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Journal articles on the topic 'Corporeity. eng'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Oroño, Matias. "Self-awareness and corporeality in Kantian critical theory." Anuario Filosófico 48, no. 3 (2015): 469–91. http://dx.doi.org/10.15581/009.48.3.469-491.

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Gawron, Agnieszka. "Apocryphal Maternities of Joanna Mueller: Between Corporeality and Textuality." Ruch Literacki 57, no. 4 (2016): 476–94. http://dx.doi.org/10.1515/ruch-2017-0076.

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Summary This is an attempt at interpreting Joanna Mueller’s book of essays Coating the Baby in the Womb: Prenatal Apocryphas (Powlekać rosnące. Apokryfy prenatalne) published in 2013. The ‘apocrypha’ of the title is explained by means of structural and intertextual analyses probing into the complex relationships between the maternal corporeality and the textual dimension of reality. Coating the Baby in the Womb is treated here as a complex linguistic and existential project in which maternity and the creative act are two aspects of the same experience, interacting and shaping one another, draw

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Schoonheim, Liesbeth. "The Productive Body." Philosophy Today 63, no. 2 (2019): 471–89. http://dx.doi.org/10.5840/philtoday2019813277.

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This essay aims to correct the widely-held view that Arendt is hostile to the body due to its physical needs. By focusing on two modes of corporeality that are distinguished by the production of bodily substances—the digestive body and the crying body—I argue that Arendt (1) deployed various notions of corporeality that thematize, in different ways, the uncontrollability our bodies; and (2) argues for the affirmation of this unmasterablity because it corresponds to the conditioned nature of human existence. Firstly, Arendt criticized the Greek, narcissistic aspiration toward physical beauty, e

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Geller, Pamela L., and Miranda Stockett Suri. "Relationality, Corporeality and Bioarchaeology: Bodies qua Bodies, Bodies in Context." Cambridge Archaeological Journal 24, no. 3 (2014): 499–512. http://dx.doi.org/10.1017/s0959774314000523.

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The temporality of bodies has featured prominently in bioarchaeologists’ studies of embodiment, lifecycle, plasticity and ancestor veneration, amongst other topics. We focus here on the temporality of violence, as evidenced by peri-mortem marks on and post-mortem treatments of bodies. Such evidence can signal violence that is either interpersonal or symbolic, though we realize the distinction may be a materially subtle one. To this end, we look to archaeologists’ recent theoretical forays into temporality. More specifically, we deliberate about relationality, which invites reflective compariso

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Murray, Michele. "Female Corporeality, Magic, and Gender in the Babylonian Talmud." Religion and Theology 15, no. 3-4 (2008): 199–224. http://dx.doi.org/10.1163/157430108x376519.

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AbstractFor the rabbis, female corporeality – and the control of the female body through rules and regulations – was the locus for (decidedly male) rabbinic piety, and a means for the rabbis to workout what constituted ideal maleness. In their constructions of what constituted "male" and "female," the rabbis created a hierarchy in which males – in particular rabbinic males – were at the top of the hierarchy, and females were at the bottom. The focus of this article is the rabbinic taxonomy of human beings as found in the Babylonian Talmud, a multi-layered and edited corpus of Jewish literature

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Casas-Martínez, María de la Luz. "Genetic Biotechnology and Instrumentalization of the Corporeality and in the Postmodern View of Medicine." Persona y Bioética 15, no. 2 (2011): 107–12. http://dx.doi.org/10.5294/pebi.2011.15.2.1.

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A partir del siglo XVIII, una nueva corriente dualista ha hecho emergencia en las ciencias de la salud hacia una visión matemática dela realidad. El modelo no es nuevo, lo que es novedoso es la posibilidad real de su aplicación al hombre a través de la biotecnología.La visión matemática y molecular del cuerpo humano posibilita la creación de modelos ideales que pueden generar acciones y modificacionesreales en la corporeidad humana. La voluntad del médico como creador, no solamente como paliativo ante el destino,es tentación difícilmente superable en la representación de los límites del conoci

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De Assis, Paulo. "Gilbert Simondon’s ‘Transduction’ as Radical Immanence in Performance." Performance Philosophy 3, no. 3 (2017): 695. http://dx.doi.org/10.21476/pp.2017.33140.

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Transduction is Gilbert Simondon’s key concept for understanding processes of differentiation and of individuation in a number of fields, including scientific disciplines, social and human sciences, technological devices, and artistic domains. Originating from the sciences and crucially developed in its philosophical implications by Simondon, transduction refers to a dynamic operation by which energy is actualized, moving from one state to the next, in a process that individuates new materialities. This chapter appropriates this concept for musical practice, aiming at establishing a foundation

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Dorfman, Natalia. "The concept of corporeality in contemporary Serbian and Montenegrin prose: from interpretation to “immersion” in the text." Synopsis: Text Context Media 26, no. 2 (2020): 17–23. http://dx.doi.org/10.28925/2311-259x.2020.2.1.

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Today’s theory, as well as literary fiction, which is usually most sensitive to changes in worldview, capture an evident fusion of mental and corporeal components in 21st-century culture. Being stated by numerous theorists, the “end of postmodernism” brings a new sensual dominant to the culture. The article demonstrates an existing tendency in today’s Serbian and Montenegrin prose to depict a special type of “integral corporeality”, a phenomenon in which mental and psycho-emotional processes occur and are described only through the body and in bodily terms. This demonstrates the integrity of t

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Abrasowicz, Gabriela. "Discourse on Corporeality and the Logic of Control in the Works of Contemporary post-Yugoslav Women Playwrights." AM Journal of Art and Media Studies, no. 18 (April 15, 2019): 51. http://dx.doi.org/10.25038/am.v0i18.296.

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The issue of corporeality is one of the dominant motifs in contemporary women’s playwriting in the countries formed after the collapse of Yugoslavia. At the turn of the 20th and 21st centuries women’s bodies function as a specific open register in their works, where real-life content is included. The body is also an instrument which detects the meanings of social actions and interactions. According to the authors – mainly from Serbia, Croatia, Bosnia and Herzegovina, and Montenegro – the body becomes a constantly-transforming palimpsestic, multi-layered body-text which delivers information abo

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Peacock, Shelley, Wendy Duggleby, and Priscilla Koop. "The lived experience of family caregivers who provided end-of-life care to persons with advanced dementia." Palliative and Supportive Care 12, no. 2 (2013): 117–26. http://dx.doi.org/10.1017/s1478951512001034.

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AbstractObjective:Dementia is a terminal illness, and family caregivers play a vital role in providing end-of-life care to their relative. The present study begins to address the paucity of research regarding end-of-life caregiving experience with dementia.Method:This study utilized Munhall's methodology for interpretive phenomenology. Seven women and four men were interviewed two to three times within a year of their relative's death; interviews were transcribed verbatim and hermeneutically analyzed.Results:Findings reveal two essential aspects of end-of-life dementia caregiving: being-with a

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Mather, Christine C. "The Political Afterlife of Eleonora Duse." Theatre Survey 45, no. 1 (2004): 41–59. http://dx.doi.org/10.1017/s0040557404000043.

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Eleonora Duse (1858–1924), international star, national treasure, and patriotic Italian died in Pittsburgh in April 1924. Those involved in the memorializing process contended for control of her body, attempting to interpolate her renown in competing narratives of national pride and the universality of art. Duse died at a turning point for Italy, the year Mussolini's Fascists became the majority party. For Mussolini and the Fascists, Duse's death became the occasion for a pageant of Italian pride through a series of carefully orchestrated ceremonies. At the same time, the theatre community tri

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Hare, Kathleen A. "Collecting Sensorial Litter: Ethnographic Reflexive Grappling With Corporeal Complexity." International Journal of Qualitative Methods 19 (January 1, 2020): 160940692095860. http://dx.doi.org/10.1177/1609406920958600.

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In this three-part narrative paper, I put forward “collecting sensorial litter” as an innovative method for helping ethnographers reflexively grapple with complicated corporeality during fieldwork. First, I highlight the continued need for experimentation with body-based reflexive methods that can help capture the messiness of ethnographers’ experiences, especially for sensuous, embodied forms of ethnography. Second, I use theories of intensity and embodiment to conceptualize the “too intense experiences” that are refuse/d by ethnographers’ bodies (e.g., fleeting, whirling emotions; spatial di

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Wieczorek, Krzysztof. "Czy życie duchowe jest nadal zasadniczym wstrząsem? Jan Patočka i koncepcja człowieka posthistorycznego." Seminare. Poszukiwania naukowe 2021(42), no. 1 (2021): 51–64. http://dx.doi.org/10.21852/sem.2021.1.04.

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According to Patocka, man is subjectivity set in a specific historical context. To understand man, we must get to know his inner world and his Lebenswelt. Patocka describes the following forms of Lebenswelt: a nonhistorical period, a prehistorical period and history proper, which begins with the “spiritual shock”. The question about the decadence of the scientific and technical civilization suggests that last-mentioned period is nearing its end. Continuing Patocka's thought, the author proposes to introduce the fourth, i.e., the post-historic period, and identifies its characteristics. The cen

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Seiderer, Ute. "Donaupassagen. Interkulturalität und Transiterfahrung bei Péter Esterházy." Zeitschrift für interkulturelle Germanistik 7, no. 2 (2016): 73–86. http://dx.doi.org/10.14361/zig-2016-0207.

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Abstract In his novel Donau abwärts (1992) the Hungarian writer Péter Esterházy discussed the problems of intercultural experiences at a time, when these questions started to become important for the states of the former Yugoslavia: They had just broken up, communist rule in Eastern Europe had come to its end, and no one knew how to define Central and Eastern European identities. Esterházy’s novel takes the river Danube which crosses the Balkan states as the background for encounters of travelers from different countries at this historical moment in the early 1990s. According to the structure

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Žemla, Martin. "Marsilio Ficino's Allegorical Reading of Optical Phenomena." Teorie vědy / Theory of Science 42, no. 1 (2020): 77–93. http://dx.doi.org/10.46938/tv.2020.479.

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As a Platonist, Marsilio Ficino (1433–1499) was deeply interested in light and its qualities. As a matter of fact, the metaphysics of light is so fundamental for him that it appears, treated more or less systematically, almost in all of his works. As a physician, he was naturally concerned with the human corporeality and with the relation of human body to the physical world, both terrestrial and astral. However, when discussing astronomical and optical phenomena (e.g. refraction of light in water, camera obscura, and concave mirrors), he sees them primarily not as physical realities but as sta

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Monzani, Josette Alves de Souza, and Mario Sergio Righetti. "O corpóreo e a erupção da bestialidade em Carne e Sozinho Contra Todos, de Gaspar Noé // The bodily and the eruption of bestiality in Meat and I Stand Alone, by Gaspar Noé." Contemporânea Revista de Comunicação e Cultura 16, no. 3 (2019): 786. http://dx.doi.org/10.9771/contemporanea.v16i3.25975.

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Resumo: Procura-se apontar de que modo os procedimentos estéticos do diretor franco-argentino Gaspar Noé acabam por realizar uma proposta de cinematografia radical que estabelece uma tensão no compartilhamento sensorial entre o corpo da tela, o corpo da câmera e o corpo do espectador. Carne (1991) e Sozinho Contra Todos (1998) narram a história de vida do Açougueiro, um cidadão à margem da sociedade metropolitana francesa, marcada por represamentos afetivos que o comprimem e levam a cometer ações bestiais marcadas por ‘enganos’, equívocos que o prejudicarão para sempre.O corpo cinematográfico

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Schmidt, Katharina. "Money and a Room of One’s Own?! A Feminist Deconstruction of the Situation of Female Jazz Musicians 1960–1980." European Journal of Musicology 16, no. 1 (2017): 81–93. http://dx.doi.org/10.5450/ejm.2017.16.5780.

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‘What does it take for a woman to be able to write a novel?' asks Virginia Woolf in A Room of One's Own. The answer is surprisingly mundane: She needs money and a room of her own. Although Woolf writes at length about passion and talent, she concludes that material preconditions are actually more crucial. Similarly, the present article argues that there has been no lack of interest in jazz among female musicians, but a lack of socially accepted possibilities for professionalisation. This article endeavours to deconstruct some of the socio-cultural contexts and frameworks of music-making in a f

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Živaljević, Ivana. "Concepts of the body and personhood in the Mesolithic-Neolithic Danube Gorges: interpreting animal remains from human burials." Issues in Ethnology and Anthropology 10, no. 3 (2016): 675. http://dx.doi.org/10.21301/eap.v10i3.6.

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In recent years, humanities have brought forward the idea of non-human agency; either in the form of meanings bestowed upon objects, animals and natural phenomena, or through deconstruction of ontological differences between ‘people’ and ‘things’. In case of the former, it has been argued that non-human agents have the power to act as ‘participants’ in social action (e.g. the agentive power of material properties of things, or of animal behaviour). In this paper, I discuss the practice of placing animal body parts alongside human bodies in the Mesolithic-Neolithic Danube Gorges, by using the c

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Czerni, Krystyna. "Malarska „dwujęzyczność” Jerzego Nowosielskiego. Związki między abstrakcją a ikoną w monumentalnych projektach sakralnych." Sacrum et Decorum 13 (2020): 48–80. http://dx.doi.org/10.15584/setde.2020.13.4.

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The sacred art of Jerzy Nowosielski, an outstanding Polish painter of the second half of the 20th century, is an example of the creative continuation of the Byzantine tradition in Poland, but also an embodiment of the debate with the painting tradition of the East and with the experience of the Church. Both in theory and in painting practice, the artist redefined the concept of the icon, attempting to expand its formula so that it not only spoke of the Kingdom, but also included the image of the earthly, imperfect reality of the pilgrim Church. In his designs of sacred interiors for churches o

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ZHANG, Ellen Y. "自殺與儒家的生死價值觀: 以《列女傳》為例". International Journal of Chinese & Comparative Philosophy of Medicine 7, № 2 (2009): 67–86. http://dx.doi.org/10.24112/ijccpm.71480.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English.本文以《後漢書˙列女傳》為例，探討女性在節死問題上的道德取向及對自殺行為的道德詮釋。筆者認為，《列女傳》所體現的價值取向屬於儒家道德的大傳統，同時由於其“性別倫理”的特質，又涵蓋了特殊的生死觀，反映出儒家在“肉身”價值與“精神”價值議題上的考量。本文試圖說明，女性自殺有其背後特有的時代精神與文化傳統，因此對它的道德評估要比儒家大傳統中所謂“為己性”與“為他性”的劃分更為複雜，它既反映出儒家在女性問題上的奇特性，也反映出儒家在生死問題上的複雜性。“節死”議題所反映的不僅僅是一個單一的儒家價值取向，因為任何道德理論或規範在“具體化”的實踐過程中都會存在詮釋上的多元性與複雜性。The Lienüzhuan (LNZ) or the Collected Life-Stories of Women complied by the late-Western Han Confucian scholar Liu Xiang (79-8 B.C.E.), consists of 125 exemplary life stories of women covering a broad period from earlier legendary time to the H

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Shugart, Helene A. "The Ugly Truth: Abject Corporeality as Political Authenticity." Communication Theory, April 23, 2019. http://dx.doi.org/10.1093/ct/qtz007.

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AbstractIn this article, I argue that, as materialized in the figures of current U.S. President Donald Trump and immediate past New Jersey Governor Chris Christie, a culturally resonant variant of political authenticity has become aligned with the corporeally abject. In a climate in which conventional cornerstones of political comportment have become suspect, the corporeal abject has become a marker of authenticity, material evidence of resistance to perceived “politics as usual.” Moreover, mediated coverage of Trump and Christie that turns on their corporeal abjection to the end of critique a

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Stover, Chris. "Musical Bodies: Corporeality, Emergent Subjectivity, and Improvisational Spaces." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1066.

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IntroductionInteractive improvisational musical spaces (which is to say, nearly all musical spaces) involve affective relations among bodies: between the bodies of human performers, between performers and active listeners, between the sonic "bodies" that comprise the multiple overlapping events that constitute a musical performance’s unfolding. Music scholarship tends to focus on either music’s sonic materialities (the sensible; what can be heard) or the cultural resonances that locate in and through music (the political or hermeneutic; how meaning is inscribed in and for a listening subject).

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Nascimento, Yone de Almeida, Agnes Fonseca Ribeiro Filardi, André Joffily Abath, Luciana Diniz Silva, and Djenane Ramalho-de-Oliveira. "The phenomenology of Merleau-Ponty in investigations about medication use: constructing a methodological cascade." Revista da Escola de Enfermagem da USP 51 (March 15, 2018). http://dx.doi.org/10.1590/s1980-220x2017017603296.

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ABSTRACT Merleau-Ponty innovated when giving primacy to the body and perception in his philosophical proposal. Within the field of health, his thinking gives us access to the knowledge gained from the corporeality of individuals with chronic diseases. The objective of this study was to expand the understanding of phenomena associated with the daily use of medication, which includes increasingly complex drug regimes, through the lens of Merleau-Ponty. To this end, we described the research steps anchored in his phenomenological philosophy and structured them in the form of a cascade, beginning

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Widaryanto, F. X. "Menimbang Kembali Formulasi dan Pewilahan Tari serta Konsep Ketubuhan dalam Masyarakat Urban." Panggung 22, no. 2 (2012). http://dx.doi.org/10.26742/panggung.v22i2.55.

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ABSTRACTÂ There are two sides of the paradox associated with the problem of dance formulation and catego- rization that can not be regarded easily. On the one hand, dance is a phenomenon of complexity, in which the intertextuality will embody a complicated contextual phenomenon. On the other hand, the step of categorization has a nature which facilitates someone to observe the existing various phenom- ena in a similarity of properties that tend to lead to a simplification.The development of very fast-moving art is not often followed by adequate category and categori- zation for the purpose of

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Cavalcante, André. "Bodies, violence, silencing: The transgenderity discourse." Letras & Letras, June 28, 2020, 297–313. http://dx.doi.org/10.14393/ll63-v36n1-2020-16.

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By reflecting upon the discourse production conditions, the imagination of/on trans individuals and the temporal landmark of the 2018 elections in Brazil, I aim to analyze the relationship between silencing and resistance of/to the trans body in the virtual space. To this end, I selected two pieces of news posted on digital media, one about the play O Evangelho Segundo Jesus, Rainha do Céu[free translation: The Gospel According to Jesus, Queen of Heaven], which was interdicted in the Winter Festival of Garanhuns, State of Pernambuco, and the other about a ‘travesti’ murder in Sao Paulo. I anal

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Valdés-Stauber, Juan, Ursula Stabenow, Jakob Böttinger, Sarah Kramer, and Reinhold Kilian. "Divergent patterns of confrontation with death using the Anticipated Farewell to Existence Questionnaire (AFEQT): a cross-sectional comparative study of four samples with increasing proximity to death." BMC Palliative Care 20, no. 1 (2021). http://dx.doi.org/10.1186/s12904-021-00818-y.

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Abstract Background Based on the concept of “Daseinsverabschiedung”, an anthropological theory of “Anticipated Farewell to Existence” (AFE) was suggested on the basis of six grounding dimensions: selfhood, interpersonality, temporality, corporeality, worldliness, and transcendence, which are activated in a genuine manner facing death. The purpose of the study is to quantitatively compare the extent of confrontation with death between dying people in palliative care and those in other stages of life by means of the Anticipated Farewell to Existence Questionnaire” (AFEQT), based on these dimensi

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Howarth, Anita. "Food Banks: A Lens on the Hungry Body." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1072.

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IntroductionIn Britain, hunger is often hidden in the privacy of the home. Yet otherwise private hunger is currently being rendered public and visible in the growing queues at charity-run food banks, where emergency food parcels are distributed directly to those who cannot afford to feed themselves or their families adequately (Downing et al.; Caplan). Food banks, in providing emergency relief to those in need, are responses to crisis moments, actualised through an embodied feeling of hunger that cannot be alleviated. The growing queues at food banks not only render hidden hunger visible, but

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Bartlett, Alison. "Business Suit, Briefcase, and Handkerchief: The Material Culture of Retro Masculinity in The Intern." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1057.

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IntroductionIn Nancy Meyers’s 2015 film The Intern a particular kind of masculinity is celebrated through the material accoutrements of Ben Whittaker (Robert De Niro). A retired 70-year-old manager, Ben takes up a position as a “senior” Intern in an online clothing distribution company run by Jules Ostin (Anne Hathaway). Jules’s company, All About Fit, is the embodiment of the Gen Y creative workplace operating in an old Brooklyn warehouse. Ben’s presence in this environment is anachronistic and yet also stylishly retro in an industry where “vintage” is a mode of dress but also offers alternat

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Gantley, Michael J., and James P. Carney. "Grave Matters: Mediating Corporeal Objects and Subjects through Mortuary Practices." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1058.

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IntroductionThe common origin of the adjective “corporeal” and the noun “corpse” in the Latin root corpus points to the value of mortuary practices for investigating how the human body is objectified. In post-mortem rituals, the body—formerly the manipulator of objects—becomes itself the object that is manipulated. Thus, these funerary rituals provide a type of double reflexivity, where the object and subject of manipulation can be used to reciprocally illuminate one another. To this extent, any consideration of corporeality can only benefit from a discussion of how the body is objectified thr

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Bartlett, Alison. "‘Irigaray Makes Jam’." M/C Journal 9, no. 6 (2006). http://dx.doi.org/10.5204/mcj.2688.

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   In an interview, which was originally published in 1975 in Dialectiques, French philosopher Luce Irigaray was asked about her claim that there is a ‘feminine’ style of writing which can be traced in language. She replied that women’s discourse needed to be listened for outside of the readymade grids that we have already inherited, that a new way of listening and understanding language was needed: In other words, the issue is not one of elaborating a new theory of which women would be the subject or the object, but of jamming the theoretical machinery itself, of suspending

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Dutton, Jacqueline Louise. "C'est dégueulasse!: Matters of Taste and “La Grande bouffe” (1973)." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.763.

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Dégueulasse is French slang for “disgusting,” derived in 1867 from the French verb dégueuler, to vomit. Despite its vulgar status, it is frequently used by almost every French speaker, including foreigners and students. It is also a term that has often been employed to describe the 1973 cult film, La Grande bouffe [Blow Out], by Marco Ferreri, which recounts in grotesque detail the gastronomic suicide of four male protagonists. This R-rated French-Italian production was booed, and the director spat on, at the 26th Cannes Film Festival—the Jury President, Ingrid Bergman, said it was the most “s

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Brady, Danielle, and Neil Ferguson. "Embody." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.555.

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The impetus for this issue dates from a symposium on Embodied Knowledges held at Edith Cowan University in Perth in 2011. The Symposium arose from the shared interests of a diverse group, many of them practice-led researchers, and should have been a clue that the call for papers for this issue would attract different conceptions of the body. Nevertheless we were surprised by the many kinds of bodies implied in the 17 papers received and are pleased to offer a selection in the 'embody' issue of M/C Journal.Part of the difficulty of talking about the body as a source of knowledge, and also as a

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Johnson, Laurie. "Dreaming "My Death"." M/C Journal 2, no. 8 (1999). http://dx.doi.org/10.5204/mcj.1808.

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Somebody (who could be me) is running. They (who are many) are in pursuit. Somebody is running up what seems to be a steep incline, a hill of sorts. There is no other pathway. Yet somebody sees (too late, as always) that the pathway drops off instantly, where the hillside has been cut away to form a deep quarry. Unable in that instant to stop, or perhaps having already decided that they must not be allowed to close in, somebody leaps into the unknown. The drop is very high but the fall takes only a matter of seconds. Somebody (who could be me) impacts with the ground and, in that single moment

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Speakman, Blair Ian. "“Poor creature, trapped in existential solitude forever”: Gothic Dreams of the Uncanny, Repetition, Temporal Loops, and the Double in The Chilling Adventures of Sabrina." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1642.

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IntroductionAccording to Sigmund Freud (A General Introduction to Psychoanalysis 90), dreams can be seen as a “substitute for something else, unknown to the dreamer”. In Freud’s theory, dreams are regarded as a “depiction of the subconscious, a screen onto which the subconscious projects its suppressed desires and hallucinations about their fulfilment” (Khapaeva & Tweddle 6). It is likely due to these aspects that dreams and dreaming have become prevalent in contemporary literature, film and television, and an outlet for a greater examination of Freud’s work on the origins and nature of th

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Bartlett, Alison. "Ambient Thinking: Or, Sweating over Theory." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.216.

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If Continental social theory emerges from a climate of intensely cold winters and short mild summers, how does Australia (or any nation defined by its large masses of aridity) function as an environment in which to produce critical theory and new knowledge? Climate and weather are intrinsic to ambience, but what impact might they have on the conditions of producing academic work? How is ambience relevant to thinking and writing and research? Is there an ambient epistemology? This paper argues that the ambient is an unacknowledged factor in the production of critical thinking, and draws on exam

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Dennis, Fay. "Drugs: Bodies Becoming “Normal”." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1073.

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IntroductionPeople say, “don’t you ever want to come off?” I don’t know. The thought of me getting up without taking something is totally... to me that’s normal. If I haven’t taken anything then I’m not normal. And for me to even, I can’t contemplate not taking something, you know. I’m not a lost cause. I know what my problem is. It’s other people that want me to stop. I don’t want to stop. I don’t want to. Does that make sense to you? (Mya)This extract is taken from an interview that formed part of my doctoral research looking at people’s experiences of injecting drug use and treatment servic

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Milne, Esther. "‘Magic Bits of Paste-board’." M/C Journal 7, no. 1 (2004). http://dx.doi.org/10.5204/mcj.2311.

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To the unrefined or under-bred person, the visiting-card is but a trifling and insignificant piece of paper; but to the cultured disciple of social law it conveys a subtle and unmistakable intelligence. Its texture, style of engraving, and even the hour of leaving it, combine to place the stranger whose name it bears in a pleasant or disagreeable attitude, even before his manners, conversation, and face have been able to explain his social position (1920 etiquette manual quoted in Curtin 138). There’s a scene in the ‘90s TV series Ab Fab where Eddy, stumbling from her car, fresh from Harvey Ni

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Abidin, Crystal. "‘I also Melayu ok’ – Malay-Chinese Women Negotiating the Ambivalence of Biraciality for Agentic Autonomy." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.879.

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Biracial Phenotypes as Ambivalent SignifiersRacialisation is the process of imbuing a body with meaning (Ahmed). Rockquemore et al.’s study on American Black-White middle-class college youth emphasises the importance of phenotypes in interracial children because “physical appearance is the primary cue for racial group membership… and remains the greatest factor in how mixed-race children are classified by others” (114). Wilson’s work on British mixed race 6 to 9-year-olds argues that interracial children classify other children based on how “they locate themselves in the racial structure and h

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Quinan, C. L., and Hannah Pezzack. "A Biometric Logic of Revelation: Zach Blas’s SANCTUM (2018)." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1664.

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Ubiquitous in airports, border checkpoints, and other securitised spaces throughout the world, full-body imaging scanners claim to read bodies in order to identify if they pose security threats. Millimetre-wave body imaging machines—the most common type of body scanner—display to the operating security agent a screen with a generic body outline. If an anomaly is found or if an individual does not align with the machine’s understanding of an “average” body, a small box is highlighted and placed around the “problem” area, prompting further inspection in the form of pat-downs or questioning. In t

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Tyler, Imogen. "Chav Scum." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2671.

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   In the last three years a new filthy vocabulary of social class has emerged in Britain. The word “chav”, and its various synonyms and regional variations, has become a ubiquitous term of abuse for white working class subjects. An entire slang vocabulary has emerged around chav. Acronyms, such as “Council Housed and Vile” have sprung up to explain the term. Folk etymologies and some scholarly sources suggest that the term chav might derive from a distortion of a Romany word for a child, while others suggests it is a derivative of the term charver, long used in the North Eas

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McRae, Leanne. "Rollins, Representation and Reality." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1925.

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Men in crisis Confused by society's mixed messages about what's expected of them as boys, and later as men, many feel a sadness and disconnection they cannot even name. (Pollack 1) The recent 'crisis in masculinity' has been punctuated by a plethora of material devoted to reclaiming men's 'lost' power within a society. Triggered by the recognition that their roles within our society are changing, this emerging cannon often fails to recognise men as part of a social continuum that subjectifies individuals within discursive frameworks. Rather it mourns this process as the emasculation of male id

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Allatson, Paul. "The Virtualization of Elián González." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2449.

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For seven months in 1999/2000, six-year old Cuban Elián González was embroiled in a family feud plotted along rival national and ideological lines, and relayed televisually as soap opera across the planet. In Miami, apparitions of the Virgin Mary were reported after Elián’s arrival; adherents of Afro-Cuban santería similarly regarded Elián as divinely touched. In Cuba, Elián’s “kidnapping” briefly reinvigorated a torpid revolutionary project. He was hailed by Fidel Castro as the symbolic descendant of José Martí and Che Guevara, and of the patriotic rigour they embodied. Cubans massed to deman

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Bowles, Kate. "Academia 1.0: Slow Food in a Fast Food Culture? (A Reply to John Hartley)." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.169.

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"You could think of our kind of scholarship," he said, "as something like 'slow food' in a fast-food culture."— Ivan Kreilkamp, co-editor of Victorian Studies(Chronicle of Higher Education, March 2009) John Hartley’s entertaining and polemical defense of a disappearing art form (the print copy journal designed to be ripped eagerly from its envelope and read from cover to cover like a good book) came my way via the usual slightly disconcerting M/C Journal overture: I believe that your research interests and background make you a potential expert reviewer of the manuscript, "LAMENT FOR A LOST RU

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Johnson-Hunt, Nancy. "Dreams for Sale: Ideal Beauty in the Eyes of the Advertiser." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1646.

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Introduction‘Dream’ has been researched across numerous fields in its multiplicity within both a physical and emotional capacity. For Pagel et al., there is no fixed definition of what ‘dream’ is or are. However, in an advertising context, ’dream’ is the idealised version of our desires, re-visualised in real life (Coombes and Batchelor 103). It could be said that for countless consumers, advertising imagery has elicited dreams of living the perfect life and procuring material pleasures (Manca et al.; Hood). Goodis asserts, “advertising doesn’t always mirror how people are acting but how they

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