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1

Transfigurations of Hellenism: Aspects of late antique art in Egypt, A.D. 250-700. Leiden: Brill, 2005.

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2

Marianne, Eaton-Krauss, ed. The treasures of Coptic art in the Coptic Museum and churches of Old Cairo. Cairo: American University in Cairo Press, 2006.

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3

Foundation, Saint Mark, and Saint Shenouda the Archimandrite Coptic Society, eds. Christianity and monasticism in upper Egypt. Cairo, Egypt: American University in Cairo Press, 2008.

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4

Egypt), Matḥaf al-Qibṭī (Cairo. Catalogue général du Musée copte: The icons. Edited by Moorsel Paul van 1931-, Hondelink H. (Hans), Majlis al-Aʻlá lil-Āthār (Egypt), and Rijksuniversiteit te Leiden. Department of Early Christian Art. [Cairo, Egypt]: Supreme Council of Antiquities, 1994.

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5

Matḥaf, al-Qibṭī (Cairo Egypt). Catalogue général du musée Copte: The icons. [Cairo]: Supreme Council of Antiquities, Leiden University, Dept. of early christian art, 1992.

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6

Wietheger, Cäcilia. Das Jeremias-Kloster zu Saqqara unter besonderer Berücksichtigung der Inschriften. Altenberge: Oros, 1992.

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7

photographer, Labīb ʻIzzat, Najīb Nāʼil photographer, and Dayr Mār Mīnā (Egypt), eds. al-Īqūnāt al-Qibṭīyah bi-kanāʼis Dayr Mār Mīnā al-atharī bi-Fum al-Khalīj. [Cairo]: Kanīsat Mār Mīnā al-ʻAjāʼibī bi-Fum al-Khalīj, 2008.

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8

Friedman, Florence D. Beyond the pharaohs: Egypt and the Copts in the 2nd to 7th centuries A.D. Providence, R.I: Museum of Art, Rhode Island School of Design, 1989.

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9

1917-, Choron Rose, and Krannert Art Museum, eds. Weavings from Roman, Byzantine and Islamic Egypt: The rich life and the dance. [Champaign, Ill.]: Krannert Art Museum + Kinkead Pavilion, University of Illinois at Urbana-Champaign, 1999.

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10

Anthony, Alcock, Mitri Sami, and Matḥaf al-Qibṭī (Cairo Egypt), eds. Cairo: The Coptic Museum & old churches. Dokki, Cairo: Egyptian International Pub. Co., Longman, 1993.

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11

(Egypt), Majlis al-Aʻlá lil-Āthār, ed. Catalogue général du Musée copte du Caire. Le Caire: Institut Français d'Archéologie Orientale, 2001.

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12

Bénazeth, Dominique. Catalogue général du Musée copte du Caire: Objets en métal. Le Caire: Institut français d'archéologie orientale, 2001.

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13

1941-, Noever Peter, and Österreichisches Museum für Angewandte Kunst., eds. Verletzliche Beute: Spätantike und frühislamische Textilien aus Ägypten ; [MAK, Wien, 07.12.2005-05.06.2006] = Fragile remnants : Egyptian textiles of late antiquity and early Islam. Ostfildern-Ruit: Hatje Cantz, 2005.

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14

Sāmī Aḥmad ʻAbd al-Ḥalīm Imām. al- Mansūjāt al-atharīyah al-Qibṭīyah wa-al-Islāmīyah: Al-maḥfūẓah fī Matḥaf Jāyir Andirsūn bi-al-Qāhirah. al-Iskandarīyah: Muʾassasat Shabāb al-Jāmiʻah, 1990.

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15

Philippe, Akermann, Grossmann Peter, Innemée Karel C, and Laferrière Pierre-Henry, eds. Les peintures du Monastère de Saint-Antoine près de la mer Rouge. Le Caire: Institut français d'archéologie orientale du Caire, 1995.

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16

1960-, Bolman Elizabeth S., and Godeau Patrick, eds. Monastic visions: Wall paintings in the Monastery of St. Antony at the Red Sea. New Haven, CT: American Research Center in Egypt/Yale University Press, 2002.

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17

Moorsel, Paul van. Les peintures du monastère de Saint-Paul près de la mer rouge. Le Caire: Institut Français d'Archeologie Orientale, 2002.

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18

Tessé, Musée de, Musée de Millau, Musée du pays de Sarrebourg, and Musée du Louvre, eds. Une autre Egypte: Collections coptes du Musée du Louvre. Paris: Somogy, 2009.

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19

Rassart-Debergh, Marguerite. Textiles d'Antinoé, Egypte, en Haute-Alsace: Donation E. Guimet. Colmar: Muséum d'histoire naturelle, 1997.

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20

1926-, Elanskai͡a︡ A. I., ed. The Literary Coptic manuscripts in the A.S. Pushkin State Fine Arts Museum in Moscow. Leiden: E.J. Brill, 1994.

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21

Zahrat al-khashkhāsh: Riwāyah. al-Qāhirah: Dār al-Shurūq, 2005.

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22

Gabra, Gawdat. Coptic Monasteries: Egypt S Monastic Art and Architecture. American University in Cairo Press, 2010.

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23

Christian Egypt: Coptic Art and Monuments Through Two Millennia. Liturgical Press, 2002.

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24

Coptic Canopian domes in architecture and art in Egypt. lecturer of history - Deraya University, 2019.

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25

(Editor), Gawdat Gabra, ed. Christian Egypt: Coptic Art and Monuments Through Two Millennia. Amer Univ in Cairo Pr, 2002.

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26

Gabra, Gawdat. The Treasures of Coptic Art in the Coptic Museum and Churches of Old Cairo. AUC Press, 2007.

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27

The Escape to Egypt According to Coptic Tradition. Lehnert and Landrock, 1993.

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28

The Illustrated Guide to the Coptic Museum and Churches of Old Cairo. American University in Cairo Press, 2007.

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29

Guirguis, Magdi. Armenian Artist in Ottoman Egypt: Yuhanna Al-Armani and His Coptic Icons. American University in Cairo Press, 2008.

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30

(Editor), Gawdat Gabra, and Hany N. Takla (Editor), eds. Christianity and Monasticism in Upper Egypt: Akhmim and Sohag. American University in Cairo Press, 2008.

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31

Wort Im Bild: Untersuchung Zu Den Ikonographien Von Monchen und Martyrern in Agypten und Zu Ihren Grundlagen in der Koptischen Hagiographie. Reichert Dr., Ludwig, 2017.

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32

An Armenian Artist In Ottoman Egypt Yuhanna Alarmani And His Coptic Icons. American University in Cairo Press, 2008.

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33

Sami Ahmad Abd al-Halim Imam. al-Mansujat al-athariyah al-Qibtiyah wa-al-Islamiyah: Al-mahfuzah fi Mathaf Jayir Andirsun bi-al-Qahirah. Muassasat Shabab al-Jamiah, 1990.

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34

Volker, Angela, Regina Hofmann de Keijzer, Regina Knaller, Veronika Mader, Christine Stuhrenberg, and Anke Weidner. Fragile Remnants: Egyptian Textiles of Late Antiquity and Early Islam. Hatje Cantz Publishers, 2006.

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35

Fendel, Victoria Beatrix Maria. Coptic Interference in the Syntax of Greek Letters from Egypt. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869173.001.0001.

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Abstract Egypt in the early Byzantine period was a bilingual country where Greek and Egyptian (Coptic) were used alongside each other. Historical studies along with linguistic studies of the phonology and lexicon of early Byzantine Greek in Egypt testify to this situation. In order to describe the linguistic traces the language-contact situation left behind in individuals’ linguistic output, this study analyses the syntax of early Byzantine Greek texts from Egypt. The primary object of interest is bilingual interference in the syntax of verbs, adverbial phrases, and clause linkage as well as in semi-formulaic expressions and formulaic frames. The study is based on a corpus of Greek and Coptic private letters on papyrus, which date from the fourth to mid-seventh centuries, originate from Egypt, and belong to bilingual, Greek-Coptic, papyrus archives. The study shows that deviations from the standard pattern fall into three categories, i.e. bilingual interference, SLA-related errors, and internal confusion of patterns. There is a marked difference as to the extent to which deviations, and interferences in particular, affect syntactic domains. The degree of complexity of the syntactic structure in question as well as the degree of divergence from the corresponding Coptic structure seem to play a role. There is also a marked difference as to the extent to which deviations affect different types of contexts (i.e. free, semi-formulaic, and formulaic contexts). The degree to which constraints are imposed on structures in each type of context seems to play a role. Finally, it appears that the way writers assimilated patterns can explain a large number of deviations. Interferences account proportionately for fewest deviations vis-à-vis SLA-related errors and the internal confusion of patterns.
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36

Boud’hors, Anne. Copyist and Scribe: Two Professions for a Single Man? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768104.003.0013.

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Newly discovered or published Coptic documents on papyrus or ostraca have shed light on the written production of two characters from the Theban region (Upper Egypt), namely the priest Mark (early seventh century) and the monk Frange (c.725), whose writings are here compared. Their hands, as well as their language use and the content of their writings, indicate significant differences that can be considered in relation to several factors: level of education and culture, social condition, and the general evolution of the Coptic language towards a state of decreased standardization. Only the priest Mark really combines both activities of notary and copyist, thus demonstrating an exceptional influence.
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37

L' art copte en Egypte: 2000 ans de christianisme : exposition présentée à l'Institut du monde arabe, Paris, du 15 mai au 3 septembre 2000 et au Musée de l'Ephèbe au Cap d'Agde, du 30 septembre 2000 au 7 janvier 2001. Paris: Institut du monde arabe, 2000.

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38

Le monastere de saint paul pres de la mer rouge. Ifao/Inst.Franc.Archeol., 2002.

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39

Louvre, Musée du, and Marie-France Aubert. Les antiquités égyptiennes, tome 2. Egypte romaine, art funéraire et antiquités coptes. Réunion des musées nationaux, 1997.

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40

de Bruyn, Theodore. Manuals of Procedures and Incantations. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199687886.003.0004.

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Manuals that have survived from Graeco-Roman Egypt, such as the ‘Theban Magical Library’, are one of the main sources of information about customary ways of formulating incantations and writing amulets in antiquity. This chapter discusses a number of recipes in manuals and fragments of manuals in which Christian elements are present. The relatively few Greek manuals in which Christian elements appear are supplemented by a select number of Coptic manuals. While the types of incantations with Christian elements found in these manuals are limited and the origin of some of the Christian material remains enigmatic, the evidence from manuals is helpful in that it offers glimpses of how scribes gathered and reproduced incantations.
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41

Houghton, Hugh A. G. The Text of The Gospel and Letters of John. Edited by Judith M. Lieu and Martinus C. de Boer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198739982.013.1.

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The textual transmission of the Gospel and Letters of John provides evidence both for their earliest text and its reception across the centuries. This chapter first considers the sources for these writings, comprising Greek papyrus, majuscule, and minuscule manuscripts, early translations into Latin, Coptic, and Syriac, and quotations in Christian writers. The form, contents, and distribution of the documents sheds light on their understanding and use: the Johannine writings were rarely transmitted together; they were particularly popular in Egypt; gospel manuscripts were used as amulets and for divination. Following an introduction to currently scholarly editions, notably the Editio Critica Maior, a selection of readings is presented to exemplify the nature of textual variants in these writings and how they are evaluated. This includes passages which were not originally present, including the Woman Taken in Adultery and the Johannine Comma.
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42

Ready-to-Use Egyptian Motifs (Clip Art Series). Dover Publications, 1998.

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43

Selden, Daniel L., and Phiroze Vasunia, eds. The Oxford Handbook of the Literatures of the Roman Empire. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199699445.001.0001.

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This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs. The Oxford Handbook of the Literatures of the Roman Empire makes a decisive intervention in contemporary scholarship in at least two ways. The principal purpose the volume is to increase awareness and understanding of the multiplicity of literatures that flourished under Roman rule—not only Greek and Latin, but also Hebrew, Syriac, Coptic, Mandaic, etc. Beyond this, the volume also covers a number of literatures (e.g., South Arabian, Pahlavi, Old Ethiopic) which, while strictly independent of Roman imperial domination, nonetheless evolved dialectically in relation to it. Secondly, in presenting this array of different literatures within a single volume, the Handbook aims to facilitate further research into the relationship between literature and empire in the Roman world—an emergent field of increasing importance to such disciplines as classical scholarship, Mediterranean studies, and postcolonialism. No such overview of this material currently exists: accordingly, the volume promises both to clear up numerous understandings about the range and variety of the literary evidence per se, as well as significantly reshape current thinking about the content and character of ‘Roman literature’ as a whole. The Handbook consists of two parts: Part I presents a series of thematic chapters conceived as propaedeutic to Part II, which provides a systematic treatment of the different literatures— arranged by language—that the Roman Empire harboured roughly between the battle of Actium in 31 BCE and the Arab conquest of Egypt in 642 CE. Such a collection has never before appeared within the compass of a single volume: what students and scholars will find here are introductory but expert presentations not only of the major literatures of the of Empire—Latin, Greek, Hebrew, Syriac, Coptic—but also of the numerous minor literatures, which have for the most part been heretofore accessible only through the consultation of scattered sources that—outside of world‐class libraries, museums, and special collections—generally prove difficult to find. Since no prior collection of these literatures exists, their very collocation is itself bound to provoke questions.
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