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Journal articles on the topic 'Contextual modernism'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Moore, Juliet. "Post-Modernism and DBAE: A Contextual Analysis." Art Education 44, no. 6 (1991): 34. http://dx.doi.org/10.2307/3193273.

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Gualberto, Rebeca. "Reassessing John Steinbeck’s modernism: myth, ritual, and a land full of ghosts in “To a God Unknown”." Journal of English Studies 16 (December 18, 2018): 113. http://dx.doi.org/10.18172/jes.3404.

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The aim of this paper is to reassess John Steinbeck’s presence and significance within American modernism by advancing a myth-critical reading of his early novel “To a God Unknown” (1933). Considering the interplay between this novel and the precedent literary tradition and other contextual aspects that might have influenced Steinbeck’s text, this study explores Steinbeck’s often disregarded novel as an eloquent demonstration of the malleability of myths characteristic of Anglo-American modernism. Taking myth-ritualism—the most prominent approach to myth at the time—as a critical prism to reap

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ECHEVARRÍA, ANDRÉS. "Los heraldos negros: sincretismo de una obra inaugural." Espergesia 6, no. 2 (2019): 68–74. http://dx.doi.org/10.18050/esp.2014.v6i2.2172.

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César Vallejo, con la obra poética Los heraldos negros, marca un nuevo rumbo en la literatura latinoamericana que hasta ese entonces estaba influenciada por la ascendencia de simbolistas y parnasianos; además, de la influencia del coloquialismo de Walt Whitman y la marca modernista de Rubén Darío; pero desde su primer libro se hace notar la intención de acceder a una visión localista y, por lo tanto, la simbología de origen francesa proveniente de escritores galos es desplazada por elementos andinos cercanos al autor. El sincretismo vallejiano propone desde el comienzo unir varias culturas: la

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4

Akboy-İlk, Serra. "Ali Saim Ülgen: Building a Historiography of Turkish Architecture." Turkish Historical Review 10, no. 1 (2019): 71–97. http://dx.doi.org/10.1163/18775462-01001001.

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Ali Saim Ülgen (1913–63), a preservation architect, architectural historian, author, bureaucrat and educator, was a leading figure in the nascent field of heritage conservation during the early decades of the Republic of Turkey. This was a time when the Republican leaders sought to establish the national character of art and architecture by interpreting the “Turkishness” and uniqueness of the Ottoman heritage through the tenets of the Modern Movement. The reconciliation of the modernist rationale with nationalist historiography created contested paradigms in a nation searching for its cultural

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Bahga, Sanyam, and Gaurav Raheja. "A Study of Regional Assertions in the Architecture of Delhi from the 1970s to the present." Buildings 9, no. 5 (2019): 108. http://dx.doi.org/10.3390/buildings9050108.

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Critical regionalism is an architectural approach that seeks to correct sterile and abstract modernism by using contextual forces that focus on local needs and potential. As globalisation disrupts and displaces local building traditions in India’s metropolitan cities, critical regionalism offers resistance to the homogenising forces of global modernism. This paper analyses five key architectural works realised in Delhi in the past four decades that incorporate the ideas of critical regionalism in their designs. The different approaches adopted by regionalist architects in dealing with local cl

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Mance, Ivana. "Towards the Theory of the Naïve Art – Grgo Gamulin and the Understanding of Modernism." Artium Quaestiones, no. 30 (December 20, 2019): 191–209. http://dx.doi.org/10.14746/aq.2019.30.9.

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The article presents the theory of naïve art of the Croatian art historian Grgo Gamulin (1910–1997), which he developed in a number of texts written from early 1960s. In his theory, Gamulin tried to explain the phenomenon of naïve art on the basis of the modernist paradigm by applying the type of argumentation that is characteristic for the discourse of high-modernity. Gamulin’s postulates on the naïve can be summarised with a few basic lines of speculation. First of all, Gamulin claims that the phenomenon of the naïve was epistemologically possible only in the context of modernism, and that i

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Vlashki, Mladen. "Teodor Trajanov als Vermittler zwischen der Wiener und der bulgarischen Moderne." Zeitschrift für Slawistik 65, no. 3 (2020): 382–440. http://dx.doi.org/10.1515/slaw-2020-0019.

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SummaryThe study is looking into the first creative period of the Bulgarian poet Teodor Trajanov based on his newly rediscovered works. They allow the description of the author as a conscious mediator between the Viennese and the Bulgarian modernity, who imports himself in the vernacular Bulgarian literary environment as a “modern poet” from Vienna. For the first time, the analysis discovers actual connections between the poetry of Trajanov and the specifics of the Viennese modernity as a cultural environment. On the basis of critical texts from the author, his views on modern works are descri

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Gubser, Michael. "A Cozy Little World: Reflections on Context in Austrian Intellectual History." Austrian History Yearbook 40 (April 2009): 202–14. http://dx.doi.org/10.1017/s0067237809000162.

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Whilecontextualization is basic to all historical analysis, modern Austrian intellectual history exhibits a particular preference for strong contextual accounts of cultural development. Since the 1970s, the literature on fin-de-siècle Vienna as a birthplace of modernism—associated with scholars such as Allan Janik and Stephen Toulmin, William Johnston, William McGrath, and above all Carl Schorske—has endorsed the view, famously expressed by the poet Friedrich Hebbel, that Austria was the “little world where the big world holds its tryouts.” Vienna's cultural efflorescence, it is argued, was ex

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HAVRYLIV, Tymofii. "THE CITY IN THE MODERNIST POETRY. URBAN POEMS BY BOHDAN IHOR ANTONYCH AND GEORG HEYM." Ukraine: Cultural Heritage, National Identity, Statehood 33 (2020): 480–93. http://dx.doi.org/10.33402/ukr.2020-33-480-493.

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For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, an

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Farish, Matthew. "Cities in Shade: Urban Geography and the Uses of Noir." Environment and Planning D: Society and Space 23, no. 1 (2005): 95–118. http://dx.doi.org/10.1068/d185.

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This paper historicizes American cities after the Second World War through the rich motif of noir literature and film. But, in doing so, the paper is also a critical consideration of noir's work in urban studies. Noir has been drawn, often usefully but also unfortunately, away from its referents, from the terrain that it most directly summons but also from the spaces in which its contradictions are most apparent. Moving from a discussion of the distractions of Chinatown to contextual themes such as mobility and ruin, the paper links noir criticism and noir texts with broader debates in postwar

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Suharjanto, Gatot. "Membandingkan Istilah Arsitektur Tradisional Versus Arsitektur Vernakular: Studi Kasus Bangunan Minangkabau dan Bangunan Bali." ComTech: Computer, Mathematics and Engineering Applications 2, no. 2 (2011): 592. http://dx.doi.org/10.21512/comtech.v2i2.2808.

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The term ‘vernacular’ and ‘traditional’ in architecture context actually has a root meaning which is almost the same; both have the same meaning that can be attached to one form of architecture work which is oriented on locality aspects and historiy of its existence. However, how can we distinguish the two terms? One way to find it out is to do a case study on two traditional architecture buildings: Balinese buildings and Minangkabau buildings taken as the sample study. In general, both building have two criteria: culture philosophy and adaptative modernism. Through descriptive analytical meth

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Noriega, Chon A. "Emptiness is Fullness." Latin American and Latinx Visual Culture 1, no. 1 (2019): 68–86. http://dx.doi.org/10.1525/lavc.2019.000006.

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The artwork of Raphael Montañez Ortiz (b. 1934) represents the broad sweep of new art forms since the 1950s, their imbrication with concurrent intellectual and social movements, and the productive tension between object-based and performance-based art. Starting out as an Abstract Expressionist painter in the late 1950s, Ortiz proceeded to participate in the development of several new modes: recycled film and music, mixed-media sculpture, installation, performance art, guerrilla theater, piano destruction concerts, and computer art. Yet despite his presence and impact, he remains missing from a

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Kraner, Kaja. "The Aesthetics of Relations: The Modernist, Contemporary and Post-Contemporary General Conceptualizations of Art." AM Journal of Art and Media Studies, no. 19 (September 15, 2019): 119. http://dx.doi.org/10.25038/am.v0i19.312.

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The article will juxtapose the modernist, contemporary and post-contemporary general conceptualization of art and aesthetic appearance of an artwork. Even though all three conceptualizations can be understood as intertwined because they are largely established in mutual relations, for our purpose they will be analyzed in terms of the basic epistemological terrain on which art enters the Western tradition of knowledge and power: the terrain of aesthetic education. The conceptualization of modernist art/artwork will mainly draw from its link with the autopoietic image of artwork/artistic creativ

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Bredillet, Christophe. "Ethics in project management: some Aristotelian insights." International Journal of Managing Projects in Business 7, no. 4 (2014): 548–65. http://dx.doi.org/10.1108/ijmpb-08-2013-0041.

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Purpose – The purpose of this paper is to introduce, in the project management field, an Aristotelian ethics lens moving beyond the classical deontological and consequentialism approaches underlying the current ethical practices and codes of ethics and professional conducts. In doing so, the author wishes to pose the premises of a debate on the implications of a conscious ethical perspective for the structure and agency relationship within the project management field. Design/methodology/approach – Project management is a knowledge field on its own right. However, the current perspectives appl

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Nurani, Shinta. "Praktik Penafsiran Hermeneutik K.H.A. Rifa'i." Panangkaran: Jurnal Penelitian Agama dan Masyarakat 2, no. 1 (2018): 65. http://dx.doi.org/10.14421/panangkaran.2018.0201-04.

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This paper discuss about the practice of hermeneutical interpretation by a nineteenth-century scholar, K.H. Ahmad Rifa'i in his works. Some of the books he wrote are an attempt of interpretive practice that is organized thematically rather than an orderly mushafi, fiqh-style using hermeneutic principles that always connect between text, context and contextualization based on socio-cultural conditions and realities that occurred in the era of colonialism. The use of hermeneutic principles in each of his works aims to produce a contextual, modernist, reformative interpretation, and in accordance

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Grimshaw, Mike. "Believing in Colin: “A Question of Faith” from “Celestial Lavatory Graffiti” to “Derridean Religious Addict”." Pacifica: Australasian Theological Studies 18, no. 2 (2005): 175–97. http://dx.doi.org/10.1177/1030570x0501800205.

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This essay critically evaluates responses to Colin McCahon's religious paintings over the past fifty years, from A. R. D. Fairburn's dismissal to Laurence Simmons' deconstruction, and beyond to the reception of “A Question of Faith”. McCahon's religious paintings have evoked an ever-changing response that, it is argued, reflects the debate on the role and position of religion and Christianity in both New Zealand society and the wider modern-postmodern world. McCahon's religious paintings of the 1940s were attempts to locate in New Zealand the postwar Christian reconstruction of society, and ye

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Uddin, Tanvir Ahmed, and Md Fazla Mohiuddin. "Islamic Social Finance in Bangladesh: Challenges and Opportunities of the Institutional and Regulatory Landscape." Law and Development Review 13, no. 1 (2020): 265–319. http://dx.doi.org/10.1515/ldr-2019-0072.

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AbstractFrom the end of World War Two, the core methodology of law and development projects has been to transplant the best legal institutions of Western capitalism to poor and emerging economies. In many post-colonial contemporary Muslim-majority countries, such programs have not adequately engaged with local legal systems, cultures and traditions. Contrary to the restrictive modernist approach to law and development, and inspired by the Sharia, there are numerous Islamic social finance mechanisms that can be utilised for poverty alleviation and their existence is evident across Bangladesh. T

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Gonçalves, Óscar F. "Postmodern Cognitive Psychotherapy: From the University to the Multiversity." Journal of Cognitive Psychotherapy 11, no. 2 (1997): 105–12. http://dx.doi.org/10.1891/0889-8391.11.2.105.

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In this article the author rejoins Lyddon and Weill’s position on cognitive psychotherapy and postmodernism by defending the proposition that the contextual conditions of postmodern society challenge cognitive psychotherapy to introduce significant changes in current theory and practice. The author elaborates on three major topics: (1) individuality and inferiority as the two sacred cows of modernist cognitive psychotherapy; (2) the central assumptions of a postmodernist conception of cognitive therapy; and (3) and some challenging implications to the conception of clinical practice.

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LUPOVICI, AMIR. "Constructivist methods: a plea and manifesto for pluralism." Review of International Studies 35, no. 1 (2009): 195–218. http://dx.doi.org/10.1017/s0260210509008389.

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AbstractMy aim in this article is to improve the methodology of the modernist constructivist approach and to provide a more coherent, rigid, and systematic constructivist framework for research. I do this by combining the methods of process tracing, discourse analysis, and counterfactuals. In addition, I aim to provide clearer methodological criteria for the evaluation of constructivist research by modifying some of the positivist criteria and adding the criterion of contextual validity. I assert that a more coherent methodology will strengthen and improve constructivist study and may contribu

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Seymour, David M. "This is the piece that everyone here has come to experience : the challenges to copyright of John Cage's 4′33″." Legal Studies 33, no. 4 (2013): 532–48. http://dx.doi.org/10.1111/j.1748-121x.2012.00262.x.

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Framed within the broader context of law's engagement with modernism, this paper offers an argument in defence of copyright protection of John Cage's 4′33″ as a ‘musical work’ under the Copyright, Designs and Patents Act 1988. This argument approaches the issues involved analytically and contextually. In doing so, it draws on both legal and non-legal sources. Throughout the paper, the underlying question remains as to whether Cage's 4′33″ really is – or is not – a challenge to law (and to music).

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Balzan, Silvia. "The Team 10 on Pancho Guedes." Joelho Revista de Cultura Arquitectonica, no. 10 (December 24, 2019): 136–47. http://dx.doi.org/10.14195/1647-8681_10_8.

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This article considers the work of the Portuguese architect Pancho Guedes and his relationship with the group of dissident architects Team 10 which he attended occasionally. Guedes, émigré in the Portuguese colony of Mozambique, Africa, joined the Team 10 conversations during the so-called third phase of the movement when the group assumed more the character of family meetings compared to the formal CIAM gatherings. The Team 10 seventies phase re-considered the universal principles of the modern movement by assuming a contextual, local, and regionalist attitude toward architecture and ur

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Mierlo, Wim Van. "Annotation and Commentary in the Modernist Edition: A Critique." Modernist Cultures 15, no. 1 (2020): 69–91. http://dx.doi.org/10.3366/mod.2020.0280.

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Annotation and commentary have been little considered in discussions about scholarly editing, despite being some of the most used segments of the scholarly edition. What treatments do exist mostly focus on practical aspects about the quality and style of annotation. This essay analyses some of the theoretical assumptions that underlie annotational practices with specific reference to the editing of modernist works. It puts into question, first of all, some common perceptions about annotation, which is sometimes viewed as interfering with the readerly experience, to address the matter of the re

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Matthews, John T. "As I Lay Dying in the Machine Age." Tekstualia 1, no. 44 (2016): 37–58. http://dx.doi.org/10.5604/01.3001.0013.4188.

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The following essay provides an analysis of the dialectical relationship between the aesthetic form of Faulkner’s As I Lay Dying and its „sedimented” social context. With its highly modernist and avant-garde qualities, As I Lay Dying stands out as one of Faulkner’s aesthetically most ambitious works. However, the author proposes, relying chiefl y on Adorno’s conceptual framework, a multifarious reappraisal in which the unconventional formal layer of Faulkner’s work manages to dialectically establish a textual independence while simultaneously uncovering the disturbing socioeconomic stratum tha

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Lawson, Stephanie. "Political Studies and the Contextual Turn: A Methodological/Normative Critique." Political Studies 56, no. 3 (2008): 584–603. http://dx.doi.org/10.1111/j.1467-9248.2007.00706.x.

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Recent developments in political studies have seen much greater attention paid to ideas about history, culture and associated notions of context. This reflects, at least in part, a dissatisfaction with positivism and modernist empiricism and an interest in alternative methodologies and epistemologies. As part of this general development, the language of non-traditional approaches to politics has become replete with the language of contextualism, emphasising specificity, particularity and contingency. There is certainly much to be welcomed in the turn away from an ahistorical, objectivist and m

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Groeneveld, Leanne. "Modernist Medievalism and the Expressionist Morality Play: Georg Kaiser’s From Morning to Midnight." Acta Universitatis Sapientiae, Film and Media Studies 16, no. 1 (2019): 81–101. http://dx.doi.org/10.2478/ausfm-2019-0005.

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Abstract This article examines the modernist medievalism of Georg Kaiser’s From Morning to Midnight (Von morgens bis mitternachts), discussing the influence of the morality play genre on its form. The characterization and action in Kaiser’s play mirrors and evokes that of morality plays influenced by and including the late-medieval Dutch play Elckerlijc and its English translation as Everyman, in particular Hugo von Hofmannsthal’s Jedermann, first produced in Berlin in 1911. The medievalism of Kaiser’s play is particularly evident when it is compared to Karl Heinz Martin’s film version of the

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Zharkova, Valeriya. "Music by Claude Debussy and Maurice Ravel: a Modern View of the Problem of Style Identification." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 24–51. http://dx.doi.org/10.31318/2522-4190.2021.130.231181.

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The relevance of the article is determined by the appeal to the debatable issues of stylistic differentiation of the works by Claude Debussy and Maurice Ravel as the French musical culture leading representatives of the late 19th and the first third of the 20th centuries. The research reflections about the connections betwen Debussy and Ravel on the principle “for / against” have not subsided for more than a hundred years. This testifies to the special urgency of this problem and the need to search for modern approaches to understanding the artistic identity of two brilliant contemporaries.Sci

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Sheppard, W. Anthony. "Blurring the Boundaries: Tan Dun's Tinte and The First Emperor." Journal of Musicology 26, no. 3 (2009): 285–326. http://dx.doi.org/10.1525/jm.2009.26.3.285.

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Abstract Tan Dun's 2006 opera The First Emperor dramatically transgresses stylistic, cultural, genre, and aesthetic boundaries and prompts investigation of critical methods and categories. This opera's multiplicity and engagement with the operatic past brings into focus relationships between Chinese, European, and experimental American operatic traditions and Romantic, modernist, and postmodernist modes of Orientalist representation. Powers's study of Puccini's manipulation of multiple styles in Turandot is a model for tracing Tan's stylistic sources and exploring their interaction in The Firs

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Nalewajk, Żaneta. "The Realistic Novel and the Creation of Literary Characters: William Faulkner‘s The Sound and the Fury." Tekstualia 1, no. 44 (2016): 71–78. http://dx.doi.org/10.5604/01.3001.0013.4190.

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The article discusses William Faulkner’s The Sound and the Fury with respect to the construction of the literary character as a refl ection of major conventions of the novel in the fi rst half of the twentieth century. One important issue concerns the trustworthiness of characters-narrators, which has to do with the modernist transformations of novelistic techniques. Another important question concerns the identity of the characters- -narrators as it emanates from their motivations and self-projections. Finally, there is the problem of the dependence of identity on situational parameters and c

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Stoškutė, Neringa. "Tension Between Everyday Practice and the New Museology Theory: A Case of the National Gallery of Art in Vilnius." Art History & Criticism 13, no. 1 (2017): 76–87. http://dx.doi.org/10.1515/mik-2017-0006.

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Summary This article aims to present the main aspects of the New Museology theory and discuss the possibilities of its adaptation in Lithuanian museum practice. To date, the New Museology theory, which was formed in the 1980’s and places the emphasis on the contextual presentation of artworks and the social role museums play in public cultural life, is not widely used in Lithuanian museum practice and a comprehensive survey of art museum permanent collection displays has not been carried out in regards to this particular framework. The first part of this article presents the New Museology theo

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BEARD, DANIJELA Š. "Soft Socialism, Hard Realism: Partisan Song, Parody, and Intertextual Listening in Yugoslav Black Wave Film (1968–1972)." Twentieth-Century Music 16, no. 1 (2019): 95–121. http://dx.doi.org/10.1017/s1478572219000112.

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AbstractIn this article I examine the use of music in modernist and politically engaged Yugoslav cinema of the 1960s through three groundbreaking black wave films: Želimir Žilnik'sRani radovi(Early Works, 1969), Dušan Makavejev'sWR: Misterije organizma(WR: Mysteries of the Organism, 1971), and Lazar Stojanović’sPlastični isus(Plastic Jesus, 1971). With a specific focus on the use of Partisan songs, I analyse how key political moments are encoded with new levels of meaning in these films, often through parody, irony, and satire. I identify a ‘sonic turn’ within black wave cinema and propose a m

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Condon, Paul, and John Makransky. "Recovering the Relational Starting Point of Compassion Training: A Foundation for Sustainable and Inclusive Care." Perspectives on Psychological Science 15, no. 6 (2020): 1346–62. http://dx.doi.org/10.1177/1745691620922200.

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The cultivation of compassion through meditation training is of increasing interest to scientists, health-care providers, educators, and policymakers as an approach to help address challenging personal and social issues. Yet people encounter critical inner psychological barriers to compassion that limit the effectiveness of compassion training—including the lack of a secure base, aversion to suffering, feeling alone in suffering, and reductive impressions of others. These barriers emerge, in part, from a lack of relational support and are exacerbated by modernist conceptions that present medit

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Hussain, Saddam, Muhammad Shujahat, Muhammad Imran Malik, Sadia Iqbal, and Faisal Nawaz Mir. "Contradictory results on the mediating roles of two dimensions of trust between transformational leadership and employee outcomes." Journal of Organizational Effectiveness: People and Performance 5, no. 1 (2018): 39–63. http://dx.doi.org/10.1108/joepp-11-2016-0063.

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Purpose The purpose of this paper is to examine the mediating roles of cognitive and affective trusts between the transformational leadership (TL) and employee outcomes (task performance (TP), organizational commitment (OC), and employee turnover intention (ET)). Design/methodology/approach This study samples 384 bank employees and records their self-reported responses for closed-ended items in the survey. SmartPLS 3.0 is used for the analysis. Findings The results indicate that affective trust (AT) and cognitive trust (CT) mediate between the transformation leadership and OC positively. Moreo

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Turner, Paaige K. "You Are Doing It Wrong." Qualitative Inquiry 17, no. 9 (2011): 763–68. http://dx.doi.org/10.1177/1077800411423191.

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I, as have many other qualitative researchers, diligently report my demographics at the time I conduct and write my research in an effort to acknowledge that the researcher’s voice is part of the meanings he/she creates. While doing so acknowledges key elements of my positionality or research self, it invokes a modernist conceptualization of voice as stable and time as linear while simultaneously reifying social constructs of the body. In this article, I take up the question, “How can voice be partial while still contextually situated?” I present an introspective tale of the way my shifting se

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Hassan, Salah D. "Unstated: Narrating War in Lebanon." PMLA/Publications of the Modern Language Association of America 123, no. 5 (2008): 1621–29. http://dx.doi.org/10.1632/pmla.2008.123.5.1621.

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This essay consists of three beginnings, then a deferred reading of a novel. One beginning, a theoretical beginning, reflects on the question implicit in my title: What is unstated in the state of Lebanon? Another beginning, a literary critical beginning, returns to the work of Kahlil Gibran, the most famous early-twentieth-century Arab North American writer. Gibran links modernist and postmodernist Arab North American writing and, in a historical parallel, connects the foundations of the Lebanese state under French colonial rule to its disintegration in the context of the civil war. A third b

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Smith, Mike, and Helen Sullivan. "Developing Frameworks for Examining Community Participation in a Multi-Level Environment." Local Economy: The Journal of the Local Economy Policy Unit 18, no. 3 (2003): 237–52. http://dx.doi.org/10.1080/0269094032000114586.

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The purpose of this paper is to explore public participation from the perspective of two parallel developments in English urban governance since 1997: namely the attempts to modernise local government and area-based approaches employed to tackle social exclusion. The paper will situate these developments within a system of multi-level governance and highlight the significance of the locality-neighbourhood axis. The paper seeks to explicate current changes by drawing on theories of governance. The emphasis on mechanisms that bring together relevant local interests to secure coherence and stabil

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Subramanian, Ajantha. "Making Merit: The Indian Institutes of Technology and the Social Life of Caste." Comparative Studies in Society and History 57, no. 2 (2015): 291–322. http://dx.doi.org/10.1017/s0010417515000043.

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AbstractThe politics of meritocracy at the Indian Institutes of Technology illuminates the social life of caste in contemporary India. I argue that the IIT graduate's status depends on the transformation of privilege into merit, or the conversion of caste capital into modern capital. Analysis of this process calls for a relational approach to merit. My ethnographic research on the southeastern state of Tamilnadu, and on IIT Madras located in the state capital of Chennai, illuminates claims to merit, not simply as the transformation of capital but also as responses to subaltern assertion. Analy

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Gülerce, Aydan. "Global Development? Monitored Object(ive)s, Omitted Subject(ivitie)s." Journal of Health Management 11, no. 1 (2009): 127–42. http://dx.doi.org/10.1177/097206340901100109.

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In this article I critically reflect on the hegemonic modernist framework of development by focusing on its reflection and application in the United Nations’ (UN) Millennium Development Goals (MDGs) and practices. Not only do I find it falling short of explaining, understanding or bringing about global development, but quite the opposite, since it feeds into and reproduces the status quo. While I plead for serious (re)definitions, and genuine global commitment towards the (re)solution, of the current micro/macro social problems, which are interdependent and need to be treated in connection and

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Pietrani, Anélia Montechiari. "GILKA MACHADO, POETA MODERNA." Revista Graphos 21, no. 2 (2020): 79–95. http://dx.doi.org/10.22478/ufpb.1516-1536.2019v21n2.48382.

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Tomando por relevo as relações político-textuais e político-contextuais dos estudos literários, este artigo tem por objetivo interpretar poemas de Gilka Machado (1893-1980), cuja produção teve início naquele momento nomeado por alguns críticos historiográficos como pré-modernismo, um período de transição que reúne tendências conservadoras e renovadoras no início do século XX brasileiro. A poesia de Gilka Machado estabelece diálogos com essas tendências literárias, mas constrói uma voz poética muito própria, marcada por intensa carga de erotização e por reflexões sobre o papel social e cultural

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Jjuuko, Margaret. "Environmental and social injustices in East Africa: A critique of the modernization approach to environmental communication." Rwanda Journal of Social Sciences, Humanities and Business 2, no. 2 (2021): 88–116. http://dx.doi.org/10.4314/rjsshb.v2i2.6.

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The existing environmental injustices in the world have often been linked to industrialisation and modernisation of nations. In a bid to develop and modernise their nations, East African governments have adopted neoclassical developmentalist ideals of 'modernization' and 'capital investments‘, which largely involve exploitation of natural and human resources. The consequence is rampant and severe environmental degradation and related impacts in the region. While environmental degradation impacts affect all people residing in the region, the poor are hit hardest since they do not have ways to d

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Jalving, Camilla, and Marie Laurberg. "Performative utopier i samtidskunsten." K&K - Kultur og Klasse 40, no. 114 (2012): 109–22. http://dx.doi.org/10.7146/kok.v40i114.15706.

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PERFORMATIVE UTOPIAS IN CONTEMPORARY ART | The article deals with the current interest in the notion of utopia within contemporary visual art and theory. It is argued that utopia as a concept and area of investigation has returned on the contemporary art scene, albeit in a remarkably new way. If modernism presented utopia as a final vision for a better society, utopia is now articulated in a less ambitious way, in the vein of the much more modest question “what if”? Basing its argument on art projects by Andrea Zittel, Olafur Eliasson, Francis Alÿs and Tomàs Saraceno among others, the article

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Ryckewaert, Michael, Jan Zaman, and Sarah De Boeck. "Variable Arrangements Between Residential and Productive Activities: Conceiving Mixed-Use for Urban Development in Brussels." Urban Planning 6, no. 3 (2021): 334–49. http://dx.doi.org/10.17645/up.v6i3.4274.

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Mixing productive economic activities with housing is a hot topic in academic and policy discourses on the redevelopment of large cities today. Mixed-use is proposed to reduce adverse effects of modernist planning such as single-use zoning, traffic congestion, and loss of quality in public space. Moreover, productive city discourses plead for the re-integration of industry and manufacturing in the urban tissue. Often, historical examples of successful mixed-use in urban areas serve as a guiding image, with vertical symbiosis appearing as the holy grail of the live-work mix-discourse. This arti

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Omar, Rosmini, Obed Rashdi Syed, Binyao Ning, Stefanos Vagenas, and Faizan Ali. "Eat, work, love: alternative tourists’ connection with ethnic food." British Food Journal 122, no. 6 (2019): 1999–2019. http://dx.doi.org/10.1108/bfj-10-2018-0699.

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Purpose Ethnic food is a pivotal polysemic artifact, yet commonly studied based on experience. This leaves an eclipse in understanding its overall significance and implications. The purpose of this paper is to explore the interactions of experience, intimacy and embodiment from the lens of alternative tourism and Asia as a destination image. Design/methodology/approach The authors conducted four focus group that include Asians who take experiential learning trips and spiritual journeys across Asia-Pacific. Findings Alternative tourists promote the growth of ethnic foodies who value impact whic

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Nechaeva, Ekaterina A. "Metamodernism as a discourse of a new anthropological myth." Current Issues in Philology and Pedagogical Linguistics, no. 1(2021) (March 25, 2021): 191–202. http://dx.doi.org/10.29025/2079-6021-2021-1-191-202.

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The present paper concerns the discourse of metamodernism problem as a type of the anthropological myth. The anthropological myth is considered as a project for describing reality, which models a systematic consistent idea of a human being, reality, status of reality and develops ethic, aesthetic, axiological views of a subject. The article aims to determine the peculiarities of metamodernism as a fictional discourse of the anthropological myth on the basis of XXI century European novel analysis. The analysis is carried out with the use of the comparative method, contextual description methods

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Zeffane, Rachid. "Does collectivism necessarily negate the spirit of entrepreneurship?" International Journal of Entrepreneurial Behavior & Research 20, no. 3 (2014): 278–96. http://dx.doi.org/10.1108/ijebr-03-2013-0042.

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Purpose – The purpose of this paper is to explore the relationships between individualism/collectivism (as personal traits) and individuals’ potential to become an entrepreneur. Design/methodology/approach – The study draws on a sample of 503 students enrolled in business courses at a university in the United Arab Emirates (UAE). It focusses on the concept of Entrepreneurial Potential (EP) as a measure of “desirability and inclination” to start a business. The paper tests the hypothesis that the concepts of individualism and collectivism are not necessarily polar ends of the same continuum and

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Watson, Vanessa. "Shifting Approaches to Planning Theory: Global North and South." Urban Planning 1, no. 4 (2016): 32–41. http://dx.doi.org/10.17645/up.v1i4.727.

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Planning theory has shifted over time in response to changes in broader social and philosophical theory as well as changes in the material world. Postmodernism and poststructuralism dislodged modernist, rational and technical approaches to planning. Consensualist decision-making theories of the 1980s took forms of communicative and collaborative planning, drawing on Habermasian concepts of power and society. These positions, along with refinements and critiques within the field, have been hegemonic in planning theory ever since. They are, in most cases, presented at a high level of abstraction

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V.O., Borbuniuk. "CHEKHOV’S BASICS OF VICTOR PETROV-DOMONTOVYCH’S NOVEL “WITHOUT FOUNDATION”." South archive (philological sciences), no. 85 (April 12, 2021): 40–47. http://dx.doi.org/10.32999/ksu2663-2691/2021-85-6.

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The goal of the study is to analyze the novel «Without Foundation» through the prism of A. Chekhov’s works, in particular, the play “The Cherry Orchard”.Research methods are determined by the goal. The method of intertextual analysis is used to identify various models and forms of literary dialogue in the text. Comparative and typological, structural and mythopoetic methods are used in contextual analysis and interpretation of the novel to clarify the author’s artistic concept.Results. It is indicated that the play by A. Chekhov “The Cherry Orchard” from the moment of its appearance, due to th

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Ruseckaitė, Indrė, and Aušra Černauskienė. "MONOLITH EXPERIMENT IN VILNIUS: BETWEEN IDEA AND PRAGMATISM / MONOLITO EKSPERIMENTAS VILNIUJE: TARP IDĖJOS IR PRAGMATIŠKUMO." JOURNAL OF ARCHITECTURE AND URBANISM 36, no. 3 (2012): 194–208. http://dx.doi.org/10.3846/20297955.2012.732490.

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In postwar development of modernist architecture, ambiguity of reinforced concrete in the role of a causer of a qualitative leap of the architectural thought is particularly reflected by controversial application directions and scales of the present material: from industrialised mass construction of prefabricated reinforced concrete large-panel houses seen as pure pragmatism to individual examples of monolithic reinforced concrete architecture with exclusive plasticity seen as idea disseminators. This is the relation between the ideological content and pragmatism of the monolithic reinforced c

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Martínez Gayón, Diego José. "La Llama Y El Hielo: Los Mitos Decadentistas En La Obra De Efrén Rebolledo." Xihmai 9, no. 17 (2014). http://dx.doi.org/10.37646/xihmai.v9i17.240.

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Resumen El siguiente ensayo propone una lectura contextual de la poesía y la narrativa de Efrén Rebolledo, a partir de la influencia de las principales construcciones del imaginario y la estética del decadentismo en su obra. El decadentismo fue un movimiento cultural del siglo XIX, originado por la urbanización industrial y emparentada con las distintas corrientes del modernismo. Efrén Rebolledo nació en Actopan, Hidalgo, en 1877, y murió en 1929 en Madrid, España. Palabras clave: Efrén Rebolledo, decadentismo, modernismo, dandi, femme fatale. Abstract The next essay proposes a contextual rea

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Mukherjee, Ashmita. "The ‘Contextual Modernism’ in the Silk Paintings of Maniklal Banerjee." Chitrolekha Journal on Art and Design 1, no. 2 (2017). http://dx.doi.org/10.21659/cjad.12.v1n205.

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"Meta-Modern City: the Problem of Authenticity." Journal of V. N. Karazin Kharkiv National University. Series: History, no. 57 (2020). http://dx.doi.org/10.26565/2220-7929-2020-57-01.

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The aim of the article is to analyze the urban research paradigm that has developed at the turn of the XX and XXI centuries in the works of Western experts and the possibility to use it for domestic research. Methodologically, the author relies on the heritage of the Manchester sociological school, which effectively applied the concepts of actor-network theory to analyze the sociology of a city. The city is considered as a single object complex. Its main characteristics are contingent and contextual. The author analyzes the city as a derivative of stable sets of objects and networks of relatio

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