Books: 'Corporate art collection'

1

Imai, E. Philanthropy in corporate art collection. Oxford Brookes University, 1995.

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2

Standard Bank Centre Art Gallery. The Standard Bank corporate art collection. Standard Bank Centre Art Gallery, 1990.

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3

Canada, Guaranty Trust Company of. Guaranty Trust corporate art collection, 1974-1986. Guaranty Trust Company of Canada, 1986.

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4

Corporate collections. Deutsche Standards., 2012.

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5

Manson and Woods Ltd Christie. Contemporary art: The properties of the Corporate Collection of USX, Pittsburgh ... : which will be sold at Christie's Great Rooms on Thursday 18 October 1990 ... . Christie, Manson & Woods, 1990.

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6

Martorella, Rosanne. Corporate art. Rutgers University Press, 1990.

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7

Corporate art consulting. Art World Press, 1994.

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8

John, Kelsey, ed. Corporate mentality. Lukas & Sternberg, 2003.

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9

Cock, A. C. F. Analysis of corporate collecting of contemporary art. Oxford Brookes University, 1995.

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10

Douglas, Christoph A. Corporate collecting and corporate sponsoring: Dokumentation des Symposiums zur Art Frankfurt 1994. Lindinger + Schmid, 1994.

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11

Art Gallery of Nova Scotia. and Edmonton Art Gallery, eds. Hidden values: Contemporary Canadian art in corporate collections. Douglas & McIntyre, 1994.

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12

Fund, National Art Collections. The new patrons: Twentieth-century art from corporate collections. National Art Collections Fund, 1992.

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13

Nederland, Vereniging Bedrijfscollecties, ed. Bedrijfscollecties in Nederland =: Corporate art collections in the Netherlands. NAI Publishers, 2009.

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14

Art for work: The new Renaissance in corporate collecting. Harvard Business School Press, 1993.

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15

Privatising culture: Corporate art intervention since the 1980s. Verso, 2002.

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16

Hagen, Målfrid Irene. Cultural similarities and diversities of corporate art and architecture in Norway, USA, Japan and France: An exploratory and comparative study on corporate art collections and the architecture of corporate headquarters. AHO, Oslo School of Architecture and Design, 2011.

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17

Kunstsammlungen in deutschen Wirtschaftsunternehmen im Zeitraum zwischen 1965 und 2000: Eine Untersuchung der Sammlungsmodelle der Herta GmbH, der Tetra Pak Rausing & Co. KG, der Deutsche Bank AG, der Adolf Würth GmbH & Co. KG sowie der DG Bank Deutsche Genossenschaftsbank AG. P. Lang, 2008.

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18

United States. Congress. Senate. Committee on Labor and Human Resources. Oversight of collective bargaining agreement and the Bildisco decision: Joint hearing before the Committee on Labor and Human Resources, and the Committee on the Judiciary, United States Senate, Ninety-eighth Congress, second session, on reviewing what adjustments are needed to integrate successfully the goals of the National Labor Relations Act and the bankruptcy code, April 10, 1984. U.S. G.P.O., 1985.

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19

Afong, Anne. The Uniform Act on the Collective Proceeding for the Discharge of Liabilities: The prevention of company insolvency under the O.H.A.D.A. Uniform Act. [publisher not identified], 2012.

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20

Basciano, Bianca, Franco Gatti, and Anna Morbiato. Corpus-Based Research on Chinese Language and Linguistics. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-406-6.

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This volume collects papers presenting corpus-based research on Chinese language and linguistics, from both a synchronic and a diachronic perspective. The contributions cover different fields of linguistics, including syntax and pragmatics, semantics, morphology and the lexicon, sociolinguistics, and corpus building. There is now considerable emphasis on the reliability of linguistic data: the studies presented here are all grounded in the tenet that corpora, intended as collections of naturally occurring texts produced by a variety of speakers/writers, provide a more robust, statistically significant foundation for linguistic analysis. The volume explores not only the potential of using corpora as tools allowing access to authentic language material, but also the challenges involved in corpus interrogation, analysis, and building.

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21

Protecting Employees and Retirees in Business Bankruptcies Act of 2010: Hearing before the Subcommittee on Commercial and Administrative Law of the Committee on the Judiciary, House of Representatives, One Hundred Eleventh Congress, second session, on H.R.4677, May 25, 2010. U.S. G.P.O., 2010.

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22

Guynes, Sean, and Dan Hassler-Forest, eds. Star Wars and the History of Transmedia Storytelling. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462986213.

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Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies’ projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world’s most profitable transmedia franchise.

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23

Roy, Meador, and Stern Madeleine B. 1912-, eds. Book Row: An anecdotal and pictorial history of the antiquarian book trade. Carroll & Graf Publishers, 2004.

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24

Corporate Art Collections Handbooks in International Art Business. Lund Humphries Publishers, 2012.

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25

Victoria, Hansen T., Heartney Eleanor 1954-, Lang Communications, and National Museum of Women in the Arts (U.S.), eds. Presswork: The art of women printmakers : Lang Communications corporate collection. Lang Communications, 1991.

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26

Business card graphics: An international collection of outstanding personal and corporate business cards. P.I.E.Books, 1992.

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27

Logo 5: An international collection of logo design = logogestaltung im internationalen Überblick = une compilation internationale sur le design de logos. Graphis, 2001.

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28

Howarth, Shirley Reiff. Directory of Corporate Art Collections. 5th ed. Art News, 1988.

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29

Directory of Corporate Art Collections. International Art Alliance, Incorporated, 1986.

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30

Reiff, Howarth Shirley, and International Art Alliance, eds. ARTnews international directory of corporate art collections. International Art Alliance, 1988.

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31

Howarth, Shirley Reiff. Art News International Directory of Corporate Art Collections 1993-94 (Art News International Directory of Corporate Art Collections). Intl Art Alliance, 1996.

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32

Corporate Art Consulting. Skyhorse Publishing Company, Incorporated, 1999.

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33

Art inc: An exhibition of art from corporate collections. Coth, the Business Council for the Arts, 1991.

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34

Moncrieff, Elspeth. Smart art: The merits of corporate collections. 1991.

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35

Kahan. Art Inc.: American Paintings from Corporate Collections. Dutton Adult, 1985.

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36

Art News International Directory of Corporate Art Collections 1993-94. Intl Art Alliance, 1993.

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37

Press, Harvard Business School, and Marjory Jacobson. Art for Work: New Renaissance in Corporate Collecting. McGraw-Hill, 1993.

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38

Glancy, Jennifer A. Corporal Ignorance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722618.003.0023.

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Focusing on an incident in which a follower of Jesus severs the ear of the high priest’s slave, I argue that Christian communities formed around embodied memories of the wounded Jesus found—and find—it difficult to account for their role in perpetrating violence. In the formation of corporate identity, collective memory is mediated by bodies. Communities are formed through shared experiences of embodiment. The process of collective memory allowing a community and its members to form a corporate identity tends to exclude other kinds of corporal knowing. Such corporal ignorance is of concern from a feminist perspective. Collective memories of Christian communities have often trivialized or disavowed embodied experiences of sexual violence and other gendered traumas. Also, construction of a corporate identity founded in shared experience of gendered violence has the potential to minimize damages wittingly or unwittingly imposed on the bodies of others.

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39

Visions of the West: The Corporate Art Collections of Torch Energy Advisors Incorporated and Gulf Canada Resources Limited. Gibbs Smith Publishers, 1999.

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40

Society, Fine Art, and Arthur Andersen & Co., eds. Corporate collections: An exhibition of works of art from the collections of Arthur Andersen & Co. ... [et al.]. Fine ArtSociety, 1990.

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41

Mir, Aleksandra. Corporate Mentality: An Archive Documenting the Emergence of Recent Practices Within a Cultural Sphere Occupied by Both Business and Art. Lukas & Sternberg, 2001.

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42

Jacobson, Marjory. Art and Business. Thames & Hudson Ltd, 1993.

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43

Siraganian, Lisa. Modernism and the Meaning of Corporate Persons. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198868873.001.0001.

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Long before the U.S. Supreme Court announced that corporate persons freely “speak” with money in Citizens United v. Federal Election Commission (2010), the Court elaborated the legal fiction of American corporate personhood in Santa Clara v. Southern Pacific Railroad (1886). Yet endowing a non-human entity with certain rights exposed a fundamental philosophical question about the possibility of collective intention. That question extended beyond the law and became essential to modern American literature. This book offers the first multidisciplinary intellectual history of this story of corporate personhood. The possibility that large collective organizations might mean to act like us, like persons, animated a diverse set of American writers, artists, and theorists of the corporation in the first half of the twentieth century, stimulating a revolution of thought on intention. The ambiguous status of corporate intention provoked conflicting theories of meaning—on the relevance (or not) of authorial intention and the interpretation of collective signs or social forms—still debated today. As law struggled with opposing arguments (corporate intention, pro versus con), modernist creative writers and artists grappled with interrelated questions, albeit under different guises and formal procedures. Combining legal analysis of law reviews, treatises, and case law with literary interpretation of short stories, novels, and poems, the chapters analyze legal philosophers including Oliver Wendell Holmes, Jr., Frederic Maitland, Harold Laski, Maurice Wormser, and creative writers such as Theodore Dreiser, Muriel Rukeyser, Gertrude Stein, Charles Reznikoff, F. Scott Fitzgerald, and George Schuyler.

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44

Rotterdam, World Trade Center, and Empress Place (Museum : Singapore), eds. Modern art travels East-West: Corporate collections from Singapore and the Netherlands : Rotterdam Beurs/World Trade Center, June 7-June 24 1990 ; Singapore, Empress Place Museum, August 10-August 26 1990. Edition Bröring-de Toorts, 1990.

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45

Turner, Henry. Corporate Persons, between Law and Literature. Edited by Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.12.

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This essay examines the history of the corporation as both ‘person’ and ‘group’ and compares legal theories of corporate personhood with poetic and theatrical ideas about ‘personation,’ fictional ‘personality,’ and allegorical ‘personification’. Major examples include Calvin’s Case (1608) and the case of Sutton’s Hospital (1612), Spenser’s Faerie Queene, assorted plays by Shakespeare, Hobbes’s Leviathan, and Ben Jonson’s The Alchemist and Bartholomew Fair. The essay concludes with some theoretical speculation about the pragmatic and mimetic nature of corporate personhood today, especially in advertising and branding. It suggests that our current debates over corporations are symptomatic of a more general impoverishment in our public discourse concerning ethical ideas and the value of collective action.

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46

Eyre, Anne, and Pam Dix. Collective Conviction. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781781381236.001.0001.

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This book tells the story of Disaster Action, a small charity founded in 1991 by survivors and bereaved people from the disasters of the late 1980s, including Zeebrugge, King's Cross, Clapham, Lockerbie, Hillsborough and the Marchioness. The aims were to create a health and safety culture in which disasters were less likely to occur and to support others affected by similar events. The founders could not have anticipated the degree to which they would influence emergency planning and management and the way people are treated after disasters. Aware of the value of lessons learned over 22 years, the trustees felt that this corporate memory should be captured. The book encapsulates that memory, so that it can be called upon by survivors, the bereaved, governments and others for years to come. The book sets out the chronology of Disaster Action's history, with first-person accounts and case studies of disasters interweaved with chapters on the needs and rights of individuals, the treatment of bereaved and survivors, inquests and inquiries, the law, the media, memorials and commemorations, and the importance of corporate memory. Additionally, it contains guidance notes for survivors and bereaved on dealing with a disaster, and best practice guidance for responders and the media. This book is essential reading for those in a wide range of disciplines with an interest in planning for, responding to, reporting on and dealing with the aftermath of disaster. And importantly, people affected by disaster should find solace and support in the personal stories of others.

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47

Baer, Gregor, and Karen O’Flynn, eds. Financing Company Group Restructurings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780198738466.001.0001.

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This book provides the first comprehensive treatment of out-of-court restructuring and post-commencement insolvency financing in the corporate group setting, domestically and internationally. Bringing together a collection of distinguished contributors-academics and practitioners at the forefront of insolvency practice and law reform efforts-the book addresses and critiques “state of the art” practice and work-arounds for financing out-of-court restructurings as well as judicial reorganisations, going-concern liquidations and administration proceedings of financially distressed global business groups. The book opens with a detailed introduction from the editors which provides an overview of domestic law issues and an exploration of principles guiding judicial and administrative cooperation to facilitate group financing in cross-border cases. The final section analyzes regional and global law reform and harmonisation progress to date. This book is a valuable resource for practitioners who must structure (and courts that must approve) financing for global enterprise groups in reorganisation. With another wave of global corporate group failures anticipated, practitioners, courts and policy makers are well served by a work describing cutting-edge advances in this field in domestic and cross-border cases.

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48

Anderson, Hamish. The Framework of Corporate Insolvency Law. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805311.001.0001.

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This book provides a critical examination of modern English corporate insolvency law, in particular the procedures under the Insolvency Act 1986, from both conceptual and functional points of view. It focuses throughout on identifying a rational explanation for the form that the rules and institutions of the modern law take or, where there is no such rational explanation, the history which has resulted in the present position. A central theme of the book is that the nature and fundamental purpose of insolvency proceedings themselves dictate many of the features of English insolvency proceedings. For example, collective execution on behalf of creditors necessitates definition of the insolvent estate and the provision of rules concerning provable debts and transaction avoidance. Many key features of the insolvency procedures are therefore essentially matters of practicality rather than principle, albeit practicalities applied justly and fairly. The book covers the nature and purpose of insolvency law; the procedures; the administration, supervision and regulation of insolvency proceedings; the insolvent estate and transaction avoidance; investigation and wrongdoing by directors; phoenixism and pre-packing; distribution of the insolvent estate; and, lastly, cross-border insolvency. It examines the various principles of insolvency law in the context of practice, drawing upon historical perspectives where appropriate. By explaining how the law takes the form that it does, the book promotes an understanding of the present law and institutions as a whole, and shows how this understanding might inform future developments.

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49

Miller, David, Claire Harkins, Matthias Schlögl, and Brendan Montague. The addiction thought collective: How think tanks foster addiction. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198753261.003.0005.

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The rise of think tanks is a key development in the evolution of policy networks. The sheer scale and reach of think tanks is underappreciated: for example, the European Policy Institutes Network has a membership of at least 500 think tanks. In Europe, the conversation about the relationship between think tanks, new policy elites, and the politics of expertise is still at an early stage. Think tanks, however, are widely held to play a fundamental role in the politics of expertise in Brussels. In this chapter we first examine how think tanks appear in our network data and then review the activities and role of five central think tanks in the Brussels arena. Our data show that, empirically speaking, think tanks are an important and underappreciated element of the architecture of corporate policy action in relation to tobacco, alcohol, food, and gambling products.

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50

Pasternak, Avia. Responsible Citizens, Irresponsible States. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197541036.001.0001.

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International and domestic laws commonly hold states responsible for their wrongdoings. States pay compensation for their unjust wars, and reparations for their historical wrongdoings. Some argue that states should incur punitive damages for their international crimes. But there is a troubling aspect to these practices. States are corporate agents, composed of flesh and blood citizens. When the state uses the public purse to finance its corporate liabilities, the burden falls on these citizens, even if they protested against the state’s policies, did not know about them, or entirely lacked channels of political influence. How can this “distributive effect” of state-level responsibly be justified? The book develops an answer to this question, which revolves around citizens’ participation in their state. It argues that citizenship can be a type of massive collective action, where citizens willingly orient themselves around the authority of their state, and where state policies are the product of this collective action. While most ordinary citizens are not to blame for their participation in their state, they nevertheless ought to accept a share of the remedial obligations that flow from their state’s wrongful policies. However, the distributive effect cannot be justified in all states. Specifically, in (some) nondemocratic states most citizens are not participating in their state in the full sense, and should not pay for their state’s wrongdoings. This finding calls then for a revision of the way we hold states responsible in both the domestic and international levels.

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Books on the topic 'Corporate art collection'

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