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Books on the topic 'Corporeal communication'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Ramsey, Ramsey Eric. The long path to nearness: A contribution to a corporeal philosophy of communication and the groundwork for an ethics of relief. Amherst, N.Y: Humanities Press, 1998.

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2

Ramsey, Ramsey Eric. The long path to nearness: A contribution to a corporeal philosophy of communication and the groundwork for an ethics of relief. Atlantic Highlands, N.J: Humanities Press, 1998.

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3

James, Judi. El lenguaje corporal: Proyectar una imagen positiva. Barcelona: Paidós, 2003.

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4

Deschamps, Marc-Alain. Le langage du corps et la communication corporelle. Paris: Presses universitaires de France, 1989.

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5

Le langage du corps et la communication corporelle. Paris: Presses Universitiares de France, 1989.

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6

Dieltjens, Sylvain. Researching discourse in business genres: Cases and corpora. Bern: Peter Lang, 2012.

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7

Researching discourse in business genres: Cases and corpora. Bern: Peter Lang, 2012.

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8

Carbonell, R. Ga. Todos pueden hablar bien: Método completo de expresión oral-corporal. Madrid: EDAF, 2001.

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9

Brière, Francis. Petit guide du langage corporel: 25 gestes à découvrir, analyser, interpréter. Montréal: Québec Loisirs, 2008.

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10

Pérez, Javier Villahizán. Conoce tu personalidad a través del lenguaje corporal. Madrid: LIBSA Editorial, 2003.

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11

Woolfson, Richard C. El lenguaje corporal de tu hijo: Cómo entender la comunicación no verbal de los niños. Barcelona: Paidós, 1997.

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12

La synergologie: Pour comprendre son interlocuteur à travers sa gestuelle. Saint-Laurent]: Édition du Club Québec loisirs, 2001.

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13

Sime, Luis. Ejercicios para el desarrollo del lenguaje corporal en la educación en derechos humanos. Santiago, Chile: Programa Interdisciplinario de Investigaciones en Educación, 1992.

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14

James, Judi. Body talk: The skills of positive image. London: The Industrial Society, 1995.

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15

Messinger, Joseph. Les gestes prédictifs. Paris: Presses du Châtelet, 2008.

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16

Konventionen technischer Kommunikation: Makro- und mikrokulturelle Kontraste in Anleitungen. Berlin: Frank & Timme, 2010.

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17

Romero, Ana María. Conozca a los demás descifrando sus gestos y posturas. Buenos Aires: Imaginador, 1999.

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18

Pacori, Marco. Cómo interpretar los mensajes del cuerpo. Barcelona: Editorial De Vecchi, 1999.

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19

La dimension corporelle de la parole: Les marques posturo-mimo-gestuelles de la parole, leurs aspects métonymiques et métaphoriques, et leur rôle au cours d'un récit. Paris: Peeters, 2001.

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20

Auteur, Adamczyk Gregor, and Rolland, Sabine, (1972- ...)., Traduction, eds. Le langage du corps: Décryptez vos gestes et ceux de vos interlocuteurs. Bruxelles: Ixelles éditions, 2011.

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21

Sprachgebrauchsmuster: Korpuslinguistik als Methode der Diskurs- und Kulturanalyse. Berlin: W. de Gruyter, 2009.

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22

translator, Sala Cristina, ed. Curso rápido para hablar en público: La voz, el lenguage corporal, el control de las emociones, la organización de los contenidos--. Barcelona: De Vecchi, 2008.

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23

Listenership behaviours in intercultural encounters: A time-aligned multimodal corpus analysis. Amsterdam: John Benjamins Publishing Company, 2013.

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24

Internationales Promotionsprogramm Literatur- und Kulturwissenschaft (Justus Liebig-Universität Giessen), ed. Kommunikation, Korpus, Kultur: Ansätze und Konzepte einer kulturwissenschaftlichen Linguistik. Trier: WVT, Wissenschaftlicher Verlag Trier, 2014.

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25

Boothman, Nicholas. Cómo caer bien a los demás en menos de 90 segundos: Aprende a leer el lenguaje corporal y a establecer conexiones cálidas y llenas de significado. Barcelona, España: Oniro, 2001.

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26

Huber, Cheri. La primera impresión: Tu cuerpo habla : técnicas para interpretar los mensajes no verbales y crear una buena impresión. Barcelona: Oceano/Ambar, 2001.

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27

Researching specialized languages. Amsterdam: John Benjamins Pub. Co., 2011.

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28

Compagnone, Maria Rosaria. Linguaggio SMS: Il parlato digitato. Napoli: Liguori editore, 2014.

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29

Rosini, Rosanna Masiola. La traduzione è servità, ovvero, Food for thought: Analisi di corpora paralleli in traduzione costruiti su topos descrittivi e tematici inentrati sul cibo. Trieste, Italia: Edizioni Università di Trieste, 2004.

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30

Yŏnse Taehakkyo. Ŏnŏ Chŏngbo Yŏn'guwŏn, ed. Tamyŏn charyo wa piŏnŏjŏk sot'ong. Sŏul-si: Tosŏ Ch'ulp'an Pagijŏng, 2015.

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31

La bible des gestes du monde des affaires. [Montréal]: Caractère, 2008.

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32

Verdad o mentira?: Los cuatro códigos para detectar el engaño. Barcelona: Paidós, 2005.

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33

Corpus, culture, discourse. Tübingen: G. Narr, 2008.

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34

The pamphlet as a form of publication: A corpus-based study of early modern religious pamphlets. Aachen: Shaker Verlag, 2010.

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35

Les gestes et les attitudes qui parlent. 2nd ed. Outremont, Québec: Québecor, 2005.

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36

Innerwinkler, Sandra. Sprachliche Innovation im politischen Diskurs: Eine Analyse ausgewählter Beispiele aus dem politischen Diskurs zwischen 2000 und 2006 in Österreich. Frankfurt am Main: P. Lang, 2010.

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37

Calbris, Geneviève. Des gestes et des mots pour le dire. Paris: CléInternational, 1986.

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38

Ekman, Paul. Telling lies: Clues to deceit in the marketplace, politics, and marriage. 3rd ed. New York: W.W. Norton, 2001.

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39

Ekman, Paul. Telling lies: Clues to deceit in the marketplace, politics, and marriage. New York: Norton, 1985.

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40

Telling lies: Clues to deceit in the marketplace, politics, and marriage. 4th ed. New York: W.W. Norton, 2009.

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41

Telling lies: Clues to deceit in the marketplace, politics, and marriage. New York: W.W. Norton, 1991.

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42

Cómo detectar mentiras: Una guía para utilizar en el trabajo, la política y la pareja. Barcelona: Paidós, 2005.

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43

Telling lies: Clues to deceit in the marketplace, politics, and marriage. 3rd ed. New York: W.W. Norton, 2001.

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44

Ekman, Paul. Cómo detectar mentiras: Una guía para utilizar en el trabajo, la política y la pareja. Barcelona: Paidós, 1991.

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45

Ekman, Paul. Telling lies: Clues to deceit in the marketplace, politics, and marriage. 4th ed. New York: W.W. Norton, 2009.

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46

Ekman, Paul. Telling lies: Clues to deceit in the marketplace, politics, and marriage. New York: Norton, 1985.

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47

Hoffmann, George. From Communion to Communication. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808763.003.0007.

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Satires’ vitriolic nature made them poor tools of propaganda. Rather than as instruments of persuasion, they often read as anxious to foreground their own inflated diffusion, power to provoke, and coherence through retrospective serialization that suggested a fictional continuity. If part publicity stunt, however, these satires also cannily exploited and extended the reformed theological concept of “communication” by which the traditional corporeal understanding of the social body, figured in Communion, was replaced with spiritual connection to Jesus and, ultimately, to fellow worshipers. Satires’ emphasis on foreignness and distance from one’s neighbors in particular facilitated a kind of “stranger sociability” with fellow reformed readers they did not know. This theological origin suggests that the modern public sphere began with the communication of the Mass before it transformed into mass communication.

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48

Auer, Peter, and Ina Hörmeyer. Achieving Intersubjectivity in Augmentative and Alternative Communication (AAC). Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190210465.003.0013.

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This paper investigates communication, including computer-based speech aids by people with severe cerebral palsy—namely Augmented and Alternative Communication, AAC. The reduced bodily capacities and the “uncontrolled bodies” of CP sufferers make bodily synchronization with their partners a considerable challenge. What is more, the electronic speech aid not only produces a disembodied language (synthetic speech), but also has a massive impact on the mutual corporeal attunement of the participants. It will be shown that these detrimental effects of AAC can lead to a breakdown in temporal, sequential and topical structure, and to interactional failure and lack of understanding. However, there are ways to overcome these risks—for example, a “moderator” who channels and controls co-participants’ activities despite the Augmented/Alternative Communicator’s focus on the machine, even during the production of a complex utterance. Thus the machine can be “embodied,” and the interaction can—despite CP—become an “intercorporeal” one.

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49

King, Elaine, and Anthony Gritten. Dialogue and beyond. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199346677.003.0022.

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This chapter explores the nature of dialogue in ensemble music performance, interrogating the ways in which ‘communication’ and ‘interaction’ occur in the context of rehearsal and live performance of western art music. An expanded conceptual model is proposed in which the epistemic difference between rehearsal and performance is characterized by a paradigm shift from communication (which we define as a one-way process of dialogue, illustrated by turn-taking) to interaction (a two-way process of dialogue, illustrated by reciprocity). The authors argue that interaction draws upon an embodied physical knowledge that is predominantly gestural and corporeal, alongside which (verbal) communication is one small contributory component. Finally, they claim that it is more propitious to understand the central role of embodied knowledge in ensemble performance in terms of interaction rather than communication.

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50

Chester, Andrea, and Di Bretherton. Impression management and identity online. Edited by Adam N. Joinson, Katelyn Y. A. McKenna, Tom Postmes, and Ulf-Dietrich Reips. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561803.013.0015.

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Online impressions ‘need not in any way correspond to a person's real life identity; people can make and remake themselves, choosing their gender and the details of their online presentation’. This comment came to represent the way the Internet was portrayed both in the popular media and within academic writing in the 1990s. Online communication was seen to hold the potential for unique opportunities to present the self: no longer constrained by corporeal reality, users could invent and reinvent themselves. They could manage impressions in ways never before possible. The Internet was described as the quintessential playground for postmodern plurality, fragmentation, and contextual construction of self. This article examines the process of impression management online and considers whether these conceptualizations of identity experimentation still accurately describe ‘life on the screen’.

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