Relevant bibliographies by topics / Cork International Choral Festival

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Cork International Choral Festival'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Cork International Choral Festival"

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FitzPatrick Dean, Joan. "Irish Stage Censorship in the 1950s." Theatre Survey 42, no. 2 (2001): 137–64. http://dx.doi.org/10.1017/s0040557401000072.

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At the end of the 1940s, individuals and groups, as well as the government in Ireland, recognized the need for and benefits of arts enterprises. The Inter-Party coalition, which came to power in early 1948 (under John Costello), recognized the importance of tourism as an industry and the potential of theatre to attract foreign visitors to Ireland. In 1949, the Cultural Relations Committee of Ireland, operating under the auspices of the Minister for External Affairs, undertook production of a series of pamphlets designed “to give a broad, vivid, and informed survey of Irish life and culture.”1
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2

Mottershead, Tim. "John Tavener; Manchester International Festival 2013." Tempo 68, no. 267 (2014): 65–66. http://dx.doi.org/10.1017/s0040298213001599.

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This concert at the Bridgewater Hall, by the BBC Philharmonic under conductor Tecwyn Evans, featured three world premieres commissioned by MIF 2013 from the late John Tavener, together with Mahamatar from 2000 (featuring Sufi singer Abida Parveen, following a rare UK appearance the previous evening, and performed to a screening of Werner Herzog's 2001 film Pilgrimage) and his 1968 choral piece In Alium.
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Halec, Barbara. "Professor Jan Szyrocki – the pioneer of the West Pomeranian choral art." Konteksty Kształcenia Muzycznego 4, no. 1 (2017): 57–69. http://dx.doi.org/10.5604/01.3001.0010.5351.

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The article presents the figure of Jan Szyrocki, a conductor, pedagogue and music culture promoter, connected with Szczecin for most of his life. He was the founder of the “Słowiki” Boys’ Choir, the “Berżeretki” Girls’ Choir and, first and foremost, the Choir of the University of Technology in Szczecin, which he cooperated with continually for 50 years. The article also describes Jan Szyrocki’s contribution to the establishment of the International Choral Festival in Międzyzdroje and “In terra pax” Choral Academy, as well as his collaboration with renowned composers (e.g. Andrzej Koszewski, Kr
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4

Prest, Anita. "Cross-cultural understanding: The role of rural school–community music education partnerships." Research Studies in Music Education 42, no. 2 (2019): 208–30. http://dx.doi.org/10.1177/1321103x18804280.

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The inclusion of local Indigenous knowledge, pedagogy, and worldview in music education is increasingly relevant to music educators globally. This article contributes to the extensive body of knowledge already written on the subject by focusing on the contribution of such inclusion to localized societal change. My doctoral study examined the growth and contributions of bridging social capital to rural community vitality in British Columbia (BC), Canada via three school–community music education partnerships. I found that the members of one of those partnerships, the International Choral Kathau
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5

Prokopov, S. "J. S. Bach and G. F. Handel’s works performed by the choir of the Kharkiv National Kotlyarevsky University of Arts students." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (2019): 22–37. http://dx.doi.org/10.34064/khnum1-52.02.

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Background. In Ukraine both musicologists and performers (in particular the choirs conducted by well-known choirmasters) do much for the further development of the home Bach studies. For instance, the direction of the ‘choral bahhiana’ was actively developed by the leading choirmasters of that time professor M. Berdennikov (Kiev), Y. Kulik (Kharkiv) in the 60’s and 70’s. It is known that future students of the choral conducting departments first learn the choral heritage of J. S. Bach and G. F. Handel, as a rule, at the piano lessons at children musical schools and secondary schools. Unfortuna
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Bakhmet, Tetiana. "Archive fund of the composer Mark Karminsky." Aspects of Historical Musicology 19, no. 19 (2020): 10–28. http://dx.doi.org/10.34064/khnum2-19.01.

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Mark Veniaminovich Karminskyi (1930–1995) is a composer who, already during his lifetime, was appreciated by his contemporaries as the brightest figure in musical art, in particular, musical theater. Well-known in the country and his native Kharkiv, he was also the constant reader of the Kharkiv ‘K. Stanislavskyi’ Music and Theater Library for many years, taking part in many events that took place within its walls. An excellent lecturer and interlocutor, benevolent and affable person, he found an attentive audience and ardent admirers of his musical talent among the library’s readers and stuff
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7

Ojamaa, Triinu. "Festivalide funktsioon kodu- ja eksiileesti kultuurisuhtluse kujunemisloos / Role of cultural festivals in the development of cultural relations between the Estonian homeland and diaspora." Methis. Studia humaniora Estonica 15, no. 19 (2017). http://dx.doi.org/10.7592/methis.v15i19.13434.

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Seose säilitamine päritolumaa ja -kultuuriga on diasporaaühiskondadele üldomane tunnusjoon, kuid eri etnilise ja poliitilise taustaga diasporaad realiseerivad seda erinevalt. Võõrsil elavate eestlaste kokkukuuluvustunnet on aidanud süvendada kultuurifestivalid. Artikkel analüüsib festivaliformaati, mida nimetatakse eesti päevadeks. Fookuses on 1983. aastal Göteborgis Estivali nimemärgi all toimunud eesti päevade idee ja selle teostamisega seotud probleemid. Sündmus oli eriline, kuna esmakordselt pärast Teise maailmasõda püüti festivali raames kokku tuua kodu- ja eksiileestlasi. Uurimus põhineb
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8

McCosker, Anthony, and Rowan Wilken. "Café Space, Communication, Creativity, and Materialism." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.459.

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IntroductionCoffee, as a stimulant, and the spaces in which it is has been consumed, have long played a vital role in fostering communication, creativity, and sociality. This article explores the interrelationship of café space, communication, creativity, and materialism. In developing these themes, this article is structured in two parts. The first looks back to the coffee houses of the seventeenth and eighteenth centuries to give a historical context to the contemporary role of the café as a key site of creativity through its facilitation of social interaction, communication and information
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Dissertations / Theses on the topic "Cork International Choral Festival"

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Lin, I.-Chieh, and 林依潔. "International Choral Festival in Taiwan,1991-2010." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/k975nb.

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博士<br>國立臺灣師範大學<br>音樂學系<br>102<br>Abstract This study is about non-competitive International Choral Festivals held in Taiwan since 1991 to 2010. Mainly focus on “1991 International Taipei Choral Festival” the only one hosted by the Council for Cultural Affairs, Taiwan. and ten times “Taipei International Choral festival” since1996 to 2010 by Taipei Philharmonic Foundation, and "Cheer Formosa International Choral Festival" in Penghu. First, define the origin of Festival and the earliest Choral Festival in Europe – “Three Choir Festival”. An international perspective thru the organizati
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2

Li, Yu-chen, and 李宥蓁. "A Study on Taipei International Choral Festival, 1991-2013." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/82144557607199666817.

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碩士<br>國立中山大學<br>劇場藝術學系碩士班<br>102<br>The earliest choral festival in Taiwan was organized by the Council for Cultural Affairs in 1991. The Taipei Philharmonic Foundation for Culture and Education, a non-profit organization, has taken over and hosted the Taipei International Choral Festival (TICF) since 1996. It is the pioneer of a private choral festival in Taiwan. TICF has been making great efforts to introduce outstanding foreign performers to Taiwan and to educate the local talented musicians. It is the most well-known choral Festival in Taiwan with international standard. This study ai
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3

Huang, Li-Ting, and 黃莉婷. "A Study on Relationship Marketing of Taipei International Choral Festival." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/07496331409327089773.

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碩士<br>國立中山大學<br>劇場藝術學系研究所<br>104<br>Taipei International Choral Festival (TICF) is an international large-scale choral event and well established festival in Taiwan. Since 1996, TICF has 20-year history and strong influence among festivals. It is worth to analysis and discuss how a private foundation to operate an international event. In this study, theory of relationship marketing is used to explore TICF&apos;&apos;s marketing strategies. A case study is selected as research methodology. Three main research questions: First, What are the mission, positioning and vision of the TICF? Does TICF
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Books on the topic "Cork International Choral Festival"

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Williams, Debbie. International festival management: The Cork International Choral Festival as an illustration of best practice. University College Dublin, 1997.

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2

Cork International Choral Festival 1954-2004: A Celebration. Glen House Press, 2004.

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3

Magowan, Fiona. Mission Music as a Mode of Intercultural Transmission, Charisma, and Memory in Northern Australia. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.001.

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This article, focuses on the durability of Methodist “mission music” among the Yolngu, an Australian Indigenous people, and addresses questions of musical transfer between missionaries and Yolngu over fifty years that have shaped their Christian music politics. “Mission music” is marked as a genre by its association with the early missionaries among the Yolngu, their processes of teaching and transmission and its articulation with some aspects of Yolngu ritual performance practices. Today, mission music is performed together with an array of contemporary Christian musics reflecting its ongoing
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