Log in

Relevant bibliographies by topics / Contributions in concept of the sublime / Journal articles

To see the other types of publications on this topic, follow the link: Contributions in concept of the sublime.

Journal articles on the topic 'Contributions in concept of the sublime'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Contributions in concept of the sublime.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Kvokačka, Adrián. "Životaschopnosť jedného prístupu. Poznámky ku kantovskej línii interpretácie kategórie vznešeného (pokračovanie)." ESPES. The Slovak Journal of Aesthetics 2, no. 1 (2013): 20–26. https://doi.org/10.5281/zenodo.6409623.

Full text

Abstract:

To elaborate on the intention of the previous contribution, this paper opens again the problem of reception of Kant's definition of the category sublime. Variations performed by Schopenhauer, Nietzsche and Adorno represent some innovative approaches. Bridging the history of this aesthetic category in the 20th century in their thinking represents the functionality of the sublime, which we observe through the transformations in artistic and aesthetic discourse and which encourages us to a contemporary revaluation of this concept.

APA, Harvard, Vancouver, ISO, and other styles

2

González-Díaz, Romel Ramón, Ángel Acevedo-Duque, Guido Salazar-Sepúlveda, and Dante Castillo. "Contributions of Subjective Well-Being and Good Living to the Contemporary Development of the Notion of Sustainable Human Development." Sustainability 13, no. 6 (2021): 3298. http://dx.doi.org/10.3390/su13063298.

Full text

Abstract:

The article analyzes the contributions of the notions of Good Living attributable to epistemologies, traditions, and subjective well-being at work, given the current changes in the working context, to enrich the concept of human development. The article is developed with an analytical-descriptive and synthetic approach, reconstructing the concept of Good Living through a theoretical-economic, ontological, and epistemological comparison and its dimensional axes. Methodologically, a systematic review of human development literature is used in Latin America through the Web of Science (WOS), compa

APA, Harvard, Vancouver, ISO, and other styles

3

Langlands, Rebecca. "Latin Literature." Greece and Rome 62, no. 1 (2015): 97–106. http://dx.doi.org/10.1017/s001738351400028x.

Full text

Abstract:

This time last year my review concluded with the observation that the future for the study of Latin literature is fundamentally interdisciplinary, and that we should proceed in close dialogue with social historians and art historians. In the intervening period, two books from a new generation of scholars have been published which remind us of the existence of an alternative tide that is pushing back against such culturally embedded criticism, and urging us to turn anew towards the aesthetic. The very titles of these works, with their references to ‘The Sublime’ and ‘Poetic Autonomy’ are redole

APA, Harvard, Vancouver, ISO, and other styles

4

Dividus, A. "Spontaneity and the Sublime in Liberty in J. S. Mill, Edmund Burke and Henry Jones." History of Political Thought 45, no. 3 (2024): 563–82. http://dx.doi.org/10.53765/20512988.45.3.563.

Full text

Abstract:

The purpose of this work is to provide a different perspective with which to look at the notion of liberty. In order to do this, it is necessary to refer to the two philosophical ideas of spontaneity and the sublime. These two ideas, which are substantially developed within the philosophical theories of J. S. Mill and Edmund Burke, are taken up by one of the last representatives of British idealism, Henry Jones. Jones's exploration of the philosophical ideas of spontaneity and the sublime, as developed within the theories of Mill and Burke, offers a novel perspective on the notion of liberty.

APA, Harvard, Vancouver, ISO, and other styles

5

Kvokačka, Adrián. "Odkrývanie estetického charakteru (veľko)mesta ako krajiny: Mestský enviroment v pokantovskej estetike 21. storočia." ESPES. The Slovak Journal of Aesthetics 2, no. 2 (2013): 17–22. https://doi.org/10.5281/zenodo.6409547.

Full text

Abstract:

The contribution have several aims. In addition to the discussion that follows variability of the concept of landscape and its relationship to the category of environment (particularly with regard to the urban environment, where it appears the concept of environment as a more adequate) the contibution focuses on the specific problem of the current aesthetics: transformation of aesthetic reflection of the city as a whole, which is realized by the contemporary aesthetics and philosophy through the Kantian aesthetics in Critique of Aesthetics Judgement. Elaboration of opinions of M

APA, Harvard, Vancouver, ISO, and other styles

6

Carlos, Santamarina-Macho. "El bello desorden. De la armonía vitruviana al descubrimiento de lo caótico como fuente de la estética arquitectónica = The beautiful mess. From the Vitruvian harmony to the discovery of the chaotic as a source of architectural aesthetics." rita_ Revista Indexada de Textos Académicos, no. 11 (May 5, 2019): 178–85. https://doi.org/10.24192/2386-7027(2019)(v11)(17).

Full text

Abstract:

La belleza es, desde la tradición clásica, una de las partes esenciales de la buena arquitectura, pero al mismo tiempo una de las más esquivas y difíciles de definir. Frente a cuestiones como la solidez o la funcionalidad, objetivamente evaluables, lo bello parece escapar a cualquier pretensión de comprensión unívoca, apelando a la subjetividad del observador y a la relación de este tanto con el hecho arquitectónico como con su propio contexto cultural. A lo largo de la historia han sido varios los intentos de acotar ese concepto d

APA, Harvard, Vancouver, ISO, and other styles

7

Zehle, Soenke. "Dispatches from the Depletion Zone: Edward Burtynsky and the Documentary Sublime." Media International Australia 127, no. 1 (2008): 109–15. http://dx.doi.org/10.1177/1329878x0812700114.

Full text

Abstract:

The scope of China's contemporary transformation is measured by many observers according to the environmental crisis it has engendered. One of the most ambitious attempts to document this transformation has been the recent work by Edward Burtynsky. The China series is the latest contribution to the Canadian photographer's grand tour of industrial landscapes. Burtynsky employs the same approach and rules of composition across terrains and topics, and there is indeed nothing radically new in terms of subject or composition in the China series. Yet, linked to the question of scale that is so cent

APA, Harvard, Vancouver, ISO, and other styles

8

Zehle, Soenke. "Dispatches from the Depletion Zone: Edward Burtynsky and the Documentary Sublime." Media International Australia 127, no. 1 (2008): 109–15. https://doi.org/10.5281/zenodo.4290554.

Full text

Abstract:

The scope of China’s contemporary transformation is measured by many observers according to the environmental crisis it has engendered. One of the most ambitious attempts to document this transformation has been the recent work by Edward Burtynsky. The China series is the latest contribution to the Canadian photographer’s grand tour of industrial landscapes. Burtynsky employs the same approach and rules of composition across terrains and topics, and there is indeed nothing radically new in terms of subject or composition in the China series. Yet, linked to the question of scale tha

APA, Harvard, Vancouver, ISO, and other styles

9

Pratama, Novan Edo. "INTEGRASI GRAFIS GERAK DALAM KARYA “SENGKUJRENG” TERHADAP PENGALAMAN PENGUNJUNG PAMERAN NANDUR SRAWUNG X." AKSA: Jurnal Desain Komunikasi Visual 7, no. 2 (2024): 18–26. https://doi.org/10.37505/aksa.v7i2.109.

Full text

Abstract:

The research explores the fundamental implications of integrating motion graphics in the context of "Sengkujreng" art on the aesthetic experience of visitors at the "Nandur Srawung X" exhibition. By employing a philosophical hermeneutic approach that delves into the complexity of interactions between visual and kinetic dimensions, the study reveals an aesthetic space that is open to diverse interpretations. The research findings highlight that the fusion of motion graphic technology can broaden the scope of visitor experiences, enrich aesthetic reflections profoundly, and unveil new horizons r

APA, Harvard, Vancouver, ISO, and other styles

10

Mankovskaya, Nadezda Borisovna. "The Man of Action of French Romanticism. Aesthetic Views of Victor Hugo and their Embodiment in Poetry and Dramaturgy." Культура и искусство, no. 8 (August 2023): 50–73. http://dx.doi.org/10.7256/2454-0625.2023.8.39409.

Full text

Abstract:

The subject of the study is the fundamental philosophical and aesthetic problems in the romantic aesthetics of one of its leaders in France - Victor Hugo. The evolution of his aesthetic views is traced - from adherence to the aesthetics of classicism and royalist views to the established theory and artistic practice of romanticism, colored with democratic pathos. The core of Hugo's aesthetics is revealed - the original concept of the grotesque, which has found a convincing embodiment in his poetry, drama, historical novels. Such main themes as the correlation of the tragic and the comic, the b

APA, Harvard, Vancouver, ISO, and other styles

11

Mankovskaya, Nadezda Borisovna. "Two-faced Janus of early French romanticism: Pierre Simon Ballanche as an esthetician and writer." Философия и культура, no. 1 (January 2024): 45–63. http://dx.doi.org/10.7256/2454-0757.2024.1.68938.

Full text

Abstract:

The subject of the study is the fundamental philosophical and aesthetic problems in the aesthetics of Pierre Simon Ballanche, who stood at the origins of French romanticism. Two layers of his creativity - explicit and implicit - have been identified and analyzed. It is shown that his ideas about the art of romanticism are verbalized in a strict academic style. The implicit layer, is associated with Ballanche’s artistic prose. It includes philosophical and aesthetic poems, testifying the originality of his aesthetic position. Unlike most French romantics, who distance themselves from ancient cu

APA, Harvard, Vancouver, ISO, and other styles

12

Naser Benaros Emiteg, Othman Omar Abokhres, Naser Benaros Emiteg, Othman Omar Abokhres. "Preventive Strategy of Responsibility for International Protection: الاستراتيجية الوقائية لمسؤولية الحماية الدولية". مجلة العلوم الإقتصادية و الإدارية و القانونية 6, № 6 (2022): 24–39. http://dx.doi.org/10.26389/ajsrp.e120921.

Full text

Abstract:

This study aims to clarify the concept of 'Preventive Strategy' in light of the responsibility for international protection. It has considered as the most important principle that (ICISS) committee tried to focus on as a basic stage that allows reducing or eliminating the need for military intervention. The success of the responsibility for prevention requires - in specific cases - a pressure from the international community. Consequently, a study problem arises in the questions, 'What is meant by Prevention of Responsibility for International Protection as Preventive Strategy? What is this Re

APA, Harvard, Vancouver, ISO, and other styles

13

Mahmood, Karzan A. "The Sublime." Koya University Journal of Humanities and Social Sciences 4, no. 1 (2021): 76–85. http://dx.doi.org/10.14500/kujhss.v4n1y2021.pp76-85.

Full text

Abstract:

This paper aims at analysing the concept of the sublime, which is a pioneering concept of the English Romantics poetry, in relation to the French revolution in the works of Edmund Burke. Burke, unlike all other thinkers who view sublimity as a delightful and elevating feeling, perceives sublimity as an element of dangerous and terrifying incidents and objects mainly in relation with the great incident of the French Revolution. Hence, the paper concentrates on that essential metamorphosis in the content of the concept from progression to regression in the concept of sublime. Burke himself witne

APA, Harvard, Vancouver, ISO, and other styles

14

Б, Дагзмаа, та Хонгорзул Г. "Сүр жавхлангийн тухай Кантын ойлголтыг орчин үеийн гоо зүйн онолд холбогдуулан тайлбарлах нь". Philosophy and Religious Studies 26, № (595) (2025): 26–38. https://doi.org/10.22353/prs20241.4.

Full text

Abstract:

Interpreting Kant's Concept of the Sublime in Connection with Modern Aesthetic Theory Immanuel Kant is regarded as a prominent philosopher in defining the concept of the aesthetic sublime. The significance of the concept of the sublime in his Critique of the Power of Judgment lies in bridging the gulf between the spheres of nature and freedom. Through two distinct modes, the mathematical and dynamical sublime, Kant reveals how aesthetic experience transcends mere sensory perception. The mathematical sublime allows the imagination to seek the totality of the absolutely great, while the dynamica

APA, Harvard, Vancouver, ISO, and other styles

15

Fokeeva, Mariia Petrovna. "Sublime in the aesthetics of trauma." Философская мысль, no. 3 (March 2020): 68–73. http://dx.doi.org/10.25136/2409-8728.2020.3.32311.

Full text

Abstract:

The subject of this article is the concept of sublime. The author examines which transformations has experiences the aesthetic theory of sublime since the XVIII century. In the context of aesthetics of trauma, sublime is a specific form of aesthetical experience that emerges in the context of encountering traumatic experience of the history, where the key concomitant affect is horror. The forms of sublime, associated with encountering the historical trauma, are immeasurable by their influence, as the scales of catastrophe cannot be assessed rationally, and the experience of historical violence

APA, Harvard, Vancouver, ISO, and other styles

16

Dai, Xiaochu. "The Enlightenment of Ecstatic Truth for Developing Sublime Aesthetic Experiences in the Post-cinematic Era." International Journal of Education and Humanities 15, no. 1 (2024): 365–69. http://dx.doi.org/10.54097/kk50xh21.

Full text

Abstract:

Ecstatic truth was first coined in Herzog's 1999 Minnesota Declaration: Truth and Fact in Documentary Cinema. Herzog argues that there are not only mere facts in documentary films but also a much deeper truth, that is, ecstatic truth. The concept traces back to Longinus' definition of the sublime and the physiological sublime that Burke developed, closely connecting ecstatic truth to sublime aesthetic experiences. This article traces the historical connection between ecstatic truth and the concept of the sublime. It delves into one of Herzog's Amazon films, Aguirre, to explore the sublime aest

APA, Harvard, Vancouver, ISO, and other styles

17

Draskic-Vicanovic, Iva. "At the very edge of the abyss of subjectivity: Kant’s concept of the sublime." Theoria, Beograd 63, no. 3 (2020): 151–58. http://dx.doi.org/10.2298/theo2003151d.

Full text

Abstract:

In this text the concept of the sublime is recognized as one of the most important in Kant?s philosophy. In the first part the essay deals with the influence of British aestheticians of the Enlightenment on Kant?s theory of the sublime: Addison?s outline of the notion of greatness, Burke?s concept of the sublime and Hutcheson?s definition of beauty as a phenomenological quality of human mind?s experience. In the second part essay focuses on the relations between the aesthetic and the moral from the standpoint of transcendental analysis. Comparing and contrasting key characteristics of judgment

APA, Harvard, Vancouver, ISO, and other styles

18

Vuksanovic, Divna, and Dragan Calovic. "Technology vs. sublime: Critique of contemporary cultural and entertainment industry." Theoria, Beograd 63, no. 4 (2020): 189–201. http://dx.doi.org/10.2298/theo2004189v.

Full text

Abstract:

Drawing on traditional understanding of the concept / category of the sublime, the authors approach to the concept / category of the sublime in an interdisciplinary manner, that is, from the perspective of contemporary philosophy of media. In this way, the text maintains a connection both to traditional aesthetics, on the one hand, and to critical theory of society, on the other. The authors problematize ?technologically sublime? as well as contemporary cultural and entertainment industry, both within the current social and economic constellations of relationships. The current transformation o

APA, Harvard, Vancouver, ISO, and other styles

19

Hristov, Djordje. "Kant, the sublime, and Deleuze’s concept of learning." Theoria, Beograd 68, no. 1 (2025): 81–100. https://doi.org/10.2298/theo2501081h.

Full text

Abstract:

The purpose of this paper is to present Deleuze?s concept of learning, highlighting an unexplored aspect of this concept-its close connection to the notion of the sublime. I will show that, for Deleuze, learning is analogous to the experience of the sublime. I will also explain how Deleuze, drawing on Kant, develops an alternative notion of the sublime through a different understanding of sensibility and ideas, as well as their interrelation. First, I will outline the basic aspects of Kant?s concept of the sublime and its pedagogical implications, then demonstrate how Deleuze transforms this c

APA, Harvard, Vancouver, ISO, and other styles

20

Storey, Thomas. "Romantic Cybernetics: Jorie Graham, Trevor Paglen, and the Sublime Contradictions of the Anthropocene." Ecozon@: European Journal of Literature, Culture and Environment 16, no. 1 (2025): 116–34. https://doi.org/10.37536/ecozona.2025.16.1.5555.

Full text

Abstract:

The Anthropocene sublime is a necessarily hybrid concept, one that is generated from a palimpsest of previous iterations of sublimity, and which is critically modified by contemporary crisis. Alexander R. Galloway’s notion of the “juridico-geometric sublime” captures this hybridity in its combination of Romantic play with the homeostatic model of cybernetics, which brings into effect a synthesis of digital unrepresentability and Romantic freedom. Operating as a figure for the incommensurability generated by the confluence of the Romantic sublime and the cybernetic control paradigm, this versio

APA, Harvard, Vancouver, ISO, and other styles

21

Valadas Assis, Hugo Miguel. "O Sublime de Kant." Philosophica: International Journal for the History of Philosophy 25, no. 50 (2017): 151–64. http://dx.doi.org/10.5840/philosophica2017255033.

Full text

Abstract:

The following essay presents an analysis on Kantian aesthetics, more specifically directed to the concept of the sublime. We begin with a broad approach to the nature of Kantian aesthetics – in relation to aesthetic-reflexive judgements. Only after this brief context we move on to define the sublime following Immanuel Kant’s approach, doing so in contrast with the concept of beauty – the same way Kant clarified. Sublimity incurs from an inability of human imagination and understanding to comprehend certain phenomena, whose magnitude is beyond us and petrifies us; there is, however some moral p

APA, Harvard, Vancouver, ISO, and other styles

22

de Jonge, Casper C. "The Ancient Sublime(s). A Review of The Sublime in Antiquity." Mnemosyne 73, no. 1 (2020): 149–63. http://dx.doi.org/10.1163/1568525x-12342785.

Full text

Abstract:

Abstract The sublime plays an important role in recent publications on Greek and Latin literature. On the one hand, scholars try to make sense of ancient Greek theories of the sublime, both in Longinus’ On the Sublime and in other rhetorical texts. On the other hand, the sublime, in its ancient and modern manifestations presented by thinkers from Longinus to Burke, Kant and Lyotard, has proved to be a productive tool for interpreting the works of Latin poets like Lucretius, Lucan and Seneca. But what is the sublime? And how does the Greek rhetorical sublime in Longinus relate to the Roman lite

APA, Harvard, Vancouver, ISO, and other styles

23

Vredenburgh, Amanda, and Hall Bjørnstad. "Un discours « de majesté »." Romanic Review 111, no. 2 (2020): 227–48. http://dx.doi.org/10.1215/00358118-8503460.

Full text

Abstract:

Abstract Dans cet article, nous proposons le concept du « sublime royal » pour repenser le sublime au dix-septième siècle, avant, avec et autour de Boileau, en nous penchant moins sur l’intervention de Boileau elle-même que sur le contexte qui a rendu sa réussite possible : une situation où toute expression culturelle hégémonique avait avant tout une visée politique, celle de glorifier le monarque absolu. En tant que figure qui présente l’irreprésentable, le sublime permet l’impossible dans la représentation du roi : le présenter comme absolu. Il s’agit là d’un fonctionnement qui est, certes,

APA, Harvard, Vancouver, ISO, and other styles

24

Vanden Berghe, Ruben. "Met het hoofd in de Cloud. Het digitale sublieme in de Vlaamse en Nederlandse roman." Handelingen - Koninklijke Zuid-Nederlandse Maatschappij voor Taal- en Letterkunde en Geschiedenis 73 (November 6, 2019): 155–72. http://dx.doi.org/10.21825/kzm.v73i0.17281.

Full text

Abstract:

The ever-increasing availability of information, made possible by the Internet today, transforms the way people perceive and acquire knowledge. The following contribution maps the effects of this epistemological shift in the literary form of the novel, hypothesizing that the notion of the sublime helps us understand how literary fiction dramatizes this shift. The sublime aesthetic, which attempts to present the unpresentable, reflects the way the unfathomable scope of the Internet challenges the imagination. My narrative analysis draws on key concepts from cyberculture and media theory, such a

APA, Harvard, Vancouver, ISO, and other styles

25

Berleant, Arnold. "The Sublime Troubles of Postmodernism. A Tribute to S.M." Przegląd Kulturoznawczy, no. 4 (50) (December 30, 2021): 762–70. http://dx.doi.org/10.4467/20843860pk.21.052.14969.

Full text

Abstract:

This essay interweaves Stefan Morawski’s critique of postmodernism and Jean-François Lyotard’s expression of the postmodern sublime as “the presentation of the unpresentable” in a wide-ranging appraisal of the culmination of the postmodern age. This juxtaposition finds expression in the concept of the two modes of a negative sublime: the negative dynamical sublime exemplified in the stockpiles of nuclear warheads scattered widely across the globe, and the negative mathematical sublime represented by the omniscient electronic informational web that increasingly entangles individuals and societi

APA, Harvard, Vancouver, ISO, and other styles

26

Parding, Mathias. "The Kantian Sublime Reflected in the Kierkegaardian Sublime." Kierkegaard Studies Yearbook 28, no. 1 (2023): 217–47. http://dx.doi.org/10.1515/kierke-2023-0011.

Full text

Abstract:

Abstract Occupying a seemingly minor role in the authorship of Kierkegaard, the concept of “the sublime” has not received much attention in the reception, compared to that of other more prominent concepts. This could essentially imply one of two things: either that the sublime is not an important theme for Kierkegaard, or that it is so pervasively present, that the reader does not know how to conceive it, let alone get a hold of a tangible definition of it. Proceeding from the latter assumption, this article expounds in what sense the sublime occupies a pivotal role in Kierkegaard’s philosophy

APA, Harvard, Vancouver, ISO, and other styles

27

Lintott, Sheila. "Sublime Hunger: A Consideration of Eating Disorders Beyond Beauty." Hypatia 18, no. 4 (2003): 65–86. http://dx.doi.org/10.1111/j.1527-2001.2003.tb01413.x.

Full text

Abstract:

In this paper, I argue that one of the most intense ways women are encouraged to enjoy sublime experiences is via attempts to control their bodies through excessive dieting. If this is so, then the societal-cultural contributions to the problem of eating disorders exceed the perpetuation of a certain beauty ideal to include the almost universal encouragement women receive to diet, coupled with the relative shortage of opportunities women are afforded to experience the sublime.

APA, Harvard, Vancouver, ISO, and other styles

28

Butsykina, Yevheniia. ""Beautiful" and "sublime" by І. Kant within everyday experience of the city". UKRAINIAN CULTURAL STUDIES, № 2 (15) (2024): 13–16. https://doi.org/10.17721/ucs.2024.2(15).03.

Full text

Abstract:

Background. This paper explores the relevance of Kantian aesthetics, specifically his concept of the sublime, in the context of contemporary urban experience in Ukraine, particularly amidst the ongoing war. It examines how modern aesthetics engage with Kant's ideas, with some rejecting the applicability of his notions on beauty, the sublime, and aesthetic judgment, while others affirm their importance for understanding contemporary urban experiences. Methods. The study employs a comparative and analytical methodology, examining Kantian aesthetics in relation to contemporary aesthetic theories,

APA, Harvard, Vancouver, ISO, and other styles

29

Behrooz, Niloufar, and Hossein Pirnajmuddin. "The Sublime in Don DeLillo’s Mao II." International Letters of Social and Humanistic Sciences 50 (March 2015): 137–45. http://dx.doi.org/10.18052/www.scipress.com/ilshs.50.137.

Full text

Abstract:

The world that DeLillo’s characters live in is often portrayed with an inherent complexity beyond our comprehension, which ultimately leads to a quality of woe and wonder which is characteristic of the concept of the sublime. The inexpressibility of the events that emerge in DeLillo’s fiction has reintroduced into it what Lyotard calls “the unpresentable in presentation itself” (PC 81), or to put it in Jameson’s words, the “postmodern sublime” (38). The sublime, however, appears in DeLillo’s fiction in several forms and it is the aim of this study to examine these various forms of sublimity. I

APA, Harvard, Vancouver, ISO, and other styles

30

Johnson, Jonathan W., and Robert R. Clewis. "The Sublime Extends to Chinese Aesthetics." Philosophy East and West 75, no. 1 (2025): 163–88. https://doi.org/10.1353/pew.2025.a949590.

Full text

Abstract:

Abstract: A widespread view denies that there is a concept of the sublime in Chinese thought and philosophical aesthetics. This denial is a mistake. We examine texts and artworks that indicate that the experience of the sublime can be found in Chinese aesthetics and theories of art and aesthetic experience. To show this, we first present an overview of the sublime extracted from western writers: we describe the sublime experience’s structure, objects, and status as a mixed (but ultimately pleasant) experience. These themes are then taken as a guide for the analysis of Chinese terms relating to

APA, Harvard, Vancouver, ISO, and other styles

31

Dr Pankaj Kumar Singh. "THE SUBLIME IN KEATS' POETRY: A COMPARATIVE STUDY WITH BLAKE AND BYRON." Innovative Research Thoughts 8, no. 1 (2022): 154–61. http://dx.doi.org/10.36676/irt.2022-v8i1-003.

Full text

Abstract:

This comparative analysis explores the concept of the sublime in the poetry of Lord Byron, William Blake, and John Keats, providing new perspectives within the Heartfelt evolution. The review deconstructs the profound and philosophical foundations of the sublime through an analysis of each artist's individual work, highlighting the artists' distinctive approaches to outfitting the sublime to evoke extraordinary feelings, prompt existential reflection, and defy conventional norms. The richly woven artwork of the Heartfelt period is enhanced by the exotic and gloomy sublime of Keats, the visiona

APA, Harvard, Vancouver, ISO, and other styles

32

Tops, Thomas. "The Sublimity of the Language of Jesus in the Gospel of John: a Comparison with De sublimitate." Biblische Zeitschrift 69, no. 1 (2025): 51–72. https://doi.org/10.30965/25890468-06901003.

Full text

Abstract:

Abstract This article employs Longinus’ concept of the sublime to interpret and explain aspects of the sublime in the characterisation of Jesus’ language as found in the Fourth Gospel. It begins by observing that two things – the elusiveness of Jesus’ language and Jesus’ presentation as being above ‘earthly’ speakers (John 3:31, 34) – suggest that Jesus’ language is sublime in the rhetorical sense that we find in Longinus’ De sublimitate. To test this hypothesis, the second part of the article examines eight key characteristics of the sublime in Longinus’ treatise and compares them with how th

APA, Harvard, Vancouver, ISO, and other styles

33

Montori, Irene. "Representing Creation, Experiencing the Sublime: The Longinian Tradition in Tasso and Milton." Sederi, no. 30 (2020): 69–89. http://dx.doi.org/10.34136/sederi.2020.4.

Full text

Abstract:

This essay aims to demonstrate how Tasso and Milton were conscious of the Longinian tradition and aware of fashioning a poetry of the sublime when rewriting the story of creation. The author of Il mondo creato incorporates the Longinian model of sublime ekstasis into his concept of meraviglia to construct his own poetics of artistic creation. Despite Milton’s indebtedness to Tasso, in Paradise Lost the English poet distances himself from a full commitment to Longinian ekstasis and locates the sublime in a more dialogical, if not dialectical, compositional model of poetic creation. From a broad

APA, Harvard, Vancouver, ISO, and other styles

34

O'Sullivan, James. "'The Dream of an Island': Dear Esther and the Digital Sublime." Paradoxa 29 (December 14, 2017): 313–26. https://doi.org/10.5281/zenodo.3235648.

Full text

Abstract:

Kant remarks that beauty “is what pleases in the mere judgment (and there not by the medium of sensation in accordance with a concept of understanding),” and the sublime “pleases immediately through its opposition to the interest of sense”. Lyotard’s position is such that the sublime, as construed by Burke and Kant, “outlined a world of possibilities for artistic experiments in which the avant-gardes would later trace out their paths”. It is within this framework—the established connection between the sublime and the avant-garde—that I will

APA, Harvard, Vancouver, ISO, and other styles

35

Vuksanovic, Divna. "Emphasis: Category of sublime in contemporary aesthetic culture." Theoria, Beograd 64, no. 2 (2021): 133–48. http://dx.doi.org/10.2298/theo2102133v.

Full text

Abstract:

The text has the aspiration to sketch a frame of reference for understanding the concept of the sublime today, as it is used in the context of art. The basic idea is to investigate how the category of the sublime appears in the modern age, both within aesthetic theories and with regard to certain poetics and specific works of art. The key difference in the perception of the sublime in relation to the earlier phases of capitalism and the present one consists in the connection that the sublime establishes with new technologies, which is also reflected in the world of art. The exploitation of the

APA, Harvard, Vancouver, ISO, and other styles

36

Sommer, Tim. "‘Far more deeply interfused’: ‘Tintern Abbey’ between Burkean and Kantian Sublimity." Romanticism 28, no. 1 (2022): 12–23. http://dx.doi.org/10.3366/rom.2022.0533.

Full text

Abstract:

This essay traces the presence of eighteenth-century aesthetics in Wordsworth’s ‘Tintern Abbey’. It argues that the poem’s use of the term ‘sublime’ is more than just accidental. Rather than merely rehearsing a contemporary aesthetic commonplace, Wordsworth’s references to the sublime are intertextually linked to two eighteenth-century models of the concept, the one outlined in Edmund Burke’s A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757), the other developed in Immanuel Kant’s Critique of Judgement (1790). Proceeding from a delineation of the Burkean

APA, Harvard, Vancouver, ISO, and other styles

37

Scott, Amy. "Twenty-First-Century Sublime." Boom 4, no. 3 (2014): 28–35. http://dx.doi.org/10.1525/boom.2014.4.3.28.

Full text

Abstract:

This essay looks at the tension between pristine natural beauty and industry and how they have informed, and been represented in, California landscape painting and photography. Amy Scott argues that the influence of the traditional California landscape in art has evolved, thanks to a flexible understanding of the concept of the sublime, which draws upon ideas of nature to respond to external changes—including developments in technology. These changes have shaped the ways in which we imagine both the natural and the built environment in relation to ourselves. Scott traces this evolution through

APA, Harvard, Vancouver, ISO, and other styles

38

Mees, Martin. "Esthétique et événement." Varia 43, no. 2 (2016): 391–410. http://dx.doi.org/10.7202/1038212ar.

Full text

Abstract:

Cet article propose une réévaluation de la notion d’« événement » en matière d’esthétique, ce qui nécessite de s’interroger plus spécifiquement sur la temporalité propre au concept de « sublime », associé traditionnellement à une fulgurance, un instant sidérant qui ferait justement événement. Le développement s’appuie sur l’Analytique kantienne du sublime qui, en diverses occasions, met en avant le caractère paradoxal d’un sublime qui ne semble pouvoir se déployer qu’au prix d’une temporalité double, qualifiée ultimement de régressive. Je défendrai ici la thèse que le sublime renvoie en réalit

APA, Harvard, Vancouver, ISO, and other styles

39

Holcombe, Cassandra. "The Horror of Serenity." Journal of Anime and Manga Studies 4 (December 3, 2023): 31–60. http://dx.doi.org/10.21900/j.jams.v4.1198.

Full text

Abstract:

The sublime is a common subject in European literary studies, particularly in Victorian and Romantic period literary scholarship. The Greek writer Longinus proposed the concept in the 1st century in On the Sublime (first printed in 1554), and Edward Burke later popularized it in his work A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757). The sublime is less discussed in anime studies due to its European origins, but it has a robust history in Japanese literature and philosophy. Recently, scholars have begun discussing its presence in anime. This paper exa

APA, Harvard, Vancouver, ISO, and other styles

40

Stathatos, John. "'A SHABY SUBLIMITY": REPRESENTING THE CAPITALIST SUBLIME." Design/Arts/Culture 4, no. 1 (2023): 62–71. https://doi.org/10.12681/dac.35219.

Full text

Abstract:

This visual essay explores the concept of the "Capitalist Sublime," analyzing how contemporary imagery seeks to invoke feelings of awe and power in relation to capitalism. Drawing from Longinus and Edmund Burke's definitions of the sublime, the essay delves into the allure of power and overwhelming awe that capitalism attempts to evoke through its imagery. Examples range from high-art sculptures like Jeff Koons' "New Hoover Celebrity IV" to vast cityscapes and monumental architecture, such as the Atlantis hotel in Dubai and aircraft carriers. The essay further examines the works of photographe

APA, Harvard, Vancouver, ISO, and other styles

41

Beckert, Cristina. "A Estética do Invisível Na Natureza." Philosophica: International Journal for the History of Philosophy 15, no. 29 (2007): 7–17. http://dx.doi.org/10.5840/philosophica200715292.

Full text

Abstract:

This paper aims at showing the interdependence between aesthetic and ethic values in appreciating nature. The Kantian concept of sublime guides us in the first part, exhibiting the primacy of ethics over aesthetics, as the sublime reveals it self to be an analogon of the moral law and the respect due to it. The second part, based on the holistic tendency in Environmental Ethics hold by Holmes Rolston III and others, analyses how the relation is inverted by means of an aesthetic of the invisible, where the sublime in nature refers to the whole and is hidden under the apparent ugliness of the pa

APA, Harvard, Vancouver, ISO, and other styles

42

Moraczewski, Krzysztof. "Muzyczna złożoność i pewna specyficzna forma doświadczenia estetycznego." Zeszyty Naukowe Centrum Badań im. Edyty Stein, no. 15 (October 22, 2018): 289–307. http://dx.doi.org/10.14746/cbes.2016.15.21.

Full text

Abstract:

The main topic of the article is the explanation of repeatable interpretationsof the experience of music in terms of the experience of eternity. The problem is approachedby introducing Kant's concept of the mathematical/dynamic sublime and then by suggesting that the experience of the mathematical sublime can be also achived on a waywhich Kant did not analyze, i.e. thanks to the contact with aesthetical complexity. Theconditions of such an experience are being researched. The second point of delibarationconcerns the transition from experiencing the complex as sublime to interpreting it assymbo

APA, Harvard, Vancouver, ISO, and other styles

43

Gaete Cáceres, Miguel Angel. "Buscando lo infinito: implicaciones de lo sublime en la contemporaneidad." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 5, no. 1 (2016): 83–93. https://doi.org/10.37819/humanrev.v5i1.820.

Full text

Abstract:

This article provides a critical review of the concept of the sublime based on Longino, Edmund Burke and Immanuel Kant. From here, we will try to discover the presence of the sublime as an important factor in shaping the contemporary world culture, through its presence in art or in the conception of nature and the environment. Finally, the main objective of this paper is demonstrate how the sublime offers an alternative means to understand the problem of "infinite" and "unlimited" in the context of technology, the emergence of the metropolis and the filtration in the capitalist rhetoric, offer

APA, Harvard, Vancouver, ISO, and other styles

44

Gaete Cáceres, Miguel Angel. "Buscando lo infinito: implicaciones de lo sublime en la contemporaneidad." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 5, no. 1 (2016): 83–93. https://doi.org/10.37819/revhuman.v5i1.820.

Full text

Abstract:

This article provides a critical review of the concept of the sublime based on Longino, Edmund Burke and Immanuel Kant. From here, we will try to discover the presence of the sublime as an important factor in shaping the contemporary world culture, through its presence in art or in the conception of nature and the environment. Finally, the main objective of this paper is demonstrate how the sublime offers an alternative means to understand the problem of "infinite" and "unlimited" in the context of technology, the emergence of the metropolis and the filtration in the capitalist rhetoric, offer

APA, Harvard, Vancouver, ISO, and other styles

45

Gomel, Elana. "Stanisław Lem i biologiczna wzniosłość. Biologia, technologia, fantastyka naukowa." Creatio Fantastica 59, no. 2 (2019): 57–68. https://doi.org/10.5281/zenodo.3311691.

Full text

Abstract:

This article introduces the concept of the biological sublime and argues that it is central to Stanislaw Lem’s science-fictional poetics. The biological sublime is an aesthetic reaction to the monstrous body conceptualized in terms derived from the aesthetic theories of Burke, Kant, Lyotard, and Barthes. This reaction fuses attraction and repulsion, awe and horror. It transcends the moral calculus of good and evil but has profound ethical implications as it grapples with the concept of the “totally Other” beyond human understanding. The article discusses the visual poetics of

APA, Harvard, Vancouver, ISO, and other styles

46

Fisher, Tony. "Castellucci's Theatre of the ‘Abject/Sublime’: or, the Theatre of Failed Transcendence." Somatechnics 3, no. 1 (2013): 31–49. http://dx.doi.org/10.3366/soma.2013.0077.

Full text

Abstract:

In this paper I look at Castellucci's On the Concept of the Face, Regarding the Son of God as a means to sketch out what I would like to call a theatre of the ‘abject/sublime’. In contrast to the Kantian notion of the sublime, which requires nothing less than the acknowledgment of the moral law by the subject, I will situate Castellucci's work within a reading of the ‘sublime’ that embraces the failure of the subject to achieve transcendence. By this I mean the subject fails to achieve the kind of ethical autonomy that Kant's radical sublime demands. Instead, I propose to interpret Castellucci

APA, Harvard, Vancouver, ISO, and other styles

47

Ip, Leonard. "Die Musikalität der Phantasie." AUC INTERPRETATIONES 10, no. 2 (2022): 230–46. http://dx.doi.org/10.14712/24646504.2022.12.

Full text

Abstract:

The article presents analyses of the manner in which “phantasy”, Marc Richir’s preferred concept of the imagination, can be observed and understood with clarity in relation to the experience of music. By elaborating examples of musical experience, to which Richir refers in his analyses of phantasy, it is shown that phantasy expresses itself as the originally affective dimension of experience, articulated by the correlation between the lived-bodiliness of phantasy (Phantasieleiblichkeit) and the sublime affectivity of the phenomenological apeiron. To this end, the systematic connection between

APA, Harvard, Vancouver, ISO, and other styles

48

Martínez-Alfaro, María Jesús. "Ted Hughes’s Nature Poetry and the Reconfiguration of the Sublime." VERBEIA. Revista de Estudios Filológicos. Journal of English and Spanish Studies 7, no. 6 (2021): 78–94. http://dx.doi.org/10.57087/verbeia.2021.4344.

Full text

Abstract:

Animals and nature figure prominently in Ted Hughes’s poems, which often focus on the savagery of both. Some have dismissed his verse on account of this, while others suggest adopting an aesthetic perspective to consider the range of effects it produces. More specifically, this article explores the ways in which Hughes’s poetry affords the reader anexperience of the sublime, a concept that has evolved in parallel with changes in the understanding of our relationship with the natural world. Christopher Hitt, in particular, has reconfigured the traditional version into an “ecological sublime” th

APA, Harvard, Vancouver, ISO, and other styles

49

Karina, Contreras Castellanos. "Hacia una perspectiva contemporánea de lo sublime arquitectónico = Towards a Contemporary Perspective of the Architectural Sublime." rita_ Revista Indexada de Textos Académicos, no. 4 (October 5, 2015): 76–83. https://doi.org/10.24192/2386-7027(2015)(v4)(03).

Full text

Abstract:

Lo sublime parece ser un concepto diluido y ausente en la actualidad, pues ya no se presenta con la fuerza que lo hizo en otros momentos históricos. Este ensayo es parte de una investigación que presenta un recorrido a través de distintos momentos de la reflexión sobre lo sublime –y conceptos afines– como cualidad estética y como detonante de una gama de efectos, para conformar una perspectiva que permita ver en qué rango sigue presente como influencia en la estética y, sobre todo, en el ámbito de la arquitectura contempor&aac

APA, Harvard, Vancouver, ISO, and other styles

50

Nikiforova, N. V. "Aesthetic dimension of technology: dynamo as technological Sublime at the turn of the XIX and XX centuries." Philosophy of Science and Technology 25, no. 2 (2020): 37–50. http://dx.doi.org/10.21146/2413-9084-2021-25-2-37-50.

Full text

Abstract:

In the second half of the XIX century technology saturated urban space and transformed factory production around the world. Reception of technologies in everyday life was connected with aesthetic comprehension. Besides, perception of new technologies was a complex emotional experience that fostered reflections on possibilities of human mind and of man-made power, on historical role of technology and its future development. This article is devoted to the aesthetic characteristics of interaction with technology as an affective aesthetic experience of the technological sublime. As an example,

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!