Relevant bibliographies by topics / Contes wolof

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Contes wolof'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Contes wolof.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Contes wolof"

1

CONRAD, DAVID C. "NJAAJAN NJAAY GOES TO BERKELEY The Oral History and Literature of the Wolof People of Waalo, Northern Senegal: The Master of the Word (Griot in the Wolof Tradition). By SAMBA DIOP. Lewiston, Queenston and Lampeter: Edwin Mellen Press, 1995. Pp. 389. $109.95 (ISBN 0-7734-9031-0)." Journal of African History 38, no. 1 (1997): 123–77. http://dx.doi.org/10.1017/s0021853796396904.

Full text
Abstract:
The Waalo Kingdom's tradition of origin, also identified by the name of its principal hero Njaajan Njaay (N'Diadiane N'Diaye), is not one of the better-known narrative texts of the Western Sudan, simply because there is not much of it and few variants have circulated in print; among the latter is one collected by Brasseur in 1778 and published in Jean Boulégue, Le Grand Jolof (XIII–XVI siècle), in 1987 (absent from this volume's bibliography) and another by Bérenger-Fèraud in Recueil de Contes Populaires de la Sénégambie, 1885. The 975-line variant presented here is therefore a welcome additio
APA, Harvard, Vancouver, ISO, and other styles
2

Renouf, Magali. "KESTELOOT (Lilyan) et DIENG (Bassirou), Contes et mythes wolof. Du Tieddo au Talibé. Bilingue wolof-français. Troisième édition revue et corrigée par Jean-Léopold Diouf. Paris : L’Harmattan – IFAN, coll. Oralités, 2015, 244 p. – ISBN 978-2-343-06361-4." Études littéraires africaines, no. 41 (2016): 231. http://dx.doi.org/10.7202/1037844ar.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Anguelova, Lilia, Martin Rocek, and Stefan Vandoren. "Hyperkahler cones and orthogonal Wolf spaces." Journal of High Energy Physics 2002, no. 05 (2002): 064. http://dx.doi.org/10.1088/1126-6708/2002/05/064.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pinho, Davi. "O CONTO DE VIRGINIA WOOLF – OU FICÇÃO, UMA CASA ASSOMBRADA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 03–17. http://dx.doi.org/10.34019/1982-0836.2019.v23.29176.

Full text
Abstract:
O presente artigo se debruça sobre o conto “Casa Assombrada”, coletado no único volume de contos que Virginia Woolf publicou em vida, Monday or Tuesday (1921), para investigar de que maneira seus contos intensificam a crise dos gêneros literários que seus romances encenam, por um lado; e para entender como tal crise é análoga à questão política que assombra toda sua obra, por outro lado: o gênero enquanto questão identitária. Em diálogo com a filosofia e com a crítica woolfiana, este estudo articula essa “crise dos gêneros” (gender x genre) e, ao mesmo tempo, produz uma contextualização histór
APA, Harvard, Vancouver, ISO, and other styles
5

Cesar de Oliveira, Renata. "Marianne North vive em Virginia Woolf." Revista Scientiarum Historia 2 (December 13, 2019): 11. http://dx.doi.org/10.51919/revista_sh.v2i0.113.

Full text
Abstract:
Este artigo aponta a influência da obra oitocentista de Marianne North (1830 - 1890) na escrita literária de Virginia Woolf (1882-1941). A narrativa de North tanto em seus diários de viagens quanto nas mais de 800 pinturas a óleo acerca de paisagens botânicas, abrigadas no Royal Kew Gardens (Londres, Inglaterra), inspiraram as descrições da natureza e da cor, aspectos de interdependência e evolucionismo, principalmente nos contos, romances e ensaios de Virginia Woolf. “Kew Gardens” é um exemplo de conto, no qual o jardim é cenário e personagem, questionando assim o antropocentrismo, as regras
APA, Harvard, Vancouver, ISO, and other styles
6

Zhang, Shichang, Hui Ai, and Daiqin Li. "Mating changes a male contestant from a loser to a winner in male–male competition in a wolf spider." Biological Journal of the Linnean Society 128, no. 1 (2019): 83–92. http://dx.doi.org/10.1093/biolinnean/blz091.

Full text
Abstract:
Abstract Mating may change a male’s behaviour by increasing its motivation to engage in a contest, and enabling it to win in subsequent male–male contests. To test this hypothesis, we recorded male contests in the wolf spider, Venonia coruscans (Araneae: Lycosidae), testing a male’s motivation to fight under three different resource value conditions. First, we staged contests between two males in two different resource value conditions, on an egg-produced female’s web and then on a virgin female’s web, to test a male’s fighting ability. After determining each male’s fighting ability, we allowe
APA, Harvard, Vancouver, ISO, and other styles
7

Garrigós, Gustavo, and Andreas Seeger. "On plate decompositions of cone multipliers." Proceedings of the Edinburgh Mathematical Society 52, no. 3 (2009): 631–51. http://dx.doi.org/10.1017/s001309150700048x.

Full text
Abstract:
AbstractAn important inequality due to Wolff on plate decompositions of cone multipliers is known to have consequences for sharp Lp results on cone multipliers, local smoothing for the wave equation, convolutions with radial kernels, Bergman projections in tubes over cones, averages over finite-type curves in ℝ3 and associated maximal functions. We observe that the range of p in Wolff's inequality, for the conic and the spherical versions, can be improved by using bilinear restriction results. We also use this inequality to give some improved estimates on square functions associated to decompo
APA, Harvard, Vancouver, ISO, and other styles
8

Melo Jorge, Maria Zeneide De Macedo, and Rita de Cássia Silva Dionísio. "Um fio de voz tecendo biografias ficcionais." Pontos de Interrogação — Revista de Crítica Cultural 3, no. 1 (2015): 99. http://dx.doi.org/10.30620/p.i..v3i1.1569.

Full text
Abstract:
ResumoEste trabalho tem como objetivo apresentar uma leitura da obra Vésperas da escritora contemporânea Adriana Lunardi. A autora através de um olhar inovador conduziu as personagens escritoras, poetas e romancistas, nascidas no século XIX e XX, para reencenar em uma era pós-moderna: Virgínia Woolf, Dorothy Parker, Colette, Katharine Mansfield, Sylvia Plath, Zelda Fitzgerald, Ana Cristina César, Júlia da Costa e Clarice Lispector. No desenrolar da narrativa é pertinente esclarecer que o narrador chama a nossa atenção para a importância da estrutura dos contos, aproximando as mulheres escritor
APA, Harvard, Vancouver, ISO, and other styles
9

Thompson, Charee M., and Christopher M. Duerringer. "Crying wolf: A thematic and critical analysis of why individuals contest family members’ health complaints." Communication Monographs 87, no. 3 (2019): 291–311. http://dx.doi.org/10.1080/03637751.2019.1709127.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

GAUBERT, STÉPHANE, and GUILLAUME VIGERAL. "A maximin characterisation of the escape rate of non-expansive mappings in metrically convex spaces." Mathematical Proceedings of the Cambridge Philosophical Society 152, no. 2 (2011): 341–63. http://dx.doi.org/10.1017/s0305004111000673.

Full text
Abstract:
AbstractWe establish a maximin characterisation of the linear escape rate of the orbits of a non-expansive mapping on a complete (hemi-)metric space, under a mild form of Busemann's non-positive curvature condition (we require a distinguished family of geodesics with a common origin to satisfy a convexity inequality). This characterisation, which involves horofunctions, generalises the Collatz–Wielandt characterisation of the spectral radius of a non-negative matrix. It yields as corollaries a theorem of Kohlberg and Neyman (1981), concerning non-expansive maps in Banach spaces, a variant of a
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Contes wolof"

1

DERJ, ASSIA. "La societe wolof a travers les contes de birago diop." Université Marc Bloch (Strasbourg) (1971-2008), 1996. http://www.theses.fr/1996STR20035.

Full text
Abstract:
Dans les annees 60, le senegalais birago diop transcrit et remodele des contes traditionnels avec son style de conteur moderne. Il tente d'y faire connaitre sa culture et d'y peindre la societe qui l'a vu naitre, a travers trois principaux recueils: les contes d'amadou koumba, les nouveaux contes d'amadou koumba et contes et lavanes. Dans l'ensemble des contes de birago diop, la societe ouest-africaine est refletee. Cependant, c'est generalement le milieu wolof auquel appartient birago diop, qui se retrouve represente, avec non seulement ses structures familiales et sociales, sa vie quotidienn
APA, Harvard, Vancouver, ISO, and other styles
2

Touré, N'Diabou Séga. "Fonctionnement et fonctions des représentations du surnaturel dans l'imaginaire des contes wolofs." Paris, INALCO, 2003. http://www.theses.fr/2003INAL0004.

Full text
Abstract:
L'étude des représentations du surnaturel portant sur un corpus limité de contes révèle leur richesse et leur diversité. Certaines, comme le génie, sont répandues dans l'Ouest africain. D'autres, telles la mère-brousse et la bête tueuse, sont plus spécifiques de la culture wolof. Au-delà de leur identification, le traitement des représentations dans l'imaginaire des contes pose deux types de questions. La première est celle de leur fonctionnement à l'intérieur d'un univers très organisé dont le chaos apparent n'est que la façade. La seconde a trait aux fonctions de ces représentations. Le mot
APA, Harvard, Vancouver, ISO, and other styles
3

Leonelli-Cristofaro, Laetitia. "Le personnage féminin et ses relations avec les autres personnages dans le conte wolof." Chambéry, 2006. http://www.theses.fr/2006CHAML037.

Full text
Abstract:
Nous avons cherché à établir un profil non exhaustif de la femme à travers des contes présents dans l'aire culturelle wolof, et ce, en identifiant les caractéristiques concernant son statut social au cours des différentes étapes de la vie. Les récits sont le fait de collectes (transcription et traduction) réalisées par des étudiants sénégalais de l'université Cheikh Anta Diop de Dakar. La représentation de la femme dans la société wolof dépend, pour une large part, des structures de base très complexes de cette société. Une idée largement répandue est que la femme reste inférieure à l’homme. N
APA, Harvard, Vancouver, ISO, and other styles
4

Diop, Omar. "L'interaction de la prosodie et de la gestuelle dans la construction du sens : cas des contes Wolof." Caen, 2013. http://www.theses.fr/2013CAEN1708.

Full text
Abstract:
L'oralité ne se résume pas au verbal, elle se fonde également sur les sons, les intonations, les gestes et l’organisation mélodique des chants. Dans les contes, nous abordons des images qui sont claires du point de vue syntaxique mais qui risquent de ne pas être entièrement comprises si le traducteur ne dispose pas de tous les éléments cognitifs, thématiques et non linguistiques (prosodie, gestes, mouvements du corps, chants…) nécessaires au décryptage du message. Les problèmes rencontrés lors de la traduction de tels textes ne sont donc pas seulement d'un caractère purement lexical, mais auss
APA, Harvard, Vancouver, ISO, and other styles
5

Schirato, Marina Nobre de Moraes. "Personagem e inconsciente em contos de Virginia Woolf e Lygia Fagundes Telles." Universidade Presbiteriana Mackenzie, 2011. http://tede.mackenzie.br/jspui/handle/tede/2115.

Full text
Abstract:
Made available in DSpace on 2016-03-15T19:45:20Z (GMT). No. of bitstreams: 1 Marina Nobre de Moraes Shirato.pdf: 931626 bytes, checksum: c75e884081e153082fb388565eb108ca (MD5) Previous issue date: 2011-02-16<br>The Literature of the 20th century brought with it a different narrative style than the one before. We observe a higher concern to express the character s inquiries and reveries, emphasizing the inner self of each one of them. Influenced by the psychoanalysis, it is said that the literature also felt the necessity to comprehend what happened with the human mind. With that, the charact
APA, Harvard, Vancouver, ISO, and other styles
6

Correia, Alda Maria. ""A quarta dimensão do instante" : estudo comparativo da epifania nos contos de Virginia Woolf, Katherine Mansfield e Clarice Lispector." Doctoral thesis, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 1998. http://hdl.handle.net/10362/5922.

Full text
Abstract:
Dissertação de Doutoramento em Literatura Comparada<br>O objectivo do trabalho é comparar e aproximar os contos de Virginia Woolf, Katherine Mansfield e Clarice Lispector em que a epifania é utilizada como elemento, de um modo ou de outro, determinante na estrutura da narrativa. Este confronto de textos procura provar, tendo em conta a epifania como conteúdo temático e como técnica formal, que esta é um elemento polarizador das ambiguidades modernistas, do conflito de vozes e da dissonância, concretizadas de formas semelhantes e diferentes nos contos de cada uma das escritoras. Depois de uma
APA, Harvard, Vancouver, ISO, and other styles
7

Ausina, Anne-Julie. "Performer la femme sauvage, entre chienne et louve : itinéraire d'une lectrice de Virginie Despentes et de Clarissa Pinkola Estés." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30023/document.

Full text
Abstract:
La performance, qui n'a pas cessé d'évoluer depuis les années 1960, est un médium qui invite à repenser les limites du corps. Elle est symbole de prise de contrôle de soi et d'un retour au charnel dans un monde contemporain régi par les machines. Médium privilégié des femmes et de leur auto-représentation, incarnation même de leur engagement féministe, transgression des valeurs religieuses, morales et aliénantes… elle s'articule entre le spectaculaire, la mise en scène ou l'exil, bouscule le réel grâce au direct et à l'effet parfois « coup de poing » qu'elle suscite. Elle navigue entre perte d
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Contes wolof"

1

Contes wolof modernes: Bilingue wolof-français. Harmattan, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Copans, Jean. Contes wolof du Baol (Sénégal). Karthala, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kesteloot, Lilyan. Contes et mythes Wolof: Tradition orale. Nouvelles Éditions africaines du Sénégal, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ndiaye, Seydou Nourou. Des contes wolof, ou, La vie rêvée. Enda-Editions, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lilyan, Kesteloot, ed. Contes wolof à l'école de Kotch--. IFAN, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bassirou, Dieng, ed. Du tieddo au talibé: Contes et mythes wolof II. Présence africaine, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Saar, Xaalima. Xel yi: Livret et cassette : recueil de contes Wolof. s.n., 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Liggéeyu ndey añub doom: Téere léeb = recueil de contes en Wolof. OSAD, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Cuuj Sekk: Conte pour enfant. Editions des écoles nouvelles africaines Sénégal, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Melhores contos: Fausto Wolff. Global, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Contes wolof"

1

Toriumi, Fujio, Hirotaka Osawa, Michimasa Inaba, Daisuke Katagami, Kosuke Shinoda, and Hitoshi Matsubara. "AI Wolf Contest — Development of Game AI Using Collective Intelligence —." In Communications in Computer and Information Science. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57969-6_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Shaw, Marion. "Virginia Woolf: Mrs Dalloway and A Room of One’s Own." In Literature in Context. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-04191-3_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Layne, Bethany. "Great Poets Do Not Die: Maggie Gee’s Virginia Woolf in Manhattan (2014) As Metaphor For Contemporary Biofiction." In The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.003.0023.

Full text
Abstract:
This chapter takes as its subject Maggie Gee’s novel Virginia Woolf in Manhattan (2014), which imagines what might transpire if Woolf were to be resurrected in twenty-first-century New York. She is conjured by the fictitious novelist Angela Lamb, who is visiting the Berg Collection in preparation for a keynote address at an international Woolf conference. As a contemporary novelist who recalls her subject to life, lends her clothing and helps her to sign her name, Angela is symbolic of the real-life novelists who recreated Woolf in their own image and reinterpreted her works in line with their respective versions. The chapter thus contends that Gee’s recent manifestation of Woolf-inspired biofiction may be read successfully as an extended metaphor for the twenty-year-old subgenre. This originated with Sigrid Nunez (1998) and Michael Cunningham (1998) and extends to recent work by Priya Parmar (2014) and Norah Vincent (2015). The chapter first examines issues of content, focusing on Gee’s presentation of Woolf’s suicide and sexuality. The discussion is then expanded to think critically about Woolf-inspired biofiction as a subgenre, particularly the ethical issues attendant on its invasion of the subject’s privacy.
APA, Harvard, Vancouver, ISO, and other styles
4

Leventhal, Fred, and Peter Stansky. "Journey’s End." In Leonard Woolf. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198814146.003.0009.

Full text
Abstract:
In this concluding chapter the book elucidates the tension in Leonard’s life between Hebraism and Hellenism, which provided the dynamic for his moral and spiritual evolution. His Jewish background helped shape his identity, imposing on him an obligation to duty and strictness of moral conscience, while the Hellenism, imparted by his education, his membership of the Apostles, and his Bloomsbury friends, opened him to ideals of beauty, rationality, and human progress. Abandoning religious belief at an early age, Leonard retained a “Semitic vision” of justice and mercy as the foundation of civilized life. His ethical values drew partly from parental influence, but even more from that of the philosopher G. E. Moore. In maturity he came to believe that “nothing matters” and developed a fatalistic view of death, his own and those who pre-deceased him, especially his father and his wife. In the final volume of his autobiography, he concludes that the thousands of hours he devoted to political activity and writing were ultimately futile, but that for him it was right that he should have done it. This book contends that his significant accomplishments were multifaceted—personal, political, literary, and commercial. As a publicist for the League of Nations and as a Labour activist, he strove to achieve international peace and to undermine faith in the merits of British imperialism. He also provided the security and support in which Virginia could flourish as a writer.
APA, Harvard, Vancouver, ISO, and other styles
5

Kopley, Emily. "The Male Siskin and his Dear Aunt." In Virginia Woolf and Poetry. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198850861.003.0007.

Full text
Abstract:
Julian Bell, a poet and Woolf’s nephew, was a friendly aggravation generative to some of Woolf’s most significant work. Both the content and the form of The Waves (1931) owe much to Woolf’s relationship with him. With regard to content, the book’s depiction of college life and of young male poets derives in part from Bell’s social world and personality. With regard to form, Woolf’s association of poetry with metaphoric thought was reinforced by Bell’s literal verse. The drafts of The Waves and of a lampoon Woolf wrote on Bell inform the latter argument. This chapter then shows that in writing “A Letter to a Young Poet” (1932), Woolf had in mind her nephew’s “The Progress of Poetry: A Letter to a Contemporary” (1930). This chapter concludes with a study of the manuscript draft of “A Letter to a Young Poet.” Here Woolf writes as though the poet and the novelist have the same task—which, I argue, they do not.
APA, Harvard, Vancouver, ISO, and other styles
6

Veligorsky, Georgy A. "“Houses are alive. No?”The image of a “revived” house in English literaturein the late XIX — early XX century." In Russian Estate in the World Context. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0623-9-298-312.

Full text
Abstract:
In this article we will talk about the unusual topos that occurs in Victorian and Edwardian literature — the “revived” estate. Indirectly going back to Gothic literature and the “horror literature” that inherited it (where the house can come to life literally, become harmful, frightening and even mortally dangerous for the inhabitant), however, it develops in a completely different way. The ghosts that inhabit the rooms of such a mansion are the guardians of a good and bright memory, “hidden joy”; embodied by the past, who lives in a shaky, invisible world. These ghosts have many hypostases: sometimes they turn out to be just a figment of the tenant’s imagination, and sometimes they are a real poltergeist, but not frightening, but protecting and preserving (W. Woolf, “A Haunted House”). Another manifestation of this topos can be called a house that comes to life, when the hero distinguishes between the beating of his heart (as happens in the novel by E.M. Forster “Howards End”) or hears a whisper of voices in the curtains shaken by the wind. The combination of these two motives (poltergeist and living house) is also found in the works of modernists (W. Woolf, “Orlando: A Biography”). Of particular interest is the image of a revived estate house in children’s literature; in this vein, we will consider the novel by Ph. Pierce, “Tom’s Midnight Garden”.
APA, Harvard, Vancouver, ISO, and other styles
7

Freitas, Laiane Lima. "Memória e voz narrativa nos contos Happiness, de Virginia Woolf e Felicidade clandestina, de Clarice Lispector." In Literatura, memória e cultura. IFPI, 2021. http://dx.doi.org/10.51361/978-65-86592-23-8p229-243.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Dubino, Jeanne. "Kenya Colony and the Kenya Novel: The East African Heritage of “A Very Fine Negress” in A Room of One’s Own." In Virginia Woolf and Heritage. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781942954422.003.0023.

Full text
Abstract:
‘It is one of the great advantages of being a woman that one can pass even a very fine negress without wishing to make an Englishwoman of her.’ Virginia Woolf, A Room of One’s Own At the time Virginia Woolf’s narrator made this observation in the late 1920s, a number of her British and other European contemporary women writers were in fact passing by and indeed living among black women in one of Great Britain’s colonies, Kenya. Isak Dinesen (1885-1962) was among the most famous, and her memoir Out of Africa (1937), commemorates her years on a Kenyan plantation (1914-1931). Along with the canonical Danish Dinesen were British women whose work has been long forgotten, including Nora K. Strange (1884-1974) and Florence Riddell (1885-1960), both of whom wrote what is called the “Kenya Novel.” The Kenya Novel is a subgenre of romantic fiction set in the white highlands of Britain’s Crown Colony Kenya. The titles alone—e.g., Kenya Calling (1928) and Courtship in Kenya (1932) by Strange, and Kismet in Kenya (1927) and Castles in Kenya (1929) by Riddell—give a flavor of their content. Because these novels were popular in Britain, it is very likely that Woolf knew about them, but she does not refer to them in her diaries, letters, or published writing. Even so, it would be worth testing this famous comment by a Room’s narrator about (white) women’s lack of propensity to recreate others in her own image, or more specifically, to dominate the colonial other. How do Woolf’s white contemporaries, living in Kenya, represent black women? Given that Strange and Riddell were part of the settler class, we can expect that their views reflect dominant colonial ideology. The formulaic nature of the Kenya Novel, and its focus on the lives of white settlers, also mean that the portrayal of the lives of the people whose lands were brutally expropriated would hardly be treated with respect or as little more than backdrops. Yet it is important to understand these other global contexts in which Woolf is working and the role that some of her contemporary women writers played in the shaping of them. This paper concludes with an overview of the separate legacies of Woolf and her fellow Anglo-African women writers up to the present day.
APA, Harvard, Vancouver, ISO, and other styles
9

Robinson, Michael D. "The Wolf Is Really upon Us Now." In Union Indivisible. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469633787.003.0004.

Full text
Abstract:
This chapter probes the presidential contest of 1860 between four major candidates: Democrat Stephen Douglas; Southern Democrat John C. Breckinridge; Republican Abraham Lincoln; and Constitutional Unionist John Bell. The chapter demonstrates that in spite of the political polarization within the nation and the ill-effects of John Brown’s raid, the moderate, middle ground political outlook of most white border southerners remarkably endured. The chapter contains a close inspection of each major party’s political activity within the Border South in the months before the election of 1860. It also includes a close analysis of the election results in both the presidential election and the 1860 Missouri gubernatorial election to demonstrate the staying power of the Border South’s moderate political notion.
APA, Harvard, Vancouver, ISO, and other styles
10

Appert, Catherine M. "Voicing Galsen." In In Hip Hop Time. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190913489.003.0004.

Full text
Abstract:
This chapter turns to the vast majority of Senegalese rappers who locate themselves in the underground, to show how they construct hip hop meaning in dialogue with other performance genres. Demonstrating how Wolof-centric processes of urbanization create a sense of distance from tradition, it positions mbalax as a modern musical tradition whose ties to indigenous communicative norms and speech genres render it antithetical to hip hoppers’ claims to a liberal, agential voice. It argues that hip hop undergoes a similar traditionalizing process, so that origin stories don’t just reflect local realities, but also comment on and voice them. It shows that, although hip hoppers contest lived experiences of underdevelopment through themes of education and consciousness raising, local hierarchies ultimately continue to limit the possibilities of hip hop voice.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Contes wolof"

1

Баранов, Святослав. "ИСТОРИКО-ЭТИМОЛОГИЧЕСКИЕ ОСОБЕННОСТИ ЛЕКСЕМЫ 'WOLF' В АНГЛИЙСКОМ ЯЗЫКЕ". У PUBLIC COMMUNICATION IN SCIENCE: PHILOSOPHICAL, CULTURAL, POLITICAL, ECONOMIC AND IT CONTEXT. European Scientific Platform, 2020. http://dx.doi.org/10.36074/15.05.2020.v3.36.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Contes wolof' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography