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Dissertations / Theses on the topic 'Copyright licence'

Author: Grafiati
Published: 12 December 2022
Last updated: 31 July 2025

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1

Mysoor, Poorna. "Implied licences in copyright law." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:8d5f4169-4f04-4e1f-9600-d93b6adbcd53.

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Copyright licences can be implied when the doing of a restricted act is covered neither by the express licence of the copyright owner, nor by one of the statutory limitations and exceptions. The manner in which copyright licences are implied, therefore, holds the key to broadening the scope of permissible acts. In contrast to the rigidity of statutory limitations and exceptions, implied licences are more malleable in being able to respond to a diverse set of circumstances, as the need arises. Thus, implied licences can serve as a flexible and targeted mechanism to balance competing interests,
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2

Koberová, Michaela. "Autorské právo ve školách." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-192896.

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This thesis covers the topic of copyright law in schools. It is an overview of the usage of the copyright law, especially in the practice of pupils, students, teachers and other pedagogical workers. It tries to present an integrated overview of basic rules which can be used in the educational process in the areas of creation of an original work, licenses, non-contractual usage of the original works and the liabilities for breaching the copyright law. It covers the situations when the pupils, students, teachers and other pedagogical workers are the creators of an original work as well as cases
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3

Boisson, Alexis. "La licence de droit d'auteur." Thesis, Montpellier 1, 2011. http://www.theses.fr/2011MON10063.

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Le droit d'auteur – dont l'identité reste controversée – n'échappe pas à la discussion quant à la nature et au régime des contrats qui le mettent en œuvre. D'une terminologie légale ancrée dans une certaine tradition, mais hasardeuse, on infère l'originalité de l'ensemble des contrats de la matière. Or, la spécificité n'est sur ce point qu'apparente. De l'édition littéraire aux contrats de l'audiovisuel et aux œuvres diffusées sur les réseaux, l'analyse démontre que si l'auteur peut "céder" son œuvre – ce que dit la loi – il peut aussi la louer, c'est-à-dire en concéder la licence – ce qu'elle
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4

Boisson, Alexis. "La licence de droit d'auteur." Electronic Thesis or Diss., Montpellier 1, 2011. http://www.theses.fr/2011MON10063.

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Le droit d'auteur – dont l'identité reste controversée – n'échappe pas à la discussion quant à la nature et au régime des contrats qui le mettent en œuvre. D'une terminologie légale ancrée dans une certaine tradition, mais hasardeuse, on infère l'originalité de l'ensemble des contrats de la matière. Or, la spécificité n'est sur ce point qu'apparente. De l'édition littéraire aux contrats de l'audiovisuel et aux œuvres diffusées sur les réseaux, l'analyse démontre que si l'auteur peut "céder" son œuvre – ce que dit la loi – il peut aussi la louer, c'est-à-dire en concéder la licence – ce qu'elle
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5

Shi, Xiaoxiang. "Towards a relational theory of copyright law." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41761/1/Xiaoxiang_Shi_Thesis.pdf.

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This research provides a systematic and theoretical analysis of the digital challenges to the established exclusive regime of the economic rights enjoyed by authors (and related rightholders) under the law of copyright. Accordingly, this research has developed a relational theory of authorship and a relational approach to copyright, contending that the regulatory emphasis of copyright law should focus on the facilitation of the dynamic relations between the culture, the creators, the future creators, the users and the public, rather than the allocation of resources in a static world. In this n
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6

Simard, Marie-Pierre. "Accord sur les aspects des droits de proprieté intellectuelle qui touchent au commerce : la licence obligatoire de câblodistribution canado-américaine y survivra-t-elle?" Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33368.

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In 1988, The Canada and the United States of America signed the Free-trade Agreement of North America. They wrote in a compulsory licence of cablodistribution: cablodistributors could, without consent, intercept the broadcasting waves but would also have to give them a financial compensation.<br>In 1995, the WTO2 elaborated the Trade related intellectual property agreement (TRIPS). The latter grants the broadcastors a right to authorize or to prevent the communication of their waves to the public.<br>Is the existence of the compulsory licence compromised by this agreement? We believe not. Inde
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7

Hendrychová, Jitka. "Vybrané právní otázky výtvarných děl." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-204947.

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This diploma thesis deals with selected legal questions regarding artwork in Czech Republic. Author focuses on artwork from copyright and civil legal perspective, specifically author´s rights and copyright and its legal protection (civil, administrative and criminal). It also addresses questions concerning licenses and licensing agreements, relation between artwork and its material object, buying and selling artwork, purchase agreement and other types of contract that artists usually encounter. The aim of this thesis is to identify the current state of legislation in this matter and issues tha
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8

Steinhaus, Thorsten. "Urhebervertragsrecht in Spanien im Vergleich zum deutschen Recht /." München : Beck, 2005. http://www.gbv.de/dms/spk/sbb/recht/toc/490818218.pdf.

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9

Weller, Michael. "Aktuelles aus dem deutschen und europäischen Urheberrecht unter besonderer Berücksichtigung von Open Access-Lizenzierungen." Universitätsbibliothek Chemnitz, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-189044.

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10

Havlíková, Barbora. "Territorial Copyright Licenses for Audio-visual Content:Steps Towards Overruling the Principle of Copyright Territoriality?" Thesis, Uppsala universitet, Juridiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413118.

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The thesis evaluates the  competition law and new legislation adopted under the Digital Single Market Strategy framework and itf effect on the principle of copyright territoriality and current territorial licensing practices. The interest of consumers to access cultural content, the interest of right holders to exploit their work in exchange for renumeration and interest of distributors to secure a broader audience and high income are interests which are taken into account. The thesis discusses how the EU legislation reflects and balance these interests. The thesis also discusses the role of p
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11

Sabino, Vanessa Cristina. "Um estudo sistemático de licenças de software livre." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/45/45134/tde-14032012-003454/.

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Esta dissertação tem por objetivo apresentar as licenças de software livre mais importantes, sob a luz dos seus principais aspectos jurídicos e da inter-compatibilidade, de forma a auxiliar pessoas envolvidas no desenvolvimento de software a compreender as implicações destas licenças ao fazer uso delas em seus projetos. A dissertação contextualiza as licenças, tanto no tocante à legislação brasileira, quanto no que diz respeito às restrições de licenciamento, de forma a viabilizar a análise de compatibilidade que se segue. Casos de projetos proeminentes de software livre cujo desenvolvimento
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12

Obermajer, Miloslav. "Autorsko-právní ochrana počítačových programů." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-16604.

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Diploma thesis defines the elements of legal protection of copyright and intellectual property rights, which plays an important role in nowadays software development. It contains a general evaluation of the legal protection of copyright and its dynamics in the near future, which depends on the situation on the IT market, changes in the structure of customers, including their requirements. Maps the feedback between copyright law and the problems of business processes accompanying technical side of software development and modifications. Maps software links with third party products, development
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13

Ferron, Christian. "L'extension contractuelle du droit d'auteur par le biais de licences d'utilisation : analyse de la situation canadienne." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112601.

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Our study pertains to the contractual overridability of copyright by the use of end user licence agreements. Our analysis is divided into three parts: first, we try to solve which legislator is responsible of the contractual overridability of copyright according to Canadian federalism. In the second part, we examine the contractual overridability issue under copyright law and we consider multiple doctrines that can be used to protect the copyright balance and its exceptions. The third part, is devoted to the study of the contractual overridability under provincial private law.<br>Under copyrig
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14

Giannopoulou, Alexandra. "Les licences 'creative commons'." Thesis, Paris 2, 2016. http://www.theses.fr/2016PA020054.

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L’emploi largement répandu des licences Creative Commons, en vue de partager des oeuvres non logicielles, justifie le choix de leur consacrer une étude, afin d’apprécier leur rapprochement actuel au régime légale de la propriété littéraire et artistique et afin d’envisager de conciliations prospectives. L’étude relève la singularité de Creative Commons en tant que système de gestion des droits d’auteur ; ce dernier, composé d’une série de licences, est guidé par une association de promotion du partage d’oeuvres et mu par une idéologie fondée sur l’autonomie de la volonté des auteurs. L’hypothè
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15

Філоненко, С. С., Михайло Олександрович Думчиков, Михаил Александрович Думчиков та Mykhailo Oleksandrovych Dumchykov. "Міжнародний досвід регулювання вільних ліцензій". Thesis, Сумський державний університет, 2020. https://essuir.sumdu.edu.ua/handle/123456789/79026.

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В результаті розвитку суспільних відносин, пов’язаних з укладенням договорів щодо передачі права на доступ до об’єктів інтелектуальної власності, стрімко розвивається інститут вільних ліцензій, за допомогою якого здійснюється укладення договору щодо вільного доступу до творів чи інших авторських прав у цифровому просторі. Останнім часом, досить поширеним явищем стало бажання правовласників передати повністю або тільки частину твору для загальносуспільного використання. Саме це стало підставою виникнення такого виду договору як вільні публічні ліцензії. Головна особливість даного виду правовідн
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16

Klasina, Charikleia. "The application of Articles 81 and 82 EC Treaty to software copyright licences : a tool for moderating the exercise of copyright and fostering the European software industry." Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/24784.

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The 1991 Software Directive was aimed at strengthening and expanding the European software industry, which at the time was anaemic compared to its counterparts in the USA and Japan. But the Software Directive has fallen short of creating an industry competitive on an international level. This thesis submits that a significant factor contributing to the software industry’s lacklustre performance is that legal protection of computer programs in the EU is too strong; and that vigorous application of EC competition rules to software copyright licences would further promote innovation, lead to grea
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17

Hausman, Gary J. "Frames and Overflows in Rights Expression Languages." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/361.

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This paper analyzes the visions, schemas, and vocabularies of prominent rights expression languages, including Creative Commons, METS, ODRL, and MPEG-21. The paper extends Michel Callon’s sociological insight that all forms of human agency are multiple and diverse. Callon argues, in the context of economic sociology, that one must constantly decide between a strategy emphasizing “framing” as the norm with “overflows” treated as leaks, or conversely a strategy accepting “overflows” as the norm with “framing” as inherently imperfect. Callon’s categories are extended, through a modeling exercise,
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18

Lesinska-Adamson, Anna. "Nutzungsrechtseinräumung und cession unter dem Blickwinkel ihrer Drittwirkungen." Doctoral thesis, Humboldt-Universität zu Berlin, 2019. http://dx.doi.org/10.18452/20934.

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Die Nutzungsrechtseinräumung in Deutschland und die cession in Frankreich sind Urheberrechtsverträge, die eine Verwertung des Monopolrechts des Urhebers durch einen Dritten ermöglichen. Häufig will der Urheber über sein Urheberrecht die Kontrolle behalten und der Inhaber von Nutzungsrechten hat ein Interesse an einem Nutzungsrecht, das bestandskräftig ist und ihm erlaubt selbst gegen Verletzer vorzugehen. Dieser Interessenkonflikt spielt bei der Bestimmung der Rechtsnatur der Nutzungsrechte, die diese Verträge vermitteln, eine große Rolle. Im Hinblick auf eine weitergehende europäische Harmoni
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19

Brigido, Marcello. "Il Copyright Informatico: tutela dei diritti d'autore nella produzione e sviluppo di software." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019.

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Oggetto della tesi è l’analisi delle questioni legate alla tutela del diritto d’autore nell'ambito della creazione di software. L’elaborato è strutturato in 5 capitoli. Nel primo capitolo, partendo da alcuni specifici articoli del testo della legge 633/1941 sul diritto d’autore relativi alla creazione di programmi per elaboratore, viene evidenziata la differenza fra i diritti patrimoniali e quelli morali. Un’ eccezione è costituita da quelle opere che, rientrando nel pubblico dominio, non sono tutelate dalla legge. Nel secondo si analizza l’importanza e le modalità di registrazione dei so
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20

Marrder, Larissa. "Verwertung von Filmrechten in der Insolvenz /." Frankfurt am Main [u.a.] : Lang, 2006. http://www.gbv.de/dms/ilmenau/toc/515508799.PDF.

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21

Banelis, Paulius. "Creative Commons licencijų teisiniai aspektai." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20080206_110435-73217.

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Aštuntajame XX a. dešimtmetyje išplitus skaitmeninėms technologijoms ir didžiajai daliai žmogaus gyvenimo persikėlus į skaitmeninę erdvę, autorių teisių įstatymai ėmė nebeatitikti susiklosčiusios situacijos ir nepagrįstai riboti informacijos sklaidą bei prieinamumą internete. Siekiant padėti autoriams ir kūrinių naudotojams išspręsti šias problemas bei skaitmeninėje erdvėje sukurti protingą ir lanksčią autorių teisių apsaugos sistemą, 2001 m. buvo įkurta Creative Commons organizacija, 2002 m. pasiūliusi visuomenei autorių teisių suteikimo sutartis – Creative Commons licencijas. Šios skaitmenin
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22

Jonsson, Gong. "Licens för frihet? : – en kritisk diskursanalys av fri programvara." Thesis, Linköping University, Department of Social and Welfare Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-9651.

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<p>Studien behandlar ämnet fri programvara utifrån ett diskursanalytiskt perspektiv. Texter och tal av Richard M.</p><p>Stallman, grundaren av Free Software Foundation (FSF), ligger i fokus för studien. FSF är en rörelse som har i</p><p>syfte att göra och kämpa för fri programvara. Detta innebär uttryckligen en kritik mot programvara som är ofri</p><p>eller proprietär. Studien visar på tre olika diskurser som är betydelsefulla för fri programvara; frihetsdiskursen,</p><p>maktdiskursen och etikdiskursen. Det förs även en mer teoretisk kopplad diskussion där texternas relateras till</p><p>teorie
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23

Müßig, Jan Peter. "Die Sicherung von Verbreitung und Zugang beim Satellitenrundfunk in Europa /." Baden-Baden : Nomos, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014803066&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Thesis--Kassel, Universität, 2005. Universiẗat, Diss., 2005 u.d.T.: Müßig, Peter: Die Sicherung von Verbreitung und Zugang in Bezug auf urheberrechtlich oder ähnlich geschützte Inhalte beim Satellitenrundfunk in Europa--Kassel.<br>Includes bibliographical references (p. 219-229).
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24

Richter, Wolf R. "'Better' regulation through social entrepreneurship? : innovative and market-based approaches to address the digital challenge to copyright regulation." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:8d609027-8605-4815-a499-3d2981028a24.

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After the initial excitement about the Internet as a space outside of governmental control has evaporated and courts in several states have applied national laws to ‘Cyberspace’, there is now a consensus among scholars that regulators have in principle the authority and capacity to regulate the Internet. Nevertheless, the application of the established tools of regulation - legislation and adjudication - to the current challenges to copyright regulation posed by the Internet has proven to be ineffective and produced undesirable side effects. Although market self-regulation has been suggested a
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25

Dysart, Thomas. "Systems within systems : free and open source software licences under German and United States law." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:4632118c-1ef6-47b9-ac89-2b3c7889f881.

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Free and Open Source Software (FOSS) licences channel the exclusionary and individualising force of copyright to establish a qualitatively different, somewhat subversive, system for the exploitation of software. This thesis examines how it is that FOSS licences establish this 'system within a system' under both German and United States law. The inquiry begins with a detailed examination of FOSS licence templates as the instruments which transform code from its default position as the 'res' of proprietary relations to its status as 'open' or 'free'. The thesis then considers whether FOSS licenc
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26

Gonon, Cédric. "L'utilisation d'oeuvres protégées sans le concours de l'auteur : contributions sur l'équité en propriété littéraire et artistique." Thesis, Grenoble, 2012. http://www.theses.fr/2012GREND002.

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Ce travail de recherche traite des rapports entre le droit de la propriété littéraire et artistique et le principe d'équité, qui permet à chacun des acteurs de la propriété littéraire et artistique : auteur, public, exploitant, de se voir attribuer des prérogatives à sa juste mesure, en faisant en sorte de léser le moins possible les autres acteurs. Les rapports à l'équité sont dans un premier temps étudiés dans le cadre de l'exploitation traditionnelle des droits d'auteur : d'une part par l'intermédiaire des sociétés de gestion collective et d'autre part du fait des contrats d'exploitation po
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Wündisch, Sebastian. "Rechtsbeziehungen von Open Source Entwicklungsgemeinschaften." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-156337.

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Als Triumph der Open Source Bewegung wurde im vergangenen Jahr das Urteil des Landgerichts München I1 gefeiert, das als weltweit erste Gerichtsentscheidung der General Public Licence (GPL) rechtliche Verbindlichkeit zusprach und einem Sofwarehersteller die kommerzielle Verwertung eines unter der GPL stehenden Computerprogramms ohne Quellcodeweitergabe untersagte.
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Gonçalves, Daniel Domingues. "Creative commons: os limites da lei na regulação de direitos autorais." Universidade Federal de Juiz de Fora, 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/1764.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-06-07T13:06:26Z No. of bitstreams: 1 danieldominguesgoncalves.pdf: 1028604 bytes, checksum: 7f017ed5e2074f8d54d7c2ded6fc0593 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-13T12:35:50Z (GMT) No. of bitstreams: 1 danieldominguesgoncalves.pdf: 1028604 bytes, checksum: 7f017ed5e2074f8d54d7c2ded6fc0593 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-13T12:37:01Z (GMT) No. of bitstreams: 1 danieldominguesgoncalves.pdf: 1028604 b
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Wündisch, Sebastian. "Rechtsbeziehungen von Open Source Entwicklungsgemeinschaften." Technische Universität Dresden, 2005. https://tud.qucosa.de/id/qucosa%3A28416.

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Als Triumph der Open Source Bewegung wurde im vergangenen Jahr das Urteil des Landgerichts München I1 gefeiert, das als weltweit erste Gerichtsentscheidung der General Public Licence (GPL) rechtliche Verbindlichkeit zusprach und einem Sofwarehersteller die kommerzielle Verwertung eines unter der GPL stehenden Computerprogramms ohne Quellcodeweitergabe untersagte.
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Beaudoin, Guillaume. "Pratiques anticoncurrentielles et droit d'auteur." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100040/document.

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De tous les droits de propriété intellectuelle, le droit d’auteur était celui qui semblait le plus éloigné des préoccupations économiques des autorités de concurrence. Conçu à l’origine dans un souci de protection de la création littéraire et artistique, il apparaît aujourd’hui davantage comme un outil de puissance économique tourné vers la protection de l’investissement et, plus généralement, un vecteur de l’activité économique. C’est à ce titre que l’application des règles de concurrence à des pratiques mettant en cause l’exercice ou la gestion de droits d’auteur est désormais considérée com
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Selosse, Philippe. "Le régime juridique du produit de luxe." Thesis, Lille 2, 2017. http://www.theses.fr/2017LIL20002/document.

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Le produit de luxe n’est pas un bien comme les autres. Ses qualités matérielles et immatérielles lui confèrent une valeur particulière qui oblige son producteur à le vendre dans un environnement commercial adapté. La règle de droit peut-elle considérer cette particularité économique ? Paradoxalement, la France est leader mondiale du marché des produits de luxe, mais nul n’est en mesure d’affirmer avec précision ce qu’est le luxe. Intégrer une notion aussi insaisissable au sein d’un raisonnement juridique semble difficile. Pourtant, les atteintes subies par les titulaires des droits du produit
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Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

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While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insi
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Horáková, Kateřina. "Vybrané autorskoprávní a jiné aspekty v divadelním prostředí." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-344053.

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The purpose of this thesis is to deal with copyright law institutes which are applied in a theatre field. It is important to bear in mind that there is not special legal regulation of copyright law when it comes to the theatre field. The reason is most likely because of diversity within art, which is not easy to be covered by legal regulations. Also there is not enough space for theatre field as it is necessary in Czech copyright law. Another goal of this thesis is to provide audience from theatre field with information included in this work. That fact was also taken into account. Besides intr
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Köppel, Petr. "Veřejné licence a public domain jako alternativy copyrightu." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310467.

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The work first introduces the area of public licenses as a space between the copyright law and public domain. After that, consecutively for proprietary software, free and open source software, open hardware and open content, it maps particular types of public licenses and the accompanying social and cultural movements, puts them in mutual as well as historical context, examines their characteristics and compares them to each other, shows how the public licenses are defined by various accompanying movements, and also analyses which obstacles to the usage of public licenses are put by the Czech
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Pech, Štěpán. "Autorskoprávní ochrana počítačových programů." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-334414.

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The goal of this diploma thesis is to provide an overview of the increasingly more important world of copyright protection as it concerns computer programs. The focus of this overview being primarily that of the national law of the Czech Republic, however this diploma thesis takes into account international law where applicable as well. The thesis begins with an introduction into the very concept of copyright law, the definition of a copyrightable work and that of computer programs and terms related therein. What follows is a brief account of the history of computer programs and computer progr
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Jurášová, Monika. "Vztah známkoprávní a autorskoprávní ochrany v českém právu." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-307041.

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Resume A relationship between trademark protection and copyright protection under the czech law Both trademarks and copyrights are imovable articles and are parts of intellectual property. A Trademark is stated in the Trademark Code n. 441/2003 as a mark which is used to identify products or services produced by one person (an individual or a legal entity) and distinguish them from products and services produced by another one so that consumers are able to recognize the origin of the products or services. According to the law the mark is a name, word, phrase, logo, symbol, color, design, image
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Stejskal, Vilém. "Smluvní právo autorské." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313241.

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CONTRACTUAL COPYRIGHT LAW This thesis is dedicated to the Czech Copyright Law, which is part of Intellectual Property Law. The core of this work is lying on description and recognition of contractual concepts of Copyright Law in Czech Republic, namely the last two Copyright Acts. The first Copyright Act was valid from 1965 till 2000. The second Copyright Act is effective since 2000. Chapter 1 covers the sources of Czech Contractual Copyright Law on different levels, from the constitutional grounds to the regulations. Chapters 2 and 3 are initial introduction to the Intellectual Property Law. I
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Fáberová, Slušná Kateřina. "Internet ve vztahu informační vědy a práva." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-350311.

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The thesis focuses on the analysis of the effect of selected elements of public licenses on increasing the quality of information published in the informational environment of the internet. The objective of the thesis is to ascertain whether there is a real effect on the quality of information in the internet environment through improvements in the quality of the sources of such information, as well as the reflection of the results of the conducted analysis within the obligatory informational education in the Czech Republic. In the first section, the work deals with the copyright aspects relat
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Pátková, Andrea. "Autorskoprávní ochrana počítačových programů." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-325233.

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Diploma thesis summary The topic of my diploma thesis is Copyright legal protection of computer programs. The purpose of my thesis is to describe in basic features the current regulation of this item in Czech republic. This thesis is composed of twelve chapters, where the crucial part can be found in chapter ten and eleven. Introductory Chapter emphasizes necessity of copyright legal protection of computer programs. Next chapter summarizes efforts for definition of computer program and also includes reasons, why the exact literal definition is not very convenient. Third chapter defines basic t
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FREIOVÁ, Ivana. "Analýza vývoje autorského zákona od poloviny 20. století do současnosti na území České republiky, vývoj před a po vstupu ČR do Evropské unie." Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-85446.

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Analyse der Entwicklung des Urheberrechts, Übersicht der einzelnen Rechtsvorschriften im Gebiet des Urheberrechts und der zusammenhängenden Gesetze einschließlich des Kommentars zu diesen Vorschriften, Entwurf des Lizenzvertrags.
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Pařík, Jiří. "Současný vývoj kolektivní správy práv." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-298672.

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The purpose of my thesis is to analyse the recent development of collective administration of rights (CRM). I have chosen this topic because of its actual impact and current changes on the field of CRM. The growing importance of the Internet and of digitisation technologies is opening up new possibilities for distributing creative content online. This is not in harmony with territorial principles of administration of right in Europe. So, there are challenges which can change the way how CRM cooperate and compete. First chapter briefly describes collective administration of rights in Czech Repu
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Kozlovská, Eva. "Majetková práva autorská." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-368724.

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This work aims to describe the basic principles and characteristics of economic rights in copyright with regard to historical development, international and European legal framework. Economic rights in copyright are divided into two groups, namely the right to use the work and other economic rights. The work is dedicated to both groups with an emphasis on the use of work by public, taking into account the current SDEU case law and the effects of international and European law. Attention is also paid to the wider concept of the thing in the legal sense, as the Civil Code adopted in 2012 introdu
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Kmoníčková, Klára. "Majetková práva autorská." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-337540.

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- Economic rights in copyright The theme of this thesis are economic rights in copyright. They are one of two categories which compose the content of copyright. The second category is called copyrights related to personality. These two categories of copyright can not be separated by exact borderline - economic rights in copyright include economic component, and vice versa. Economic rights in copyright are rights which have economic importance for their right holder. Economic rights in copyright can be divided into two main categories: exploitation right (in wide sense) and other economic right
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Jurista, Erik. "Smluvní právo autorské." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313074.

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Summary: Contractual copyright law The aim of this thesis is to analyse the current state of regulation of contractual copyright law in the Czech Republic. I have chosen this topic, because I am an amateur photographer and knowledge of different kinds of contracts dealing with copyright might be very useful for me in the future. Knowing most of details affecting final conditions of the contract is the best way, how to exploit my work well, and, what is even more important, I should be able to answer all of questions concerning copyright to my friends (and, in later, professional life, also to
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Laouari, Jérémy. "La brevetabilité des logiciels." Thèse, 2005. http://hdl.handle.net/1866/2426.

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Ce texte a pour ambition d'expliquer les tenants et aboutissants de la brevetabilité des logiciels. Dans cette optique, notre première partie consistera à poser les bases du débat. Cela sera notamment fait en analysant les raisons pour lesquelles la brevetabilité des logiciels a été consacrée. Le texte mettra ainsi l'emphase sur l'inefficacité du droit d'auteur à protéger les logiciels. En outre, l'étude du mécanisme du brevet nous montrera que ce dernier constituait une solution plus adaptée que le droit d'auteur à la protection des logiciels. Ensuite, dans le cadre d'une seconde partie, il s
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46

Hsu, Hsien-Chin, and 許獻進. "The Research on Relevant Issues of Copyright License." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/56702193689107608507.

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碩士<br>東吳大學<br>法律學系<br>93<br>Electronic licensing contracts, also called "point-and-click" or "click-wrap" contracts, are becoming quite prevalent as more and more businesses transacted online. Through paperless Internet environment, sellers and consumers enter into agreements. Generally, the enforceability of online contracts is governed by ordinary contract principles. There is nothing fundamentally different about contracting online than on paper. The purchase of mass-marketed software products is a common online transaction. Software may be purchased and downloaded directly from the Interne
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Cenkerová, Markéta. "Malířské umělecké dílo jako předmět právního jednání." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-368734.

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in English Painting as an Object of Jurudical Acts The work is focused on individual types of legal proceedings connected with the painter's artwork. First, it offers an excursion to the basics of copyright, its development and contemporary issues. The work provides classification of copyright in the system of intellectual property rights and briefly explains the differences between continental and Anglo-American concepts. The following chapters attempt to define the terms "author", "work" and "painting". Then, it deals in more detail with specific types of artworks, such as restoration, book
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Bajáková, Eva. "Kolektivní správa v digitálním věku." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-308211.

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The aim of the present thesis is to examine an impact of reproductive and recording technique and of the global network of the Internet on the institute of collective management of copyright and related rights which forms traditional part of the system of copyright law. Firstly, the thesis embeds an issue of the institute of collective management into the appropriate legal framework and historical context. The delimitation of collective management's purpose follows; an emphasis is placed on the position of the collective manager of copyright as an intermediary between the competing interests o
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Zajíčková, Zuzana. "Autorskoprávní ochrana výtvarných děl." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-350599.

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in English Fine Arts and other types of Visual Arts Copyright This dissertation deals with copyright law with a special focus on fine art and modern forms of contemporary visual art. The introduction describes in brief the copyright, especially its inclusion in the law system, the definition of basic principles and sources of law. Further it concentrates on personal and property authors' rights in its specific forms. The next chapter deals thoroughly with the legal definition of fine art, including both its traditional and modern forms. The following part summarizes the means of legal protecti
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Tasi, Ya-chung, and 蔡雅蓯. "Research on the Mechanism of Copyright License Management in Digital Era." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/36157259320293984370.

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碩士<br>東吳大學<br>法律學系<br>94<br>Works must be transmitted and utilized in order to show its value and utility. In order to protect the intellectual property of the creators, “Pricing on intellectual property” and “authorized usage” are the most important principles of copyright laws. It is also the driving force for passing down culture and creating technology innovation. The efficient management of usage on works have a lot to do with market mechanism and transaction cost. The harder the authorization process goes, the higher the transaction cost. However, since the unauthorized copy and transm
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