Relevant bibliographies by topics / Convention of Cintra

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Convention of Cintra'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Convention of Cintra"

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Bromwich, David. "Romantic Nationalism and The Convention of Cintra." Studies in Romanticism 49, no. 4 (2010): 601–10. http://dx.doi.org/10.1353/srm.2010.0003.

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Duggett, T. "Wordsworth's Gothic Politics and The Convention of Cintra." Review of English Studies 58, no. 234 (2007): 186–211. http://dx.doi.org/10.1093/res/hgl145.

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Coleman, Deirdre. "Re-Living Jacobinism: Wordsworth and the Convention of Cintra." Yearbook of English Studies 19 (1989): 144. http://dx.doi.org/10.2307/3508047.

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Hunnekuhl, Philipp. "Henry Crabb Robinson, Ernst Moritz Arndt, and William Wordsworth’s Convention of Cintra." Romantik 7, no. 1 (2018): 97–114. http://dx.doi.org/10.14220/jsor.2018.7.1.97.

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Valladares, Susan. "“For the sake of illustrating principles”: Wordsworth, the Convention of Cintra, and Satirical Prints." European Romantic Review 24, no. 5 (2013): 531–54. http://dx.doi.org/10.1080/10509585.2013.828400.

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Andrews, Stuart. "Pilgrimage to Waterloo: Lake Poets and the Duke." Romanticism 23, no. 1 (2017): 53–61. http://dx.doi.org/10.3366/rom.2017.0306.

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Southey's 2000-line poem, The Poet's Pilgrimage to Waterloo, was published two centuries ago, in 1816. It does not offer a narrative of the battle, but rather reflections on war – prompted by a visit to the battlefield. Yet in another sense, Coleridge, Southey and Wordsworth all made a pilgrimage to Waterloo in their changing assessment of Arthur Wellesley, first Duke of Wellington, starting with his involvement in Spain's Guerra de la Independencia – Britain's Peninsular War. Elsewhere I have addressed the Lake Poets’ enduring commitment to the libertarian cause of the Spanish and Portuguese
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Mastandrea Bonaviri, Gianluigi. "Cinema as (Tangible and Intangible) Cultural Heritage." McGill GLSA Research Series 2, no. 1 (2022): 19. http://dx.doi.org/10.26443/glsars.v2i1.200.

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This research paper will put forward innovative solutions to strengthen the protection of cinema during armed conflicts, in particular by contending that cinema could be qualified as cultural heritage, thereby falling under the protection of the relevant international Conventions. A special testimony made by artist Sergio Iovino will be first proposed, with a view to highlighting the importance to safeguard cinema and – broadly speaking – every kind of art in wartime. Moving from the current armed conflict in Ukraine, the paper will underline the need for a reassessment of the relevant interna
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Dhemudu, Premananthini, and Dr Mohana Dass Ramasamy. "Rhetorical Conventions in Kannadasan’s Cinema Songs." Journal of Tamil Peraivu 7, no. 1 (2018): 83–90. http://dx.doi.org/10.22452/jtp.vol7no1.8.

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PATRON, Iryna. "THEATER AND CINEMA: SOME TOUCHES FOR COMPARISON." Bulletin of the Lviv University. Series of Arts Studies 199, no. 23 (2022): 95–103. http://dx.doi.org/10.30970/vas.23.2022.12198.

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The article analyzes the problems of correlation and comparison of Stage and screen arts; theater and film actor in the process of creating a play or film. With the help of a comparative analysis, conclusions were made about the differences and similarities that exiSt between theater and cinema in the Studied categories of time, space, acting and the viewer. Attention is drawn to theatrical convention and film reality. We have concluded about some differences and similarities that exist between theater and cinema in the Studied categories of time, space, acting and audience perception. Space a
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Hantke, Steffen. "Horror and the Holocaust: ‘Prestige Horror’ and Frank Pierson’s Conspiracy (2001)." Zeitschrift für Anglistik und Amerikanistik 69, no. 4 (2021): 413–29. http://dx.doi.org/10.1515/zaa-2021-2044.

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Abstract In an article published in 2004, Picart and Frank examined the use of stylistic and thematic elements Holocaust cinema can borrow from the horror film. Their argument at the time was constrained by the availability and their choice of primary texts, but the recent emergence of what has been called ‘prestige horror’ invites viewers to revisit their critical arguments and positions. Since ‘prestige horror’s’ aesthetic strategies tend to challenge conventional definitions of the horror genre, revisiting Picart and Frank’s argument proves most productive in the context of a Holocaust film
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Dissertations / Theses on the topic "Convention of Cintra"

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Ryan, Carey. "Empathy Is the Devil: Employing Conventions and Themes of Early Cinema in Contemporary Practice." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/368017.

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Over the last decade, the international screen has witnessed a revival of silent cinema techniques. Eighty or so years after the advent of the talkies, titles such as France's The Artist (Hazanavicius, 2011), Spain’s Blancanieves (Berger, 2012), Australia's Dr. Plonk (de Heer, 2007), Portugal’s Tabu (Gomes, 2012) and Argentina’s La Antena (Sapir, 2007) have drawn on a palette of almost forgotten techniques to great effect. While each might be read as an homage to this foundational period in cinema history, the filmmakers’ objective has not been to remake silent films or to reject modern digita
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Zarka, Samuel. "L’équipe de cinéma : genèse et portée de la qualification du travail dans la production cinématographique en France, 1895 - 2018." Thesis, Paris, CNAM, 2019. http://www.theses.fr/2019CNAM1256/document.

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Cette thèse restitue la construction des qualifications professionnelles dans les équipes de production de films de cinéma en France, sur longue période. Ainsi, ces collectifs de travail sont saisis à travers la question récurrente de la qualité professionnelle de leurs membres, comme le réalisateur, le chef opérateur, le chef décorateur, etc. et leurs auxiliaires techniciens et ouvriers. Cette qualité comprend plusieurs dimensions, comme le métier, la rémunération ou les représentations qui y sont attachées. Ce faisant, l’enquête porte sur la reconnaissance et l’articulation de ces dimensions
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Baggio, Juliana Silveira. "Fungicide sensitivity and spatial and temporal dynamics of Botrytis cinerea and Colletotrichum spp. in conventional and organic strawberry fields." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/11/11135/tde-04102016-175108/.

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Botrytis and Anthracnose fruit rots, caused by Botrytis cinerea and Colletotrichum spp., respectively, are major strawberry diseases. This study aimed to compare organic and conventional strawberry production systems by evaluating the sensitivity of B. cinerea and Colletotrichum spp. isolates to the main single-site fungicides used in Brazil and by characterizing the spatial and temporal dynamics of the diseases caused by these pathogens using epidemiological tools. Isolates were collected from conventional and organic fields in four different Brazilian states from 2013 to 2015. Resistance to
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Heban, Thomas Edward. "Representations of Scale and Time: Reinterpreting Cinematic Conventions in Digital Animation to Create a Purposeful Visual Language." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430399136.

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Germa, Elisabeth. "L' odyssée kubrickienne : esthétique de la réception film et déconstruction des conventions audio-visuelles du cinéma classique hollywoodien dans 2001 : A Space Odyssey." Toulouse 2, 2001. http://www.theses.fr/2001TOU20014.

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Dans l'éclectisme des genres cinématographiques abordés par Stanley Kubrick (1928-1999) 2001 : A Space Odyssey (1968) est considérée comme une des oeuvres majeures de ce réalisateur américain. Il constitue, en outre, une référence incontournable du cinéma de science fiction et une véritable odyssée en soi. Ce travail explore les caractéristiques sonores et visuelles du film à la lumière d'une étude de l'esthétique de la réception filmique. Avec l'analyse syntagmatique de séquences, il apparaît que 2001 : A Space Odyssey relève par certains aspects d'une déconstruction des conventions cinématog
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Motta, Clayton André Oliveira da. "Verificação da adição de cinza leve no composto ferro-cobre-grafite para fabricação de anéis de selos mecânicos pelo processo de metalurgia do pó convencional." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/101173.

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O presente trabalho possui como objetivo analisar as propriedades do composto que apresenta em sua composição Fe-Cu-C com adição da cinza leve em percentuais de 4,8% classificado como composto A; 9,8% classificado como composto B; e 14.8% classificado como composto C, processados por metalurgia do pó convencional. Outro objetivo foi analisar o percentual desses compostos e compará-los a liga Fe-Cu-C, classificado como composto Sem Cinza (SC), que não apresenta cinza em sua composição. O composto que não apresenta cinza é utilizado na fabricação de anéis de selos mecânicos. Buscou-se nesse trab
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Domingo, Domingo Lourdes. "El relato fantástico y la muerte del espectador : nuevas metáforas de lo sublime en un contexto de apocalipsis." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/361112.

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Esta tesis parte de un primer análisis de un corpus de largometrajes de M. Night Shyamalan que revela una continuidad estilística y temática en todos ellos. A partir de este paradigma, se ha investigado si sus características argumentales y expresivas -presentes también en un conjunto de series televisivas contemporáneas- constituyen una tendencia compartida y articulada bajo la cual observar el panorama actual de la ficción audiovisual, el fantástico como modo y su incidencia en el espectador. Con tal fin, se han estudiado desde la perspectiva hermenéutica, la estética, la narrativa y la f
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Cunha, Bruno Miguel Silva e. "Slashers : do original ao remake." Master's thesis, 2015. http://hdl.handle.net/10400.14/17795.

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Verifica-se, na história do cinema, a utilização repetida de temas e enredos com a capacidade de chegar aos espectadores. Desde os grandes estúdios ao cinema independente, é possível identificar a aplicação de uma espécie de fórmula para cada género narrativo, fazendo com que os indivíduos consumam cada filme e cada história como se fossem únicos e diferentes. Um destes géneros é o Slasher. Desde a década de setenta que são produzidos filmes que obedecem a indicadores semelhantes e facilmente reconhecíveis pelo espectador. O seu sucesso massivo tem permitido não só a criação de novos tí
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Books on the topic "Convention of Cintra"

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Crisp, C. G. Genre, myth, and convention in the French cinema, 1929-1939. Indiana University Press, 2002.

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1970-, Artale Corrado, ed. Carceri-- conventi-- campi di concentramento--: Tutte dentro! : il cinema della segregazione femminile. Bloodbuster, 2013.

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Baer, Hester. German Cinema in the Age of Neoliberalism. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727334.

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This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980-rather than 1989-as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East,
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Concerning The Convention of Cintra. Humanities-Ebooks, 2014.

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Wordsworth's Tract on the Convention of Cintra. Creative Media Partners, LLC, 2022.

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Fay, Jessica. ‘My second Self when I am gone’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816201.003.0004.

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This chapter traces the cumulative influence of Wordsworth’s reading of a series of topographical and antiquarian studies on the poetry and prose he produced between 1807 and 1810. These sources contain extensive details about medieval monastic life in the north of England and describe how powerful coenobitic communities shaped the cultural and geographical landscapes they inhabited. The chapter shows how knowledge of the civic operation of the monastic world influenced Wordsworth’s thinking about primogeniture, living legacy, memorialization, and familial and democratic representation. It exp
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Berliner, Todd. Bursting into Song in the Hollywood Musical. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658748.003.0011.

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Chapter 11 examines the aesthetic value of novelty in a genre’s evolution by tracing the history of the convention that characters in Hollywood musicals spontaneously burst into song without realistic motivation. The convention emerged in 1929 and largely vanished by the end of the 1950s. The chapter studies how studio-era filmmakers developed novel conventions that exploited the aesthetic possibilities of song in cinema. The eventual loss of the convention created new constraints on the uses of song, but it also enabled new aesthetic possibilities. Post-studio-era filmmakers transformed the c
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Geis, Deborah R. Culinary Cinema. Lexington Books, 2025. https://doi.org/10.5040/9781978748545.

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In this book, Deborah Geis offers a new approach to the evolving genre of culinary films that center on the acts of eating and cooking through close analyses of ten different films. These films range from the classics, like Big Night (1996) and Babette’s Feast (1987) to later box-office hits, like Chef (2014) and to films that deserve a second look, like East Side Sushi (2014), Burnt (2015), and Mid-August Lunch (2008). Throughout these analyses, the book focuses on tropes including the “big dinner” as it connects to intercultural and transcultural communities; the self-destructive perfectioni
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Crisp, Colin. Genre, Myth, and Convention in the French Cinema, 1929-1939. Indiana University Press, 2002.

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Crisp, Colin. Genre, Myth, and Convention in the French Cinema, 1929-1939. Indiana University Press, 2002.

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Book chapters on the topic "Convention of Cintra"

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Hunnekuhl, Philipp. "Henry Crabb Robinson, Ernst Moritz Arndt, and William Wordsworth’s Convention of Cintra." In Romantik. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737008808.97.

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Duggett, Tom. "“By Gothic Virtue Won”: Wordsworth’s Convention of Cintra and the Peninsular War." In Palgrave Gothic. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96832-8_4.

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Zubernis, Lynn. "Conventions and cosplay." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-32.

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Rayner, Jonathan. "Conventions, preventions and interventions." In The Routledge Companion to World Cinema. Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-21.

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Beus, Yifen. "Redemption Songs: Musical Moments in Joseph Gaï Ramaka’s Karmen Geï (2001) and Flora Gomes’s Nha Fala (2002)." In When Music Takes Over in Film. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89155-8_9.

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Abstract One major function of musical numbers in cinema serves as utopian moments not only for the characters to temporarily step aside from the diegetic story space, but also for the audience to envision ‘what utopia would feel like’, something that may or may not be realised at the end of the film. Such a film genre has not been common in Third Cinema, a preferred style and aesthetic for many African films debuted since Ousmane Sembène, who likened the modern African filmmaker to the traditional griot: a storyteller with a movie camera, who commonly defies the mainstream commercial cinema’s
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"Transmissions: composing The Convention of Cintra." In De Quincey's Romanticism. Cambridge University Press, 1997. http://dx.doi.org/10.1017/cbo9780511582974.003.

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"“The Recluse” and The Convention of Cintra." In The Life of William Wordsworth. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604953.ch21.

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Owens, Thomas. "Orbicular Poetics." In Wordsworth, Coleridge, and 'the language of the heavens'. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840862.003.0003.

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Chapter 3 recovers the formal lineage of Wordsworth’s ‘Sonnets Dedicated to Liberty’ by following it back through Milton’s political sonnets to the Tuscan poets of the cinquecento, pre-eminently Giovanni della Casa and Torquato Tasso. It suggests that Wordsworth’s conception of the Miltonic sonnet as a dewdrop exemplifies the relationship between gravity and gravità and asprezza, and proposes that the moral force of Wordsworth’s political achievement across the first decade of the nineteenth century was the result of his intricate negotiation with the actual weight and tendency to downward mot
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Manning, Peter J. "The White Doe of Rylstone, The Convention of Cintra, and the History of a Career." In Reading Romantics. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195057874.003.0009.

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Abstract The story of how Wordsworth delayed publishing The White Doe of Rylstone, finished in 1807-08, until 1815 is familiar. The received account runs like this: the poem represented Wordsworth’s effort to transform materials from the north of England and the borders, the stuff of romance and ballad which Sir Walter Scott had mined so successfully, into an exemplum of imagination and faith, but the poem proved too spiritual and lacking in adventure for those who heard or read the manuscript-Coleridge, Lamb, Hazlitt, Jane Marshall-and, discouraged, Wordsworth kept it back.
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Jack, Ian. "De Quincey." In English Literature 1815—1832. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198122388.003.0011.

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Abstract There have been few stranger literary careers. By the age of seventeen De Quincey had decided that his life was to be that of a thinker and a man of letters, and he had jotted down an ambitious list of works that he intended to write: by his late twenties he was even more firmly resolved to become ‘the intellectual benefactor’ of his species, to accomplish ‘a great revolution in the intellectual condition of the world’ which would include in its scope a complete reform of education, philosophy, and mathematics. But since, ‘like all persons … in possession of original knowledge’, he wa
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Conference papers on the topic "Convention of Cintra"

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Gerhardt, J., D. Lübke, and M. Schiewe. "3D Stereoscopy for Surround Cinema: A Live Streaming Study Case for Digital Dome." In International Broadcasting Convention (IBC) 2013 Conference. Institution of Engineering and Technology, 2013. http://dx.doi.org/10.1049/ibc.2013.0028.

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Bernad, Peter, Natasa Vaupotic, and Robert Repnik. "Teaching the physics behind a 3D cinema through experiments supported by ICT." In 2019 42nd International Convention on Information and Communication Technology, Electronics and Microelectronics (MIPRO). IEEE, 2019. http://dx.doi.org/10.23919/mipro.2019.8756771.

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Miasnikova, Marina, and Alexandra Trukhina. "Character, Author, Viewer of Documentaries in the Public Space of New Media." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-54.

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Any screen message usually comprises three components: life drama in the form of a story about a real person as the character; the author’s intention to create an artistic world containing footprints of the creative personality and the author’s concept; and the viewer’s mindset regarding this world. Thus, a screen document is created by three participants of communication: character, author, viewer, though each of them differently manifests itself in turbulent conditions of ongoing media-transformations. Under the new direction named ‘real’, ‘actual’, ‘horizontal’ cinema, the documentary scree
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"Optimizing the Efficacy of Beneficial Bacteria Against Botrytis Blight Disease in Petunias." In Plant Health 2024. American Phytopathological Society, 2024. http://dx.doi.org/10.1094/aps-ph24-023.

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Botrytis cinerea, a fungal pathogen and the causal agent of botrytis blight or gray mold, poses a significant challenge in greenhouse crop management due to its wide host range and ability to infect plants at various growth stages. The reliance on conventional fungicides has led to environmental concerns and the emergence of fungicide-resistant strains. This study explores the use of beneficial Pseudomonas bacteria, hypothesizing that specific strain combinations could suppress B. cinerea more effectively than single strains. We focused on five Pseudomonas strains (14B11, AP54, 15H3, 94G2, 89F
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Koblenkova, Diana V. "ON SOME TRENDS IN THE SATIRICAL LITERATURE AND CINEMATOGRAPHY OF SWEDEN AT THE END OF THE 20TH — BEGINNING OF THE 21ST CENTURY (C.-J. VALLGREN AND R. ÖSTLUND)." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063576.

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The article deals with satirical tendencies in Swedish literature and cinema of the end of the 20th — beginning of the 21st century. On the example of the book by C.-J. Vallgren “This is for you for a brochure, Mr. Bachmann” and R. Östlund’s paintings “Turist” (“Force Majeure”), “Voluntarily-compulsory”, “The Square” and “Triangle of Sadness”, the main problems of Swedish society are analyzed, which are becoming pan-European scale. The paper concludes that both authors consider the most significant problems to be the disappearance of independent thinking, the distortion of ethical principles,
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Reports on the topic "Convention of Cintra"

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Reisch, Bruce, Avichai Perl, Julie Kikkert, Ruth Ben-Arie, and Rachel Gollop. Use of Anti-Fungal Gene Synergisms for Improved Foliar and Fruit Disease Tolerance in Transgenic Grapes. United States Department of Agriculture, 2002. http://dx.doi.org/10.32747/2002.7575292.bard.

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Original objectives . 1. Test anti-fungal gene products for activity against Uncinula necator, Aspergillus niger, Rhizopus stolonifer and Botrytis cinerea. 2. For Agrobacterium transformation, design appropriate vectors with gene combinations. 3. Use biolistic bombardment and Agrobacterium for transformation of important cultivars. 4. Characterize gene expression in transformants, as well as level of powdery mildew and Botrytis resistance in foliage of transformed plants. Background The production of new grape cultivars by conventional breeding is a complex and time-consuming process. Transfer
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