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Journal articles on the topic 'Copyright infringement'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Shtefan, Olena. "The concept infringement of subjective copyright: a theoretical aspect." Theory and Practice of Intellectual Property, no. 6 (June 16, 2021): 15–23. http://dx.doi.org/10.33731/62020.233859.

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Shtefan O. The concept infringement of subjective copyright: a theoreticalaspect. The article examines the problem of protection of subjective copyright at the doctrinal level. The source base analyzed in the article revealed the lack of a unified approach to the definition of copyright infringement, the criteria for classifying infringements and their characteristics. The author 's approach to the solution of the outlined problem is offered in the article.In particular, the proposed following definition of copyright infringement is a culpable, unlawful, punishable act (action or omission) tha

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2

Afiq Zeynalova, Nazrin. "Reklam sənayesində müəlliflik hüquqlarının pozulmasına görə hüquqi məsuliyyət". SCIENTIFIC RESEARCH 01, № 04 (2021): 19–23. http://dx.doi.org/10.36719/2789-6919/19-23.

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One of the most important and developing problems of the 21st century is copyright infringement. İn analyzing the topic of legal liability for copyright infringement in the advertising industry, we will analyze the essence of advertising in the advertising industry, existing copyright in the advertising industry, how to protect copyright and what is the legal liability for copyright infringement in the advertising industry. Key words: advertising, copyright, subjects, object, sanction, infringement, liability for infringemen,, civil liability, criminal liability, administrative responsibility

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3

Alawsi, Dr Husham. "The Role of Bahraini Law on Online Copyright Infringement." International Business & Economics Studies 2, no. 4 (2020): p23. http://dx.doi.org/10.22158/ibes.v2n4p23.

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The main aim of this research paper is to look at the role of Bahraini law in copyright infringement. In Bahrain, many commercially pirated audio and video markets have been eliminated through various laws. However, video, software and audio piracy by end-users is still a huge problem. A copyright infringement is considered to be a violation of an organization or individual’s copyright. It describes the copyrighted material’s unauthorized use, such as images, text, videos, software, music and other original content. Copyright infringements have been formally addressed through various copyright

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4

Bagus Gede Ari Rama and Kadek Julia Mahadewi. "PELANGGARAN HUKUM TERHADAP KARYA CIPTA BUKU HASIL TERJEMAHAN DALAM BENTUK ELEKTRONIK : PERSPEKTIF UU HAK CIPTA." Kerta Dyatmika 21, no. 2 (2023): 1–8. https://doi.org/10.46650/kd.v21i2.1411.

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The rapid advancement of digital technology has significantly influenced publicbehavior, particularly the shift in reading interests toward digital formats such as ebooks. However, this ease of access also raises potential legal issues, especiallyconcerning copyright infringement of translated works in electronic form. This studyaims to analyze the legal consequences of copyright infringement related to translatede-books and to identify preventive measures necessary to avoid such violations. Theresearch employs a normative legal method with a statutory approach. The findingsindicate that copyr

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Čermák, Jiří. "Určení rozhodného práva pro odpovědnost vyplývající z užití díla v kyberprostoru." AUC IURIDICA 54, no. 4 (2025): 7–20. https://doi.org/10.14712/23366478.2024.52.

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The Article deals with applicability of the principle of territoriality, as introduced in the Berne Convention for the Protection of Literary and Artistic Works and new Regulation (EC) No 864/2007 on law applicable to non-contractual obligations (Rome II) to obligations arising from an infringement of copyright. The recognized principle of lex loci protectionis, meaning the law of the country in which protection is claimed (on which e.g. the Bern Convention and Regulation Rome II are built), stipulates that the state shall apply its own law to an infringement of copyright infringement that is

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6

Young, Victoria. "An Unauthorized Renaissance? An Analysis of Artists’ Claims for Copyright Infringement Against AI Generated Art and Possible Defenses." FIU Law Review 18, no. 2 (2024): 521–43. http://dx.doi.org/10.25148/lawrev.18.2.14.

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AI currently presents a novel issue in terms of copyright infringement, specifically AI generated art. Recently, a group of artists filed a class action lawsuit against several AI generated art companies. This comment evaluates the potential avenues the court may take. The artists allege these AI generated art companies directly infringed on their copyrighted works by making unauthorized copies of copyrighted works which they used to train their machine learning programs. A determination on whether AI generated art constitutes copyright infringement has not been made by the courts before. To b

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Gunawan, Heri, Joni Emirzon, and Muhammad Syaifuddin. "THE COMPARISON OF LEGAL DAMAGES FOR COPYRIGHT & BRAND INFRINGEMENT AMONG INDONESIA-CHINA LAWS." Jurnal Pembaharuan Hukum 8, no. 3 (2021): 466. http://dx.doi.org/10.26532/jph.v8i3.17482.

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Intellectual Property Rights or what is often abbreviated as HAKI is a legal protection given by a certain country to a person or group of individuals who express their ideas in the form of works. This law is a state territory. This means that a work will only be protected by rights in the country where the work originated to obtain IPR. As stated in the Copyright Laws, Intellectual Property Rights are exclusive rights granted by a regulation to a person or group of people for their copyrighted works. This protected work is in the form of intangible objects such as copyrights, patents, and tra

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M. Citra Ramadhan, Pitra Yadi, Fitri Yanni Dewi Siregar, and Muhammad Koginta Lubis. "Pelanggaran Hak Cipta Buku yang Diperjualbelikan Melalui E-Commerce di Kota Medan." Acta Law Journal 1, no. 2 (2023): 121–32. http://dx.doi.org/10.32734/alj.v1i2.12047.

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This study aims to obtain a comprehensive overview of the legal provisions related to the legal regulation of book copyright, forms of copyright infringement of books traded through e-commerce in Medan City, and the causes of copyright infringement of books traded through e-commerce. In line with the purpose of this study, the research method used is normative legal research, in order to get a full picture not only of the positive law that regulates it (law in a book), but also the consequences of its enforcement in society (law in action). The results of this study indicate that books are cop

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9

Knapp, Magdalena. "The Scope of Jurisdiction in Cross-Border Intellectual Property Disputes: Tackling Online Copyright Infringements." Białostockie Studia Prawnicze 27, no. 1 (2022): 159–71. http://dx.doi.org/10.15290/bsp.2022.27.01.10.

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Abstract The aim of this paper is to analyse critically the problems stemming from the current model of enforcing protection in cases of online copyright infringements. The Internet allows for the easy dissemination and exploitation of copyrighted works globally. Remote and immediate access to content may result in simultaneous infringement on a worldwide scale. There is a long history of disputes over the enforcement of protection with regard to online copyright infringement, and while new laws and judgments are passed there are still no effective remedies nor consensus regarding a common app

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10

Maharani, Bondan Ayu, and Rina Arum Prastyanti. "Alternatives Resolution of Copyright Infringement Dispute Through Arbitration." International Journal of Law Analytics 3, no. 2 (2025): 219–28. https://doi.org/10.59890/ijla.v3i2.5.

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Copyright is an exclusive right that rewards its creators in the form of economic rights and moral rights. Moral rights are rights inherent in the creator person which is basically done to respect the creativity of the creator by including his name in the copyrighted work. A copyright infringement can occur if someone advertises or reproduces a work without permission from the creator or copyright holder. In this study, it is to find out the mechanism for resolving copyright infringement disputes through arbitration and the mechanism for canceling the decision to settle copyright infringement

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11

Rosta, Muzaki, Mukisa Ben Waibi, Biruma Ivan, et al. "Critical Examination of The Effectiveness of Uganda’s Copyright Law." IDOSR JOURNAL OF CURRENT ISSUES IN ARTS AND HUMANITIES 10, no. 1 (2024): 50–58. http://dx.doi.org/10.59298/idosrjciah/2024/101.5058004.

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This paper critically analyses the effectiveness of Uganda’s copyright law. Uganda's copyright legal regime is not elaborate enough and there is limited knowledge of its existence when it comes to authors of works in Uganda. Lack of proper enforcement of the existing laws is equally what has backtracked the protection of works resulting in widespread infringement and abuse of copyright-protected works under the guise of fair use. In this light, the study calls for an upgrade of technology to be done to help to collect societies execute the mandate efficiently because copyright infringement tod

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12

Putera, Ade, Sunardi Sunardi, and Hanafi Arief. "Corporate Responsibility For Criminal Actions Of Song Copyright Under The 28 Law Of 2014." International Journal of Law, Environment, and Natural Resources 3, no. 1 (2023): 75–83. http://dx.doi.org/10.51749/injurlens.v3i1.50.

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Research entitled "Corporate Responsibility for Crime of Song Copyright According to Law Number 28 of 2014" aims to analyze how copyright crimes are regulated in Indonesian positive law and to analyze corporate responsibility for copyright infringement according to the Copyright Law Number 28 of 2014. This research is normative legal research, which examines laws and regulations in a coherent legal system and unwritten legal values ??that live in society, which are related to corporate responsibility for copyright infringement according to the law 28 of 2014. The results of the study stated th

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N., Udoetor,, Ansa, G., Ekong, A., and Edet, A. "Intelligent System for Detection of Copyright-Protected Data for Enhanced Data Security." British Journal of Computer, Networking and Information Technology 7, no. 4 (2024): 58–80. http://dx.doi.org/10.52589/bjcnit-oqqnppcj.

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In the digital era, the proliferation of digital content has intensified concerns over intellectual property rights infringement, highlighting the need for robust copyright protection solutions. This paper presents a software solution designed to address these challenges by combining advanced algorithms with intuitive user interfaces for effective copyright enforcement. Central to the software’s functionality is the Most Significant Bit (MSB) embedding technique, which allows users to imperceptibly embed copyright or trademark information into digital images. This method modifies the MSB of pi

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14

Zhuang, Lyulin. "AIGC (Artificial Intelligence Generated Content) infringes the copyright of human artists." Applied and Computational Engineering 34, no. 1 (2024): 31–39. http://dx.doi.org/10.54254/2755-2721/34/20230293.

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With the rapid development of artificial intelligence technology, content generated by artificial intelligence has been rapidly applied to people's lives. At the same time, it is also accompanied by many infringement lawsuits, whether AIGC has really caused different degrees of infringement to human artists. Through the analysis of the existing literature on copyright issues and the walkthrough of Stable Diffusion, an AI-generated image platform, this article digs into the main factors that the AI-generated platform causes infringements on human artists. Provide references for using AI by ente

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15

Wen, Sihan. "How Can Institutional and Technical Improvements Enhance Copyright Protection in the Digital Economy?" Modern Economics & Management Forum 5, no. 5 (2024): 801. http://dx.doi.org/10.32629/memf.v5i5.2848.

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We delve into the persistent challenges of copyright infringement in the digital era. It begins with an extensive literature review, analyzing the causes, impacts, and existing preventive measures against copyright infringements across the music, film, software, and publishing industries. This paper highlights the intricacies of copyright protection, points out the shortcoming of current measures, and advocates for innovative solutions.

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16

Maughan, Alistair. "Software copyright infringement." Computer Fraud & Security Bulletin 1994, no. 10 (1994): 16–17. http://dx.doi.org/10.1016/0142-0496(94)90253-4.

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17

Eviani, Nanda Yuniza, Maskun Maskun, and Ahmad Fachri Faqi. "Legal Challenges of AI-Induced Copyright Infringement: Evaluating Liability and Dispute Resolution Mechanisms in Digital Era." Jambura Law Review 6, no. 2 (2024): 403–28. http://dx.doi.org/10.33756/jlr.v6i2.24459.

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The development of artificial intelligence (AI) has introduced unprecedented technological advancements and complex legal challenges, particularly in copyright infringement. The capability of the systems to replicate and disseminate copyrighted content without authorization raises questions about the adequacy of existing legal frameworks. Therefore, this research aims to explore the critical question of liability for AI-related copyright infringement, examining the responsibilities of developers, users, and systems. A comprehensive examination of relevant laws and regulations is carried out us

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18

Kim, Yeongha, Soyeon Kim, Seonghyun Min, Youngung Han, Ohyoung Lee, and Wongyum Kim. "A Dual-Module System for Copyright-Free Image Recommendation and Infringement Detection in Educational Materials." Journal of Imaging 10, no. 11 (2024): 277. http://dx.doi.org/10.3390/jimaging10110277.

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Images are extensively utilized in educational materials due to their efficacy in conveying complex concepts. However, unauthorized use of images frequently results in legal issues related to copyright infringement. To mitigate this problem, we introduce a dual-module system specific ally designed for educators. The first module, a copyright infringement detection system, employs deep learning techniques to verify the copyright status of images. It utilizes a Convolutional Variational Autoencoder (CVAE) model to extract significant features from copyrighted images and compares them against use

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19

Sipahutar, Mulia Risky, Rory Jeff Akyuwen, and Ronald Fadly Sopamena. "Perlindungan Hak Cipta Film Terhadap Konten Spoiler di YouTube." TATOHI: Jurnal Ilmu Hukum 4, no. 3 (2024): 202. http://dx.doi.org/10.47268/tatohi.v4i3.2140.

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Introduction: Nowadays, the use of social media is often used as a forum for channeling a creative work. One of the media that is widely used is YouTube. This is because youtube provides economic benefits to creators who want to participate in sharing their copyrighted works. With the development of social media and the ease of sharing the copyrighted work gave rise to many forms of copyright infringement circulating on YouTube.Purposes of the Research: The purpose of this study is to know and understand copyright infringement committed by spoiler creator content on Youtube and legal protectio

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20

Nicdao, Jethro D., Andrew Laurence T. Fat, Proy D. Bolo, and Jhannery B. Mactal. "Context, Engagement and Impact of Copyright Infringement Among Selected Content Creators: A Brief Descriptive Survey Study." International Journal of Academic and Practical Research 1, no. 1 (2022): 33–39. https://doi.org/10.5281/zenodo.7260718.

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<strong>Abstract:</strong> The primary goal of this research is to look into the effects of copyright infringement on content creators, namely the benefits and drawbacks of copyright infringement for aspiring and experienced content creators. The study's research approach is a quantitative research method that entails sending a survey to content creators for them to complete, with eighty percent of those who responded having fewer than five copyright strikes throughout their careers and the minority having more than five. The data's positive outcomes, on the other hand, were acquired s

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21

Beckman, Sydney A. "The Copyright Crusher." 2013 Fall Intellectual Property Symposium Articles 1, no. 4 (2014): 901–20. http://dx.doi.org/10.37419/lr.v1.i4.4.

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Authors of original works (such as music, books, et cetera) have certain exclusive rights including, but not limited to, the reproduction of copyrighted works in copies and the preparation of derivative works. Apple’s iTunes is a vehicle for infringement. The conversion of compact discs (“CDs”) to a compressed format for portable music players such as iPods, iPhones, iPads, and computers violates a copyright holder’s exclusive rights. This Article discusses the fundamental issue of copyright protections, the way iTunes facilitates the infringement of these rights, and the legal liability of Ap

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22

Kye, Seungkyoon. "Small Comments on choreographic works." Korea Copyright Commission 146 (June 30, 2024): 43–78. http://dx.doi.org/10.30582/kdps.2024.38.2.43.

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This article is about dance works stipulated in the Copyright Act. Recently, in our society, due to the influence of the Korean Wave, interest in dance, including back dancing for popular groups, is increasing, and the awareness of the rights of people engaged in dance is also improving. The copyright laws of most countries, including Korea’s copyright law, do not define dance works. Choreography is considered a copyrighted work if it has originality as a combination and arrangement of a sequence of related dance movements and an overall consistent pattern. A characteristic feature of dance wo

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23

Lewandowska, Ewa. "On copyright trolling in the framework of civil law." Problems of Legality, no. 150 (October 2, 2020): 277–91. https://doi.org/10.21564/2414-990x.150.205798.

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The paper analyses copyright trolling in the scope of illegitimate compensation claims for a breach of the author’s economic rights, i.e. where: 1) no infringement of economic rights has occurred, or 2) the action has been brought before the wrong authorities, or 3) the claimant has no title to bring the action before the court. It was noted that the use of copyrighted works requires the consent of the owner of economic rights, or such a use as an exception is possible in the form of permissible use. If a work is used under a contract or the law, no infringement occurs. It outlines cases

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24

Pan, Zile. "Study on the Legal Characterization of Copyright and Infringement of Characters in Fanfictions." Lecture Notes in Education Psychology and Public Media 83, no. 1 (2025): 108–15. https://doi.org/10.54254/2753-7048/2024.20756.

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With the development and popularization of the Internet in China, fanfiction culture has simultaneously flourished. As this culture garners increasing public attention and begins to enter the commercial sphere, conflicts arise between fanfiction characters and the copyrights of original works. These conflicts inevitably lead to disputes over the copyright infringement of fanfiction characters. However, China's current copyright law does not explicitly recognize the concept of "fanfictions," and gaps remain in the legislative framework and judicial practices. These gaps result in uncertainty re

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Kim, Kyungsuk. "Generative AI and Copyright Issues : Cases and Analysis of Copyright Infringement and Copyrightability." Korea Copyright Commission 150 (June 30, 2025): 5–54. https://doi.org/10.30582/kdps.2025.38.2.5.

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With the rapid advancement of generative AI, anyone can easily produce creative works in fields such as literature, music, and visual art. In particular, deep learning-based generative AI systems that generate content by training on large volumes of existing copyrighted works pose a significant challenge to the existing copyright framework. Based on selected copyright litigation cases related to generative AI, this paper analyzes and examines two major legal issues under copyright law: (1) Copyright infringement during the training and use of AI models, and (2) The copyrightability of AI-gener

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26

Jovanović, Slobodan. "Copyright infringement insurance in popular music." Evropska revija za pravo osiguranja 24, no. 1 (2025): 8–22. https://doi.org/10.46793/erpo2401.08j.

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Before investigating the specifics and issues of insurance against copyright infringement in popular music, the paper first deals with the popular music concept, legislation development of first publication authority, persons enjoying statutory protection, individuals with related rights and copyright commencement. This is necessary for an adequate understanding of insurance against copyright infringement in popular music. Music has always been an important part of culture and society. Contemporary music entrepreneurs deal with different genres and activities. It has become a profession in whi

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Kim, Doyoung, Suwoong Heo, Jiwoo Kang, Hogab Kang, and Sanghoon Lee. "A Photo Identification Framework to Prevent Copyright Infringement with Manipulations." Applied Sciences 11, no. 19 (2021): 9194. http://dx.doi.org/10.3390/app11199194.

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In recent years, copyright infringement has been one of the most serious problems that hamper the development of the culture and arts industry. Due to the limitations of existing image search services, these infringements have not been properly identified and the number of infringements has been increasing continuously. To uncover these infringements and handle big data extracted from copyright photos, we propose a photo copyright identification framework to accurately handle manipulations of stolen photos. From a collage of cropped photos, regions of interest (RoIs) are detected to reduce the

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Sung, Huang-Chih. "Prospects and challenges posed by blockchain technology on the copyright legal system." Queen Mary Journal of Intellectual Property 9, no. 4 (2019): 430–51. http://dx.doi.org/10.4337/qmjip.2019.04.04.

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In the current copyright law and technology environment, two prominent problems must be considered when enforcing and executing copyrights: (i) the difficulty of proving authorship/ownership of a copyright; and (ii) the difficulty of conducting copyright transactions. The invention of blockchain technology has made it possible to solve these two issues. First, the use of blockchain technology with the InterPlanetary File System (IPFS) is an excellent mechanism for copyright authentication and document preservation. This mechanism allows authors (copyright owners) to prove authorship of their w

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29

Jonker, Cornelius, and Sadulla Karjiker. "Copyright law in the MOBA genre: a comparative analysis of DOTA2 and League of Legends." Interactive Entertainment Law Review 5, no. 2 (2022): 58–79. http://dx.doi.org/10.4337/ielr.2022.02.01.

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Abstract The multiplayer online battle arena (MOBA) video game genre has been plagued with copyright infringement cases. Some of the copyright challenges that face this genre stem from the fact that the progenitor to the genre, Defense of the Ancients (DotA), was a ‘mod’ created for an already-existing video game, Warcraft 3. Further, DotA was a community-based project and while there were predominantly three major ‘modders’, it is argued that many of the characters that appeared in DotA were, in themselves, copyrighted works that originated from contributors out of the playing-community, who

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Yu, Jiaxin. "Focus on Copyright Issues in Book Publishing Practice: Analysis of Hot Cases." Journal of Economics and Law 1, no. 6 (2024): 50–57. https://doi.org/10.62517/jel.202414607.

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Copyright issues have always been viewed a "stubborn disease" plaguing the book publishing industry, especially in the context of the current times where copyright is more subtle and delicate. Copyright holders' awareness of protecting their rights has awakened, making the issue of copyright particularly compelling. This work targeted at recent hot copyright cases in two aspects: the types of copyright infringement and how to avoid infringement. By means of case analysis, legal interpretation and viewpoint refinement, this paper systematically expounds various tips for "Identifying Pits" and "

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Kamil Aslanzada, Elnura. "MÜƏLLIFLIK HÜQUQU OBYEKTLƏRI VƏ MÜƏLLIF HÜQUQLARI QANUNU ILƏ QORUNMAYAN OBYEKTLƏR VƏ MÜƏLLIF HÜQUQLARININ POZULMASI." ANCIENT LAND 09, no. 3 (2022): 25–29. http://dx.doi.org/10.36719/2706-6185/09/25-29.

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Copyright is a form of intellectual property law, protects original works of authorship including literary, dramatic, musical, and artistic works, such as poetry, novels, movies, songs, computer software, and architecture. Copyright does not protect facts, ideas, systems, or methods of operation. Objects of copyright and not objects of regulates with Law of the Republic of Azerbaijan on Copyright and Related Rights and other normative legal acts. Copyright Infringement is the legal word for breach or violation of the rules in the copyright law and we will investigate how copyright is protected

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Angelopoulos, Christina. "HYPERLINKS AND COPYRIGHT INFRINGEMENT." Cambridge Law Journal 76, no. 01 (2017): 32–35. http://dx.doi.org/10.1017/s0008197317000228.

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DOES the posting of a hyperlink to somebody else's work that has been uploaded onto the Internet infringe their copyright? Although dissenters did exist, most copyright lawyers long assumed that the answer to that question was an obvious “no”. In 2014, this nonchalant approach was rejected by the CJEU in Svensson (Case C-466/12, EU:C:2014:76) in favour of a more complex analysis. More recently, the CJEU's approach to hyperlinks has been further developed in GS Media (Case C-160/15, EU:C:2016:644).

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Radack, David V. "Remedies for copyright infringement." JOM 50, no. 5 (1998): 51. http://dx.doi.org/10.1007/s11837-998-0035-x.

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Weijie, Huang. "Introducing a Levy Scheme to Online Educational Use of Copyrighted Works." Journal of Educational Theory and Management 5, no. 2 (2021): 51. http://dx.doi.org/10.26549/jetm.v5i2.7713.

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It is common for teachers to use others' copyrighted works for the purpose of teaching. The current copyright law in many nations only exempts educational use in the context of offline classroom teaching. The use of others’ copyrighted material in online teaching may still constitute copyright infringement. To protect teachers from the chilling effect of copyright infringement, to safeguard the public's freedom to obtain knowledge, and to ensure the commensurability of the profits and responsibilities of online teaching platforms, this paper proposes a levy scheme for online teaching. Under th

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35

Muhammad Syaroni Putra and Aline Gratika Nugrahani. "PERLINDUNGAN HAK CIPTA TERHADAP NFT "GHOZALI EVERYDAY" DI INDONESIA." Reformasi Hukum Trisakti 5, no. 4 (2023): 1399–408. http://dx.doi.org/10.25105/refor.v5i4.18541.

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The development of technology and science has provided significant changes in human life. The problems in this research are: (1) can NFT be a means to protect the copyrighted work "Ghozali Everyday" against copyright infringement?; and (2) what legal steps can Ghozali take when the work is made into NFT without permission based on Law Number 28 of 2014 concerning Copyright? This research is a normative type, descriptive analytical in nature, sourced from primary and secondary data, analyzed qualitatively, and drawn conclusions deductively. The conclusion is that NFT can be a means of protectin

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36

Lin, Xudong. "Copyright Protection and Risk Assessment Based on Information Extraction and Machine Learning: The Case of Online Literary Works." Scalable Computing: Practice and Experience 25, no. 5 (2024): 3822–31. http://dx.doi.org/10.12694/scpe.v25i5.3002.

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With the proliferation of digital platforms, the dissemination of literary works has encountered unprecedented challenges, particularly concerning copyright infringement and unauthorized use. This study introduces a comprehensive framework for copyright protection and risk assessment, specifically tailored to online literary works. The framework employs advanced CNN based information extraction (IE) techniques coupled with machine learning (ML) algorithms to identify, classify, and protect literary content against copyright violations. Firstly, we delineate a novel CNN-Decision tree-based IE m

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JEONG, JIN KEUN. "Study on the Copyright Issues for Use of Architectural Works on Metaverse." Korea Copyright Commission 140 (December 31, 2022): 97–130. http://dx.doi.org/10.30582/kdps.2022.35.4.97.

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In a virtual world such as the metaverse, architectural works in the real world are duplicated by imitating the real world or fusion with the real world. In this new convergence environment, it was examined whether virtual world buildings infringe copyrights on real world buildings. Since the virtual world architecture can be recognized for its creativity by imposing creativity on its elements, computer programs and design elements, it is possible to protect such creative expressions by copyright. And, if only the shape of the virtual world building is copied into the virtual world building, t

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Yu, Wen Bo. "The Research of Copyright Protection in P2P Network Mode." Advanced Materials Research 998-999 (July 2014): 1291–94. http://dx.doi.org/10.4028/www.scientific.net/amr.998-999.1291.

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The presence of P2P technology makes the large-scale personal infringement possible. It has a great effect on the traditional publishing industry. This paper makes a theoretical analysis of copyright infringement of P2P service providers and researches into the mechanism of copyright protection. The results show that we should construct the copyright infringement confirmative rules and balance the relationship between the development of P2P technology and copyright protection.

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Xu, Jikuan, Jiamin Zhang, and Junhan Wang. "Digital Image Copyright Protection and Management Approach—Based on Artificial Intelligence and Blockchain Technology." Journal of Theoretical and Applied Electronic Commerce Research 20, no. 2 (2025): 76. https://doi.org/10.3390/jtaer20020076.

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The issue of image copyright infringement is prevalent in current e-commerce activities. Users employ methods such as image cropping, compression, and noise addition, making it difficult for traditional copyright detection technologies to identify and track infringements. This study proposes an image copyright registration, protection, and management method based on artificial intelligence and blockchain technology, aiming to address the current challenges of low accuracy in digital copyright infringement judgment, the vulnerability of image fingerprints stored on the chain to tampering, the c

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Kamaru, Yudo. "Legal Analysis Of Copyright Issues In Youtube Content Reviewed From Law Number 28 Of 2014 On Copyright." Estudiante Law Journal 1, no. 3 (2019): 783–800. http://dx.doi.org/10.33756/eslaj.v1i3.13291.

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Abstract: The purpose of this study is to know the concept of copyright protection in YouTube according to Law No. 28 of 2014 on Copyright and Knowing and analyzing the factors that cause many cases of copyright infringement in YouTube Content. The type of research used by researchers in compiling this research is a type of normative research using 2 (two) approaches, namely the Regulatory Approach and the case approach, and the Comparison Approach. The results of this study show that: First, That The Protection of Copy Right In Youtube According to Law No. 28 of 2014 on Copyright for creators

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Putri, Rahmi Aulia. "Independent Creation Sebagai Salah Satu Dalil Untuk Membantah Tuduhan Peniruan Ciptaan." SALAM: Jurnal Sosial dan Budaya Syar-i 8, no. 6 (2021): 1865–80. http://dx.doi.org/10.15408/sjsbs.v8i6.23377.

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Similarities or copyright infringement often occur, resulting in disputes. This is based on the fact that many people have copyrighted works that are identical or substantially similar to other people's works, whether intentional or not. For this matter, there were accusations of copyright infringement and a lawsuit was filed because the plaintiff felt that his rights had been violated. In this case, independent creation can act as a disputing argument and defence for the defendant in the context of the defence of the accusation of copyright infringement, namely by proving that the imitation w

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Afig Zeynalova, Nazrin. "YALAN VƏ ALDADICI REKLAMLAR MÜƏLLİF HÜQUQLARININ POZULMASI KİMİ." SCIENTIFIC RESEARCH 08, no. 4 (2022): 42–45. http://dx.doi.org/10.36719/2789-6919/08/42-45.

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In a competitive life, an intensive flow of information leads to disinformation and copyright infringement. The role of advertising in the flow of information is great. Advertising is also the object of copyright, so, any infringement in the advertising industry is directly related to copyright. Advertising is sometimes false and deceptive, which leads to misunderstanding, deception of the consumer and in some cases to copyright infringement, theft of people's mental works. It can be understood as a new generation of a thief in contrast to the classical act of theft. İn analyzing the topic of

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Li, Chan, Wen-De Zhang, and Yi-Xin Lan. "Early warning of risks of copyright infringement in digital library based on extension theory." Electronic Library 34, no. 2 (2016): 250–64. http://dx.doi.org/10.1108/el-04-2014-0064.

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Purpose – The purpose of this study is to evaluate the potential risks of copyright infringement in digital library based on the extension theory. Design/methodology/approach – At first, the analytic hierarchy process (AHP) is used to determine the weights of the existing indicator system for early warning. Second, a model is built to evaluate the potential risks of copyright infringement based on the extension theory in digital library. Finally, a real-world application is presented to show the effectiveness and usefulness of this approach. Findings – The main findings of this paper are as fo

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Abd Aziz, Ahmad Shamsul, and Nor Azlina Mohd Noor. "COPYRIGHT INFRINGEMENT IN SOCIAL MEDIA." International Journal of Law, Government and Communication 5, no. 19 (2020): 156–66. http://dx.doi.org/10.35631/ijlgc.5190012.

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Social media is a group of Internet-based applications built on the ideology and technology of Web 2.0 and makes communication activities easier and faster. Social media channels would not function without the Internet. However, these facilities cause a massive infringement of copyright on social media platforms. Copyright infringement on social media is primarily about file-sharing activities. These activities that use user-to-friend (P2P) technology have triggered a phenomenon in the Internet world. This P2P network technology enables users to exchange digital files anywhere they like. Indir

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I Putu Yudha Wira Krisna, Heryanto Amalo, and Rudepel Petrus Leo. "Penegakan Hukum Terhadap Pelanggaran Hak Cipta yang Dilakukan oleh Penyanyi (Cover) di Media Sosial (Youtube) yang Mendapat Bayaran Kepada Pencipta Lagu Ditinjau dari Undang-Undang Hak Cipta." Birokrasi: JURNAL ILMU HUKUM DAN TATA NEGARA 1, no. 4 (2023): 213–26. http://dx.doi.org/10.55606/birokrasi.v1i4.744.

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The purpose of this research is to understand the substance of the regulation of copyrighted works in Indonesia, especially those related to cover versions and to find out more about the protection and legal remedies for copyright holders of copyrighted works regarding cover versions of songs that are sung again for commercial purposes based on Law Number 28 of 2014 concerning Rights. Create. This type of research is empirical juridical. There are seven factors that cause copyright infringement, namely economic, cultural, technological, law enforcement, education, unemployment and environmenta

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Li, Jin, Haoyu Lin, Mozheng Lin, and Yu'ang Zhang. "The Determination of Copyright Infringement Offences in the Artificial Intelligence Arena from a Criminal-Civilian Intersection Perspective." Journal of Higher Education Research 5, no. 5 (2024): 288. https://doi.org/10.32629/jher.v5i5.2930.

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The protection of copyright should adhere to the position that civil and criminal law are consistent, and that the same act cannot establish an offence of copyright infringement under criminal law to the extent permitted by civil law. It is appropriate to interpret the term "reproduction and distribution" in the context of the offence of copyright infringement as reproduction, distribution, reproduction and distribution. Judicial practice survey proved that at this stage, artificial intelligence can only be used as a tool for the offence of copyright infringement, and cannot become the subject

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Wu, Yiyang. "Copyright Filtering Obligations of Algorithmic Recommendation Service Providers." Journal of Economics and Law 2, no. 1 (2025): 36–40. https://doi.org/10.62517/jel.202514106.

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Algorithmic recommendation technology is widely used in various Internet industries. However, with the proliferation of user-generated content, the platform is not only providing personalized recommendation services, but also facing increasingly severe copyright infringement problems. This paper aims to explore the copyright filtering obligations of algorithmic recommendation service providers and analyze their legal responsibilities and practical challenges. Filter obligations derived from the lag of copyright infringement liability, is an important way of copyright infringement relief, combi

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Zhou, Tong, and Mohamad Rizal Abd Rahman. "Legal Perspective on the Risk of Copyright Infringement by AI-Generated Contents in China." JURNAL UNDANG-UNDANG DAN MASYARAKAT 34, no. 2 (2024): 141–53. http://dx.doi.org/10.17576/juum-2024-3402-10.

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The swift progress of Artificial Intelligence (AI) technology is driving advancements in the internet and cultural sectors, but it also poses challenges to traditional laws, especially copyright law. This article examines the legal complexities associated with AI-generated products and copyright infringement risks in the Chinese internet context. By combining the Copyright Law of the People's Republic of China and analyzing relevant judicial dispute cases in China, this study explores generative artificial intelligence models for generating creative content such as text, images, and music, and

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Wijaya, Monica, and R. Rahaditya. "Interaksi Antara Penggunaan Lagu Dalam Konten Digital dan Perlindungan Hak Cipta: Tinjauan Terhadap Undang-Undang Hak Cipta Di Indonesia." Ranah Research : Journal of Multidisciplinary Research and Development 7, no. 1 (2024): 118–23. http://dx.doi.org/10.38035/rrj.v7i1.1234.

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Although copyright laws have provided a framework for protecting musical works, advancements in technology that facilitate access to and distribution of music also create new risks related to copyright infringement. The existing challenges, coupled with the suboptimal regulatory environment, highlight the need for efforts to enhance the protection of song copyrights in digital content. This research aims to analyze the legal protection mechanisms against copyright infringement of songs that occur in the use of digital content. The methodology employed is normative legal research with a legisla

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Mueller, Felix B., Rebekka Görge, Anna K. Bernzen, Janna C. Pirk, and Maximilian Poretschkin. "LLMs and Memorization: On Quality and Specificity of Copyright Compliance." Proceedings of the AAAI/ACM Conference on AI, Ethics, and Society 7 (October 16, 2024): 984–96. http://dx.doi.org/10.1609/aies.v7i1.31697.

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Memorization in large language models (LLMs) is a growing concern. LLMs have been shown to easily reproduce parts of their training data, including copyrighted work. This is an important problem to solve, as it may violate existing copyright laws as well as the European AI Act. In this work, we propose a systematic analysis to quantify the extent of potential copyright infringements in LLMs using European law as an example. Unlike previous work, we evaluate instruction-finetuned models in a realistic end-user scenario. Our analysis builds on a proposed threshold of 160 characters, which we bor

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