Academic literature on the topic 'Convivio (Dante Alighieri)'
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Journal articles on the topic "Convivio (Dante Alighieri)"
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Bischi, Gian Italo. "Dante Alighieri Science Communicator." Substantia 5, no. 2 (September 9, 2021): 7–17. http://dx.doi.org/10.36253/substantia-1329.
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This paper deals with the issue of communication and dissemination of scientific knowledge outside the circle of specialists. In particular, in the occasion of the 700th anniversary of the death of Dante Alighieri, we will focus on the program for the popularization of knowledge outlined by Dante in the Convivio and De Vulgari Eloquentia, as well as several examples taken from his Divine Comedy concerning mathematical and natural sciences. Some solutions for communicating science proposed by Dante, such as the explanations of principles and scientific methods within a narrative framework (now often called the storytelling method), in addition to dialogues between characters, anticipate methods for science communication used by several authors after him. Examples are provided to show the depth of Dante’s knowledge concerning the basic concepts and methods of mathematics, physics and natural sciences (such as chemistry, meteorology, astronomy etc.). In addition, the examples demonstrate how effectively Dante used analogies and metaphors taken from sciences within his poetry.
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Lackey, Douglas. "Dante Alighieri (1265–1321): Three Canzoni from the Convivio." Philosophical Forum 33, no. 3 (January 2002): 234–53. http://dx.doi.org/10.1111/1467-9191.00096.
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Kanel, I. V. "Dante Alighieri and Risorgimento: Religious Aspect of Historical Connection." Язык и текст 9, no. 4 (2022): 44–51. http://dx.doi.org/10.17759/langt.2022090405.
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<p>Religious viewpoints occupied a special place in the revolutionary-democratic theory of Giuseppe Mazzini, a well-known political and social activist considered to be among the chief ideologues of Risorgimento. La Giovine Italia<em> («Young Italy»), </em>the organization established by Mazzini, had as its slogan «Dio e Libertà!» — <em>«God and Liberty!». </em>To demonstrate how important it is to study the religious aspect of the Italian unification concept in this article, the author made a brief excursion into the history and etymology of the word that named the era in question, with the following corollary: <em>Risorgimento </em>is synonymous with <em>Rinascimento, </em>it is a vague allusion to Jesus Christ’s Resurrection. Additionally, the historical personage of 13<sup>th</sup>-century Italian poet Dante Alighieri had a profound influence on the formation of national thought about a free and unified state: Dante’s so-called cult has been evolved. His philosophical treatises «The Convivio» and «De Monarchia» are used when analyzing Dante’s views on the idea of Italy’s unification. Such concepts — both Mazzini’s and Alighieri’s — are concluded to be seen in a utopian context.</p>
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Arroche, Victoria. "Dos tesis historiográficas de la primera mitad del siglo XX en torno al uso de los conceptos de naturaleza y fin en el pensamiento político de Dante Alighieri." Cuadernos de filosofía, no. 73 (November 1, 2019): 31–42. http://dx.doi.org/10.34096/cf.n73.9715.
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Este trabajo presenta con bastante detalle y examina críticamente las posturas historiográficas de dos intelectuales que vivieron en la primera mitad del siglo XX: Francesco Ercole (1884-1945) y Bruno Nardi (1884-1968). Estos intelectuales italianos, especialistas en el pensamiento de Dante Alighieri y en particular en su filosofía política, desarrollaron sus respectivos análisis estudiando la articulación entre dos conceptos esenciales en la elaboración de las teorías políticas que surgieron entre el siglo XIII y XIV en el Occidente Latino. En efecto, esas nociones son “naturaleza” y “fin”. Uno de los objetivos de este artículo es mostrar que, en el marco de la teoría política presentada por Dante en Monarchia y Convivio, la operatividad de estas ideas resulta fundamental para definir en qué consiste la autonomía de una comunidad respecto de los poderes políticos con los que se relaciona.
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Buisel, María Delia. "Mensajero, nuntius y ánguelos en la mitología grecolatina y en el convivio de Dante Alighieri." Auster, no. 27 (September 1, 2022): e077. http://dx.doi.org/10.24215/23468890e077.
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El título implica divinidades y seres intermedios que cumplen función mediadora entre dioses y hombres: a) Ánguelos: mensajero o anunciador en los griegos; abarca seres animales, humanos y celestiales (estos con identidad propia); b) Daímoon: de configuración más compleja, seres intermedios entre dioses y hombres, aunque difieren también de otros mediadores como los héroes; c) Genius: en Roma, divinidades intermedias que diversifican sus esferas de protección, más fácilmente homologables por su función al ángelus cristiano. Se realiza el análisis de semejanzas, diferencias y caracterización en algunos autores importantes; asimilación al mundo judeo helenístico y luego al cristiano en la Summa Theologica del Aquinate, donde la semántica de angelus comporta el resultado de los tres vocablos, para llegar finalmente hasta el Convivio de Dante.
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Keen, Catherine. "Extracomunitario?" Romanic Review 111, no. 1 (May 1, 2020): 48–65. http://dx.doi.org/10.1215/00358118-8007957.
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Abstract This essay uses Bruno Latour’s model of diplomacy from An Inquiry into the Modes of Existence (AIME), alongside the networks/worknets of actor-network theory, to discuss how the medieval Italian writers Brunetto Latini and Dante Alighieri explore experiences of political exile in their vernacular writings. It examines how the two authors reflect on the pluralities of language and community that connect them to readerships both at home and in exile, focusing especially on Brunetto’s Rettorica and Dante’s Convivio. The essay investigates Brunetto’s rhetorical doctrine and Dante’s models of vernacular knowledge sharing by drawing on AIME’s notion of the diplomat, whose measured speech helps “renegotiate the new frontiers of self and other.” It is especially concerned with the modes of engagement Latour labels as the beings of politics [POL], law [LAW], and fiction [FIC].
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Levinton, Georgy. "Заметки о дантовских подтекстах и параллелях в русской литературе первой половины XX века [Some Notes on Datean Quotations and Allusions in Russian Literature of the First Half of the 20th Century]." Slavica Revalensia 8 (2021): 326–39. http://dx.doi.org/10.22601/sr.2021.08.12.
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This is the initial part of a larger project consisting of several separate papers. This particular paper has two parts. 1. “No Crumbs on the Table-Cloth” (a line of Pasternak’s poem) claims that a crumb motive in an early version of the poem by Boris Pasternak “Piry” (1913) reflects the initial paragraph of Dante’s Convivio with its bread metaphor (Conv. I.i.7, 10–11). Some other examples of similar echoes are quoted. 2. “The Motherland’s Shoulders” discusses the metaphor shoulders of a mountain, which can be found in a couplet by Koncheyev—a fictional poet from Vladimir Nabokov’s Dar (The Gift, 1936—37 / 1952). This metaphor was previously treated as a quote from Mandelstam’s poem “Zverinets” (1915), but here both cases (and, probably, some additional examples) are seen to go back to the same metaphor in Inf. I, 16 (where it means summit rather than mountainside) and numerous translations of Inferno into English. Keywords: 20th-Century Russian Literature, Boris Pasternak (1890—1960), “Piry” (1913 / 1928), Vladimir Nabokov (1899—1977), Dar (1936—37 / 1952), Dante Alighieri (c. 1265—1321), Allusion, In memoriam: Larisa Georgievna Stepanova (1941—2009).
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Mikkel, Annika. "Cursus in Dante Alighieri’s prose books De vulgari eloquentia, De Monarchia and Convivio." Studia Metrica et Poetica 3, no. 1 (September 26, 2016): 105–20. http://dx.doi.org/10.12697/smp.2016.3.1.04.
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This paper examines the prose rhythm in Dante’s Latin and Italian prose. The samples of Dante’s Latin books De vulgari eloquentia and De Monarchia and the Italian book Convivio are analysed with the purpose of finding the incidence and patterns of prose rhythm. The method used in this paper is comparative-statistical analysis. The rhythm of classic prose was based on the quantity of syllables, while the medieval Latin prose rhythm was based on word stress and called cursus. Although the use of cursus was more popular in Latin prose, it can also be found elsewhere, including Italian prose. The analysis reveals that rhythmical sentences endings have a role in Dante’s prose and that the cursus appear in his Latin works, as well as in his works in vernacular.
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Arduini, Beatrice, and Jelena Todorović (85–96). "Biscioni’s Dante." Textual Cultures 14, no. 1 (August 9, 2021). http://dx.doi.org/10.14434/tc.v14i1.32839.
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This essay focuses on the 1723 edition of two of Dante Alighieri’s “minor texts”, the Vita Nova and the Convivio, both of which had troubled editorial histories, within the volume Prose di Dante Alighieri e di Messer Gio. Boccacci prepared for the Tartini press in Florence by Anton Maria Biscioni. In intervening in the texts of both works in unique ways, this edition sought to return to Dante’s original intentions when writing them. This essay argues that Anton Maria Biscioni’s work offers modern readers a unique glimpse into the workshop of an editor of this eighteenth-century edition of Dante’s texts, an editor who details all the facets of the editorial process, from the collation of manuscripts to the hard choices determined by that collation and by the current practices of the editorial trade. The authors argue that main achievements of this 1723 edition can be seen in its editor’s promotion of bibliographical studies.
Dissertations / Theses on the topic "Convivio (Dante Alighieri)"
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Vibrac, Dominique. "L'autonomie d'une noble Dame : étude du "Convivio" de Dante Alighieri." Paris 4, 2008. http://www.theses.fr/2008PA040222.
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Ottaviani, Didier. "L'individualité chez Dante du Convivio à la Divine comédie." Tours, 1999. http://www.theses.fr/1999TOUR2005.
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A partir d'une étude des grands courants philosophiques du XIIIe siècle, ce travail tente de montrer la réelle originalité de la pensée dantesque, qui ne peut se résumer à une simple compilation de doctrines hétérogènes. Proche de celle de Robert Grosseteste et fondée sur le concept d'un dieu-lumière, sa métaphysique se trouve au confluent de la tradition néoplatonicienne et de l'aristotélisme arabe, et se donne comme une pensée dynamique pour laquelle l'individualité est d'abord le terme d'une quête. En montrant comment l'individu peut se diviniser par la connaissance, Dante parvient à effectuer la synthèse entre l'averroïsme et la prophétie avicennienne, tout en les intégrant au sein d'une vision chrétienne de l'être. Pour cette raison, l'œuvre d'Albert le grand est apparue être l'une des sources majeures du poète. Par la réinterprétation qu'il fait des concepts de matière et de forme, Dante élabore une véritable pensée de la métamorphose, par laquelle l'homme peut parvenir à se "transhumaniser". Le trajet de la Divine comédie apparait alors comme une remontée de l'homme vers le principe, et c'est dans ce mouvement même que celui-ci peut se constituer comme individualité véritable, comme une personne. Ce voyage est aussi une traversée de la science, et l'étude précise de l'optique ou de la médecine permet au poète de donner à sa pensée une dimension scientifique que cache parfois sa métaphysique. Parce qu'il refuse toute statique de l'être et toute stagnation des formes, Dante propose au lecteur la possibilité d'une véritable ontologie dynamique qui est une philosophie de la transformationBased on a study of one of the major philosophical trends of the 13th century, the thesis aims to reveal the originality of Dante’s thought, which cannot be summarized by a compiling of heterogeneous doctrines. Dante’s metaphysical thought, close to that of Roberto Grossatesta, and based on the concept of god-light, is at the crossroad of neo-Platonism and Arab aristotelism. It is a dynamic thought process in which individuality is first and foremost a quest. By showing how the individual becomes divine through knowledge, Dante succeeds in linking Averroes and Avicenna’s theory of prophecy, while integrating them into a Christian view of being. For this reason, Albert the Great's works are some of Dante’s major sources. Thanks to Dante’s reinterpretation of the concepts of matter and form, a true concept of metamorphosis is established, through which man can "transcend" humankind. The divine comedy therefore appears as man's journey towards principle. Thanks to this journey, man can achieve true individuality. The journey is also a travel through science, and a precise study in which medecin and optics allow the poet to add a scientific angle to his thought, which sometimes hides the metaphysical aspect. Because Dante denies being as static, and also denies the stagnation of forms, he offers the reader a veritable dynamic ontology: a philosophy of transformation
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Diaz, Alva Blanca Beatriz. "Prolegomenos para um filosofia do amor em Dante Alighieri : um estudo do convivio." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280347.
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Orientador: Francisco Benjamin de Souza NetoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-07-25T13:44:58Z (GMT). No. of bitstreams: 1 DiazAlva_BlancaBeatriz_D.pdf: 7702515 bytes, checksum: bb19ef250b1e068a113e3a5b39313a9f (MD5) Previous issue date: 1999
Resumo: Não informado
Abstract: Not informed.
Doutorado
Doutor em Filosofia
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Robin, Paula Monteleone. "Beatriz, musa de Dante Alighieri, com suas transfigurações na Vita Nova e incursões na Divina Comédia." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-23092011-083225/.
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A presente pesquisa teve como objetivo o estudo da Vita Nova de Dante Alighieri, onde o Amor, as musas e outros personagens surgem da mitologia grega. Esse Amor pagão é cristianizado por Dante, que o transforma na figura de Deus. Beatriz passa a ser a Musa de Dante, que é chamada pelo poeta primeiro de gentilissima, depois donna angelo, santa, filósofa e teóloga. No Convívio, pode-se constatar a aproximação de sua deusa à sabedoria filosófica e teológica. Tudo isso se passa pela elaboração da poesia, bem como a Divina Comédia, que são, segundo o autor, alegorias. Foram feitas algumas incursões na Divina Comédia para confirmar tais configurações entrou-se em trechos do Purgatório e do Paraíso.The purpose of this research was to study Dante Alighieri\'s Vita Nova, where Love, muses, and other characters emerge from the Greek mythology. This pagan love is christianized by Dante, who transforms it into the figure of God. Beatrice becomes Dante\'s muse, who is initially called by him as very gentle lady, then as donna angelo (woman-angel), saint, philosopher and theologian. In Convivio, an approach between his goddess and a philosophical and theological wisdom can be observed. Convivio, as well as The Divine Comedy, are written in poetry and are both, according to the author, allegories.
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Colombo, Angelo. "La philologie dantesque à Milan et la naissance du Convito culture et civilisation d'une ville italienne entre l'expérience napoléonienne et l'âge de la restauration /." Villeneuve d'Ascq : Septentrion, 2001. http://books.google.com/books?id=iUFdAAAAMAAJ.
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Donato, Orazio. "Dante's apprenticeship : Vita nuova, De vulgari eloquentia, Convivio /." 2003. http://www.consuls.org/record=b2646459.
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Thesis (M.A.)--Central Connecticut State University, 2003.Thesis advisor: Maria C. Passaro. " ... in partial fulfillment of the requirements for the degree of Master of Arts in Modern Languages." Includes bibliographical references (leaves 55-57). Also available via the World Wide Web.
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Hittinger, Francis Russell. "Dante as Critic of Medieval Political Economy in Convivio and Monarchia." Thesis, 2016. https://doi.org/10.7916/D8V40V7N.
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Dante Alighieri (1265-1321) has traditionally been viewed through the lens of his poetic masterpiece, the Commedia. While his so-called “minor” works, including the overtly political book four of Convivio and the treatise Monarchia, have been studied, much of this work tends to read Dante through the theologized, over-determined hermeneutic of the narrative of his poetic journey through the afterlife. Also, because of the overwhelming temptation to associate Dante’s place in intellectual history with his clerical contemporaries in Paris and Bologna, a similar trend (often combined with the first) reads Dante as merely an idiosyncratic but minor epigone of the scholastics in his non-poetic work. The latter vein of interpretation is very common and tends to generate interpretations of Dante’s political thought which see it as a predominantly abstract encounter with scholastic theology and philosophy in the context of the high medieval church-state conflicts, particularly in the contentious age of Popes Boniface VIII, Clement V, and John XXII and their bloody disputes with claimants to the Holy Roman throne and French and Aragonese monarchies over political control of northern Italian territories.
While this kind of reading is not unwarranted—for Dante’s Monarchia does make strong claims in the late medieval church-state conflict and deploys a philosophical lexicon current with scholastic intellectuals of the time—many scholars have read Dante’s monarchical theory in Convivio and Monarchia exclusively as a response to and dialogue with the major scholastic and juridical writers, particularly of the “mirrors of princes genre,” on both sides of these political conflicts between Church-State claims to authority. This is not completely wrong, but in so doing many have, conversely, failed to understand that Dante is making a coherent and unique normative argument. Such readings fail to read Dante 1) as a real Florentine politician, 2) as an enthusiastic follower of Aristotelian paradigms (not merely a scholastic Aristotelian), 3) as a committed political secularist, and 4) as contextualized within the rich municipal, social, economic, and political histories of Florence and Medieval Italy.
This study thus moves away from previous approaches to Dante’s political thought and does a close re-reading of Convivio and Monarchia in a properly historicized framework, inspired by the work of Ernst Curtius and modern historicist methodology, contextualizing it in 13th and 14th century history. In particular, the study departs from Dante’s denunciation of greed in his lyrics, Commedia, Convivio, and Monarchia to establish the fact —through extensive research in economic history, commercial development, economic thought, political history, social history in medieval Italy etc.— that far from being a merely abstract denunciation of mammon or usury, like that found in the Bible and other theological writings, it is a unique and acerbic response to broad changes that can only be construed, on the basis of historical scholarship, in terms of the emergence of early capitalism in Florentine society around the early to mid 13th century.
Chapter 1 serves as an initial overview of the whole study, also positioning it in relation to debates within the field of Dante studies; chapter 2 examines the international and political situation of Florence and Italy during Dante’s time; chapter 3 proposes a new historiography of this history and examines it as the development of “political economy”; chapter 4 explores the emergence of capitalism in Florence and Italy in the 13th and 14th centuries (also motioning to debates about the nature and definition of “political economy” and “capitalism”); finally, chapter 5 examines Aristotle’s critique of political economy in the Ethics and Politics, then pivots to Dante’s deployment of such Aristotelian paradigms in Convivio and Monarchia to both denounce the injustices generated by the intertwinement of politics and acquisitive monetary wealth-getting and to articulate a monarchical political model for stopping the deleterious effects of greed.
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Saretto, Gianmarco Ennio. "Consuming the Word: Figures of Vernacular Translation in Late Medieval Christian Poetry." Thesis, 2021. https://doi.org/10.7916/d8-r5cp-wq08.
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More than any other period in the history of Western Europe, the Middle Ages were informed by translation. Practices of translation pervaded and underlay every aspect of medieval culture and politics. Yet, our understanding of how medieval writers thought about translation remains profoundly lacking. Most contemporary histories of translation theory choose to neglect the Middle Ages entirely, or to turn them into a footnote to Jerome’s distinction between “sense-for-sense” and “word-for-word” translation. Consuming the Word offers a new approach to medieval translation theory by considering texts, genres, and forms that have been largely neglected by scholars. While most research in this field has concentrated on texts that are regarded as explicitly “theoretical,” such as prefaces, commentaries, and treatises, Consuming the Word extends this investigation to the figurative language of “literary” works: poetical texts written primarily for moral and intellectual edification, aesthetic pleasure, and entertainment. By analyzing an archive of four 14th-century devotional poems composed in Spanish, Italian, and Middle English, this dissertation demonstrates that the writers of the Middle Ages articulated arguments on language, interpretation, and translation whose complexity and originality greatly surpassed the arid and derivative thinking about translation that is generally attributed to this period.
Consuming the Word further demonstrates that, by the late 14th century, Christian devotional writers tended to deploy a particular figure to construct arguments on translation, interpretation, and vernacularity: the figure of gluttony. In the first chapter of this dissertation I examine the theories of language and translation conceived by Dante Alighieri in the first decades of the 14th century. I argue that the figures of consumption and gluttony that appear in the last section of Purgatorio are meant to convey a theoretical justification for his use of the vernacular, bringing to fruition several contradictory arguments that are only outlined in his two previous works on the subject: Convivio and De Vulgari Eloquentia. In the second chapter I concentrate on Cleanness, an anonymous and generally overlooked Middle English poem in which the poet ostensibly eulogizes the virtue of purity. By examining its figurative depictions of cooking and feasting, I contend that, rather than as a casual assortment of disparate scriptural episodes, Cleanness should be interpreted as a coherent argument in favor of vernacular translation. On the contrary, in the third chapter I show how a contemporary Middle English poem, the more famous Piers Plowman, relies on the personification of gluttony to disclose an almost antithetical argument. In Piers Plowman, vernacular translation is described as a losing bargain, morally and intellectually detrimental. In my fourth and final chapter, I turn to the celebrated Libro de Buen Amor, to analyze how its figures of eating and overeating convey an argument on the endlessness of all interpretation and on the importance of choice in the act of translating.
Books on the topic "Convivio (Dante Alighieri)"
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Dantes Convivio: Einführung und Handbuch ; erschriebene Immanenz. Frankfurt am Main: P. Lang, 2009.
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Gallina, Francesco. Sotto bella menzogna: Influenze eterodosse e catare nel Convivio e nella Commedia di Dante Alighieri. Arezzo: Edizioni Helicon, 2017.
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Lombardo, Luca, Diego Parisi, and Anna Pegoretti. Theologus Dantes. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-298-7.
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I contributi raccolti in questi Atti offrono una rappresentazione varia e articolata dei rapporti tra l’opera di Dante Alighieri e la cultura teologica tardomedievale, osservata in alcuni suoi aspetti fondamentali e con un’attenzione particolare all’esegesi antica della Commedia. I temi trattati coprono uno spettro ampio di problemi: la presenza dell’eresia nel poema; la presunta eterodossia dello stesso Dante; i riferimenti alla Croce e alla Passione, esaminati alla luce delle dottrine teologiche e delle pratiche devozionali del tempo; l’influsso esercitato dalla cosiddetta ‘mistica affettiva’ sulla riflessione poetologica dantesca; il problema della creazione e resurrezione dei corpi; l’apparentamento tra teologia e cielo Empireo proposto nel Convivio; l’arduo tema della visione profetica, indagato a partire dall’Epistola a Cangrande. A episodi ancora poco noti della ricezione del poema dantesco sono dedicati gli ultimi due contributi: le chiose dell’Anonimo Teologo al Paradiso e la presenza di Dante nei sermoni quattrocenteschi di Gabriele Barletta e Paolo Attavanti.
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Callegari, Danielle. Dante's Gluttons. NL Amsterdam: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463720427.
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Dante’s Gluttons: Food and Society from the Convivio to the Comedy explores how in his work medieval Italian poet Dante Alighieri (1265-1321) uses food to articulate, reinforce, criticize, and correct the social, political, and cultural values of his time. Combining medieval history, food studies, and literary criticism, Dante’s Gluttons historicizes food and eating in Dante, beginning in his earliest collected poetry and arriving at the end of his major work. For Dante, the consumption of food is not a frivolity, but a crux of life in the most profound sense of the term, and gluttony is the abdication of civic and spiritual responsibility and a danger to the individual body and soul as well as to the collective. This book establishes how one of the world’s preeminent authors uses the intimacy and universality of food as a touchstone, communicating through a gastronomic language rooted in the deeply human relationship with material sustenance.
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Scarel, Guido. Il Collegio-convitto "Dante Alighieri" di Gorizia, 1909-1979: Storia, personaggi, ricordi, allievi. Mariano del Friuli (Go) [i.e. Gorizia, Italy]: Edizioni della Laguna, 2009.
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Alighieri, Dante. The canzoniere of Dante Alighieri, including the poems of the Vita nuova and Convito, Italian and English. Tustin, Calif: American Reprint Service, 1985.
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Ardizzone, Maria Luisa. Reading As the Angels Read: Speculation and Politics in Dante's 'Banquet'. University of Toronto Press, 2018.
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Meier, Franziska. Dante's «Convivio»: Or How to Restart a Career in Exile. Lang AG International Academic Publishers, Peter, 2018.
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Meier, Franziska. Dante's «Convivio»: Or How to Restart a Career in Exile. Lang AG International Academic Publishers, Peter, 2018.
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Dante's «Convivio»: Or How to Restart a Career in Exile. Lang AG International Academic Publishers, Peter, 2018.
Find full textConference papers on the topic "Convivio (Dante Alighieri)"
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Bartalesi, Valentina, Elvira Locuratolo, Loredana Versienti, and Carlo Meghini. "A preliminary study on the semantic representation of the notes to Dante Alighieri's Convivio." In the 1st International Workshop. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2517978.2517983.
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