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Dissertations / Theses on the topic 'Copyright Law;Literary Works'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Geyer, Sunelle. "Determining originality in creative literary works." Thesis, [S.l.] : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-06142006-122413.

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2

Hammad, Hayssam Mohammed Saber Abdallah. "Ownership and authorship in copyright law : a proposal to re-categorise works and a digital implementation." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/17636.

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The thesis argues that there is a pressure on the authorship concept since the emergence of collections of facts, anthologies, and adaptations of pre-existing works. These works were the reason that Judges offered various interpretations to authorship and originality, as some Judges lessened the requirement of originality to obtain copyrightability for these works and some raised it. This led to make the protection granted by copyright law to intellectual works vague and uncertain. This became apparent in conflicts in courts decisions on copyright subsistence in works. This subsequently led to

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3

Bukatz, Tamara. "The practical difficulties of applying current trade mark law, actions for passing off and copyright law to literary fictional characters per se, independent of the original work." Thesis, Bangor University, 2017. https://research.bangor.ac.uk/portal/en/theses/the-practical-difficulties-of-applying-current-trade-mark-law-actions-for-passing-off-and-copyright-law-to-literary-fictional-characters-per-se-independent-of-the-original-work(a440313e-8f53-43ad-8c44-7ee1f5426011).html.

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Fictional characters have a gigantic commercial and social appeal. Fans create fanfiction and other transformative works. Professionals create films, plays and artwork or literary, musical, and other works based on the underlying work by another author. These professionals as well as third parties are involved in character merchandising. Disney reported a revenue of USD 45.2 billion just for retail sales of worldwide licensed products in 2014. The appeal of fictional characters is not limited to artistic fictional characters (AFCs), but also encompasses literary fictional characters (LFCs), su

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4

Švedas, Pranas. "Criminal Liability for Illegal Reproduction of Literary, Scientific, Artistic Work or Object of Related Rights, Distribution, Transportation or Storage of Illegal Copies Thereof." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120118_131030-35649.

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The dissertation analyses criminal liability for illegal reproduction of literary, scientific, artistic work or object of related rights, distribution, transportation or storage of illegal copies thereof. Conception and attributes of intellectual property, evolution of laws of intellectual property in the world and in Lithuania and legal sources which provides criminal liability for illegal reproduction of literary, scientific or artistic work or object of neighboring rights, distribution, transportation or storage of illegal copies thereof are examined in the dissertation. The dissertation al

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5

Tsakona, Katerina N. "Legal protection for multimedia works." Thesis, University of Strathclyde, 2003. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21380.

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The protection of multimedia presents a significant challenge for the contemporary legislator. Being one of the greatest technological developments and added-value assets in the Information Society, multimedia prevails as a phenomenon. However, law and practitioners treat multimedia as being many different products and services, rather than as a new 'work', since multimedia per se is not expressly protected under a single regime of protection. This perplexed situation necessitates clarification, as it is unclear what multimedia really is, and how it should be protected. It is therefore necessa

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6

Yuan, Xiaotong 1979. "Copyright protection to musical works in cyberspace." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82675.

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The objective of this thesis is to demonstrate, through analysis of the current Canadian Copyright Act and related cases, how the rapid development of Internet technology has challenged the legal protection of musical works under Canadian copyright legislation and jurisprudence. Canadian government and courts have begun contemplating these issues and attempted to formulate constitutional reform policies and effective measures for Canada. These initiatives related to copyright protection of musical works reflect a sophisticated analysis of each participant involved in music transmission

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7

Wynyard, Julia Claire. "The literary property market: the philosophy, nature, and history of copyright law." Thesis, Boston University, 2003. https://hdl.handle.net/2144/27806.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

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8

Gendreau, Ysolde 1962. "The retransmission right : copyright and the diffusion of works by cable." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63946.

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9

Asmah, Josephine. "Recent challenges to the protection of copyright in literary works, a study of Ghana and Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/MQ49306.pdf.

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10

Östlund, Eric. "Transforming European Copyright : Introducing an Exception for Creative Transformative Works into EU Law." Thesis, Uppsala universitet, Juridiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-215803.

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11

Konneh, Gasper Neba. "The development of copyright law in the United Kingdom and the Republic of Cameroon." Thesis, University of Aberdeen, 1995. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU072234.

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This work is on the history of copyright law in two jurisdictions: the United Kingdom and the Republic of Cameroon. It traces the origin and development of copyright protection in these jurisdictions, laying emphasis on the influence of international copyright on the development of copyright law in these two countries. It also focuses on the extent to which copyright laws in both countries have been amended over the years to enable it to catch up with advances in science and technology. As far as the development of copyright law in the United Kingdom is concerned, the major areas discussed inc

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12

Makarowski, Felix. "AI and creative machines : copyright protection for AI generated works under EU and Swedish law." Thesis, Uppsala universitet, Juridiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-376798.

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The purpose of this thesis is to examine questions related to copyright protection of worksgenerated by artificial intelligence (AI) under EU and Swedish law. The first question that is examined in this thesis is whether works created by AI are at all eligiblefor copyright protection in Sweden and who is the creator of such works: the human behind theAI, the AI itself, both, or perhaps nobody. To determine who the creator of an AI generated workis, the term creator is first defined. The definition is then be applied to two cases. In the firstcase, a human and an AI collaborate to create a work

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13

Dean, O. H. "The application of the Copyright Act, 1978, to works made prior to 1979." Thesis, Stellenbosch : Stellenbosch University, 1988. http://hdl.handle.net/10019.1/4934.

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Thesis (LLD) -- Stellenbosch University, 1988.<br>Article 1 Section 8 Clause 8 of the Constitution of the United States of America empowers Congress "to promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries". This simple clause sums up in a few words the philosophy and underlying principles of modern copyright law. Copyright law, like other branches of intellectual property law (i.e. the laws of patents, trade marks and designs), seeks to create a system whereby the creat

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14

van, Tonder Liani. "Re-interrogating the application of the transitional provisions of South African copyright law to pre-1979 works." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/73477.

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This dissertation is animated by an interest in the investigation required to establish whether a specific work, be it a literary work, artistic work or published edition, created prior to the enactment of the current South African Copyright Act 98 of 1978, is eligible for copyright protection today. The main objective is to outline the historical development of the transitional provisions provided in South African copyright legislation and the approach adopted by our courts when applying them. This study aims to re-interrogate the application of the transitional provisions to pre-1979 wor

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15

Sporer, Christoffer. "Användarskapta verk i dataspelsmiljöer." Thesis, Umeå universitet, Juridiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-161292.

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16

Rimmer, Matthew. "The Pirate Bazaar: The Social Life of Copyright Law." Thesis, The Faculty of Law, The University of New South Wales, 2001. https://eprints.qut.edu.au/86581/1/fulltext.pdf.

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This thesis provides a cultural history of Australian copyright law and related artistic controversies. It examines a number of disputes over authorship, collaboration, and appropriation across a variety of cultural fields. It considers legal controversies over the plagiarism of texts, the defacing of paintings, the sampling of musical works, the ownership of plays, the co-operation between film-makers, the sharing of MP3 files on the Internet, and the appropriation of Indigenous culture. Such narratives and stories relate to a broad range of works and subject matter that are protected by copy

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17

Russell, James. "“Pwnership”: Is copyright appropriately equipped to handle videogames? : An evaluation of the European legal framework for the protection of creative works in video-games." Thesis, Uppsala universitet, Juridiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-350135.

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Given the huge economic importance of the intellectual labour which these games represent, one might expect the question of what “ownership” means for video-games in the context of IP law to be relatively straightforward. Certainly, this would seem to be the case for other forms of intangible forms of entertainment - as with a book, a film, or a piece of music. Not so with video-games, however. Rather, the protection of the various constituent elements of a video-game in Europe are scattered across a variety of disparate legal provisions at both the national and Community level. For instance,

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18

Kouletakis, Jade Katherine. "A critical examination of copyright limitations and exceptions for the visually impaired pertaining to literary works in South Africa in the local and global context." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/9625.

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Includes bibliographical references.<br>The aim of the paper will be to demonstrate that South African law, as it stands in terms of the Copyright Act, fails to provide equal access to literary works for the visually impaired community compared to the able bodied community. In failing to provide equal access, the South African government has failed to realise the theoretical justifications underpinning the law of copyright, as well as its obligations on both a national (in terms of the constitution, legislation and case law) and international level. It will then be asked what South Africa ough

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19

Liuzzo, Scorpo Antonella. "The idea of friendship in the literary, historical and legal works of Alfonso X of Castile (1252-1284)." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/71655.

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This research project explores an area which had been touched only tangentially, being a comparative analysis of the idea and interpretations of friendship which emerge from the three vernacular collections attributed to the supervision of King Alfonso X of Castile (1252-1284): namely the Marian songs Cantigas de Santa María, the law code known as the Siete Partidas and the chronicle Estoria de España. These sources have been examined by adopting a thematic approach which has highlighted the existence of categories such as spiritual, religious and political friendships, as well as other forms

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20

Crivelli, Ivana Có Galdino. "Direito de autor: exceções, com ênfase em normas técnicas." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/2/2131/tde-25062013-084758/.

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O trabalho abordará o estudo das criações intelectuais não protegidas pelo Direito de Autor, as diferentes terminologias adotadas pela doutrina, suas peculiaridades, a proposta de uma terminologia mais abrangente e a importância do estudo das fontes do direito para a validação dos pressupostos à proteção, formulados pela doutrina e jurisprudência, com destaque em capítulo próprio para as denominadas normas técnicas.<br>This present dissertation will address the study of intellectual creations that are not protected under copyright law, the different terminology adopted by the doctrine, its pec

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21

Beaudoin, Guillaume. "Pratiques anticoncurrentielles et droit d'auteur." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100040/document.

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De tous les droits de propriété intellectuelle, le droit d’auteur était celui qui semblait le plus éloigné des préoccupations économiques des autorités de concurrence. Conçu à l’origine dans un souci de protection de la création littéraire et artistique, il apparaît aujourd’hui davantage comme un outil de puissance économique tourné vers la protection de l’investissement et, plus généralement, un vecteur de l’activité économique. C’est à ce titre que l’application des règles de concurrence à des pratiques mettant en cause l’exercice ou la gestion de droits d’auteur est désormais considérée com

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22

Mouron, Philippe. "Le droit d'exposition des oeuvres graphiques et plastiques." Thesis, Aix-Marseille 3, 2011. http://www.theses.fr/2011AIX32062/document.

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Le droit d’exposition des oeuvres graphiques et plastiques est un élément nouveau du droit d’auteur, dégagé par la Cour de cassation en 2002. Il permet à l’auteur d’autoriser ou d’interdire l’exposition publique de ses oeuvres, qu’elles soient de dessin, de peinture, de sculpture, de photographie, d’architecture ou de tout autre oeuvre graphique. Ce droit lui permet aussi d’en contrôler les conditions de présentation et d’en tirer une rémunération. Il est en cela assimilable au droit de représentation, tel qu’il s’exerce pour les oeuvres dramatiques ou musicales. Mais le droit d’exposition ouv

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23

Bacouelle, Johanna. "La condition juridique de l'artiste-interprète." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010301.

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La condition juridique de l'artiste-interprète se caractérise par une imbrication étroite du droit du travail et du droit de la propriété intellectuelle. Chaque source de droits appréhende des temps différents de l'activité de l'artiste-interprète. Le droit du travail s'intéresse à l'artiste-interprète en tant que travailleur. Le modèle du salariat s'impose largement puisque le législateur a instauré une présomption de salariat. Le droit de la propriété littéraire et artistique s'intéresse au résultat du processus de création sur lequel les artistes-interprètes bénéficient de droits voisins du

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24

YEN-JU, CHEN, and 陳彥如. "On Originality of Works in Copyright Law." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/60593692086080741757.

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碩士<br>國立臺北大學<br>法律學系碩士班一般生組<br>101<br>The Copyright Law seeks to strike a balance between guaranteeing the general public’s access to works and protecting the copyright owners’ interest. To avoid tipping of the precarious balance of interests, the Law sets various qualifying requirements that a work must meet to receive protection. Amongst these qualifications, the originality requirement unleashes the most heated debates. Much scholarly attention has been directed to this requirement while the presence (or the absence) of originality continues to be the dominating issue that dictates the outc

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25

DE, FILIPPI Primavera. "Copyright in the digital environment : ontologies of copyright and digital works." Doctoral thesis, 2011. http://hdl.handle.net/1814/19443.

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Defence date: 18 October 2011<br>Examining Board: Professor Giovanni Sartor, EUI, Supervisor Professor Hans-W. Micklitz, EUI Dr. Maurizio Borghi, Brunel University Professor Molly S. van Houweling, UC Berkeley School of Law<br>First made available online: 24 August 2021<br>The advent of Internet and digital technologies has radically transformed the way information is being produced and consumed. The consequences for copyright law are twofold. While digital media provide new opportunities for authors to produce and disseminate their works to the public, they simultaneously encourage and

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Chen, Hao-Yun, and 陳皓芸. "An Analysis of the Parallel Import of copyright works from the viewpoint of copyright and competition law." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/17156445022670505735.

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碩士<br>國立臺灣大學<br>法律學研究所<br>96<br>Parallel import of copyright works is the importation of goods without the authority of the copyright holder. In recent years the international trade of copyright works has been flourishing, and the discussion on parallel importation and exhaustion of copyright becomes ardent but divergent. However, the present regulations of parallel import in Taiwan are not appropriate theoretically and practically, thus the citizens in Taiwan offend against the rules unintentionally. This thesis is to analyze the complex situation of the parallel import of copyright works. Th

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27

Liao, Chao-chih, and 廖招治. "A Critical Analysis of Law-Related Literary Works in Taiwan." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/60502548905999313724.

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碩士<br>國立中興大學<br>法律學系碩士在職專班<br>101<br>This thesis concentrates on three points: (1) categorization of 21 law-related literary works in Taiwan written in 2003, 2004, 2006 and 2009, (2) the non-law majoring undergraduates’ responses after reading two literary works, and (3) this researcher’s critical analysis of 《色計》(Indecent Handsome Man and Beauties). Categorization of the literary works has been based the law concepts, biography of authors and languages used. The quantitative study of readers’ responses has gender as independent variable, and responses as dependent variable. The researcher’s a

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28

Grisales, Rendón Laura. "Attribution of Copyright to Artificial Intelligence Generated Works." Master's thesis, 2019. http://hdl.handle.net/21.11130/00-1735-0000-0003-C1A6-7.

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29

Roy, Véronyque. "Le droit d'auteur sur la mise en scène." Thèse, 2006. http://hdl.handle.net/1866/3169.

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À la lecture de la Loi sur le droit d'auteur, il n'est pas clair que la mise en scène y soit protégée. C'est pourquoi nous nous questionnons sur la qualification juridique la plus adéquate pour la mise en scène. Le metteur en scène est-il un artiste-interprète ou un auteur? Après avoir étudié les caractéristiques artistiques des mises en scène, par types de productions et à la lumière de facteurs faisant varier la latitude du metteur en scène, nous étudions les différentes possibilités de qualification juridique de la mise en scène. Les possibilités sont vastes, car le metteur en scène évolue

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30

Chiang, Lin, and 江凌. "A Study on Intellectual Property Right Protection in Artistic-Craftsmanship Works - Focusing on Copyright Law." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/3wd8r2.

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31

Hsu, Chia-Ning, and 許家寧. "A Study on the Role of Hosting Service Intermediaries in Copyright Law—Focusing on Music Works." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/k96guq.

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碩士<br>國立臺灣大學<br>法律學研究所<br>105<br>The "video-sharing platform", which was born in the light of the digital development, has become increasingly important as the popularity of the Internet and turned into the crucial channel for the dissemination of music works. Although the wave of digitalization brings new opportunities for the music industry (hereinafter referred to as "rightholders"), copyright infringements of music works have been emerging in an endless stream due to much lower cost of reproduction and transmission. Rightholders are confronted with the difficulty of “value gap”, which mean

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32

Baloyi, Jele Joel. "The copyright protection of musical works : a historical and contextual analysis." Thesis, 2019. http://hdl.handle.net/10500/25885.

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This work is concerned with an analysis of the copyright protection of musical works. Musical works form part of the categories of works protected under copyright law. It would be easy to dismiss musical works as not warranting a serious study, as would for example, be warranted for “industrial property” rights such as patents and geographical indicators, or more “serious” copyrights such as architectural works and computer software. Such a perspective would however, not be cognisant of the significant contribution that the music industry, as part of the broader cultural and creative industrie

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33

Hsin-AnHuang and 黃欣安. "A Comparative Study on The Right of Respect in Works —Focus on Copyright Law in France and Taiwan." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/tq4bym.

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碩士<br>國立成功大學<br>法律學系<br>107<br>SUMMARY ‘’The Right of Respect’’ (Droit au respect de l’intégrité de l’œuvre), as one of the significant right in the moral right system, plays a very important role in protecting the rights of the authors. This paper would like to focus on this right and work on the comparative study, by using the ‘’document analysis’’. After the case analysis and comparative study, the study concludes with some discussions based on the comparative analysis and some recommendations for amending Article 17 of the Law. This paper hopes to contribute to those issues which haven’t b

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Lukenda, Milan. "Přehled zvláštních režimů ochrany u jednotlivých druhů autorských děl včetně srovnání s ochranou obecnou." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-315724.

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Overview of special protection regimes of copyright works including the comparison with the general protection regime Object and purpose of this work is to explore the special protection regimes of copyright works. But before I start to deal with these regimes, I find necessary to, at least in brief, outline the historical development and basic concepts of copyright law. In my opinion special protection regimes can not be examined without knowledge of these basics. In the next chapter, I will discuss the general protection regime of copyright works. I think it is a sort of bridge between first

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Groenewald, Louise. "Legal analysis of fair dealing relating to music works in the digital environment." Diss., 2011. http://hdl.handle.net/10500/5742.

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Many people might think that downloading music without paying for it is not a big issue. Copyright owners disagree with this kind of reasoning because to them, music is intellectual property with substantial commercial value. Copyright law is the primary form of protection for intellectual property and is based on the fundamental principle that copyright works cannot be reproduced without the express consent of the copyright owner. During the late 90’s however, new technology made it possible for millions of people to download music from the Internet without the express consent of copyright o

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Pařík, Jiří. "Současný vývoj kolektivní správy práv." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-298672.

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The purpose of my thesis is to analyse the recent development of collective administration of rights (CRM). I have chosen this topic because of its actual impact and current changes on the field of CRM. The growing importance of the Internet and of digitisation technologies is opening up new possibilities for distributing creative content online. This is not in harmony with territorial principles of administration of right in Europe. So, there are challenges which can change the way how CRM cooperate and compete. First chapter briefly describes collective administration of rights in Czech Repu

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37

Charbonneau, Olivier. "Émergence de normes dans les systèmes économiques et sociaux d’oeuvres numériques protégées par droit d’auteur." Thèse, 2017. http://hdl.handle.net/1866/19977.

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Sahib, Muzdalifah. "Shayh Yusuf Al-Maqassari's literary contribution with a special attention to his Matalib Al-Salikin (The Quests of the spiritual seekers)." Thesis, 2019. http://hdl.handle.net/10500/27388.

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The importance of this research on the life of Shaykh Yūsuf‟s life and legacy is eviden t from the depth of the reports on "Shaykh Yūsuf al-Maqassarī’s literary contribution with a special attention to his Maṭālib al-Sālikῑn [The Quests of the Spiritual Seekers].” We contend that without a comprehensive knowledge of it, some of the subtleties and nuances of the Shaykh as well as his treatises will remain concealed from us. I utilised the comprehensive religious historical and philological approaches following the methodology of Sultan, Nabilah Lubis, and Suleman Essop Dangor to complemen

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