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1

Van de Venne, Hans. "Cornelius Rekenarius Hulstensis, drukker en schoolmeester in het Calvinistisch Gent (1579-1585)." Ghendtsche Tydinghen 45, no. 4_5 (2016): 266–75. http://dx.doi.org/10.21825/gt.v45i4_5.16813.

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Cornelius Rekenarius die tot halverwege het jaar 1581 zijn naam schreef als ‘Cornelis de Rekenaere’, maar daarna als ‘Cornelis de Rekenare’, werd geboren in Hulst en niet in Gent, zoals vaak is beweerd. Het predikaat ‘Hulsten sis’ dat hij in 1593 ter aanduiding van zijn plaats van herkomst onder twee door hem geschreven lofdichten aan zijn naam heeft toegevoegd, levert daarvan het bewijs. Doordat hij zich beide keren ‘Hulstenaar’ noemt, is het boven alle twijfel verheven dat zijn wieg in die plaats in Noordoost-Vlaanderen heeft gestaan
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Van de Venne, Hans. "Cornelius Rekenarius Hulstensis, drukker en schoolmeester in het Calvinistisch Gent (1579-1585)." Ghendtsche Tydinghen 45, no. 4_5 (2016): 266–75. http://dx.doi.org/10.21825/gt.v45i4_5.16813.

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Cornelius Rekenarius die tot halverwege het jaar 1581 zijn naam schreef als ‘Cornelis de Rekenaere’, maar daarna als ‘Cornelis de Rekenare’, werd geboren in Hulst en niet in Gent, zoals vaak is beweerd. Het predikaat ‘Hulsten sis’ dat hij in 1593 ter aanduiding van zijn plaats van herkomst onder twee door hem geschreven lofdichten aan zijn naam heeft toegevoegd, levert daarvan het bewijs. Doordat hij zich beide keren ‘Hulstenaar’ noemt, is het boven alle twijfel verheven dat zijn wieg in die plaats in Noordoost-Vlaanderen heeft gestaan
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3

Stellingwerff, Johan. "CRITICAL STUDY:DE METAFYSICA VAN CORNELIS VERHOEVEN." Philosophia Reformata 67, no. 1 (2002): 40–64. http://dx.doi.org/10.1163/22116117-90000246.

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Cornelis Verhoeven was een beschouwelijke en fijnzinnig filosoof die veel doceerde en schreef, maar geen systematisch geordend geheel naliet. Wel zijn reeds tien delen van zijn Verzamelde Werken (VW) verschenen. Deze filosoof van de nuance was een bescheiden mens, zoals Thomas à Kempis, die contemplatie zocht ‘in angello cum libello’. Ook was hij een liefhebber van de heldere sfeer zoals die uitgedrukt wordt in de intieme schilderijen van Johannes Vermeer. Als een Nederlands filosoof bleef hij niet onbekend want hij werd, met zijn verzorgde taal in een stroom van geschriften, door een brede kr
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4

Veen, Theo. "Cornelis Van Vollenhoven Over Onze Nationale Staatsrechtsstudie." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 61, no. 3 (1993): 411–34. http://dx.doi.org/10.1163/157181993x00259.

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AbstractCornelis van Vollenhoven (1874-1933), Professor des Rechts der (damaligen) niederländischen Kolonien an der Leidener Universität (1901-1933), hat in einer Mitteilung an die Königliche Niederländische Akademie der Wissenschaften über 'Nationales Staatsrechtsstudium' (1930) historische Untersuchungen angestellt nach der Pflege der Staatsrechtswissenschaft in den Niederlanden. Offensichtlich verfolgte Van Vollenhoven das rechtstheoretische Ziel festzustellen, was 'eigentlich' Staatsrechtswissenschaft ist, d.h. was Staatsrechtswissenschaft sein soll. Die Aanteekening op de Grondwet ('Komme
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5

Huys Janssen, Paul. "De schiet- en loterijprijzen van de Delftse schutters uit 1621 en 1631." Oud Holland - Quarterly for Dutch Art History 115, no. 3-4 (2001): 187–99. http://dx.doi.org/10.1163/187501701x00235.

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AbstractIn the municipal archives in Delft are two unique printed lists that inform us about events organised by the Delft civic guard in 1621 and 1631. In 1621 a shooting contest was being held and the prices were several pieces of silver and a number of paintings. These were mainly by Esaias van de Velde, but there were also works by Bartholomeus van Bassen, Cornelis Jacobsz Delff, Joos de Momper together with Jan Brueghel the Elder, Pieter van Bronckhorst, the unknown Pieter Jacobsz Lupert and two works by Hendrick Gerritsz Pot. In the document he titles of the paintings are given, but it i
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6

HÜSKEN, W. N. M. "Cornelis Everaert en de Troon van Salomon." Ons Geestelijk Erf 65, no. 2 (1991): 144–64. http://dx.doi.org/10.2143/oge.65.2.2017668.

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Veen, Theo. "Cornelis Van Vollenhoven Over Onze Nationale Staatsrechtsstudie." Legal History Review 61, no. 2 (1993): 411–34. http://dx.doi.org/10.1163/157181993x00439.

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8

Huijnen, Pim. "Evert Cornelis van Leersum (1862–1938): pionier van de geschiedenis van de geneeskunde." Studium 6, no. 3 (2013): 228. http://dx.doi.org/10.18352/studium.9279.

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9

Wissink, Gerrit. "'Cornelis van Eesteren', UR/"Urbanismo Revista", No. 8." Town Planning Review 63, no. 2 (1992): 203. http://dx.doi.org/10.3828/tpr.63.2.06h261152562q511.

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10

Wijaya, Daya Negri. "Napak Tilas Perspektif Indonesiasentris Jacob Cornelis Van Leur." Sejarah dan Budaya : Jurnal Sejarah, Budaya, dan Pengajarannya 10, no. 1 (2016): 29–44. http://dx.doi.org/10.17977/um020v10i12016p028.

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11

Wolters, Margreet, and Nicolette Sluijter-Seijffert. "Samenwerking tussen Alexander Keirincx en Cornelis van Poelenburch belicht." Oud Holland - Quarterly for Dutch Art History 122, no. 1 (2009): 14–42. http://dx.doi.org/10.1163/187501709788745120.

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AbstractCollaboration between two painters was a common occurrence in the Netherlands of the seventeenth century. To date, sixteen examples are known to have resulted from the partnership of the Antwerp landscape painter, Alexander Keirincx, and the Utrecht Italianate master, Cornelis van Poelenburch (see appendix). The paintings usually combine a wooded landscape by the hand of Keirincx with a few figures added by Van Poelenburch. Two of the works are signed by both artists, one by Van Poelenburch only, and most of the others by Keirincx alone.A few of these paintings have been analyzed using
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12

Niemeijer, J. W. "Een ongepubliceerde inventaris van de collectie Ploos van Amstel, met onbekende werken van Cornelis Troost." Oud Holland - Quarterly for Dutch Art History 111, no. 1 (1997): 54–65. http://dx.doi.org/10.1163/187501796x00330.

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13

Sigmond, J. P. "R. Prud'homme van Reine, Schittering en schandaal. Biografie van Maerten en Cornelis Tromp." BMGN - Low Countries Historical Review 117, no. 1 (2002): 96. http://dx.doi.org/10.18352/bmgn-lchr.5624.

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14

Peterson, Charles M. "The Five Senses in Willem II van Haecht'sCabinet of Cornelis van Der Geest." Intellectual History Review 20, no. 1 (2010): 103–21. http://dx.doi.org/10.1080/17496971003638274.

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15

Dewitte, Alfons. "De Historie (1569-1578) van broeder Cornelis Adriaenszoon van Dordrecht: auteur en drukker." Handelingen van het Genootschap voor Geschiedenis 140, no. 1-2 (2003): 111–27. http://dx.doi.org/10.21825/hvgg.v140i1-2.19027.

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16

Van Bueren, Truus. "'de beste Schilders van het gantsche Nederlandt' Karel van Mander en het Haarlemse cultuurbeleid 1603-1606." Oud Holland - Quarterly for Dutch Art History 105, no. 4 (1991): 291–305. http://dx.doi.org/10.1163/187501791x00164.

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AbstractKarel van Mander's Schilder-Boeck was published in 1604. During this period the Haarlem city council was pursuing an active cultural policy in which painting played a central role. In 1603, the porter at the Prinscnhof was instructed not to refuse admission to people who wanted to view the paintings and other objects of art housed there. That same year Hendrik Goltzius, Cornelis van Haarlem and Hendrik Vroom were commissioned to paint pictures of their own choice to commemmorate their art. The paintings were to hang in the Prinsenhof. In 1605 the council cndcavoured to ensure the city'
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17

Schulting, TO. "'Sterckheyt van Wij sheyt en Voorsichticheyt verwonnen': Overwegingen bij een Allegorie van Cornelis Ketel." Oud Holland - Quarterly for Dutch Art History 111, no. 3 (1997): 153–62. http://dx.doi.org/10.1163/187501797x00186.

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AbstractDuring his sojourn in England, from 1573 to 1581, Cornelis Ketel received numerous portrait commissions, but did not paint many allegories. Van Mander gives a brief description of only one of them: Kracht door Wijsheid en 1 óorzichtzgheid overwonnen (Strength Conquered by Wisdom and Prudence, o.c. note 1, fol. 275 14-20). In 1986 an Allegory dating from the period in question (1580) appeared on the market. In a decor of captured weapons, it shows three nude men subjugated by a woman and tied up with snakes [figs. 1, 2). A number of circumstances preclude the conclusive identification o
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18

Fennema, Meindert. "Ariëtte Dekker, Cornelis Verolme. Opkomst en Ondergang van een scheepsbouwer." Tijdschrift voor Sociale en Economische Geschiedenis/ The Low Countries Journal of Social and Economic History 3, no. 1 (2006): 132. http://dx.doi.org/10.18352/tseg.660.

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19

Nicolaije, Tim. "Dwaasheid of retoriek? Cornelis van Leeuwen en de ‘Belachelijke Geometristen’." Studium 5, no. 1 (2012): 1. http://dx.doi.org/10.18352/studium.8083.

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Voogd, C. de. "A. Dekker, Cornelis Verolme. Opkomst en ondergang van een scheepsbouwer." BMGN - Low Countries Historical Review 122, no. 1 (2007): 155. http://dx.doi.org/10.18352/bmgn-lchr.6556.

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21

Laarmann, Frauke. "Hendrick Cornelisz. van Vliet: Het gezin van Michiel van der Dussen." Oud Holland - Quarterly for Dutch Art History 113, no. 1-2 (1999): 53–74. http://dx.doi.org/10.1163/187501799x00599.

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AbstractSince I998 the Stedelijk Museum Het Prinsenhofin Delft owns a family portrait by Hendrick Cornelisz van Vliet. Signed in full and dated I640, the painting shows a wealthy and — in view of the details—Catholic family with five children. It predates Van Vliet's well-known architectural paintings by more than a decade, and is therefore very significant for our knowledge of his early oeuvre. In this article, however, attention is focused on the painting's unusual position in the pictorial and iconographic tradition of the North Netherlandish family portrait. We see a husband and wife with
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22

Decavele, Johan. "Het waarheidsgehalte in de preken van Broeder Cornelis van Oord recht in Brugge (1566-1574)." Handelingen van het Genootschap voor Geschiedenis 148, no. 1 (2011): 3–44. http://dx.doi.org/10.21825/hvgg.v148i1.19125.

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23

Sutcliffe, Iain C., and William B. Whitman. "The van Niel International Prize for Studies in Bacterial Systematics, awarded in 2020 to Tanja Woyke." International Journal of Systematic and Evolutionary Microbiology 70, no. 10 (2020): 5594–95. http://dx.doi.org/10.1099/ijsem.0.004466.

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The Senate of The University of Queensland, on the recommendation of the Executive Board of the International Committee on Systematics of Prokaryotes, is pleased to present the van Niel International Prize for Studies in Bacterial Systematics for the triennium 2017–2020 to Dr Tanja Woyke in recognition of her contributions made to the field of bacterial systematics. The award, established in 1986 by Professor V. B. D. Skerman of The University of Queensland, honours the contribution of scholarship in the field of microbiology by Professor Cornelis Bernardus van Niel.
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24

Hakkenberg, Michael, and Julie L. McGee. "Cornelis Corneliszoon van Haarlem (1562-1638): Patrons, Friends and Dutch Humanists." Sixteenth Century Journal 24, no. 2 (1993): 511. http://dx.doi.org/10.2307/2542008.

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Schavemaker, Eddy. "Nicolette Sluijter-Seijffert, Cornelis van Poelenburch 1594/5-1667. The paintings." De Zeventiende Eeuw. Cultuur in de Nederlanden in interdisciplinair perspectief 32, no. 1 (2016): 102. http://dx.doi.org/10.18352/dze.10152.

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26

Kromhout, Steven. "Haagse cultuurkritiek op het postmoderne stadslandschap: Anachronistische architectuur wordt bestraft met de prix de p... 1999." AGORA Magazine 16, no. 2 (2018): 20–21. http://dx.doi.org/10.21825/agora.v16i2.9644.

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 Sinds 1991 wordt in het Theater Zeebelt in Den Haag jaarlijks een architectuurprijs uitgereikt. Bijzonder is dat de prijs niet gaat naar het mooiste staaltje architectuur, maar naar het slechtste project dat het voorgaande jaar in de hofstad het licht heeft gezien. De winnaar krijgt een gouden 'paardenlul', een vakterm voor een in de lengte doorkliefde baksteen. De jury voor 1999 heeft op vier februari bekend gemaakt dat de laatste Prix de P... van de twintigste eeuw naar architect Cornelis van der Ven gaat voor zijn bijdrage aan de nieuwbouwwijk Ockenrode.
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Decavele, Johan. "Het waarheidsgehalte in de preken van Broeder Cornelis van Dordrecht in Brugge (1566-1569). Deel 2." Handelingen van het Genootschap voor Geschiedenis 149, no. 2 (2012): 363–99. http://dx.doi.org/10.21825/hvgg.v149i2.19157.

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Den Hollander, Aurelius A. "De Edities Van Het Nieuwe Testament Door De Delftse Drukker Cornelis Henricsz. Lettersnijder1." Nederlands Archief voor Kerkgeschiedenis / Dutch Review of Church History 75, no. 2 (1995): 165–87. http://dx.doi.org/10.1163/002820395x00182.

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AbstractThe cumulative printers index in W. Nijhoff and M.E. Kronenberg's Nerlerlranrl- .sche BiblioAr(zl)hie van 1500-1540 (NK), part III, vol III, contains the most recent, complete description of the Delft printer Cornelis Lettersnijder's publishers' list. It records four editions of the New Testament in 1518, 1524, 1525, and 1533. Copies exist only of the well-known edition of 1524 (NK 378). It is generally considered unlikely that a 1518 edition (NK 0140) ever existed. In contrast to previous scholarship, M.E. Kronenberg believes that no 1525 edition (NK 0149) existed either. Only a few 1
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Baston, Karen G., and John W. Cairns. "An elegant legal education." Tijdschrift voor rechtsgeschiedenis 83, no. 1-2 (2015): 179–201. http://dx.doi.org/10.1163/15718190-08312p09.

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This article considers the influence of legal education based on the Dutch tradition of legal humanism on a Scottish student of the late seventeenth-century. An annotated textbook retained by Charles Binning contains notes from his studies with the Utrecht professor Cornelis van Eck and provides evidence for Van Eck’s teaching practices. Their education abroad equipped Scottish legal students for the professional, intellectual and cultural lives they would lead when they returned home. Exposure to the ideas contained in the books they studied and their relationships with the Continental learne
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Paul, Begheyn SJ, and J. J. V. M. de Vet. "De bibliotheek van de Delftse schilder Cornelis Damen Rietwijck (1589/1590-1660)." Oud Holland 128, no. 4 (2015): 187–98. http://dx.doi.org/10.1163/18750176-90000219.

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Martels, Zweder von. "Hans van der Sloot, Ingrid van der Vlis, Cornelis Haga 1578-1654. Diplomaat en pionier in Istanbul." BMGN - Low Countries Historical Review 128, no. 4 (2013): 94. http://dx.doi.org/10.18352/bmgn-lchr.9267.

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Bostoen, Karel. "Waar kwam de Historie van B. Cornelis (1569) van de pers? Het spoor terug naar plaats van uitgave, boekverkoper en boekdrukker." Handelingen van het Genootschap voor Geschiedenis 151, no. 1 (2014): 65–111. http://dx.doi.org/10.21825/hvgg.v151i1.19176.

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Tanaka, Sukehiro. "The Ecclesiastical Courts in The Early Modern Southern Netherlands: A Quantitative Analysis." Pro Memorie 21, no. 1 (2019): 54–71. http://dx.doi.org/10.5117/pm2019.1.004.tana.

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Summary This contribution studies the cessio bonorum of painter Rembrandt van Rhijn in relation to the relevant rules and institutions of Amsterdam. I would first and foremost like to thank professor Eddy Put (KU Leuven), for repeatedly reading my drafts and providing me plenty of useful references and advice. Gerrit Vanden Bosch, Marie-Juliette Marinus, and Jos Van den Nieuwenhuizen kindly answered my many questions, and, needless to say, all the possible flaws are on my own responsibility. In conducting this research, I was supported by the Hitotsubashi University Foundation (Japan). In the
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34

Haitsma Mulier, E. O. G. "J.L. McGee, Cornelis Corneliszoon van Haarlem (1562-1638): patrons, friends and Dutch humanists." BMGN - Low Countries Historical Review 108, no. 3 (1993): 475. http://dx.doi.org/10.18352/bmgn-lchr.3726.

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Kay, William K. "VAN DER LAAN, Cornelis. Margaretha Adriana Alt: Mother of the Indonesian Pentecostal Mission." PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements 20, no. 1 (2021): 112–14. http://dx.doi.org/10.1558/pent.43053.

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36

Schulting, TO. "Cornelis Ketel en zijn familie: een revisie." Oud Holland - Quarterly for Dutch Art History 108, no. 4 (1994): 171–207. http://dx.doi.org/10.1163/187501794x00242.

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AbstractIn 1964 this journal published an article by J. Schouten with a family tree of the Ketel family of Gouda; most of the archive records consulted by the author for that purpose were already public. His principal theme, however, was the hypothesis of a third painter in the family by the name of Cornelis Ketel. The first Cornelis, who died in 1567, was the now forgotten uncle and teacher of the second, the well-known painter Cornelis Ketel who died in Amsterdam in 1616; the third Cornelis was the first one's son and thus a cousin of the second. Fresh archive research has yielded a correcte
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37

Marinus, Cornelis. "Rembrandts boedelafstand: een institutionele en politieke benadering." Pro Memorie 21, no. 1 (2019): 72–89. http://dx.doi.org/10.5117/pm2019.1.004.veld.

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Summary This contribution studies the cessio bonorum of painter Rembrandt van Rhijn in relation to the relevant rules and institutions of Amsterdam. In the Rembrandt case the procedural rules on the cessio bonorum were followed to a large extend. In regard to the beweysinge, a few weeks before the application for the cessio, it seems more convincing that it should be interpreted as a promise than as a conveyance of the house he owned. This new perspective on the beweysinge, however, does not alter the fact that it seems likely that there was a conflict between the Orphans Chamber (serving the
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Simatupang, Florian. "Margaretha Adriana Alt: Mother of the Indonesian Pentecostal Mission, by Cornelis Van Der Laan." Pneuma 42, no. 3-4 (2020): 587–89. http://dx.doi.org/10.1163/15700747-04203018.

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Jansen, Jeroen. "Bredero’s Klucht van de molenaar in twee vroege drukken." Tijdschrift voor Nederlandse Taal- en Letterkunde 136, no. 1 (2020): 2–19. http://dx.doi.org/10.5117/tntl2020.1.001.jans.

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Abstract This contribution focuses on two editions of G.A. Bredero’s Klucht van de molenaar (Farce of the miller), written in 1613. It illustrates that the first edition of 1618 (by publisher-bookseller Niclaes Verberg) contains different words, half lines and in one case even whole lines that are missing or changed in comparison with the second edition of 1619. This is what Bredero’s regular publisher Cornelis vander Plasse claims himself. Bredero’s play is written in a vernacular-like style resembling the variety spoken in Amsterdam at the time. The analysis of the two editions on the repres
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van der Kraan, Alfons. "On Company Business The Rijckloff van Goens Mission to Siam, 1650." Itinerario 22, no. 2 (1998): 42–84. http://dx.doi.org/10.1017/s0165115300011943.

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On 13 April 1650 the young Chief (Opperhoofd) of the Siam factory of Dutch East India Company (VOC), the Merchant (Koopman) Jan van Muijden, arrived at Batavia aboard the flute de Gecroonde Liefde (Crowned Love), with a cargo unusual even by the standards of this thriving stapling port. Aboard were a total of twelve elephants, a gift from the King of Siam and his Mandarins, Oya Sabartiban (Okya Sabartiban) and Oya Berckelang (Okya Phrakhlang), to Governor-General Cornelis van der Lijn and the four Councillors of the Indies present in Batavia at the time, one of whom was the Director-General an
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KITLV, Redactie. "Book reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 167, no. 4 (2011): 561–98. http://dx.doi.org/10.1163/22134379-90003586.

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Esther Captain en Guno Jones, Oorlogserfgoed overzee: De erfenis van de Tweede Wereldoorlog in Aruba, Curaçao, Indonesië en Suriname (Fridus Stijlen) Cynthia Chou, The Orang Suku Laut of Riau, Indonesia: The inalienable gift of territory (Timothy P. Barnard) Marshall Clark, Maskulinitas: Culture, gender and politics in Indonesia (Will Derks) Matthew Isaac Cohen, Performing otherness: Java and Bali on international stages, 1905-1952 (Suryadi) Marleen Dieleman, Juliette Koning and Peter Post (eds), Chinese Indonesians and regime change (Dewi Anggraeni) Wim van den Doel, Zo ver de wereld strekt:
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Nhi, Pham Thi, Khuat Dang Long, and Cornelis Van Achterberg. "First record of the genus Eugalta Cameron, 1899 (Hymenoptera: Ichneumonidae: Poemeninae) from Vietnam." TAP CHI SINH HOC 39, no. 4 (2018): 467–73. http://dx.doi.org/10.15625/0866-7160/v39n4.11242.

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The genus EugaltaCameron, 1899 (Ichneumonidae: Poemeniinae) is reported for the first time from Vietnam after studying the Ichneumonidae collections recently assembled at the Institute of Ecology and Biological Resources (Ha Noi) and the Naturalis Biodiversity Center(Leiden). A key to seven species of Eugaltais compiled. Eugaltapunctulatayamuna(Gupta, 1980), is a junior synonym of the nominate subspecies, E. punctulatapunctulata Cameron, 1899, syn. nov. Citation: Pham Thi Nhi, Khuat Dang Long, Cornelis van Achterberg, 2017. First records of the genus Eugalta Cameron, 1899 (Hymenoptera: Ichneum
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43

Downey, Erin. "Learning in Netherlandish workshops in seventeenth-century Rome." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online 68, no. 1 (2019): 348–77. http://dx.doi.org/10.1163/22145966-06801012.

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This contribution presents a much-needed overview of Netherlandish workshop activities in Rome, and a reevaluation of their impact on the cultural environment of the city. Focusing on the workshops of Paul Bril, Herman van Swanevelt, Vincent Adriaenssen Leckerbetien (‘Il Manciola’), Cornelis Bloemaert II, and the now obscure painter Salomon Backereel, it elucidate the process by which these and other Dutch and Flemish artists trained aspiring painters and contributed to the overall educational program of the city. Not only is there more information about how their workshops functioned, but als
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Paparella, M. M. "Bell's Palsy Before Bell: Cornelis Stalpart van der Wiel's Observation of Bell's Palsy in 1683." Yearbook of Otolaryngology-Head and Neck Surgery 2006 (January 2006): 54. http://dx.doi.org/10.1016/s1041-892x(08)70051-9.

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Dekker-Robertson, Donna. "Forest Policy: International Case Studies. Bill Wilson , G. Cornelis van Kooten , Ilan Vertinsky , Louise Arthur." Quarterly Review of Biology 75, no. 4 (2000): 483–84. http://dx.doi.org/10.1086/393710.

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Rückert, Joachim. "European Supreme Courts: A Portrait through History, hg. v. Alan Wijffels/Cornelis Hendrik van Rhee." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 132, no. 1 (2015): 576–78. http://dx.doi.org/10.7767/zrgga-2015-0153.

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Roughan, Christine. "Lambertus Willem Cornelis van Lit, Among Digitized Manuscripts. Philology, Codicology, Paleography in a Digital World." Die Welt des Islams 61, no. 1 (2021): 136–38. http://dx.doi.org/10.1163/15700607-61010008.

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Taatgen, Alice. "‘De groote Petrus Nannius van Alkmaar’ Een mansportret door Cornelis Buys II in de collectie van het Stedelijk Museum Alkmaar geïdentificeerd." Studium 8, no. 1 (2015): 39. http://dx.doi.org/10.18352/studium.10077.

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Pass, Bruce. "Book Review: First Steps for the Postmodern Christian: Cornelis Van Der Kooi and Gijsbert Van Den Brink, Christian Dogmatics: An Introduction." Expository Times 129, no. 11 (2018): 528. http://dx.doi.org/10.1177/0014524618780084.

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van Keulen, van Keulen. "G.C. Berkouwer’s Principle of Correlation: An Attempt to Comprehend." Journal of Reformed Theology 4, no. 2 (2010): 97–111. http://dx.doi.org/10.1163/156973110x523520.

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Abstract:
AbstractThe term correlation is a central idea in the work of the Dutch theologian Gerrit Cornelis Berkouwer (1903-1996). Berkouwer has often been criticised for his use of this term. On the basis of three examples (the correlation between faith and justification, between faith and election and between promise and expectation) Berkouwer’s intentions are determined. It will turn out that he used the term in another way than Paul Tillich made use of it. Berkouwer’s principle of correlation incorporates elements of great value. The problem with it is terminologically in nature. Berkouwer has been
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