Academic literature on the topic 'Cornelius Scipio'

In 209 b.c. P. Cornelius Scipio captured the city of New Carthage. The victory was crucial for the Roman war effort in Spain, and indeed in Italy too, but Scipio's campaign is especially memorable—and the subject of much debate—on account of the manner in which the city was taken. New Carthage had in effect been built on a peninsula, with the sea to the south and a lagoon to the north, and with a canal joining the two to the west. The city, therefore, could only be approached by land from the east; but, according to Polybius, Scipio had learnt from some fishermen that the lagoon was shallow and could be forded in most places and, moreover, that the waters in it usually receded each evening (10.8.7). It was this knowledge that Scipio exploited to take the city. But this same knowledge he also kept from his men (10.9.1, 10.9.4–5). In his address to his soldiers prior to the attack, Polybius says, Scipio told them that Poseidon had visited him in his sleep and had promised to assist the Romans in their operations in a way that would be apparent to all (10.11.7).

According to Livy (26.18.3–26.19.2), in late 211 Publius Cornelius Scipio was elected priuatus cum imperio pro consule by the comitia centuriata and sent to Spain in charge of the legions formerly led by his father Publius and his uncle Gnaeus. This was the beginning of a new phase in the Hannibalic War, which would ultimately lead Rome to victory against its most dangerous enemy. As has long been recognized, Livy assigns Scipio a central role in the narrative development of the Third Decade. For most critics, this centrality coincides with (and is the result of) Livy's admiration: in his view, Scipio is the fatalis dux, the commander sent by Providence to lead Rome to victory; he is Hannibal's rival par excellence, the only leader capable of matching the enemy's military genius and blocking his relentless advance against the Republic; he is, above all, the most shining example of the Roman virtues.

Philosophical influences in the personality and public life of Publius Cornelius Scipio Aemilianus, consul in 147 and 134b.c., were once emphasized in scholarship. In 1892, Schmekel demonstrated the reception of Stoic philosophy in the second half of the second centuryb.c.among the philhellenic members of the governing elite in general, and statesmen like Scipio Aemilianus in particular, in what he called the ‘Roman Enlightenment’. In the 1920s and 1930s, Kaerst showed influences of Stoic philosophy on Scipio, contemporary politics and the Principate to come, while Capelle and Pohlenz identified Stoic ideas in Scipio's foreign and domestic policies. Together they formed a body of scholarship which held that Scipio possessed a serious interest in philosophy which defined his character and informed his public life. In the 1960s, the challenge to this scholarship was led by Strasburger in two articles, and by Astin in his 1967 biography. Both scholars downplayed and devalued philosophical influences on Scipio and denied him the pursuit of the Greek virtuous life. They placed him within the traditions of the Roman elite, ambitious for glory and results-driven, and they have successfully formed influential views to this end, despite the critique made by Erskine. Astin remained the authoritative study of Scipio and there was much in hisRealpolitikthat scholarship found compelling, even when it allowed Scipio an attachment to Greek culture. For example, Gruen, Elvers and Badian acknowledged Scipio's interest in Greek culture and philosophy, in combination with the practices and goals of a traditional Roman aristocrat, but they placed their accent on the latter by affirming that Greek learning did not change the current of a traditional aristocratic life. The contention of this article is that the pre-Strasburger/Astin interpretation of Scipio, despite its shortcomings, was indeed correct to detect a deep current of philosophical influences on Scipio. The article argues that the evidence demonstrates that in education, character and public life Scipio was informed by the Greek moral and political tradition; that Scipio had claimed to possess the cardinal virtues, derived ultimately from Plato; and that he had acted under a moral imperative of power formulated by the Stoic philosopher Panaetius; the conclusion will address the ethical intention of Scipio.

AbstractThe censors of 154/3 commissioned a stone theatre which was almost completed when it was demolished on the exhortations of P. Cornelius Scipio Nasica. The sources suggest that this destruction was as late as 151 or 150. Though an array of scholars has seised on Nasica’s claims that a theatre would soften Rome’s moral strength, there has been no satisfactory explanation of this peculiarly long delay between commencement of construction and final demolition. Something must have happened between 153 and 151 which would explain the late objection. This article proposes that Nasica’s awakening was spurred by the death of the princeps senatus and pontifex maximus, M. Aemilius Lepidus. The vacuum left by his death led Nasica to ‘audition’ for the role as Rome’s new leading voice. To demonstrate his worthiness, however, he needed a cause, and the widespread refusals to serve in the Spanish campaign of 151 offered just such an opportunity. Nasica seised upon the most shocking political crisis of the times – the refusal of young men to enlist – in order to parade his guardianship of Rome’s moral worth, and the destruction of a costly and undoubtedly popular theatre constituted the bravura performance he needed.