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Relevant bibliographies by topics / Contextual modernism

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Academic literature on the topic 'Contextual modernism'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Contextual modernism"

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Moore, Juliet. "Post-Modernism and DBAE: A Contextual Analysis." Art Education 44, no. 6 (1991): 34. http://dx.doi.org/10.2307/3193273.

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Gualberto, Rebeca. "Reassessing John Steinbeck’s modernism: myth, ritual, and a land full of ghosts in “To a God Unknown”." Journal of English Studies 16 (December 18, 2018): 113. http://dx.doi.org/10.18172/jes.3404.

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The aim of this paper is to reassess John Steinbeck’s presence and significance within American modernism by advancing a myth-critical reading of his early novel “To a God Unknown” (1933). Considering the interplay between this novel and the precedent literary tradition and other contextual aspects that might have influenced Steinbeck’s text, this study explores Steinbeck’s often disregarded novel as an eloquent demonstration of the malleability of myths characteristic of Anglo-American modernism. Taking myth-ritualism—the most prominent approach to myth at the time—as a critical prism to reap

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ECHEVARRÍA, ANDRÉS. "Los heraldos negros: sincretismo de una obra inaugural." Espergesia 6, no. 2 (2019): 68–74. http://dx.doi.org/10.18050/esp.2014.v6i2.2172.

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César Vallejo, con la obra poética Los heraldos negros, marca un nuevo rumbo en la literatura latinoamericana que hasta ese entonces estaba influenciada por la ascendencia de simbolistas y parnasianos; además, de la influencia del coloquialismo de Walt Whitman y la marca modernista de Rubén Darío; pero desde su primer libro se hace notar la intención de acceder a una visión localista y, por lo tanto, la simbología de origen francesa proveniente de escritores galos es desplazada por elementos andinos cercanos al autor. El sincretismo vallejiano propone desde el comienzo unir varias culturas: la

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Akboy-İlk, Serra. "Ali Saim Ülgen: Building a Historiography of Turkish Architecture." Turkish Historical Review 10, no. 1 (2019): 71–97. http://dx.doi.org/10.1163/18775462-01001001.

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Ali Saim Ülgen (1913–63), a preservation architect, architectural historian, author, bureaucrat and educator, was a leading figure in the nascent field of heritage conservation during the early decades of the Republic of Turkey. This was a time when the Republican leaders sought to establish the national character of art and architecture by interpreting the “Turkishness” and uniqueness of the Ottoman heritage through the tenets of the Modern Movement. The reconciliation of the modernist rationale with nationalist historiography created contested paradigms in a nation searching for its cultural

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Bahga, Sanyam, and Gaurav Raheja. "A Study of Regional Assertions in the Architecture of Delhi from the 1970s to the present." Buildings 9, no. 5 (2019): 108. http://dx.doi.org/10.3390/buildings9050108.

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Critical regionalism is an architectural approach that seeks to correct sterile and abstract modernism by using contextual forces that focus on local needs and potential. As globalisation disrupts and displaces local building traditions in India’s metropolitan cities, critical regionalism offers resistance to the homogenising forces of global modernism. This paper analyses five key architectural works realised in Delhi in the past four decades that incorporate the ideas of critical regionalism in their designs. The different approaches adopted by regionalist architects in dealing with local cl

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Mance, Ivana. "Towards the Theory of the Naïve Art – Grgo Gamulin and the Understanding of Modernism." Artium Quaestiones, no. 30 (December 20, 2019): 191–209. http://dx.doi.org/10.14746/aq.2019.30.9.

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The article presents the theory of naïve art of the Croatian art historian Grgo Gamulin (1910–1997), which he developed in a number of texts written from early 1960s. In his theory, Gamulin tried to explain the phenomenon of naïve art on the basis of the modernist paradigm by applying the type of argumentation that is characteristic for the discourse of high-modernity. Gamulin’s postulates on the naïve can be summarised with a few basic lines of speculation. First of all, Gamulin claims that the phenomenon of the naïve was epistemologically possible only in the context of modernism, and that i

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Vlashki, Mladen. "Teodor Trajanov als Vermittler zwischen der Wiener und der bulgarischen Moderne." Zeitschrift für Slawistik 65, no. 3 (2020): 382–440. http://dx.doi.org/10.1515/slaw-2020-0019.

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SummaryThe study is looking into the first creative period of the Bulgarian poet Teodor Trajanov based on his newly rediscovered works. They allow the description of the author as a conscious mediator between the Viennese and the Bulgarian modernity, who imports himself in the vernacular Bulgarian literary environment as a “modern poet” from Vienna. For the first time, the analysis discovers actual connections between the poetry of Trajanov and the specifics of the Viennese modernity as a cultural environment. On the basis of critical texts from the author, his views on modern works are descri

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Gubser, Michael. "A Cozy Little World: Reflections on Context in Austrian Intellectual History." Austrian History Yearbook 40 (April 2009): 202–14. http://dx.doi.org/10.1017/s0067237809000162.

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Whilecontextualization is basic to all historical analysis, modern Austrian intellectual history exhibits a particular preference for strong contextual accounts of cultural development. Since the 1970s, the literature on fin-de-siècle Vienna as a birthplace of modernism—associated with scholars such as Allan Janik and Stephen Toulmin, William Johnston, William McGrath, and above all Carl Schorske—has endorsed the view, famously expressed by the poet Friedrich Hebbel, that Austria was the “little world where the big world holds its tryouts.” Vienna's cultural efflorescence, it is argued, was ex

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HAVRYLIV, Tymofii. "THE CITY IN THE MODERNIST POETRY. URBAN POEMS BY BOHDAN IHOR ANTONYCH AND GEORG HEYM." Ukraine: Cultural Heritage, National Identity, Statehood 33 (2020): 480–93. http://dx.doi.org/10.33402/ukr.2020-33-480-493.

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For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, an

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Farish, Matthew. "Cities in Shade: Urban Geography and the Uses of Noir." Environment and Planning D: Society and Space 23, no. 1 (2005): 95–118. http://dx.doi.org/10.1068/d185.

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This paper historicizes American cities after the Second World War through the rich motif of noir literature and film. But, in doing so, the paper is also a critical consideration of noir's work in urban studies. Noir has been drawn, often usefully but also unfortunately, away from its referents, from the terrain that it most directly summons but also from the spaces in which its contradictions are most apparent. Moving from a discussion of the distractions of Chinatown to contextual themes such as mobility and ruin, the paper links noir criticism and noir texts with broader debates in postwar

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Dissertations / Theses on the topic "Contextual modernism"

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Huddleston, Elizabeth Anne. "Divine Revelation as Rectrix Stella: A Contextual Analysis of Wilfrid Ward's Theology of Revelation." University of Dayton / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1574854979869429.

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Ambrose, Serge. "Flying on the Edge of Sea, Land and Sky - A new passenger terminal for the Grand Bahama International Airport." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/35824.

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Ever since the airport was conceived as a permanent building type, airport designers have debated what identity an airport should embody. As a threshold of first impressions, the airport should not only introduce the visitor to the local environment but also represent the identity of a country. The aim of this thesis project is to design an airport terminal that reflects the natural and cultural environments of the islands of the Bahamas. Through its architecture, this building attempts to create an engaging experience for its users: passengers, employees and visitors. Local culture and sense

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Watt, Ronald. "A contextual history of South African ceramics of the twentieth and twenty-first centuries." Thesis, 2020. http://hdl.handle.net/10500/27015.

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Text in English with summaries and keywords in English, Afrikaans and Zulu<br>Presented in two volumes. Volume 2 contains colour photographs<br>Bibliography: (volume 1: leaves 181-219)<br>The history of South African ceramics of the twentieth and twenty-first centuries tends to be presented in a compartmentalised manner in that it focuses on the leading exponents within genres and is limited to an investigation of the contexts that have an immediate bearing on their oeuvres. The result is a fragmented (and sometimes biased) view of the role players, circumstances, influences and incentive

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Odendaal, Johann Wilhelm Smallberger. "Die skrifbeskouing van die vroeë kerkvaders uit Afrika (veral Tertullianus en Augustinus) en hulle relevansie vir Suidelike-Afrika (Afrikaans)." Diss., 2007. http://hdl.handle.net/2263/29110.

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Scripture is God’s Word in human language – a truth reflected over 2000years of Church history. Without this truth, proper knowledge of God is impossible. All human efforts to come to a true and meaningful understanding of God, lead to a variety of religious “isms.” The pluralism, post-modernism and post-Christian society of the 21st century, brings its own challenges. Words mean nothing and truth is relative. There are, however, unique resemblances with the pluralism, pre-modern and pre-Christian society of the patristic. From a historical-theological perspective, the researcher points out th

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Ismail, Nadia. "Women and political participation : a partial translation of ‘Abd al-Ḥalīm Muhammad Abū Shaqqah’s Taḥrīr al-Mar’ah fī ‘Aṣr al-Risālah (The liberation of women in the prophetic period), with a contextual introduction to the author and his work." Diss., 2016. http://hdl.handle.net/10500/22256.

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This thesis is a translation of a chapter that examines the role of Muslim women in politics during the early Islamic period and their engagement with religious and political discourses. This subject raises a combination of provocative challenges for Islamic discourse as Muslim women have had a complex relationship with their religious tradition dating back to the very inception of Islam. Despite Qur’ānic injunctions and Prophetic affirmations of the egalitarian status of Muslim women, social inequality and injustice directed at women remains a persistent problem in Muslim society.

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Dib, Naïma. "D'un islam textuel vers un islam contextuel : la traduction du Coran et la construction de l'image de la femme." Thèse, 2006. http://hdl.handle.net/1866/17664.

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Troskie, Mariza. "Ervaring van mag in konfessionele bybelse berading." Diss., 2003. http://hdl.handle.net/10500/1216.

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Text in Afrikaans<br>I wanted to investigate the way people experienced confessional pastoral therapy by conducting a qualitative research study. The role of the pastor were examined as well as the effect of discourses of power and ethics in pastoral counseling. I interviewed clients who were counseled by pastors of the AFM Church (Apostolic Faith Mission). The research supposes that knowledge and power discourses have a major influence in pastoral counseling which is often not accounted for. I wanted to see how clients experienced the effects of these discourses of power and ethics. I furth

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Books on the topic "Contextual modernism"

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Pears, Angie. Doing contextual theology. Routledge, 2009.

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Guptabakshi, Bivashkanti, ed. Relevant Modernity and the Project Resound of Tagore Songs: Essay. Salok Publishers, 2017.

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Guptabakshi, Bivashkanti, ed. Relevant Modernity and the Project Review of Tagore Works: Essay. Salok Publishers, 2017.

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Borzyh, Stanislav. Theory of Mind. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1088340.

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This book deals with the problem of human reason and thinking from a somewhat unexpected angle. Its main idea is that both are the product of evolution, and therefore they bear the imprint of their history, and they are mostly reduced to them, although they are not entirely limited to them. This means that they are by no means universal, on the contrary, they are conditioned by their very formation and the circumstances within which they developed and which literally created them as we know them. In practical terms, this suggests that they are aimed at solving the problems and the type that fa

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1861-1941, Tagore Rabindranath, and National Gallery of Modern Art (New Delhi, India), eds. Santiniketan: The making of a contextual modernism. National Gallery of Modern Art, 1997.

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Pears, Angie. Doing Contextual Theology. Routledge, 2009.

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Doing Contextual Theology. Routledge, 2009.

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Shreya Ghoshal Shraddhyanjali In English: Romantic. Simple Wikipedia, 2016.

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Shreya Ghoshal Shraddhyanjali. Salowk Publication, 2016.

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Shreya Ghoshal Shraddhyanjali Transliteration: Transliteration Script. Salowk Publication, 2016.

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Book chapters on the topic "Contextual modernism"

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Ter-Matevosyan, Vahram. "Popularization of Kemalism: Intellectual, Contextual, and Popular Considerations." In Modernity, Memory and Identity in South-East Europe. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97403-3_4.

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Bajpai, Alok Bajpai. "Some Contextual Reflections on Hind Swaraj: A Critique of ‘Modernity’ and an Argument for Indian Modern Consciousness." In Gandhian Thought and Communication: Rethinking the Mahatma in the Media Age. SAGE Publications Pvt Ltd, 2020. http://dx.doi.org/10.4135/9789353287849.n3.

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Gleig, Ann. "Critical, Collective, and Contextual Turns." In American Dharma. Yale University Press, 2019. http://dx.doi.org/10.12987/yale/9780300215809.003.0009.

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The March 2016 cover of the Lion's Roar featured seven teachers of color and seven white teachers, seven females and seven males, gathered together under the title “The New Face of Buddhism.” Given that this edition represented a significant step forward in promoting diversity and advocating for the sociopolitical deployment of American Buddhist practice, it is not surprising that one of the first responses to it was a critique. More surprising, however, was that this critique was directed at the magazine's continuation of rather than challenge to Buddhist modernism. This chapter considers “insider” critiques of meditation-based Buddhism, an emphasis on collective forms of practice, and an illumination and interrogation of the sociocultural contexts of American Buddhist lineages. It focuses on the appearance of these sensibilities across communities with strong online platforms as well as the lively Buddhist blogosphere.

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Howarth, Peter. "Close Reading as Performance." In Modernism and Close Reading. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198749967.003.0003.

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Rather than see close reading as just a means to protect the hypostasized text from its social mediation, this chapter proposes that we see it as one of the many ways in which, over the course of the twentieth century, art has moved from an affair of objects towards one of events, whose modus operandi is performance. In fostering this change, unintentionally or deliberately, close reading is actually moving in the same direction as the contemporary historicists, blurring the borders between art and its contextual medium. Returning close reading to its beginnings as the companion to a theory of modernist poetry may not help it sound less elite. But it will, as the chapter argues, make clearer how modernist poetry was partly aware from the start of the material conditions and social mediations of its reception.

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Ravinthiran, Vidyan. "Nabokov and the Privilege of Style." In Modernism and Close Reading. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198749967.003.0008.

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Nabokov’s prose is often purple, and looks to build itself into permanent structures, even if its run-on riffs maintain a provisional quality, a sense of forms grasped for and experimental and seeking to be adequate to a fraught and cosmopolitan history. This chapter shows that the experience of reading Nabokov (on such weighty matters as political and sexual tyranny, commercialism, nationhood, and exile) can be understood through a form of biographical criticism attentive to history and how it conditions a prose style we live through from sentence to sentence. While there have been energetic conversations in literary studies in recent years about a return to form, it remains the case that stylistic readings—intimately attentive to grammar, metre and lexis—are still relatively thin on the ground. In turning to Nabokov’s modernist artistry, this chapter looks to test the field’s changing views on the critical and contextual importance of prose style against what actually happens on the page.

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Mulloli, Nirmalie Alexandra. "The Impact of Alternative Exhibition Spaces on European Modern Art before World War I." In Ephemeral Spectacles, Exhibition Spaces and Museums. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463720908_ch10.

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Exhibitions of modern art at the beginning of the twentieth century help to signify, in structured and identifiable nodes, the points at which the evolving visual forms of modernism were societally sanctioned and integrated into an accepted notion of what constituted art. Limited consideration has been given to examining the broader acceptance of alternative exhibition venues, previously peripheral or ephemeral, as social spaces and to considering the affect these alternative socio-spatial constellations had on the reception of the art being exhibited. By analyzing the shifting social conditions of art reception that these exhibiting spaces represent, this chapter presents a novel contextual view of how modern European artists flourished during this time in unprecedented ways.

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Diepeveen, Leonard. "Sincerity’s Champions." In Modernist Fraud. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198825432.003.0004.

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This chapter looks at the different ways in which intent functions in aesthetic creation and experience, what counted as signs of sincere intent in the early twentieth century, and what aspects of modernism threatened the effortless functioning of such signs. It argues that in the early twentieth century the signs of sincere intent were under contention, as they always are at moments of cultural change and ideological contestation. In any new aesthetic movement or cultural context, one which appears to break with the past rather than just modulate it, the signs of sincere intent—because they are contextually and socially understood and negotiated—have to be renegotiated. Radically new works, works that are most in violation of the time’s default aesthetic, will present unclear signs of intent, clouding their sincerity.

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Stead, Lisa. "Off to the Pictures: Cinema, Fiction and Interwar Culture." In Off to the Pictures. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748694884.003.0002.

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The chapter outlines the critical and contextual foundations for the case study chapters that follow, establishing in greater depth the three interlocking contexts of moviegoing, print culture and modernity in interwar Britain. It offers an overview of the interrelationship between key framing contexts that inform the coordinates of the study, considering British cinema culture alongside the interwar publishing industry for women’s writing, read in relation to the changing texture of women’s everyday lives in British modernity alongside a more detailed consideration of the intersections between critical explorations of film reception and intermediality.

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Wrigley, Amanda. "Tragedy for Teens: Ancient Greek Tragedy on BBC and ITV Schools Television in the 1960s." In Ancient Greece on British Television. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474412599.003.0005.

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This chapter offers a comparative impression of how the BBC and the independent television company Associated-Rediffusion produced Greek tragedy for non-specialist teen audiences via schools drama strands in the early 1960s, considering the different ways in which these dramas were presented in order to address the potency of teenagers and their imagined role in society at the beginning of this socially and culturally progressive decade. An assessment of the archival evidence for a number of schools productions of Greek tragedy in this period, together with textual analysis of extant programmes, suggests characteristic differences in pedagogic style and broader motivations between the BBC and Associated-Rediffusion, with the BBC focusing on the modernity of the theatrical canon and the independent company being primarily concerned with the imaginative and emotional engagement of the teen viewer. The evidence for audience engagement (pupils and teachers) bears out the greater success of the ITV broadcasts in communicating with teenagers in 1960s secondary moderns (where these ‘off-syllabus’ programmes were most often viewed), especially via the documentary framing techniques which integrated welcome contextual and historical information within the dramatic presentation.

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"Feminist Voices From Africa." In Philosophising Experiences and Vision of the Female Body, Mind, and Soul. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4090-9.ch016.

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This chapter is an extension of intersectionality and post-modernist theories of feminism introduced in Chapter 8, now giving special focus to the African continent. The chapter argues that the African female is not only vastly different from the Western female (given the different socio-economic, political, and cultural structures), but also very different from each other as determined by contextual differences within the continent. The chapter starts from the angle that although Africa might have passed through almost similar history of slavery, colonialism, and neo-colonialism, the continent is very diverse. To talk of an ‘African feminism' can be seen as essentialising Africa and suggesting that all women living in Africa face the same problems. Thus, Africa cannot be treated as a single entity. Hence, instead of settling for the term “African feminism,” this chapter opted for “Feminist Voices from Africa” as the title.

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Conference papers on the topic "Contextual modernism"

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Rosyada, Dede. "A CONTEXTUAL METHOD OF INTERPRETING THE QUR'AN: A SEARCH FOR THE COMPATIBILITY OF ISLAM AND MODERNITY." In International Conference on Qur'an and Hadith Studies (ICQHS 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icqhs-17.2018.1.

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