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Journal articles on the topic 'Continental Philosophy and Aesthetics'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Miller, Elaine. "The Continental Aesthetics Reader." Teaching Philosophy 25, no. 3 (2002): 273–76. http://dx.doi.org/10.5840/teachphil200225337.

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Dr, Divya Sharma. ""Philosophy of Art and Indian Aesthetics." VEDA'S JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) An International Peer Reviewed Journal 5, no. 3 (2018): 50–56. https://doi.org/10.5281/zenodo.6527262.

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ABSTRACT “It has always been acknowledged by those who have cared for literature that at least a part of the reader’s judgements on a work, provided he reads it as a literary work, will be concerned with its aesthetic qualities.” –Stein H. Olsen Language or oral form (vernacular) is considered a gift from God across the globe because of the magnificent engineering of the organs of articulation among humans. In India especially since goddess Saraswati is called “Vac Devi” which means the goddess of the word (speech and sound) it might come across as a liberat

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3

Schulenberg, Ulf. "Pragmatist Aesthetics and Nietzsche." Transactions of the Charles S. Peirce Society: A Quarterly Journal in American Philosophy 59, no. 2 (2023): 167–89. http://dx.doi.org/10.2979/trancharpeirsoc.59.2.02.

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Abstract: It is difficult to approach a phenomenon as complex as the renaissance of pragmatism without considering the contemporary significance of pragmatist aesthetics. At the same time, however, one ought to note that pragmatist aesthetics has not yet reached its full potential. This is primarily due to the legacy of John Dewey's aesthetics. In pragmatist studies, the problematic consequences of Dewey's idealism in aesthetics have been insufficiently criticized. In order to confront this desideratum, pragmatist aesthetics ought to establish a dialogue with continental aesthetics. This essay

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Schulenberg, Ulf. "Pragmatist Aesthetics and Nietzsche." Transactions of the Charles S. Peirce Society: A Quarterly Journal in American Philosophy 59, no. 2 (2023): 167–89. http://dx.doi.org/10.2979/csp.2023.a906860.

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Abstract: It is difficult to approach a phenomenon as complex as the renaissance of pragmatism without considering the contemporary significance of pragmatist aesthetics. At the same time, however, one ought to note that pragmatist aesthetics has not yet reached its full potential. This is primarily due to the legacy of John Dewey's aesthetics. In pragmatist studies, the problematic consequences of Dewey's idealism in aesthetics have been insufficiently criticized. In order to confront this desideratum, pragmatist aesthetics ought to establish a dialogue with continental aesthetics. This essay

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Hetrick, Jay. "Deleuze and the Kyoto School II." Asian Studies 11, no. 1 (2023): 139–80. http://dx.doi.org/10.4312/as.2023.11.1.139-180.

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The aim of this paper is to bring Gilles Deleuze and the Kyoto School into an imaginary conversation around the idea of philosophy as a way of life, or what I call ethico-aesthetics. I first show how ethico-aesthetics in the Kyoto School modernizes the traditional notion of geidō, or ways of art, through the language of continental philosophy. Even though the discourse they construct in this respect remains less rigorous than that of the other domains of philosophy with which they engage, the ethico-aesthetic concepts of Nishida Kitarō, Nishitani Keiji, and Ōhashi Ryōsuke provide a starting po

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Howe, Callum. "Nihilist Aesthetics." Groundings Undergraduate 10 (November 1, 2017): 53–63. http://dx.doi.org/10.36399/groundingsug.10.187.

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Drawing upon continental philosophy and literary theory of the 20th and 21st centuries, this article examines the destabilisation of textual hermeneutics under poststructuralism. As meaning in language is destabilised, a crisis occurs in which it threatens to evaporate entirely. The nihilism of Gianni Vattimo is used as a backdrop to a discussion of the nihilist implications of postmodern philosophy. Through an examination of two postmodernist texts – Crash by J. G. Ballard and C by Tom McCarthy – this article seeks to illustrate this central nihilistic crisis of the postmodern condition, as w

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Nutas, Andrei. "Review of Sorgner's Philosophy of Posthuman Art." International Journal of Technoethics 13, no. 1 (2022): 1–7. http://dx.doi.org/10.4018/ijt.313197.

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The paper deals with a review of Sorgner's new book, Philosophy of Posthuman Art. The review highlights Sorgner's positioning of postmodern art as emerging from a way of dealing with the realities of ontological naturalism and epistemic perspectivism. It is also highlighted why the author believes that the avant-garde and modernist aesthetic is lacking in dealing with a world of technology embedded post-modernity. In this sense, Sorgner's arguments for the totalitarian aspects of the avant-garde are presented. The paper also offers a critique regarding Sorgner's continental focus, and an argum

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Schulenberg, Ulf. "Dewey, Adorno, and Pragmatist Aesthetics." Contemporary Pragmatism 21, no. 1 (2024): 77–99. http://dx.doi.org/10.1163/18758185-bja10081.

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Abstract Pragmatist aesthetics has not yet reached its full potential. This is primarily due to the legacy of John Dewey’s aesthetics. In order to confront the shortcomings and insufficiencies of his aesthetics, pragmatist aestheticians ought to establish a dialogue with continental aesthetics. The attempt to clarify what pragmatist aesthetics can learn from Theodor W. Adorno’s materialist aesthetics is still a desideratum. This essay focuses on two aspects. First, it shows that pragmatist aestheticians can use Adorno’s modern aesthetics in order to gain a deeper and more complex understanding

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9

De Boer, Julia. "A Modal Ontology of Imagination." Aesthetic Investigations 7, no. 1 (2024): 8–27. https://doi.org/10.58519/et0jby17.

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Everyday aesthetics has been accused of being ontologically and systematically juvenile for a variety of reasons, such as the rejection of some major claims of Kantian aesthetics, its relative newness, its disparate methodologies, and the theoretical and ethical difficulties of outlining a systematic apparatus without reimposing rationalist and colonial perspectives. While it is untrue that everyday aesthetics as a new sub-discipline lacks systematic rigour, another ontology of the everyday will be introduced here. Calvin Seerveld’s aesthetic theory will be outlined and then offered as a resou

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10

Fuyarchuk, Andrew. "Gadamer and the Yijing’s Language of Nature: Hermeneutics and Chinese Aesthetics." Journal of Chinese Philosophy 47, no. 3-4 (2020): 174–92. http://dx.doi.org/10.1163/15406253-0470304005.

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Although their value-judgments diverge, neo-Confucian and American continental philosophers agree that Gadamer’s hermeneutics is anti-foundationalist. Neither side, however, has asked why he frequently appeals to standards of harmony, or why he models the art of medicine on the order of nature. These indicate a commitment to trans-historical foundation of One and many that forms the basis for comparisons with Chinese aesthetics in the Yijing tradition. These foundations are grounded in Gadamer’s reading of Plato and shape his onto-dialogical interpretive method. In contrast to Whitehead, Gadam

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Becheru, Raluca. "The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.

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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern

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12

KIVLE, INETA. "P. CHEYNE, A. HAMILTON, M. PADDISON (EDS.) PHILOSOPHY OF RHYTHM: AESTHETICS, MUSIC, POETICS. New York: Oxford University Press, 2019 ISBN 978-0-19-934778-0." HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 10, no. 1 (2021): 312–19. http://dx.doi.org/10.21638/2226-5260-2021-10-1-312-319.

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The review provides an outline of the collective monograph The Philosophy of Rhythm: Aesthetics, Music, Poetics, edited by Peter Cheyne, Andy Hamilton and Max Paddison, published by Oxford University Press, 2019. Concept of rhythm is analysed from different perspectives—philosophical, musicological and psychological. It considers a multidisciplinary approach and also includes both analytic and continental philosophical traditions. Rhythm is viewed as a pulse that is going through various metric structures including particular pieces of music, paintings, examples of poetry and philosophy. Twent

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13

Zawadzki, Andrzej. "Koniec wieku poetów? O zszyciach literatury i filozofii." Przestrzenie Teorii, no. 37 (December 30, 2022): 121–44. http://dx.doi.org/10.14746/pt.2022.37.7.

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The article presents an attempt to outline, from a mainly typological and partly historical perspective, what the author considers the most important varieties of the relationship between philosophy and literature (which is, of course, understood here in a working and broad sense, as poesis). In the first of these varieties, for which the fundamental significance is Plato’s gesture of excluding poets from the state, the philosophical logos defines itself in opposition to literature, or mythos. In the second, which appears to predominate from Aristotle to the 18th century, the relationship betw

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14

Feige, Daniel Martin. "Form and History: Hegel’s Philosophy of Art Today." Aesthetic Investigations 1, no. 1 (2015): 87–101. http://dx.doi.org/10.58519/aesthinv.v1i1.12008.

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 In this article, I discuss the philosophical position that marks the end of the Age of Aesthetics: Hegel's philosophy of art. I demonstrate how it has passed the test of time, and will further defend its systematic outlines. I reconstruct Hegel's philosophy of art in a way that relies less on Hegel’s own conceptual terminology, but, rather, attempts to shed light on the insights it can afford with regard to some more recent discussions: on the one hand, discussions about how to read Hegel of contemporary debates in postanalytical and continental philosophy, and on the other hand, in lig

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Daniel, Martin Feige. "Form and History. Hegel's Philosophy of Art Today." Aesthetic Investigations 1, no. 1 (2015): 87–101. https://doi.org/10.5281/zenodo.4013377.

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In this article, I discuss the philosophical position that marks the end of the Age of Aesthetics: Hegel's philosophy of art. I demonstrate how it has passed the test of time, and will further defend its systematic outlines. I reconstruct Hegel's philosophy of art in a way that relies less on Hegel’s own conceptual terminology, but, rather, attempts to shed light on the insights it can afford with regard to some more recent discussions: on the one hand, discussions about how to read Hegel of contemporary debates in postanalytical and continental philosophy, and on the other hand,

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16

Denysenko, Anatoliy. "Walter Benjamin and the Weak Messianic Power." Theological Reflections: Eastern European Journal of Theology 19, no. 2 (2021): 70–88. http://dx.doi.org/10.29357/2789-1577.2021.19.2.70-88.

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Walter Benjamin (1892-1940) was a German intellectual of Jewish descent, a well-known literary critic, philosopher, sociologist, translator and essayist, and a key figure in continental philosophy. His works on topics such as historical materialism, German idealism, and Jewish mysticism have had a marked influence on contemporary aesthetic theories and the development of Western Marxism, including the Frankfurt School of Critical Theory. These articles will focus on the analysis of the concept of messianism, which Benjamin develops in his work “On the concept of history” or “Theses on the phil

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17

Ignatidou, Artemis. "Martin Buber's Creative Manifesto." European Judaism 57, no. 1 (2024): 53–76. http://dx.doi.org/10.3167/ej.2024.570105.

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Abstract This article addresses a creative practice and philosophical line of enquiry that marked the culmination of Martin Buber's first period and was honoured as part of his commitment to community-building thereafter. The article will historicise this period of Buber's intellectual life, it will focus on his iconoclastic statements and gestures that were influenced by normative continental modernisms yet rooted in Jewish tradition, as well as his personal aesthetics, and will place Daniel (1913) at the heart of Buber's early creative emancipatory method. More importantly, it will seek to r

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18

LACKEY, MICHAEL. "D. H. Lawrence's Women in Love: A Tale of the Modernist Psyche, the Continental “Concept,” and the Aesthetic Experience." Journal of Speculative Philosophy 20, no. 4 (2006): 266–86. http://dx.doi.org/10.2307/25670629.

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LACKEY, MICHAEL. "D. H. Lawrence's Women in Love: A Tale of the Modernist Psyche, the Continental “Concept,” and the Aesthetic Experience." Journal of Speculative Philosophy 20, no. 4 (2006): 266–86. http://dx.doi.org/10.2307/jspecphil.20.4.0266.

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20

Spencer, Jeremy. "Un art du quotidien ? A partir de Georges Perec et Vilhelm Hammershøi." Labyrinth 22, no. 2 (2021): 74. http://dx.doi.org/10.25180/lj.v22i2.238.

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An art of the everyday? Parting from Georges Perec and Vilhelm Hammershøi (Abstract)Contemporary continental philosophy seems to be deeply connected to art, whether it is poetry and literature (from Heidegger to Derrida), painting (Merleau-Ponty, Maldiney) or music (since Bergson). This connection is built upon the primacy of a trial of the invisible, which is very often a trial of the event. The aim of this article is to establish an art of the everyday freed from this contemporary "eventism". We thus examine how the researches of Georges Perec in literature and of Vilhelm Hammershøi in paint

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21

Carringer, Robert L. "Collaboration and Concepts of Authorship." PMLA/Publications of the Modern Language Association of America 116, no. 2 (2001): 370–79. http://dx.doi.org/10.1632/pmla.2001.116.2.370.

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It was not long ago that one prefecture of french culture was reinventing the idea of authorship while another one was trying to kill it off. The New Wave movement and post-structuralism, fundamental opposites in almost every respect, emerged at the same cultural moment. Roland Barthcs's Writing Degree Zero (1953) and François Truffaut's seminal essay in Cahiers du cinéma that instated auteur criticism (the first phase of the New Wave) appeared less than a year apart; the appearance of Michel Foucault's Madness and Civilization (1961) coincided with the triumph of New Wave filmmaking; and in t

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Carringer, Robert L. "Collaboration and Concepts of Authorship." Publications of the Modern Language Association of America 116, no. 2 (2001): 370–79. http://dx.doi.org/10.1632/s0030812900105255.

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It was not long ago that one prefecture of french culture was reinventing the idea of authorship while another one was trying to kill it off. The New Wave movement and post-structuralism, fundamental opposites in almost every respect, emerged at the same cultural moment. Roland Barthcs's Writing Degree Zero (1953) and François Truffaut's seminal essay in Cahiers du cinéma that instated auteur criticism (the first phase of the New Wave) appeared less than a year apart; the appearance of Michel Foucault's Madness and Civilization (1961) coincided with the triumph of New Wave filmmaking; and in t

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23

SPINKS, LEE. "Oppen's Pragmatism." Journal of American Studies 43, no. 3 (2009): 477–95. http://dx.doi.org/10.1017/s002187580999082x.

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This article offers a revisionist reading of the aesthetic of the American modernist poet George Oppen. It seeks, in the first instance, to supplement those established readings of Oppen that have concluded that his work is most profitably understood in the discursive contexts of American literary modernism and modern European Continental philosophy by arguing that such approaches overlook a key indigenous intellectual influence upon his corpus: that body of philosophical inquiry and cultural self-reflection that has come to be known as American pragmatism. The article attempts to rectify this

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24

Roberts, Bradley Edward. "Husserl’s epoche and the way of the sword: exploring pathways into phenomenological inquiry." Qualitative Research Journal 19, no. 4 (2019): 391–402. http://dx.doi.org/10.1108/qrj-02-2019-0022.

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Purpose Phenomenology is widely recognised for its power to generate nuanced understanding of lived experience and human existence. However, phenomenology is often made inaccessible to prospective researchers due to its specialised nomenclature and dense philosophical underpinnings. This paper explores the value of the researcher’s lived experience as a pathway into phenomenological inquiry. The purpose of this paper is to improve the accessibility of phenomenology as a method for qualitative analysis. It achieves this by aligning Husserl’s concept of phenomenological epoche, or bracketing of

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25

Barton, Kit, Havi Carel, Stephen Drage, Christopher Ellis, and Christian Skirke. "Aesthetics and the Continental Tradition." Women’s Philosophy Review, no. 25 (2000): 27–29. http://dx.doi.org/10.5840/wpr2000255.

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26

Stopel, Bartosz. "Aesthetic Appreciation and the Dependence Between Deep and Surface Interpretation." Journal of Literary Theory 14, no. 1 (2020): 94–119. http://dx.doi.org/10.1515/jlt-2020-0006.

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AbstractThe article traces the relationship between what is called surface, aesthetic interpretation and deep, semantic, theory-driven interpretation of literature. The former is identified with how interpretation is typically understood in analytic philosophy of art, whereas the latter as belonging to continental literary theory, thus framing the discussion within the relevant debates that the two eminent philosophical schools engage in. Specifically, the article argues in favor of a number of claims. It discusses the notion of surface interpretation, understood as the informed practice invol

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27

Benson, Bruce Ellis. "Continental Philosophy." International Philosophical Quarterly 46, no. 3 (2006): 387–88. http://dx.doi.org/10.5840/ipq200646332.

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28

Forsey, Jane. "Continental Philosophy." Symposium 6, no. 2 (2002): 247–49. http://dx.doi.org/10.5840/symposium20026226.

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29

Jackson, Jeffrey M. "Continental Philosophy." Teaching Philosophy 28, no. 3 (2005): 293–95. http://dx.doi.org/10.5840/teachphil200528338.

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30

Duncan, Taine. "Continental Philosophy." Teaching Philosophy 35, no. 1 (2012): 89–92. http://dx.doi.org/10.5840/teachphil20123518.

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31

Freydberg, Bernard. "John Sallis's Recent Contributions to Continental Aesthetics." Epoché 19, no. 1 (2014): 135–41. http://dx.doi.org/10.5840/epoche201482923.

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32

Birmingham, Peg, and James Risser. "Refiguring Continental Philosophy." Philosophy Today 51, no. 9999 (2007): 3–7. http://dx.doi.org/10.5840/philtoday200751supplement1.

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33

MARGARONI, M. "14 Continental Philosophy." Year's Work in Critical and Cultural Theory 11, no. 1 (2003): 203–26. http://dx.doi.org/10.1093/ywcct/mbg014.

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MARGARONI, M. "14 Continental Philosophy." Year's Work in Critical and Cultural Theory 12, no. 1 (2004): 199–224. http://dx.doi.org/10.1093/ywcct/mbh014.

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Constantinou, M. "3 * Continental Philosophy." Year's Work in Critical and Cultural Theory 14, no. 1 (2006): 41–63. http://dx.doi.org/10.1093/ywcct/mbl003.

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36

Constantinou, M., and M. Margaroni. "3 * Continental Philosophy." Year's Work in Critical and Cultural Theory 15, no. 1 (2007): 31–50. http://dx.doi.org/10.1093/ywcct/mbm003.

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37

Constantinou, M., and M. Margaroni. "2 * Continental Philosophy." Year's Work in Critical and Cultural Theory 16, no. 1 (2008): 22–49. http://dx.doi.org/10.1093/ywcct/mbn016.

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Constantinou, M., and M. Margaroni. "3 * Continental Philosophy." Year's Work in Critical and Cultural Theory 18, no. 1 (2010): 53–79. http://dx.doi.org/10.1093/ywcct/mbq006.

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Constantinou, M., and M. Margaroni. "15 * Continental Philosophy." Year's Work in Critical and Cultural Theory 19, no. 1 (2011): 308–47. http://dx.doi.org/10.1093/ywcct/mbr015.

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Constantinou, M., and M. Margaroni. "14 * Continental Philosophy." Year's Work in Critical and Cultural Theory 20, no. 1 (2012): 290–319. http://dx.doi.org/10.1093/ywcct/mbs014.

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41

Donaghy, Greg. "A Continental Philosophy." International Journal: Canada's Journal of Global Policy Analysis 53, no. 3 (1998): 441–64. http://dx.doi.org/10.1177/002070209805300304.

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42

Osolsobě, Petr. "Aesthetics." Journal of Aesthetics and Phenomenology 7, no. 1 (2020): 85–87. http://dx.doi.org/10.1080/20539320.2020.1780810.

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Beards, Andrew. "Aesthetics." Modern Schoolman 87, no. 2 (2010): 143–78. http://dx.doi.org/10.5840/schoolman20108723.

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44

Deligiorgi, Katerina. "Aesthetics and Material Beauty: Aesthetics Naturalized." Australasian Journal of Philosophy 89, no. 3 (2011): 560–62. http://dx.doi.org/10.1080/00048402.2011.562908.

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Miller, Alexander, Catherine Malabou, Emily Apter, Peter Szendy, Emanuela Bianchi, and Alexander R. Galloway. "On Epigenesis." October, no. 175 (2021): 109–44. http://dx.doi.org/10.1162/octo_a_00418.

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Abstract “On Epigenesis” consists of a series of interrelated short articles examining the philosophical concept of epigenesis, with a particular focus on Catherine Malabou's development of it in contemporary thought. Alexander Miller introduces the topic of epigenesis and considers its significance as a new paradigm. He also presents the reader with an overview of Malabou's work on the topic: Drawing from recent advances in the life sciences as well as the Western philosophical tradition, he claims, Malabou has proposed “an epigenetic paradigm for rationality” for the 21st century. Catherine

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46

Wood, Robert E. "Philosophy, Aesthetics, and Theology." American Catholic Philosophical Quarterly 67, no. 3 (1993): 355–82. http://dx.doi.org/10.5840/acpq199367318.

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Cova, Florian, Amanda Garcia, and Shen-yi Liao. "Experimental Philosophy of Aesthetics." Philosophy Compass 10, no. 12 (2015): 927–39. http://dx.doi.org/10.1111/phc3.12271.

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48

Vuksanović, Divna. "Aesthetics and media philosophy." Kultura, no. 161 (2018): 389–98. http://dx.doi.org/10.5937/kultura1861389v.

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Van Gerwen, Rob. "Aesthetics as First Philosophy." Aesthetic Investigations 1, no. 1 (2015): i—ii. http://dx.doi.org/10.58519/aesthinv.v1i1.12000.

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Séguy-Duclot, Alain. "Analytic Philosophy and Aesthetics." Critique d’art, no. 9 (April 1, 1997): 18–20. http://dx.doi.org/10.4000/critiquedart.105158.

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