame. The article analyzes the political, social, economic, and religious slogans and ideas of these popular novels in comparison with the real slogans of the Egyptian Revolution of 2011.
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Sirković, Nina. "Virginia Woolf: The Art of Writing and the Un/Common Reader." CLOSED SPACES XIII, no. 43 (2022): 71–88. http://dx.doi.org/10.31902/fll.43.2022.4.

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In a busy way of life today it seems that people do not have spare time to devote to reading classic novels and the modern consumerist spirit of society can be reflected in all aspects of life and creation, and inevitably also in the fine art as well as in writing fiction. Culture, which has always been a social initiator, sublimating scientific knowledge and personal artistic expression, now has the difficult task of fighting for its place in society, surrounded by countless social networks and platforms and other modern technologies. In terms of books and literature, there are electronic boo
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Mehtiyevna Kasimova, Maya. "“The Hour of Death” – Fiction and Reality (Based on the Works of the Azerbaijani Writer Anar)." Studia Orientalne 32, no. 4 (2024): 78–84. https://doi.org/10.15804/so2024405.

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The article examines the story of one of the greatest contemporary writers, an exponent of his time, but also a deeply thinking, philosophizing writer, screenwriter, chairman of the Union of Writers of Azerbaijan Anar, who created “urban prose” in domestic literature. And no matter what difficulties he has to face in his creative and administrative work, he still turns to the formulation of such traditional concepts as mentality, which significantly influences the life of his contemporary. Anar was one of the first writers who at one time put forward in Azerbaijani literature the idea of under
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Timofeev, A. N. "Etoev, A. and Krusanov, P., eds. (2018). How we write. Writers on literature, time, and themselves. Moscow: Azbuka-Attikus. (In Russ.)." Voprosy literatury, no. 6 (December 28, 2020): 274–79. http://dx.doi.org/10.31425/0042-8795-2020-6-274-279.

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A review of the collection How We Write. Writers on Literature, Time, and Themselves [Kak my pishem. Pisateli o literature, vremeni i o sebe] published by Azbuka-Attikus in 2018. The reviewer analyzes the difference in approach to compiling the material for the reviewed collection and its ‘original’ of the same name initiated by Eugene Zamyatin and published in 1930. The author provides a general description of essays in the collection, produced by contemporary writers. He singles out authors whose self-reflection transcends into an aesthetic dimension. Several internal plots of the collection
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Yoon, Joon. "The Writer as Outsider: Portraits of Contemporary Writers in Robert Lowell’s Life Studies." Modern Studies in English Language & Literature 61, no. 4 (2017): 207–24. http://dx.doi.org/10.17754/mesk.61.4.207.

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Cioni, Paola. "“Cursed Days” by I. A. Bunin in Their Historical Context: Between Realism and Hyperrealism." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 80, no. 5 (2021): 46. http://dx.doi.org/10.31857/s241377150017127-2.

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The article proposes to re-read “Cursed Days” by I. Bunin as an important junction between nineteenth-century realism and contemporary hyperrealism. The author focuses attention primarily on how the writer uses documents not only to capture a photographic image of reality, by inserting those documents into the narrative, but also to make his point of view abundantly clear. After all, it is the writer himself who declares his intention to wield public opinion by offering the truth proven by hard facts. Thereby Bunin paves ground for contemporary hyper-realistic literature. Theoretically, the ar
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Shneer, David. "The Writer Uprooted: Contemporary Jewish Exile Literature." East European Jewish Affairs 39, no. 2 (2009): 289–91. http://dx.doi.org/10.1080/13501670903016365.

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He, Jiahong. "The Comparison of Spatial Images between Wang Xiaobo and Orwell's Novels." International Journal of Education and Humanities 8, no. 3 (2023): 75–77. http://dx.doi.org/10.54097/ijeh.v8i3.8327.

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Among contemporary writers, Wang Xiaobo is undoubtedly a writer who is good at blending local and Western resources. Wang Xiaobo's unique narrative style and the selection of theme content are due to the absorption and transplantation of Western resources. From the perspective of Wang Xiaobo's creation work, there are signs of French British writer George Orwell, in space- image of the novel's setting and construction, but many innovations and mutations on this basis. Comparing the opposite space settings and the panopticism structure, we can explore the inheritance relationship between the tw
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Yilancioglu, S. Seza. "Simonian Writing According to Mireille Calle-Gruber." Human and Social Studies 3, no. 3 (2014): 59–66. http://dx.doi.org/10.2478/hssr-2013-0038.

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Abstract Mireille Calle-Gruber is not only a university professor and a writer, but also a leading scholar and critic of French literature and contemporary Francophone literature. Her works on Michel Butor, Claude Simon, Assia Djebar, Derrida and other contemporary writers (as well as those dealing with the history of the twentieth century literature) fill gaps in the contemporary literary history of the twentieth century. Her books not only scrutinize and analyze the writing of Claude Simon; they also shed new light on the analysis of the novel and autobiography in contemporary literature, th
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Azhar, Dr Darkhasha. "‘The God of Small Things’: A Narrative of Catastrophic Misogynistic Approach." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 367–72. http://dx.doi.org/10.22161/ijels.74.55.

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Arundhati Roy is one of the most noted Indian novelist, essayist and activist who mainly stresses on issues related to social justice and economic inequalities. She is the writer who has created ripples round the globe by her gripping write-ups. She has been rightly awarded and bestowed with honour for her daring effort. She stands as the most controversial author amongst the clutch of contemporary Indo-Anglian writers. My simple reason for choosing her work is that I vehemently feel the contemporary critics have failed in bringing forth her true identity as a sensitive writer. She is not a tr
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Demyanov, Gleb V., Nadezhda Yu Vyatkina, and Nadezhda V. Prisyazhnaya. "Journey along the edge of the night: the image of the 20th century writer in contemporary foreign cinematography." Sociology of Medicine 22, no. 1 (2024): 79–91. http://dx.doi.org/10.17816/socm568956.

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BACKGROUND: The interdependence of a person's creative abilities and the features of his life order, behavior, state of health, building social communications is widely discussed in literature, art, sociology, psychology, narrative medicine and the history of medicine (in particular, the question of the impact of health and disease on the possibilities of creative work and the reflection in the images and characters of the diseases suffered by the writer, the experience of overcoming the disease is discussed). At the same time, in public discourse, creative abilities are often present (and con
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MUKHIDDINOVA, DILAFRUZ. "Diary genre in the works of contemporary Arab writer Jamal al-Ghitani." Sharqshunoslik. Востоковедение. Oriental Studies 02, no. 02 (2022): 10–17. http://dx.doi.org/10.37547/os/vol-01issue-02-02.

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As we know, reminiscences are considered to be memoirs, a literary work where the author describes recollections of events in which he himself directly participated or witnessed in the past. Memoir works are close to documentary - historical essays, scientific biographies in terms of their presentation, lack of systematicity in the plot of events, observance of the order of time, the characteristics of the diary, the reliability of the material and the absence of fiction. Diary entries in the works of Jamal al-Ghitani have existed since the very beginning of his creative activity. Of course, i
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Nguyen Thi Mai, Chanh. "The journey to “go global” of the contemporary Chinese woman writer Can Xue." Journal of Science Social Science 66, no. 3 (2021): 3–11. http://dx.doi.org/10.18173/2354-1067.2021-0041.

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Can Xue is a contemporary Chinese writer of international stature, while in Vietnam, it is assumed that no more than three translations of her works are noticed. This woman writer possesses the most literary works appearing in foreign high school and university textbooks compared with other contemporary Chinese writers. To date, no less than thirty volumes of hers have been translated into more than ten languages and published in a number of countries including the UK, France, Germany, Italy, Sweden, Japan, etc. A myriad of professional researchers, critics and scholars, Sinologists in the Wes
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Kuchkarova, Hafiza Sherbabaevna, and Soatov Rahimnazarovich Furkat. "ANALYSIS OF HOLER STORIES DETAILS." EURASIAN JOURNAL OF ACADEMIC RESEARCH 1, no. 1 (2021): 540–41. https://doi.org/10.5281/zenodo.4720428.

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Zaitseva, Tatyana Ivanovna, and Olga Mikhailovna Maksimova. "Images of Contemporary Writers in Literary Portraits of the Udmurt Prose Writer S. Samsonov." Filologičeskie nauki. Voprosy teorii i praktiki, no. 11 (November 2022): 3428–34. http://dx.doi.org/10.30853/phil20220596.

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Huber, Sandra. "Spirit, Writer." Feminist Media Histories 6, no. 3 (2020): 137–71. http://dx.doi.org/10.1525/fmh.2020.6.3.137.

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Automatic writing, or spirit writing, introduces a hidden feminist media history that puts into question the role of the author, divisions between automaticity and creativity, and the porosity of the (writing) body. In the nineteenth century, a predominantly female labor force began channeling spirits and producing scripts that were either entirely authorless or profoundly collaborative, a practice not so much about inscribing as de-inscribing. This article focuses on medium Geraldine Cummins, who brought her ghosts and guides into a court of law, revealing how the most ordinary tools of writi
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Fisk, Catherine, and Michael Szalay. "Story Work: Non-Proprietary Autonomy and Contemporary Television Writing." Television & New Media 18, no. 7 (2016): 605–20. http://dx.doi.org/10.1177/1527476416652693.

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Based on interviews with three dozen working writers in American television, this paper argues that TV writers assert their status as labor to guarantee their shared craft identity with novelists, dramatists, and authors of other conventional literary material. The tension between writers’ desire for literary prestige on one hand, and their recognition that they create at the behest of company executives, on the other, emerges, alternately, in the imagined difference between writers and producers and, most basically, between autonomous creators and corporate hacks. Our novel observation is tha
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Kumar, Dr Sunil, and Dr Kumud KR Agarwal. "Contemporary Study of Diasporic Writer I.e. Agha Shahid." International Journal of Research in Humanities and Social Sciences 13, no. 2 (2025): 1–7. https://doi.org/10.63345/ijrhs.net.v13.i2.1.

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Agha Shahid Ali was a Kashmiri-American poet and author who used his writing to explore a range of complex issues. One of the central themes of his work was cultural hybridity, which referred to the experience of straddling multiple cultures and identities. Ali’s personal experiences as a Kashmiri-American informed much of his poetry and critical writing, and he was particularly interested in the ways that political upheaval and social conflict impacted people’s sense of self and belonging. Ali’s poetry collections, including “The Country Without a Post Office,” “Rooms Are Never Finished,” and
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Guo, Zhen. "Sanmao's Literary Creation Style." International Journal of Languages, Literature and Linguistics 8, no. 4 (2022): 274–83. http://dx.doi.org/10.18178/ijlll.2022.8.4.362.

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Sanmao was formerly known as Chen Ping, a contemporary Taiwanese female writer and traveler. Sanmao is one of the few contemporary prose writers. Although many scholars believe that her works have some novel elements, a kind of work is accepted by readers with what kind of style, it has a substantial impact on what kind of style, so Sanmao is placed into the ranks of prose writers. For Sanmao, writing constitutes her unique life form. Sanmao's literary creation style has a very high literary research value, which is closely related to her innate personality, as well as her understanding of lif
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S, Selvakumaran. "Idealogy – in the Contemporary Sri Lankan Tamil Novels." International Research Journal of Tamil 3, no. 1 (2020): 1–12. http://dx.doi.org/10.34256/irjt2111.

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Contemporary Tamil novels depict human life in different dimensions with aesthetic fineness, depending on some theories, in the background of countries such as Sri Lanka, Singapore, Malaysia, etc., and also the places of refuge and diaspora. Here, we mark Sri Lankan Tamil novels, that the writer should belong to Sri Lanka. He may live in some other diasporic country. Even when they write from any of the diasporic countries like France, Canada, Denmark, Australia, etc., one could observe the smell of flesh and blood of their motherland. We can point out Shobha Shakthi’s – Gorilla, m, box; Tamil
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Raducanu, Adriana. "Interrogating Urban Spaces: Kali and the Intellectual in two Contemporary Novels." Gender Studies 14, no. 1 (2015): 95–118. http://dx.doi.org/10.1515/genst-2016-0007.

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Abstract This article focuses on the complexity of the encounter between two Western male writers and the East as represented by the metropolis of Calcutta and Kali, its patron goddess. The novels under discussion are Dan Simmons’ Song of Kali and Paul Theroux’s A Dead Hand: A Crime in Calcutta. The theoretical framework of the comparative analysis argues for the conceptual blurring of boundaries between ‘flâneur’ and ‘badaud’, elusive hypostases of the male writer protagonists in the Eastern urban context.
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Pogorelaya, E. A. "Ilya Kochergin: Between the city and the world." Voprosy literatury, no. 3 (June 12, 2025): 28–41. https://doi.org/10.31425/0042-8795-2025-3-28-41.

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The article discusses the contemporary prose writer and essayist Ilya Kochergin against the background of his main works — from the earlier (Assistant to a Chinese [Pomoshchnik kitaytsa], 2007) to the more recent (Appropriation of Space [Prisvoenie prostranstva], 2022; Emergency Exit [Zapasniy vykhod], 2024]) oeuvre. According to Kochergin, emotional interaction with space has as much impact on an individual as their relationship with their closest circle of people. The critic examines Kochergin’s identity as a writer in various capacities, already mythologized in the contemporary literary pro
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Veretyonova, T. A., and I. N. Kochergin. "The eco-identity of modern humanity." Voprosy literatury, no. 3 (June 12, 2025): 48–60. https://doi.org/10.31425/0042-8795-2025-3-48-60.

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In her conversation with the writer I. Kochergin, the critic T. Veretyonova tries to determine what the topic of nature means to people today, and discover what kind of relationship contemporary urban residents have with the space outside the city and its inhabitants — birds and animals. Both the interviewer and the interviewee define this as an ‘eco-identity,’ or a search for one’s own ‘ecological soul’ responsible for the connection between man and nature. The interview contains a detailed discussion of the characters in Kochergin’s prose, horses Fenya and Styopa and a dog called Kuchuk amon
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Balcarová, Markéta. "The “Final Rays” of a Setting Sun: Lenka Reinerová and the Legacy of “Prague German Literature”." Humanities 13, no. 4 (2024): 105. http://dx.doi.org/10.3390/h13040105.

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Lenka Reinerová is considered a contemporary witness of both the 20th and 21st centuries and the last German writer in Prague. Indeed, she is the last known prose writer from Prague who wrote in German and boasts a long list of famous predecessors, such as Franz Kafka, Max Brod, E. E. Kisch and others. Interestingly, Reinerová did not only earn a place among the Prague German literature writers because of her mother tongue. In her memoirs, she also engages with literary and academic discourse on the German-language literature coming from Prague. The following article aims to describe this cont
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Locic, Simona. "Reinventing the fairy tale’s heroine in the novel 'Barbe bleue' of Amélie Nothomb." Thélème. Revista Complutense de Estudios Franceses 34, no. 2 (2019): 377–92. http://dx.doi.org/10.5209/thel.63252.

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In the 20th and the 21st centuries, many writers have shown an interest in rewriting traditional fairy tales. In contemporary literature, fairy tales are thus reinvented, adapted to the historical reality, the vices, the weaknesses and the imperfections of contemporary human beings. This study analyses the reinvention of the fairy tale’s heroine in Barbe bleue, by French writer Amélie Nothomb, and published in 2012. This study will show how the rewriting of this millenary text questions the schematic and stereotyped relations between characters in traditional fairy tales.
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Afejuku, Tony E., and E. B. Adeleke. "Myths, Legends, and Contemporary Nigerian Theatre." Matatu 49, no. 1 (2017): 54–71. http://dx.doi.org/10.1163/18757421-04901004.

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Femi Osofisan belongs to the new breed of writers, inadequately referred to as the ‘second generation of writers’. An accomplished writer whose works include plays, poems, essays, and novels, Osofisan is widely regarded as the most significant playwright in Africa after Soyinka. As a committed playwright, Osofisan focuses on the reappraisal of his immediate society and the challenges of living in this society. He calls attention to all that is undesirable in the politics, economy, and religion of contemporary Nigeria and asks for a change of attitude which, hopefully, will bring sanity to the
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Nakoneczny, Tomasz. "Rosja jako tekst w prozie Wiktora Pielewina." Studia Rossica Posnaniensia, no. 41 (June 20, 2018): 159–72. http://dx.doi.org/10.14746/strp.2016.41.13.

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The article presents the work of Victor Pelevin, one of the most famous contemporary Russian writers, in the context of changes in literary communication. The writer uses postmodern techniques and strategies (intertextuality, decanonization, heterogeneity) and traditional cultural motifs and themes (Russian and foreign) to compensate literature for the loss of its metaphysical attributes and authority of high art.
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Khasanovna, Ruzieva Saodat. "DAVID MITCHELL IN THE VISION OF LITERARY CRITICS." International Journal Of Literature And Languages 03, no. 05 (2023): 6–11. http://dx.doi.org/10.37547/ijll/volume03issue05-02.

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David Mitchell is a British writer known for his unusual writing that often mixes different genres, time periods and cultures. His novels can be described as postmodern and metafictional, making him one of the most unique and prominent writers in contemporary English literature. This article examines the opinions and attitudes of critics towards David Mitchell and his work.
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Nicolau, Felix. "Where Are Our "Argo(t)nautes"?" ACROSS - A Comprehensive Review of Societal Studies 4/2021, no. 1 (2021): 84–88. https://doi.org/10.5281/zenodo.7854799.

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The problem of the contemporary writer is the range of his/her vocabulary and idiomatic phrases. In spite of the Romanian slang being so rich, the corresponding literature manifests a sort of deafness in this regard. There is an incapacity of capturing the spoken language at many writers as they are enclosed in tiny circles. The consequence is that the slang in many oeuvres is sketchy, unimaginative. If we look at the terms in G. Volceanov’s Dictionary of Argot, we perceive instantly the gap between trendy contemporary writers’ language and the language in use at the outskirts of s
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T., Saheeda Begum, and Jennifer Naw. "Images of Women in Time to be Happy by Nayantara Sahgal." ACCST RESEARCH JOURNAL XIX, no. 3, July 2021 (2021): 15–19. https://doi.org/10.5281/zenodo.7791445.

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&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<em>Nayantara Sahgal (1927), one of the leading contemporary Indian English writers, has been writing for more than four decades now. She is a prolific writer and has written not only nine novels but also autobiographies, political commentaries and a large number of essays on contemporary issues of national importance. In the prime of her life she wrote regularly for newspapers and magazines and has contributed a large number of articles to it. She is the foremost political novelist in India.</em>
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Zueva, Galina. "Media Image of a Contemporary Writer via Interpretation of Their Texts (by the Example of Inwerviews with Dina Rubina's)." Theoretical and Practical Issues of Journalism 9, no. 1 (2020): 192–203. http://dx.doi.org/10.17150/2308-6203.2020.9(1).192-203.

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This paper studies the media image of a modern Russian writer Dina Rubina basing on her portrait (face-to-face) interviews and subject-related portrait interviews in various contemporary Russian and pro-Russian media: newspapers, magazines, radio, TV, and the internet-media. Growing interest to modern writers in the media environment and to interaction between the writer and the reader via mass media determines the topicality of the research. The study object is a public figure from the literary community. In this relation, the author finds it necessary to distinguish between the notions "medi
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Nicolau, Felix. "Longitudinal and Cross-Sectional Cultural Developments." Swedish Journal of Romanian Studies 1, no. 1 (2018): 184–86. http://dx.doi.org/10.35824/sjrs.v1i1.17355.

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Romulus Bucur is a renowned writer and literary critic. He is also faculty member at Transylvania University of Braşov, institution well-known for its courses of creative writing and translation studies. “Glosses” is a nimbly written theoretical book wherein many topics are analyzed. One of the most important is the work of Alexandru Muşina, editor, writer, professor, and mentor of the Group of Braşov (a fertile contingent of writers still holding sway in Romanian literature).&#x0D; The second part of the volume is dedicated to the Romanian translations from the classical and contemporary Chin
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Dr, Muhammad Naeem. "New World of Wonders: Rafique Hussain's Short Stories." Tahqeeq Nama 25, no. 1 (2022): 52–57. https://doi.org/10.17613/4441-3786.

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The parallel world of words is called fiction. The imagination of writer uses her/his everyday experience and language to create this world. Rafique Hussain, an Urdu Short story writer, had spent decades in Terai&#39;s Jungles of northern India. He uses his wildlife experience to construct his fictional world. This makes his short stories a world of wonders. Although his concerns are very much humanistic like many of his contemporary Urdu writers, but the maximalist uses of flora and fauna to understand the diverse nature of the world around make him unique. This article analyses his style of
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Li, Pei. "The Contemporary Significance of Gibran’s Literary Works." Chinese and Arab Studies 3, no. 2 (2023): 146–54. http://dx.doi.org/10.1515/caas-2023-030206.

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Abstract The Lebanese writer Gibran Khalil Gibran was one of the pioneers of modern Arab literature and the “standard-bearer, soul and leader” of the writers of the “Mehjar” literature who played an important role in the revival of Arabic literature. He is a world-renowned cultural celebrity who has had a great influence in both Arabia and the West. Based on the theory of literary interpretation, this paper explores the commonality between Gibran’s thought and contemporary social values, which are embodied in four aspects: ecological view, women’s emancipation thought, East-West relationship v
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Shariq, Hafiz Muhammad, and Maryam Noreen. "The Research Methodology & Trends in Female Seerah Writer." Fahm-i-Islam 3, no. 1 (2020): 121–35. http://dx.doi.org/10.37605/fahm-i-islam.3.1.8.

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Prophet Muhammad peace be upon him, is a role model for all mankind. In every domain of life, one may find the best shining example to follow. For this reason, it has always been an extremely important practice of Muslim Scholars to write prophetic biography. Many Muslim scholars have contributed by means of books of Seerah (Biography) and provided guidance in connection with modern challenges and conditions. Most of the known writers are male, however there are many female writers in the contemporary world who have been engaged in contributing to Biographical Studies. The article is an effort
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Ayodeji, Adewuyi Aremu. "Writing Africa, Righting America: An Experience of Otherness in J. P. Clark’s America, Their America." Afrika Focus 34, no. 2 (2021): 308–22. http://dx.doi.org/10.1163/2031356x-34020006.

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Abstract In this article, I examine one of the finest first-generation Nigerian writers, John Pepper Clark-Bekederemo, who passed away on 13 October 2020, and who has been categorised as a Eurocentric writer. By critiquing his America, Their America, this work investigates the authenticity of this perception of J. P. Clark as a Eurocentric Nigerian writer. By analysing his autobiography vis-à-vis the notion of the Self and the Other, a theoretical concern in contemporary travel writing, the researcher establishes that every culture has its positive and negative aspects. It must not feel too pr
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Henderson, John. "Going to the dogs / Grattius <&> the Augustan subject." Proceedings of the Cambridge Philological Society 47 (2001): 1–22. http://dx.doi.org/10.1017/s0068673500000675.

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1. It's no use. There is no hope, not a dog's chance. Whatever I write in this essay, who will go root out Grattius' poem The World of Hunting to Hounds? No course-teacher will track him down, whether as Augustan writer or as didactic poet. Big books about Latin Literature have to be perfectly inclusive works of reference if they are to spare him a sop, and even then he'll barely get a sniff (of précis) in the paragraph he is allotted. Ancient writers leave him without a trace: only the exceptional circumstances of exile had whining Ovid lump him – in 28th place – into his exhaustively compreh
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Asifa Aslam та Prof. Dr. Ghulam Shams-ur-Rehman. "قرآنی سیرت نگاری کے معاصر متنوع اسالیب : تجزیاتی مطالعہ". Al-Qamar 6, № 3 (2023): 67–84. https://doi.org/10.53762/eenw1118.

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In the last two centuries, the sīrah writes applied various methods and approaches to illustrate and interpret the events of the life of Holy prophet (PBUH) an authentic basis and respond to western critique. One of them is Qurʼanic Sirah writing and due to a variety of reasons, it emerged as trend during the course of twenty century. A plethora literature has been turning up on it that shows a diversity of styles has been adopted by prominent Qurʼanic Sirah writers to construct an authentic biography of the prophet Muhammad on the basis of Qurʼan. There are four prominent contemporary styles
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S. Bajčeta, Vladan. "Low-Budget Melo(s)dramas with Prosthesis in Nine Offensives: Vule Žurić." Филолог – часопис за језик књижевност и културу 15, no. 30 (2024): 293–328. https://doi.org/10.21618/fil2430293b.

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This text analyses the prose oeuvre of Vulet Žurić, especially his novelistic work, in which the writer made the most significant contribution to contemporary Serbian prose. Developing this work for a long time, Žurić wrote a series of works in the indicated domain, creating in the poetic horizon, a “camp” genre transformation and trivial literature, influenced by cinematography, jazz and other pop-cultural phenomena. Special attention is paid to the author's best work, Republika Ćopić (2016), which represents the highest range of the entire corpus of contemporary novels written according to t
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Ifrahim, Prof Sagheer Ifrahim. ""Abiasa" A symbolic expression of the contradictions and conflicts of human life." Rashhat-e-Qalam 2, no. 2 (2022): 20–31. http://dx.doi.org/10.56765/rq.v2i2.64.

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This is well known fact that Ghazanfar is one of the important writers in the field of contemporary Urdu literature. He is multidimensional writer but in this article. I have focused only on his fiction specially novel nigari. He has written nine novels on different topics. He contributed many new things in Urdu novel. He introduced dalit. Discours in Urdu fiction. His novel Divya Bani first novel on dalit problem in Urdu. He also wrote fusun campus novel first time in Urdu. The language of Ghazanfar fiction is also different from his contemporary writers. He language is very creative and also
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Alsztyniuk, Anna. "Вобраз героя ў аповесцях Андрэя Федарэнкі (на аснове кніг Ланцуг і Ціша)". Acta Polono-Ruthenica 4, № XXIII (2018): 7–17. http://dx.doi.org/10.31648/apr.3561.

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Andrey Fiedarenka (born in 1959) – author of the books: History of the disease (1989), Misery (1994), Afghan casket (2002), No one’s (2009), The Chain (2012), Silence (2014) and others, winner of many awards, including Jerzy Giedroyc Literary Award. The writer is considered a classic of Belarusian literature. In his artistic work, three basic types of heroes can be distinguished: inhabitants of villages, city dwellers and writers. The presentation of often difficult family relations, differences in characters and life priorities of the heroes become for A. Fiedarenka a pretext for deliberation
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Barry, Kevin. "Lullabies for Insomniacs: The Writer and Contemporary Irish Society." Irish Review (1986-), no. 2 (1987): 7. http://dx.doi.org/10.2307/29735274.

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Micir, Melanie. "Mistakes Were Made: Overthinking and the Contemporary Woman Writer." MFS Modern Fiction Studies 70, no. 3 (2024): 538–54. http://dx.doi.org/10.1353/mfs.2024.a942201.

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Abstract: This essay gives a literary account of "overthinking" women in the autofictional forms of the Brexlit era. In Patricia Lockwood's No One Is Talking About This and Helen Macdonald's H is for Hawk , the protagonists, both avatars for the authors, frequently find themselves having imperfect or even failed political conversations with strangers and then ruminating on their sense of their own mistakes. But rather than dismissing their sometimes cringe-inducing self-indictments, this essay suggests that overthinking, as a literary mode, is a reparative experiment in counterfactual thought.
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Karasik-Updike, Olga B. "Contemporary Jewish Prose in the USA." Literature of the Americas, no. 10 (2021): 100–134. http://dx.doi.org/10.22455/2541-7894-2021-10-100-134.

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The essay presents an overview of Jewish American prose of the second half of the 20th — first two decades of the 21st century within the context of multicultural literature of the USA. The definition of Jewish literature remains a matter of debate. The author of the essay based on the opinions of critics concludes on the criterion for assigning a writer to Jewish literature. It is the artistic embodiment of the personal Jewish experience and identity in the works of literature, the view “from inside,” the perspective of collective memory and the connection to history and culture. Jewish liter
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