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Yorke, Gosnell L. O. R. "The Church as the body of Christ in the Pauline corpus : a re-examination /." Lanham (Md.) : University Press of America, 1991. http://catalogue.bnf.fr/ark:/12148/cb36210541q.
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Dalmasso, Véronique Russo Daniel. "L'image du corps dans la peinture toscane (v. 1300-v. 1450) /." Rennes : Presses universitaires de Rennes, 2006. http://catalogue.bnf.fr/ark:/12148/cb402290650.
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Texte remanié de: Thèse de doctorat--Histoire de l'art--Paris 4, 2003. Titre de soutenance : La représentation du corps du Christ dans la peinture toscane du XIVe siècle et du XVe siècle.Bibliogr. p. 291-301. Notes bibliogr. Index.
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Dalmasso, Véronique. "La représentation du corps du Christ dans la peinture toscane du XIVe siècle et du XVe siècle." Paris 4, 2003. http://www.theses.fr/2003PA040061.
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L'étude du corps du Christ dans les représentations toscanes du XIVe siècle et de la première moitié du XVe siècle se place sous une double interrogation : peut-on constater une évolution du traitement du corps au cours de cette période et un désir manifeste du peintre de rendre compte de la double nature christique, humaine et divine ? Cette approche a la particularité de porter sur la figure christique dès lors qu'elle apparaît en présence des hommes. En effet, les hommes et Dieu peuvent apparaître dénudés et dans la même situation, dans deux types de scènes, le Baptême et la Crucifixion. Tl est alors possible de comparer l'homme-Dieu, d'une part avec les néophytes s'apprêtant à recevoir le baptême, et d'autre part, avec les deux larrons crucifiés. Dans une troisième partie, à la comparaison du Dieu avec les hommes succède une étude du corps ressuscité. Son traitement diffère-t-il de celui du Baptisé ou du Crucifié ? Le peintre tente-t-il de signifier la caratère exceptionnel du corps ressuscité ? La lecture des textes des Pères de l'Eglise mais surtout de Thomas d'Aquin ou de Bonaventure livre la position dogmatique de l'Eglise et des ordres mendiants, sur le baptême, la crucifixion et la ressurection. Les sermons des prédicateurs des XIIIe, XIVe et XVe siècles et les témoignages des mystiques sur leur vision du Christ permettent de cerner la perception du corps aux XIV et au XVe siècles et sa répercussion dans les représentationsThe study of the body of Christ in Tuscan painting of the fourteenth century and the first half of the fifteenth century implies a double questioning : is there a noticeable evolution in the rendering of the body during this period and is there a thorough aim on the painter's part to render the dual nature of Christ, human and divine ? This approach is particularly relevant because it concerns the figure o Christ in the presence of man. In the representations of the Baptism and the Crucifixion, man and God appear unclothed and in the same situation. Thus, it is possible to compare Christ with the neophytes about to be baptised and then, with the two crucified thieves. The study of the resurrected body will subsequently determine if its rendering is differetn from the baptised or crucified bofy and if its ambiguity is addresses by the painter. The analysis of texts by the Church Fathers or those of Thomas Aquinas and Bonaventure reveals the dogmatic stance of the church and the mendicant ordres on baptism, crucifixion and resurrection. The study of the preachers' sermons and the mystics' witness accounts of their vision of Christ attempts to define the perception of the body in the 14th and 15th century and its visual representation
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Kariuki, Njiru Paul. "Charisms and the Holy Spirit's activity in the body of Christ : an exegetical-theological study of 1 Corinthians 12,4-11 and Romans 12,6-8 /." Roma : Ed. Pontificia università gregoriana, 2002. http://catalogue.bnf.fr/ark:/12148/cb39103007x.
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Thomas, Gregson Johann. "Estimation of Aircraft Emissions for the Corpus Christi International Airport, Corpus Christi, Texas." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc271905/.
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Commercial aviation is a vital part of the United States economy. It generates over $1 trillion annually, which is more than 5% of the U.S. GDP, and produces approximately 10 million jobs. Every year there is an increase in commercial air traffic. This is attributed to expanding trade between states and other countries, which requires larger amounts of cargo aircraft in operation, and also catering to the growing number of middle and upper class passengers who travel for business and pleasure purposes. A rise in commercial aviation leads to the use of more aviation fuel on a monthly and annual basis. This in turn leads to escalated levels of combustion by-products from jet and turbofan engines into the atmosphere. The negative effects of these by-products range from producing poor air quality and consequent health hazards to contributing to global warming. This study is aimed at assessing the impacts of aircraft emissions on the local air quality in Corpus Christi using the Emissions and Dispersion Modeling System. Flight data for the study was obtained from the Department of Transportation's Research and Innovative Technology Administration. Analyses of the emissions were compared on monthly, annual, engine type and airline provider bases. Climatic, economic and anthropogenic factors were identified in the analyses.
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Santos, Beatriz Catão Cruz. "O Corpo de Deus na América a festa de Corpus Christi nas cidades da América portuguesa -- sécula XVIII /." São Paulo, SP : Annablume, 2005. http://catalog.hathitrust.org/api/volumes/oclc/70847372.html.
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Walter, Matthias. "Gemeinde als Leib Christi : Untersuchungen zum Corpus Paulinum und zu den Apostolischen Vätern /." Freiburg (Schweiz) : Göttingen : Universitätsverl. ; Vandenhoeck & Ruprecht, 2001. http://catalogue.bnf.fr/ark:/12148/cb38920974g.
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Wipfler, Esther. ""Corpus Christi" in Liturgie und Kunst der Zisterzienser im Mittelalter /." Münster : Lit, 2003. http://catalogue.bnf.fr/ark:/12148/cb39924431x.
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Texte remanié de: Diss.--Historich-philosophische Fakultät--Heidelberg--Universität, 1997. Titre de soutenance : "Corpus Christi" in der Kunst der Zisterzienser. Zur Ausstatung mittelalterlicher Zisterzienserklosterkirchen.Bibliogr. p. 320-361. Index.
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Poisson-Gueffier, Jean-François. "La Cathédrale Rouge. Images de la mort dans le Haut livre du Graal." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA105/document.
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Ses principaux lecteurs n’ont cessé de concevoir le Haut Livre du Graal comme un roman des confins de la barbarie. L’éclatement des cadres de l’écriture arthurienne est prégnant dans ses épisodes les plus emblématiques, qui révèlent un hiatus irréductible entre une « haute écriture » et l’exaltation de la matérialité des êtres. Le roman semble soumis à une double postulation vers le haut et le bas, vers les convulsions du monde sublunaire et une mystique aussi présente que ténue. L’étude des manifestations et senefiances de la mort s’applique à saisir l’écriture de cet entre-deux, tout en privilégiant l’approfondissement de deux traits majeurs : la dimension visuelle inhérente à la représentation de la mort et les procédés d’écriture propres à esquisser les linéaments d’une « écriture funèbre ». Le paradigme visuel relaie la puissance évocatoire des morts narrées, tandis que la dominante funeste du récit semble être l’un des gages les plus viables de l’unité d’une œuvre dont les structures narratives se dérobent. Le parcours herméneutique de cette étude considère tout d’abord le vocabulaire de la mort, avant d’aborder les circonstances de l’instant mortel, les deux versants spirituel et temporel de la mort, et le lien toujours puissant qui unit les vivants et les morts. Après des considérations à la fois stylistiques, rhétoriques, historiques et anthropologiques, la deuxième partie déplace vers le champ de la poétique du texte la problématique d’une mort fondamentalement ubiquitaireThe main scholars always depicted the High Book of the Grail as a novel which borders on barbarism. The bursting of the frames of arthurian writing is significant in its most iconic episodes as well, which reveal a huge gap between "High Scripture" and a glorification of the materiality of beings. The novel seems based on a double postulation up and down, towards materiality and spirituality. The study of events and senefiances of death applies to grasp the writing of in-between, while emphasizing the study of two major elements: the inherent visual dimension to the representation of death and methods of its own writing which sketches the outlines of a "funeral writing." Visual paradigm relays the evocative power of the dead narrated while that fateful dominant narrative seems to be one of the most efficient guarantee of the unit of a work whose structure is relevent to illusion or arcana. The hermeneutic thought process of this study considers at first the vocabulary of death, before addressing the circumstances of the "instant mortel", the two spiritual and temporal sides of death, the always powerful unity of the living and the dead. After some stylistic considerations, as well as rhetorical, historical and anthropological ones, the last chapters move to the field of poetics, in a world where death appears fundamentally ubiquitous
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Andrade, Sueli Chaves. "Chris Cunningham: corpo e dejeto no vídeo contemporâneo." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19734.
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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
Chris Cunningham is the main subject in this thesis. Cunningham was one of the most influential and creative music video directors in the 90’s and early 2000’s. Visible throughout his art is the theme of the body and its innards - an important and wide discussion in contemporary culture studies. The hypothesis of this text is that the music video is one of the main audiovisual narratives of postmodern culture from the aspect of new aesthetics and artistic experiments. Cunningham adds original marks to the characteristics that constitute contemporary art, especially the one that has placed the body under interrogation and also the art object as waste. The contemporary art discussion in this thesis is inspired by psychanalysts Jacques-Allan Miller and Gerard Wajcman and the positioning of the object, and a new gaze at it is provided by Didi-Huberman. Concerning the role of the body in this setting, Santaella brings a contribution on it as an art support, besides presenting much of the specific problems of the body in culture. Raymond Bellour, Philippe Dubois and Arlindo Machado with their discussions around film and video allow the insertion of the music video as a language with its own characteristics and history, as the theorists Andrew Goodwin, E. Ann Kaplan and Carol Vernallis point out. The Lacanian theory provides a formal way to analyze and discuss the body from an instinctive perspective that drives the subject in the contemporary world. In order to prove this assertion and the hypothesis of this thesis, three semiotic-psychoanalytic analyses were done on the following works: All is Full of Love (1999), Flex (2000) and Rubber Johnny (2005)
Chris Cunningham é o objeto de investigação desta tese. Trata-se de um autor reconhecido de videoclipes e narrativas audiovisuais contemporâneas das décadas de 1990 e 2000. Seus trabalhos são permeados por uma temática de suma importância e ampla discussão no campo de estudos da cultura contemporânea: o tema do corpo e suas estranhezas. A hipótese que se coloca é a de que o videoclipe é um dos principais formatos narrativos audiovisuais do pós-moderno, sob o aspecto da produção de novas estéticas e experimentações artísticas. Tendo isso em vista, a obra de Cunningham acrescenta marcas originais às características próprias da arte contemporânea, especialmente aquela que vem colocando o corpo sob interrogação e o objeto enquanto dejeto. No que diz respeito aos debates que envolvem a arte contemporânea, há uma escuta daquilo que os psicanalistas Jacques-Allan Miller e Gerard Wajcman têm a dizer sobre o lugar do objeto, bem como sobre uma nova forma de olhá-lo, tal qual propõe Didi-Huberman. A respeito do papel do corpo neste mesmo cenário, Santaella traz uma contribuição sobre o mesmo como suporte da arte, além de apresentar as problemáticas específicas do corpo na cultura. Raymond Bellour, Philippe Dubois e Arlindo Machado aprofundam a discussão sobre cinema e vídeo, o que permite a inserção do videoclipe como uma linguagem com características e história próprias, conforme apontam os teóricos Andrew Goodwin, E. Ann Kaplan e Carol Vernallis. Toma-se, então, a perspectiva psicanalítica de orientação lacaniana para observar o corpo para além de sua função como suporte na arte: o das pulsões que tomam conta do sujeito no universo contemporâneo. De modo a comprovar tal afirmação e a hipótese desta tese, três análises de cunho semiótico-psicanalítico abordam os trabalhos: All is Full of Love (1999), Flex (2000) e Rubber Johnny (2005)
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Davey, Wesley Thomas. "Sight in the tempest| Suffering as participation with Christ in the Pauline corpus." Thesis, Southeastern Baptist Theological Seminary, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10244994.
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The letters of Paul testify to the prominent role that suffering played not only in the life of the apostle, but also in the lives of the communities to which he wrote. Startlingly, Paul does not express either surprise or frustration at suffering’s presence, but instead identifies it as an essential feature of Christian existence: suffering (in some way) derives from union with Christ, and thereby shares in Christ’s own suffering. Although the concept of “suffering as participation with Christ” (SPC) has received some attention within contemporary scholarship, I argue that the conversation would be enriched by the addition of a project that offers detailed readings of key moments in which SPC appears in Paul’s writings, that accepts all the letters in the Pauline canon as equally valid witnesses to “Paul’s thought,” and that uses the findings generated by this exegetical-canonical reading strategy to produce a Pauline “theology” of SPC. The thesis of the dissertation is that (the canonical) Paul’s theology of suffering—read from the tripartite perspective of exegesis, canon, and theology—builds on three foundational convictions (i.e., Christology, eschatology, and cosmology) out of which four correlative commitments emerge (i.e., suffering as salvation’s “prerequisite,” Christ’s suffering as democratize-able, all Christian suffering as participation in Christ’s suffering, and suffering as the site of a profound experience of the love of God in Christ). (Abstract shortened by ProQuest.)
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Normington, Catherine Jane. "Holy women/vulgar women : women and the Corpus Christi cycles." Thesis, University of Exeter, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297616.
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Gurrola, Moisés A. "Creating Community in Isolation: the History of Corpus Christi’s Molina Addition, 1954-1970." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822818/.
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“Creating Community in Isolation: The History of Corpus Christi’s Molina Addition, 1954-1970” examines the history of the Molina Addition in Corpus Christi, Nueces County, Texas, and its serving district, the West Oso Independent School District, from 1954 to 1970. Specifically, this essay begins with an analysis of the elite-driven campaign to annex the blighted Molina Addition in September and October 1954. The city intended to raze the neighborhood and develop middle-class homes in place of the newly annexed neighborhood. Following the annexation of the Molina Addition, African American and ethnic Mexican residents initiated protracted struggles to desegregate and integrate schools that served their area, the West Oso Independent School District, as detailed in the chapter, “The West Oso School Board Revolution.” The chapter examines the electoral “revolution” in which Anglo rural elites were unseated from their positions on the school board and replaced by African American and ethnic Mexican Molina Addition residents. The third chapter, “Building Mo-Town, Texas,” focuses on residents’ struggle to install indoor plumbing, eliminate pit privies, construct paved roads, and introduce War on Poverty grants to rehabilitate the neighborhood. This chapter also offers a glimpse into the social life of Molina youth during the 1960s.
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Groenveld, Leanne Michelle. "The medieval theatre of cruelty, Antonin Artaud and Corpus Christi drama." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq22988.pdf.
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Soares, Maurílio Guimarães. "Representações simbólicas em percurso efêmero: o Corpus Christi em cor e areia." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6120.
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Através da pesquisa de campo realizada nas festas de Corpus Christi da cidade de Matão/SP nos anos 2011 e 2012, são abordados os temas festa, imagem, cultura e sagrado. Especificamente focada na confecção dos tapetes, são observados e analisados seus processos e representações em aspectos individuais e coletivos. São inúmeros seus significados e interpretações se o percebemos em sua forma viva de seu lastro histórico até os dias atuais. Saliento a importância do registro desta manifestação cultural, pois através dele do estudo de suas imagens e significações buscamos um maior entendimento de como este evento acontece e de como é percebida e interiorizada pelo seu públicoThrough field research feasts of Corpus Christi city Matão / SP in the years 2011 and 2012 are discussed themes 'party', 'image', 'culture' and 'sacred'. Specifically in the manufacture of carpets, are observed and analyzed their processes and representations in individual and collective aspects. Countless their meanings and interpretations are realized in the form of its ballast living history to the present day. I note the importance of this cultural event registration, for through it - the study of images and their meanings - seek a greater understanding of how this event happens and how it is perceived and internalized by its audience
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Lerma, Elvira Carlos. "Análisis arquitectónico y constructivo del Real Colegio de Corpus Christi de Valencia." Doctoral thesis, Editorial Universitat Politècnica de València, 2012. http://hdl.handle.net/10251/18239.
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Lerma Elvira, C. (2012). Análisis arquitectónico y constructivo del Real Colegio de Corpus Christi de Valencia [Tesis doctoral]. Editorial Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/18239Palancia
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Abood, Ahmed T. "Source Apportionment Analysis of Measured Volatile Organic Compounds in Corpus Christi, Texas." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500059/.
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Corpus Christi among of the largest industrialized coastal urban areas in Texas. The strategic location of the city along the Gulf of Mexico allows for many important industries and an international business to be located. The cluster of industries and businesses in the region contribute to the air pollution from emissions that are harmful to the environment and to the people living in and visiting the area. Volatile organic compounds (VOC) constitute an important class of pollutants measured in the area. The automated gas chromatography (Auto GC) data was collected from Texas Commission of Environmental Quality (TCEQ) and source apportionment analysis was conducted on this data to identify key sources of VOC affecting this study region. EPA PMF 3.0 was employed in this sources apportionment study of measured VOC concentration during 2005 - 2012 in Corpus Christi, Texas. The study identified nine optimal factors (Source) that could explain the concentration of VOC at two urbane monitoring sites in the study region. Natural gas was found to be the largest contributor of VOC in the area, followed by gasoline and vehicular exhaust. Diesel was the third highest contributor with emissions from manufacturing and combustion processes. Refineries gases and evaporative fugitive emissions were other major contributors in the area; Flaring operations, solvents, and petrochemicals also impacted the measured VOC in the urban area. It was noted that he measured VOC concentrations were significantly influenced by the economic downturn in the region and this was highlighted in the annual trends of the apportioned VOC.
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Jankowiak, Grzegorz. "Volk Gottes vom Leib Christi her : das eucharistische Kirchenbild von Joseph Ratzinger in der Perspektive der Ekklesiologie des 20. Jahrhunderts /." Frankfurt am Main : P. Lang, 2005. http://catalogue.bnf.fr/ark:/12148/cb411535525.
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Favà, Monllau De Cèsar. "Els retaules del Corpus Christi a la Catalunya dels segles XIV i XV." Doctoral thesis, Universitat Autònoma de Barcelona, 2018. http://hdl.handle.net/10803/482015.
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La tesi doctoral que aquí es presenta respon a l’objectiu d’estudiar una de les múltiples conseqüències artístiques de la devoció medieval a l’eucaristia en els bisbats catalans: el mobiliari d’altar del Corpus Christi. Més en concret, la seva principal pretensió és la d’analitzar els programes iconogràfics que van ser-hi representats, fonamentalment a partir de les obres conservades dels segles xiv i xv, però també dels testimonis documentals coneguts.
Amb la intenció de comprendre les circumstàncies que van originar l’aparició d’aquestes obres i d’aprofundir en el coneixement de la seva iconografia, una primera part del treball es dedica al culte emergent a l’eucaristia que, a la baixa edat mitjana, adquireix una centralitat indiscutible amb la institució de la solemnitat del Corpus Christi. Partint del marc teològic, de la teorització de la doctrina de la presència real de Crist en les espècies consagrades, que és el veritable motor de la devoció, s’hi analitzen les principals expressions pietoses que van derivar-se’n arreu i, a continuació, es planteja una visió global del fenomen a la Catalunya de l’època, ara per ara per publicar.
Un cop bastit el teló religiós de fons, la segona part de la tesi, que és la principal, s’endinsa pròpiament en l’estudi del mobiliari d’altar del cos de Crist. Abans d’entrar-hi pròpiament, però, a manera de proemi i per tal de contextualitzar el fenomen, s’escomet una breu panoràmica per algunes de les principals repercussions del culte en el terreny artístic, entre les quals l’aparició de les capelles del cos de Crist, que són el marc litúrgic natural dels exemplars a estudiar, encara que no l’únic.
Cal dir, d’entrada, que els exemplars conservats al territori amb aquesta dedicació, majoritàriament retaules pictòrics, són escassos en contrast amb la potència del culte i, malauradament, la documentació tampoc no és gaire generosa sobre les obres perdudes. Tanmateix, per sort n’ha perviscut un conjunt prou divers i significatiu que permet establir els principals vectors temàtics que, més enllà de les particularitats, degueren configurar-ne habitualment els programes iconogràfics. A cadascun d’ells, tant els que comptaven amb una llarga tradició com els originats a partir de l’efervescència de la devoció, es dediquen els darrers capítols de la tesi, els quals segueixen les reflexions pertinents sobre les obres i la seva iconografia, fonamentalment adreçada a posar en relleu la presència real de Crist en el pa i el vi consagrats.
En primer lloc s’analitza la presència destacada que hi ostentà el tema iconogràfic del Sant Sopar, com a representació principal de la institució del sagrament de l’eucaristia. En segon lloc s’aborda el pes que van tenir, dins del marc referit, les imatges cristològiques, tot posant especial èmfasi en els dos cicles que semblen haver jugat un paper de primer ordre, a saber, el de la infantesa de Crist i el de la passió. En tercer lloc es pondera la presència recurrent de les escenes de la litúrgica eucarística, principalment de l’Elevació de l’hòstia consagrada i la Processó del Corpus Christi, les quals vinculen indefectiblement la iconografia de les obres estudiades amb els manuscrits il·luminats. Finalment, el darrer capítol passa revista a les nombroses figuracions de miracles eucarístics que hi concorren i que posen de manifest varietat de fonts conegudes a la Catalunya del període. I això sense menystenir, és clar, aquelles expressions que tenen l’origen en un culte d’origen local, de les quals, dissortadament, n’ha pervingut la mínima expressió.
El cos del treball s’acompanya, a la fi, amb un catàleg que aplega les nou obres (i vuit conjunts) que es prenen en consideració i amb un ajustat aplec de documents d’índole diversa que pretén sustentar una visió de conjunt del culte eucarístic a Catalunya i les seves repercussions plàstiques. Tot plegat va annexat amb la bibliografia final de rigor, la qual pot ser una bona eina per a futures investigacions sobre la matèria.The objective of the thesis presented here is to study one of the many artistic consequences of medieval devotion to the Eucharist in Catalan bishoprics: Corpus Christi altarpieces. More specifically, the main aim is to analyse the iconographic cycles represented on those fourteenth and fifteenth century altarpieces –some of them preserved and some others known thanks to documentary evidence. With the intention of understanding the circumstances that gave rise to the appearance of these works and deepen the knowledge of their iconography, the first part of the thesis focusses on the emerging cult to the Eucharist, which, in the late middle ages, acquired an indisputable centrality with the institution of the solemnity of Corpus Christi. Based on the theoretical doctrine of the real presence of Christ in the consecrated species, which is the real agent of devotion, we analyse the main pious expressions that were derived from this devotion. Next, we give an overview of the phenomenon in the Catalonia of that time, yet to be published. Once the religious background is established, the second part of the thesis, which is the main part, studies the Corpus Christi altarpieces. In order to contextualize the phenomenon, we make a brief overview of some of the main implications of the cult in the artistic field, including the appearance of chapels devoted to the body of Christ, which are the natural liturgical framework of the works to be studied, although not the only one. It is important to point out that, initially, the works with the above mentioned dedication preserved in the area, mainly pictorial altarpieces, are rare in contrast with the power of the cult and, unfortunately, there is not much preserved documentation on the lost works. Notwithstanding, a diverse and significant set of altarpieces has survived that allows us to establish the main thematic vectors, beyond the particularities, that must have normally made up the iconographic programmes. We dedicate the last chapters of the thesis to these, both those that have a long tradition and those arising from the effervescence of devotion, which are pertinent reflections on the work and its iconography, primarily aimed at highlighting the real presence of Christ in the consecrated bread and wine. Firstly, we analyse the outstanding presence of the iconographic theme of the Last Supper, as the central image of the institution of the sacrament of the Eucharist. Secondly, we look at the weight the Christian figures had within the framework referred to, with special emphasis on the two cycles that seem to have played a leading role, namely, the childhood of Christ and the Passion. Thirdly, we reflect on the recurring presence of the scenes of the Eucharistic liturgy, primarily the Elevation of the consecrated host and the Procession of Corpus Christi, which unfailingly link the iconography of the works studied with illuminated manuscripts. Finally, the last chapter re-examines the numerous figurations of Eucharistic miracles that concur and evidence a variety of known sources in Catalonia in that period. And this without neglecting, of course, those expressions that have their origin in a local cult, which, unfortunately, have largely perished. The thesis also includes a catalogue with the entries of the nine altarpieces and a set of various kinds of documents that aim to give an overall vision of the Eucharistic worship in Catalonia and its artistic repercussions. The bibliography, which might be used as an effective tool for further research on this field, closes this thesis.
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Barrientez, Jose Ignacio. "Causes and effects of change orders at Naval Air Station, Corpus Christi, Texas." Thesis, Monterey, California. Naval Postgraduate School, 1995. http://hdl.handle.net/10945/25730.
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This research studies causes and effects of change orders on construction contracts at Naval Air Station, Corpus Christi, Texas. It involves a comprehensive study of 157 change orders on 61 fixed price construction contracts and a detailed analysis of sources of change and cost and schedule sensitivities for different project types. Of particular significance are the findings related to predominant sources of change which if verified by other studies should steer the U.S. Navy towards modifying its policies towards owner requested changes
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Yorke, Gosnell L. O. R. "Sōma re-examined : a study of the church as the body of Christ in the Pauline corpus with emphasis on the relationship between Christ's personal body and the church as body." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72079.
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In dealing with the Pauline concept of the church as the body of Christ (s oma Christou), numerous New Testament scholars and others have tried to come to grips with a fundamental but yet unresolved issue--the nature of the relationship between Christ via his own body and the church as body. Embedded in much of the discussion is the implicit assumption that s oma Christou as ecclesiological language does point to Christ's once crucified but now risen body in some direct way.This thesis examines that basic assumption in the light of the 18 ecclesiological references to soma found in the Pauline corpus. We argue that such an assumption is implausible and we conclude that it is simply the human body (any human body) which acts as a metaphorical signifier for the church; further, that Christ's personal body, crucified and risen, becomes relevant only in a larger Christological and soteriological sense.
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Thomas, C. Adrian. "The meaning of Pistis (Iēsou) Christou in the Pauline corpus." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
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Krause, James H. "Why do Mexican-American Lutherans in Corpus Christi seek the help of curanderos/curanderas?" Theological Research Exchange Network (TREN), 1992. http://www.tren.com.
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Tosetto, Guilherme Marcondes. "Entre o plastico e o simbolico = a festa de Corpus Christi revelada em imagens." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284013.
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Orientador: Etienne Ghislain SamainDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta dissertação tem como fio condutor o estudo das imagens dentro do campo da antropologia. A festa católica de Corpus Christi foi escolhida como objeto de pesquisa por ser uma importante celebração cultural e religiosa em nosso pais e que se manifesta através de sua visualidade. Explorá-la através de fotografias e iconografias nos permite conhecer a cultura humana a partir de uma experiência própria, num primeiro momento apresento o trajeto de pesquisa. Utilizando texto e imagem abro uma espécie de caderno de campo, onde relato os percursos e o método adotado nesta pesquisa. Num segundo momento apresento algumas iconografias, gravuras que contam a historia de Corpus Christi através de texto e imagem. São interessantes ao revelarem uma dinâmica única, que aqui denomino de imagens-narrativas, onde indicações numéricas e textos traçam um caminho de leitura destes quadros. Além desta primeira abordagem estrutural, busco entender como o sagrado e o humano são revelados nestas gravuras, e como texto e imagem são utilizados nestas representações. A importância deste trabalho está em revelar como texto e imagem podem ter suas potencialidades máximas exploradas a partir do encontro dessas formas de comunicação humana, e inseridos no campo da antropologia podemos ir ao encontro dos nós que conectam os estudos da imagem e sociedade.
Abstract: This work has as its leading thread the study of images in the anthropological Field. The catholic party of Corpus Christi was chosen as a research object for being an important cultural celebration in our country, which manifests itself mainly through visuality. Exploring it through photographs and iconographies provide us possibility of both plastic and symbolic approaches. Initially I introduce the research trajectory in which text and image reveal some notes I took, plus the work report, the pathways and the method taken in this research. Secondly I show some iconographies, engravings that tell the Corpus Christi's story also by text and images. These are interesting for revealing an unique dynamics, which I name here narrative-images, in which numeric indications and texts trace a reading path for these pictures. After this first structural approach, I attempt to understand how sacred and human are revealed in these engravings and how text and image are employed in these representations.This work's relevance lays in revealing how two forms of human communication, text and image, can have its maximum potentialities once they meet each other. Inserting these question in the anthropological field, we can get to know the connections that link studies on image and studies on society.
Mestrado
Multimeios
Mestre em Multimeios
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Treharne, Elaine M. "Corpus Christi College, Cambridge, 303 and the lives of saints Margaret, Giles and Nicholas." Thesis, University of Manchester, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.695275.
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Gallegos, Paliza Mario Francisco. "Percepción del Consejo de Hermandades sobre la publicidad BTL en el Corpus Christi cusqueño." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/655073.
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Esta investigación enfoca su análisis en la percepción de la publicidad BTL en festividades religiosas - tradicionales que se presenta en espacios de conglomeración de público para hacerse visible. El caso en estudio es la festividad del Corpus Christi de Cusco - 2019 y el público objetivo analizado son miembros del Consejo de Hermandades, representantes de las quince hermandades que participan en dicho evento de manera activa, llevando a las imágenes de santos y vírgenes desde cada parroquia ubicada en diferentes distritos y puntos de la ciudad y quienes toman decisiones sobre esta festividad de gran valor para la población local.
El objetivo es analizar la percepción de los miembros del Consejo de Hermandades sobre la publicidad BTL en la festividad del Corpus Christi cusqueño – 2019. La metodología, se fundamenta en un enfoque cualitativo, utilizando como herramientas las entrevistas estructuradas. Dentro de los principales hallazgos en este estudio, en relación a la percepción, se evidencia que no existe un vínculo emocional del público hacía la publicidad BTL que interviene en este evento, pues se considera que es un factor externo al significado real y esencial de un acontecimiento religioso-tradicional de gran importancia. Asimismo, se considera que la publicidad tiene una naturaleza estrictamente comercial y se afirma no obtener ningún beneficio de ella.
Finalmente, se concluye que la publicidad BTL en festividades tradicionales - religiosas puede ser más apropiada cuando respeta el significado real y la esencia de este tipo de manifestaciones, sin poner en riesgo la reputación del anunciante.This study focuses its analysis on the perception on BTL advertising in religious traditional festivities which is carried out in crowded areas in order to become visible. The case study is the festivity of Corpus Christi in Cusco in 2019 and the target public involved in the study is the members of the Council of Brotherhoods, representatives of each of the fifteen brotherhoods that participate in that event actively. They carry images of the saints and virgins from each church located in different districts and city areas; they also participate taking decisions about the festivity which are of great importance for the local population. The objective of this study is to analyze the perception that the members of the Council of Brotherhoods have of BTL advertising in Cusco’s Corpus Christi festivity. The methodology is based on a qualitative approach, using the structured surveys as data collection tool. Among the main findings in this study, in relation to perception, it is evidenced that there is no emotional link between the festivity attendees and the BTL advertising since this last one is considered an external factor that distorts the real and essential meaning of a traditional religious manifestation of such magnitude. Furthermore, this advertising is considered to be strictly commercial and it is stated that the target public does not obtain any benefit from it. Finally, it is concluded that BTL advertising in traditional religious festivities can be more appropriate when the real meaning and essence of this type of manifestations are respected in order not to damage the announcers’ reputation.
Tesis
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Burbridge, Brent E. "Cambridge, Corpus Christi College MS. 278: Embodying Community and Authority in Late Medieval Norwich." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35095.
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Cambridge, Corpus Christi College MS. 278 is an early-fourteenth-century trilingual manuscript of the Psalms from Norwich Cathedral Priory, an urban cathedral church staffed by Benedictine monks. This manuscript is notable because it contains one of six Middle English Metrical Psalters, the earliest Middle English translation of the Psalms, as well as a full Anglo-Norman Oxford Psalter, the most popular French translation of the Psalms in late medieval England. While the Middle English Metrical Psalter is a remarkable and understudied text in and of itself, the Metrical Psalter of CCC 278 is even more interesting because of its monastic provenance and innovative layout.
This thesis explores the questions of why a monastic institution would produce a manuscript of two complete, prominently displayed, vernacular Psalters with only highly abbreviated Latin textual references; what sociolinguistic and political forces drove the production of this innovative manuscript; and how the Middle English Metrical Psalter in particular was read, and by whom. Because there are no annotations, colophon, prologue or external documentation to provide clues to either the intended or actual use of the manuscript by the Priory monks, this thesis undertakes a detailed historicization and contextualization of the book in its urban, religious, linguistic and social settings. In addition, the lenses of community, mediation, and authority are applied, leading to the conclusion that CCC 278 and its Middle English Metrical Psalter were likely used by the monks to reach out to Norwich’s élite laity in order to form a mixed reading community around the book—a reading community controlled by the Priory.
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Almeida, Ludmila Pereira de. "Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7098.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The main objective of this research is to discuss how to configure the language and communication practices performed in the sitcom Todo mundo odeia o Chris (2006). We'll make use of the contributions of the metapragmatic function and metadiscursive schemes (SIGNORINI, 2008) about how the process of social difference and, consequently, of body marker tiers are legitimized communicative practices. This process, articulated to the historical events of ritual acts of speech (AUSTIN, 1998; PEIRANO, 2002; DORNELLES, 2002), produces discourses which effect the intelligibility of the bodies with signs of differentiation, considering that this is a basic construction in the perpetuation of the coloniality of knowledge and power (QUIJANO, 2005) that shapes the way the world is read by an epistemology that regulates and hierarquizes differences. The text-speech Todo mundo odeia o Chris, being translated/dubbed (MARTINS & AMORIN, 2013) producing the trace of the compulsory black diaspora (SANSONE, 2003; GILROY, 2001), is reentextualized from the local-global repertoire (MIGNOLO, 2003) of the brazilian translator, like the language can be used to perpetuate, architect and ritualize normalizing discourses for the control, addressing and notification of bodies (BUTLER, 2003; 1997; PINTO, 2002; 2013a; 2013b). Such actions make the black body vulnerable to acts of naming and violence that historically subordinate them. For this reason, the media narratives (SILVERSTONE, 2002), by providing mediated experiences about the world by the writing of the scenario of signification, enable T.M.O.C to charge the spirituality of the humor (BERGSON, 2001; SALES JR., 2006) via poetic strategies in the exercise of the language (BAUMAN & BRIGGS, 2006) and act against the dominant ideology. The black body is a sign still segregated and undervalued in the context of coloniality/modernity/globalization/State in the Americas, what constitutes a transterritorial fight that specifies in diferent locations while playing the role of dominant forces. So, when T.M.O.C shows a narrative that not only inserts the black body into visibility but do it in a reflexive and critical form with the metapragmatic action, it contradicts the cordiality, the cultural communicability and the not-said that directs the brazilian situation with a neurosis born of itself (GONZALEZ, 1984).
O principal objetivo dessa pesquisa é discutir como se configuram as práticas de linguagem e performatividades de comunicação a partir do seriado sitcom Todo mundo odeia o Chris (2006). Utilizaremos dos aportes da função metapragmática e dos regimes metadiscursivos (SIGNORINI, 2008) sobre como os processos de diferença social e, consequentemente, de hierarquização de marcadores corporais são legitimados nas práticas comunicativas. Esse processo, articulado a eventos históricos de rituais de atos de fala (AUSTIN, 1998; PEIRANO, 2002; DORNELLES, 2002), produz discursos que efetuam a inteligibilidade dos corpos por indicadores de diferença, tendo em vista que essa é uma construção de base na perpetuação da colonialidade do saber e do poder (QUIJANO, 2005) que molda a leitura do mundo por uma epistemologia que regula e hierarquiza as diferenças. O texto-discurso Todo Mundo Odeia o Chris, ao ser traduzido/dublado (MARTINS & AMORIN, 2013) e retomar o traço da diáspora negra (SANSONE, 2003; GILROY, 2001) compulsória reentextualizar, a partir do repertório local-global (MIGNOLO, 2003) do interpretante brasileiro, como a linguagem pode ser usada para perpetuar, arquitetar e ritualizar discursos normalizadores para o controle, endereçamento e interpelação dos corpos (BUTLER, 2003;1997; PINTO, 2002;2013a; 2013b). Tais ações tornam o corpo negro vulnerável a atos de nomeação e violência que o subalternizam historicamente. Por isso, as narrativas midiáticas (SILVERSTONE, 2002), ao fornecerem experiências mediadas sobre o mundo compondo o cenário de significação, possibilitam que T.M.O.C. indicie a espiritualidade do humor (BERGSON, 2001; SALES JR, 2006) por estratégias poéticas de exercitar a linguagem (BAUMAN & BRIGGS, 2006) e agir contra a ideologia dominante. O corpo negro é um signo ainda segregado e subalternizado em contexto de colonialidade/modernidade/globalização/Estado nas Américas e que constitui uma luta transterritorial que se especifica nos locais ao reproduzir as forças dominantes. Portanto, T.M.O.C., ao trazer uma narrativa que não apenas insere o corpo negro em visibilidade, o faz de forma reflexiva e critica pela ação metapragmática, contradiz a cordialidade, a comunicabilidade cultural e o não dito que direciona a situação brasileira, do interpretante, por uma neurose de si mesmo (GONZALEZ, 1984).
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Wilcox, J. "The compilation of Old English homilies in MSS Cambridge, Corpus Christi College, 419 and 421." Thesis, University of Cambridge, 1987. https://www.repository.cam.ac.uk/handle/1810/272589.
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The subject of this study is the compilation of an Old English homiliary contained in the companion volumes, Cambridge, Corpus Christi College, 419 and the original portions of 421 (together designated N in this thesis), written as a hitherto unidentified centre in the first half of the eleventh century. The collection comprises twenty-three Old English homilies: seven by AElfric, six by Wulfstan, and ten of unknown authorship. It is of particular significance as a witness to the use of anonymous homilies in the eleventh century. I provide a commentary on the anonymous homilies, discuss the textual affiliations of the collection as a whole, and investigate its place of origin. A detailed examination of the two manuscripts provides information about the exemplars from which they were copied and the uses to which they were put. I demonstrate that N was a popular collection - it contains corrections and revisions by at least twenty-one different hands - and that it travelled to Exeter at a time when Old English manuscripts were still in use. Eight of the anonymous homilies in N have been edited by A. S. Napier, Wulfstan: Sammlung der ihm zugeschriebenen Homilien (Berlin, 1883), but have never been fully discussed. The ninth has not been adequately edited (it was edited from a single manuscript by A. O. Belfour, Twelfth-Century Homilies in MS Bodley 343, EETS o.s. 133 (London, 1909) as homily VI). I provide an edition from all the surviving manuscripts as an appendix. The unpublished variants of one manuscript of the tenth anonymous homily (edited by Bruno Assmann, Angelsáchsische Homilien und Heiligenleben, Bibliothek der angelsáchsischen Prosa 3 (Kassel, 1889) as homily XI) are listed in a second appendix. I describe the sources of each anonymous homily and show how the homilist has used those sources. I also establish the textual relationship of all surviving manuscripts of the homilies and show how each homily has developed in the course of transmission. The textual relations and development of the homilies by AElfric and Wulfstan are described more briefly. The language of all the homilies is discussed in a separate chapter. As a result of these investigations I demonstrate that N was compiled from eleven different exemplars, some of which had already enjoyed a considerable history by the eleventh century. The collection was compiled to provide basic Christian instruction, which is given added urgency by an insistence on the imminence of judgement. I conclude that it was assembled at a small monastery dominated by Canterbury influences - probably the unknown monastery which the manuscript Cambridge, Trinity College, B.15.34 (containing a collection of AElfric's homilies) travelled to in the Anglo-Saxon period.
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Oliveira, Elza Aparecida de. "Igreja e rua, dois espaços a mesma fé. Sacralização do espaço na festa de Corpus Christi." Universidade Federal de Juiz de Fora, 2014. https://repositorio.ufjf.br/jspui/handle/ufjf/767.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Esta dissertação busca compreender os sentidos da festa de Corpus Christi na contemporaneidade, assim como verificar sua relação com o espaço e com o religioso. O cerne do trabalho é a análise desta solenidade considerando o seu caráter lúdico, artístico, performático e efêmero. Corpus Christi é uma festa móvel da Igreja Católica datada do século XIII que celebra a presença real e substancial de Cristo na Eucaristia, sendo o único dia do ano que o “Santíssimo Sacramento” sai em procissão pelas ruas. O recorte etnográfico ao qual me limito é o estudo desta solenidade na paróquia N. Srª da Piedade, em Magé, no Estado do Rio de Janeiro, buscando verificar as motivações e os significados atribuídos a esta arte por seus produtores. Tendo em vista que tradicionalmente os tapetes são confeccionados no universo da rua, um dos principais objetivos da pesquisa tem sido analisar essa dicotomia entre sagrado e profano, contudo não como categorias antagônicas e insociáveis, mas passíveis de interlocução e de diálogo. Outro aspecto analisado incide sobre o processo da confecção dos tapetes, a fim de melhor compreender a ação simbólica de desenhar imagens religiosas, mesmo que temporárias, no chão não usual – o da rua. Concomitante a essas possibilidades de análise, também serão abordadas a noção de festa e sua caracterização de efervescência coletiva, que é capaz de renovar pactos e reforçar a comunhão. Todas essas categorias -as quais são passíveis de analises – seja na procissão, seja na confecção do tapete, são o que promovem à solenidade sua configuração ímpar.
This paper aims to understand the meaning of the Feast of Corpus Christi today, as well as its relation with space and religion. The main point of this work is to analyze this ceremony considering the ludic, the artistic, the perfomative and the ephemeral essence it holds. Corpus Christi is a thirteenth century catholic procession that celebrates Christ’s real and substantial presence in the Eucharist; it’s the day when the Blessed Sacrament it taken to a procession. The ethnographic setting to be covered in this paper is the celebration of this solemnity in N. Srª da Piedade Parish, in Mage, in the Rio de Janeiro State, and this essay will investigate the reasons and the meanings attributed to this art by those who make it. Considering that the Corpus Christi rugs are made on the street and belong to this context, one of the main points of this research has been to analyze this sacred-profane dichotomy, not as opposed categories but as interactive ones. Another aspect here covered is the production of the rug, so that the symbolic action of drawing holy pictures on this unusual space – the street – can be understood. Along with those multiple possibilities of analysis, the idea of “fest” and its collective effervescence character, which is able to freshen pacts and reinforce communion, will be discussed. All these categories - which are open to many different analyses -whenever it comes to the production of the rug or to the procession, are the ones who certify the uniqueness of this celebration.
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Aleman-Fernandez, Carmen Elena. "Corpus Christi and Saint John the Baptist : a history of art in an African-Venezuelan community." Thesis, SOAS, University of London, 1990. http://eprints.soas.ac.uk/29664/.
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For the past ten years I have conducted research in the town of Chuao (Aragua State), an area settled in the 16th Century, site of the oldest and most renowned cocoa plantation of Venezuela. By the mid-17th century, the owner turned control of the enterprise over to the Roman Catholic Church, which administered it through the Inter-diocesan Seminary until 1827, at which time, by direct order of Simon Bolivar, the plantation became the property of the University of Caracas (today the Universidad Central de Venezuela) until 1883. From then it came under the direct control of the State.;The inhabitants are descended from African slave populations brought in by Spanish colonists; and the area can only be reached by sea. The relative isolation of Chuao makes it a special place in which one can study the evolution of artistic and rituals forms. Chuao appears to be one of the few African communities in modem Venezuela which has actively maintained links with its past. The Chuao tradition has evolved in the local integration of official (Spanish Catholicism) and popular (slave African elements). This may well exemplify the evolution of artistical ritual forms in other coastal communities of north-central Venezuela from the time of Spanish Colonialism.;The thesis is centred around the principal festivities of the community of Chuao: Corpus Christi (featuring "devil" masquerade) and the festive cycle of Saint John the Baptist (featuring images of the Saint and his mistress). Both festivities are organized by societies, the Corpus Christi society led by men and the Saint John society, by women. These societies are thus responsible for all the different aspects of the celebrations, such as the preparation for the festival, rehearsals, stages of the festivities, masks, costumes, images, dances, music, songs, speeches and poems.;These festivities are placed within the historical background of the community, and plantation of Chuao including the possible origin of the Africans arrived in Spanish America during the period of the slave trade. Moreover, the importance of the religious tradition of Chuao for an understanding of these festivities is provided by the Doctrine of Maria Tecla.
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Beauchamp, Pauline. "The Corpus Christi plays as dramatizations of ritual : an examination of the decline of the medieval theatre." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63121.
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Pentzlin, Nadja Irmgard. "The cult of Corpus Christi in early modern Bavaria : pilgrimages, processions, and confraternities between 1550 and 1750." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6325.
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Transubstantiation and the cult of Corpus Christi became crucial Counter-Reformation symbols which were assigned an even more significant role during the process of Catholic renewal from the mid-sixteenth to the mid-eighteenth century. Practices outside Mass, such as pilgrimages, processions, and prayers in front of the consecrated host flourished, in particular, in early modern Bavaria. The former Duchy of Bavaria has generally been regarded as the archetypal ‘confessional' state, as the Bavarian dukes from the House of Wittelsbach took the lead in propagating the cult of the Eucharist. They acted as patrons of Baroque Catholicism which was presented to the public as an obvious visual marker of Catholic identity. This study therefore investigates how the Eucharist was popularised in the Catholic duchy between 1550 and 1750, focusing on three major themes: pilgrimages, confraternities, and the Corpus Christi procession. This study does not, however, approach the renewal of Catholicism in terms of a top-down process implemented by the Wittelsbach dukes as a method of stately power and control. Rather than arguing in favour of a state-sponsored piety imposed from above, this work explores the formation of Catholic confessional identity as a two-way-process of binding together elite and popular piety, and emphasizes the active role of the populace in constituting this identity. This is why this investigation draws primarily on research from local archives, using a rich body of both textual and visual evidence. Focusing especially on the visual aspects of Catholic piety, this project works towards an interdisciplinary approach in order to understand the ways in which Eucharistic devotion outside Mass was presented to and received by local communities within particular visual environments.
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Turer, Dilek Genc. "HEAVY METAL POLLUTION OF ROADWAYS FROM VEHICULAR AND NON-VEHICULAR SOURCES: CINCINNATI, OH AND CORPUS CHRISTI, TX." University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin965233296.
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Volvey, Anne. "Art et spatialités d'après l'œuvre in situ outdoors de Christo et Jeanne-Claude." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2003. http://tel.archives-ouvertes.fr/tel-00589628.
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S'inscrivant dans le champ en construction de la géographie de l'art, cette thèse traite de l'œuvre artistique de Christo et de Jeanne-Claude connue du public par The Pont-Neuf Wrapped ou Surrounded Islands, par exemple. Elle investit la dimension spatiale de la production artistique et la dimension spatiale de la réception esthétique d'un objet d'art textile in situ outdoors. Elle met en œuvre pour ce faire, d'une part, des références conceptuelles aux théories de l'action telles qu'elles se développent en géographie depuis une dizaine d'années et, d'autre part, une approche phénoménologique telle qu'elle s'est imposée en géographie depuis une trentaine d'années. En travaillant les articulations entre objet textile, objet d'art et œuvre d'art, elle montre que la dimension spatiale de l'objet-lieu d'art, sa monumentalité physique et symbolique, n'est pas pensable indépendamment de la dimension spatiale de l'œuvre d'art, celle qui est construite dans l'action artistique. Elle montre, par ailleurs, que l'objet textile est utilisé par le spectateur dans une expérience esthétique qui n'est pas seulement visuelle mais tactile et dans le cadre de l'objet-lieu d'art. Cette relation entre espace et utilisation d'objet explique la transposition et l'interprétation géographique d'un appareil théorique issu de la psychanalyse transitionnelle pour qualifier la dimension spatiale de l'expérience esthétique de l'objet d'art. Cette thèse est donc très fortement inscrite dans la pluridisciplinarité : géographie, esthétique et psychanalyse. En mettant en avant les rapports entre terrain, image et action, en replaçant cette relation dans le champ de l'expérience et en la rendant homogène à l'expérience esthétique, cette thèse est par ailleurs conçue comme le fondement d'une réflexion sur les relations entre terrain et image en géographie.
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Sisson, Richard Kimberly. "To Hold as T'were the Mirror Up to Hate: Terrence McNally's Response to the Christian Right in Corpus Christi." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-08062007-155932/.
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Thesis (Ph. D.)--Georgia State University, 2007.Title from file title page. Matthew Roudane, committee chair; George Pullman, Thomas McHaney, committee members. Electronic text (201 [i.e. 200] p.) : digital, PDF file. Description based on contents viewed 19 Oct. 2007. Includes bibliographical references (p. 193-200).
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Becerril, Blas María Martha. "La Danza de los Viejos de Corpus Christi como Representación Cultural, Folclórica y Turística en Temascalcingo, Estado de México." Tesis de Licenciatura, Universidad Autónoma del Estado de México, 2019. http://hdl.handle.net/20.500.11799/104402.
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El propósito de este ensayo es analizar el sentido social y simbólico de la danza de los
viejos de Corpus Christi en su relación con la cultura, el folklore, la tradición, la música
y la vestimenta. Se realiza un análisis sobre la importancia turística en la danza, que
en los últimos años se ha popularizado, pero no se han tomado en cuenta los
beneficios que pudiera desencadenar la relación danza - turismo. En primera
instancia, se describe la correlación danza, cultura y folklore. La cultura entendida
como forma de vida, representación y comportamiento de las personas, a través de
sus costumbres y tradiciones. El folklore, asumido como manifestaciones de los
pueblos a través de la música, leyendas, gastronomía y arquitectura. El siguiente
aspecto, la tradición y el simbolismo en la danza, remite al pasado y su vigencia en el
presente, por medio de la indagación histórica. La música y la vestimenta confieren a
la danza el sentido festivo, litúrgico y ritual. Es a partir de la música que se expresan
movimientos y finalidades. El vestuario define y caracteriza al danzante, pero también
enuncia las características socioeconómicas, las costumbres y tradiciones de un lugar.
Finalmente se aborda la danza como un carácter escénico, es decir, como se
manifiesta, su desarrollo y el contexto. Se hace un explicación de los antecedentes de
la danza de los viejos de Corpus Christi, una danza que se realiza en la celebración
católica de los Jueves de Corpus, una forma de agradecer a Dios por las bendiciones
recibidas durante el año y una petición por la llegada de las lluvias y contar con
buenas cosechas. La festividad no solo implica la danza, también un concurso de las
diferentes comparsas que arriban a la cabecera municipal, motivo que ha
incrementado la afluencia de visitantes al municipio de Temascalcingo, pero que
requiere de la toma en cuenta de actividades turísticas y los beneficios que en
momento dado tendría la comunidad receptora, en torno a las posibilidades de
esparcimiento.
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Rodrigues, Luísa Fernanda Ferreira. "O Mosteiro de Corpus Christi de Vila Nova de Gaia-arquitectura, pintura e escultura num espaço dominicano feminino (1675-1873)." Master's thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Letras, 1998. http://dited.bn.pt:80/29894.
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Deptula, Richard. "Polish immigrants, Conventual Franciscans, and Franciscan Sisters of St. Joseph Corpus Christi Roman Catholic Church, Buffalo, New York, 1898-1939 /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
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Moreno, Cameron Jay. "The Earth, The Moon, The Stars: Stories." TopSCHOLAR®, 2018. https://digitalcommons.wku.edu/theses/3046.
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This is a book-length, hybrid collection of short stories and poetry with a critical introduction. The narrative of these stories and poems are told through the perspective of Xavi Muñoz and various characters related to him. In theme, this collection explores machismo and Xavi’s attempt at overcoming it by discovering the intersectionality between masculinity, sexuality, gender, and gender roles. In addition, the introduction theorizes about masculinity by relating it to water.
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Morales, Thomas Patrick. "Mémoires reconstruites et ré-ethnisation : Corpus Christi et pagamentos chez les indiens kankuamo de la Sierra Nevada de Santa Marta, Colombie." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0235.
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Ce travail analyse le processus de ré-ethnisation entrepris par les indiens Kankuamo de la Sierra Nevada de Santa Marta en Colombie. Les questions soulevées par le récent mouvement identitaire sont abordées à partir d'un champ d'observation déterminé par la célébration locale de la Fête-Dieu. Ces parcours rituels marqués par des lieux nommés "pagamentos" (espace traditionnel d'offrandes aux ancêtres) constituent non seulement une véritable cartographie sacrée mais surtout un puissant langage rituel qui fonctionne comme une grille d'intelligibilité d'un schéma mémoriel dont la récurrence tourne autour d'un conflit douloureux avec l'extérieur toujours d'actualitéThe present work analyses the re-ethnitisation process undertaken by the Kankuamo indians at the Sierra Nevada of Santa Marta in Colombia. The questions generated by the identity movement are addressed by observing the local celebration named God-Party. The ritual of this party is defined by a journey to places called "pagamentos", traditional spaces for offerings to the ancestors. The "pagamentos" constitute not only truthful, sacred cartographies, but, most of all, a powerful language working as a grid of understandability of a memorial schema. In this schema, the recurring theme revolves around a painful conflict; which is always related to external current events
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Gobbitt, Thomas John. "The production and use of MS Cambridge, Corpus Christi College 383 in the late eleventh and first half of the twelfth centuries." Thesis, University of Leeds, 2010. http://etheses.whiterose.ac.uk/1531/.
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MS Cambridge Corpus Christi College 383 (CCCC 383) is a collection of Anglo-Saxon law-codes and related texts copied in Old English dated to the beginning of the twelfth century. The manuscript is written throughout by a single scribe in a clear, subtly decorated and easy to read English Vernacular Minuscule and decorated throughout with red pen-drawn initials. Rubrics have been supplied in the first half of the twelfth century, as well as numerous additions and emendations dating from the first half of the twelfth century through to the sixteenth century. I have conducted an extensive codicological and contextual examination of the production and use of CCCC 383. I investigated a number of significant areas: the direct evidence for the materials and methods employed in the production of the manuscript and for its storage and use throughout the period; evidence for scribal behaviour and interaction with the manuscript in the writing, miniaturing, emendation and rubrication of the manuscript; analysis of the mise-en-page and the ways in which that can be used to assess the intentions of producers and users of the manuscript; and consideration of the continued roles of the Old English language and Anglo-Saxon law in the late eleventh and first half of the twelfth century. I argue that the production of the manuscript represented a significant and meaningful endeavour on the part of its producers and users and indicates the continued applicability and of Old English and Anglo-Saxon law-codes in the historical context of the late eleventh and first half of the twelfth centuries.
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Price, Jocelyn M. "Edition of the anonymous Old English 'Harrowing of Hell' homily found in the margins of Cambridge, Corpus Christi College, 41, pp.295-301." Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.676728.
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Fontes, Maria Luiza Schmitz. "Breve estudo espaço-temporal e de impacto do feriado de carnaval e de corpus christi sobre variáveis ambientais nas águas da Lagoa da Conceição - Florianópolis." Florianópolis, SC, 2004. http://repositorio.ufsc.br/xmlui/handle/123456789/87256.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Tecnológico. Programa de Pós-Graduação em Engenharia Ambiental.Made available in DSpace on 2012-10-21T17:14:35Z (GMT). No. of bitstreams: 1 204389.pdf: 10062296 bytes, checksum: 68424885121b2075b88355e38b304a63 (MD5)
A Lagoa da Conceição localizada em Florianópolis, ilha de Santa Catarina (27º34'S - 48º27'W), vem sofrendo um intenso processo de eutrofização em virtude do aumento da urbanização desordenada na região. Inicialmente, a Lagoa foi dividida em quatro setores (Sul, Centro-Sul, Centro-Norte e Norte) de acordo com a sua geomorfologia, densidade demográfica e influência da maré. Amostras de água de sub-superfície e de fundo foram coletadas aleatoriamente em todo o corpo lagunar durante dois períodos de tempo: antes e depois do feriado de Carnaval e de Corpus Christi de 2003, sendo três dias antes e três depois e mais dois tomados ao acaso, sorteados em um intervalo de tempo total de 30 dias (15 antes e 15 depois). As amostras receberem tratamentos diferentes, de acordo com o objetivo do estudo: uma para a dinâmica espaço-temporal das variáveis físico-químicas e biológicas (verão e inverno) e outra para a avaliação do impacto (feriados de Carnaval e Corpus Christi). As variáveis determinadas foram: oxigênio dissolvido, pH, temperatura, salinidade, transparência, nutrientes inorgânicos dissolvidos (nitrato, nitrito, amônio e o-fosfato), fósforo e nitrogênio total dissolvido, fósforo e nitrogênio orgânico dissolvido, sulfeto, poli-fosfatos, clorofila-a e feofitina-a. As maiores concentrações de amônio e de NID foram encontradas no setor Norte (no verão). No setor Sul, foram verificados: a menor salinidade (setor mais abrigado), o maior valor de PTD (no inverno), de clorofila-a (no inverno) e de poli-fosfatos (no verão). Durante a campanha de verão, foi observada uma estratificação vertical nas águas profundas do setor Centro-Sul em função dos maiores valores de clorofila-a, salinidade, feofitina-a e sulfeto no fundo quando comparados à água superficial. Este fato pode ser explicado pela baixa renovação de água nestes locais profundos e pela elevada concentração de organismos fotossintetizantes no fundo. Já durante a campanha de inverno, a coluna de água se apresentou mais homogênea verticalmente, devido às menores temperaturas e a maior ação dos ventos. A variação temporal de nitrato e de nitrito (maiores no inverno), clorofila-a e feofitina-a (menores no inverno) sugere uma menor assimilação dos nutrientes pelos produtores primários no inverno do que no verão. As concentrações de amônio, clorofila-a e feofitina-a foram maiores no verão, em função do maior aporte de material orgânico autóctone e alóctone, maior degradação biológica e à maior intensidade da luz. Em geral, as razões N:P (razão molar) foram maiores do que 16:1 (REDFIELD, 1958), indicando o fósforo como o elemento controlador da produção pelágica na Lagoa. A avaliação do impacto antrópico promovido pelos feriados de Carnaval e de Corpus Christi indicou que somente o Carnaval promoveu alterações efetivas na água superficial da Lagoa, as quais podem ser evidenciadas pelo aumento na concentração de amônio, na razão N:P e no sulfeto após o feriado e pela diminuição de clorofila-a, feoftina-a e de oxigênio dissolvido.
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Thompson, Carrie A. "500 Essential English Words for ESL Missionaries." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd884.pdf.
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Sánchez, Mombiedro Rafael. "La capilla musical del Real Colegio-Seminario del Corpus Christi en la segunda mitad del siglo XVII: biografía crítica, legado musical y magisterio de José Hinojosa (fl. 1662-1673)." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/75085.
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Abstract
The content of this thesis focuses on the musical work by José Hinojosa (fl. 1662-Valencia, 1673), preserved in the musical archive of the Real Colegio del Corpus Christi (Patriarca). After making a critical biography of the composer, updating the inventory of his 47 preserved works and studying the standards of practice of the musical chapel during the 11 years that José Hinojosa served as chapel master (1662-1673), I have selected, transcribed and studied a set of eight of his works. Through these works, it is possible to see, among other things, the treatment of polychorality, the employed technique of composition, theatrical and acoustic-space resources used and which were the vocal and sound features of the musical chapel he ruled. I have also done research on the use of rhetorical figures by Hinojosa, compared with the application of them in liturgical works of different composers belonging to the seventeenth century, in order to frame his work in the European context of the time.
I have concluded the investigation with other aspects of interest, such as: a synthetic analysis of political, economic and cultural events in Valencia along the seventeenth century, the launching of the Real Colegio del Corpus Christi by Juan de Ribera, the double regulations concerning the College and the musical chapel, the liturgical ceremonial and, finally, the receiving of polyphonic choirbooks during the arrival of José Hinojosa as a chapel master in 1662.Resumen El contenido de esta tesis se centra en la obra musical de José Hinojosa (fl. 1662-Valencia, 1673) conservada en el archivo musical del Real Colegio del Corpus Christi (Patriarca). Tras realizar una biografía crítica del compositor, actualizar el inventario de sus 47 obras conservadas y estudiar el funcionamiento de la capilla musical en los 11 años en que José Hinojosa ocupó el cargo de maestro de capilla (1662-1673), he seleccionado, transcrito y estudiado un conjunto de ocho obras del autor, a través de las cuales se puede observar, entre otros elementos, el tratamiento de la policoralidad, la técnica de composición empleada, los recursos teatrales y acústico-espaciales utilizados y cuáles eran las características vocales y tímbricas de la capilla que regía. Asimismo, he investigado sobre el uso de la retórica musical por parte de Hinojosa, en comparación con la aplicación de la misma en obras litúrgicas de diferentes compositores del siglo XVII, a fin de enmarcar su obra en el contexto europeo de la época. He completado la investigación con otros aspectos de interés, como son: un análisis sintético de los acontecimientos políticos, económicos y culturales de Valencia en el siglo XVII, la puesta en marcha del Real Colegio-Seminario del Corpus Christi por Juan de Ribera, la doble normativa concerniente al Colegio y a la capilla musical, el ceremonial litúrgico y, finalmente, la recepción de libros de polifonía disponibles a la llegada de José Hinojosa como maestro de capilla en 1662.
Resum El contingut d'esta tesi se centra en l'obra musical de Josep Hinojosa (fl. 1662-València, 1673) conservada a l'arxiu musical del Reial Col·legi del Corpus Christi (Patriarca). Després de realitzar una biografia crítica del compositor, actualitzar l'inventari de les seues 47 obres conservades i estudiar el funcionament de la capella musical en els 11 anys en què Josep Hinojosa ocupà el càrrec de mestre de capella (1662-1673), he seleccionat, transcrit i estudiat un conjunt de huit obres de l'autor, a través de les quals es pot observar, entre altres elements, el tractament de la policoralitat, la tècnica de composició emprada, els recursos teatrals i acusticoespacials utilitzats i quines eren les característiques vocals i tímbriques de la capella que regia. Així mateix, he investigat sobre la utilització de la retòrica musical per part d'Hinojosa, en comparació amb l'aplicació de la mateixa en obres litúrgiques de diferents compositors del segle XVII, per tal d'enquadrar la seua obra en el context europeu de l'època. He completat la investigació amb altres aspectes d'interès, com ara: una anàlisi sintètica dels esdeveniments polítics, econòmics i culturals de València en el segle XVII, l'endegament del Reial Col·legi del Corpus Christi per Joan de Ribera, la doble normativa concernent al Col·legi i a la capella musical, el cerimonial litúrgic i, finalment, la recepció de llibres de polifonia disponibles a l'arribada de Josep Hinojosa com a mestre de capella en 1662.
Sánchez Mombiedro, R. (2016). La capilla musical del Real Colegio-Seminario del Corpus Christi en la segunda mitad del siglo XVII: biografía crítica, legado musical y magisterio de José Hinojosa (fl. 1662-1673) [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/75085
TESIS
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Roux, Emmanuelle. "Les traductions en moyen anglais de la Somme le roi par frère Laurent, conservées dans les manuscrits e. Musaeo 23 et Corpus Christi College MS 494 : édition critique et étude." Poitiers, 2010. http://www.theses.fr/2010POIT5025.
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Le succès de la somme le roi du frère Laurent s'est aussi révélé à travers le nombre de langues dans lesquelles elle a été traduite, dont le moyen anglais. Parmi les neufs traductions anglaises connues à ce jour, cinq ont été délaissées après la remarquable édition de Nelson Francis, The book of vices and virtues, en 1942. Le projet de recherche dont fait partie cette thèse présentant l'édition de ces deux traductions, veut pallier certaines lacunes dans nos connaissances sur la genèse de ces manuscrits, l'évolution de la langue, les méthodes de traductions etc…The success of the Somme le roi by friar Laurent is confirmed by the number of languages into which it has been translated, one of which is Midle english. Among the nine translations known today, five were ignored by scholars after the remarkable edition by Nelson Francis in 1942 of the book of vices and virtues. This thesis, presenting the edition of two of these translations, is part of a wider research project which seeks to offset some lacunas in our knowledge about the tradition of these manuscripts, on the evolution of English language, on methods of translation etc…
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Seefeldt, Connor. "'Factum ex scientia': I Canadian Corps Intelligence during the Liri Valley Campaign, May – June 1944." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23327.
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Studies on Canadian Army military intelligence remain sparse in Canadian military historiography. This study is unique in that it focuses on the development, doctrine, and influence of intelligence within the I Canadian Corps throughout the Liri Valley battles during the Italian Campaign. It will be argued that I Canadian Corps intelligence achieved notable overall success in helping to break the Hitler Line by providing comprehensive and relatively up-to-date information on enemy dispositions and strengths which helped commanders and staff planners properly prepare for the operation. This success was attributable to three main factors: excellent intelligence personnel selection and training; the successful mentorship of I Canadian Corps intelligence by Eighth Army's intelligence cadre; and the overall effectiveness of 1st Canadian Infantry Division's intelligence organization which had been in the Mediterranean theatre since July 1943. Notwithstanding these successes, a number of faults within the Canadian Corps intelligence system must also be explained, including the poor performance of 5th Canadian Armoured Division's intelligence organization during the pursuit up the Liri–Sacco Valleys, and the mediocre execution of Corps counter-battery and counter-mortar operations. This study will demonstrate how an effective intelligence organization must augment existing army doctrine and how it can mitigate, though not completely eliminate, battlefield uncertainty. Further, it will also demonstrate that a comprehensive lessons-learned process must be undertaken to continually refine existing intelligence doctrine and procedures, with frequent training programs inculcating personnel in this doctrine. Taken as a whole, this study is unique as it is one of only several studies devoted solely to developing a greater understanding of a little-understood, and often forgotten, staff function within the Canadian Army during the Second World War.
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Carvalho, Williani de Almeida. "PRÁTICAS RELIGIOSAS, CORPO E ESTILOS DE VIDA: UMA ANÁLISE COMPARATIVA ENTRE EVANGÉLICOS NO BAIRRO RUDGE RAMOS EM SÃO BERNARDO DO CAMPO." Universidade Metodista de São Paulo, 2010. http://tede.metodista.br/jspui/handle/tede/540.
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Previous issue date: 2010-03-04Conselho Nacional de Desenvolvimento Científico e Tecnológico
This research analyzes the body as part of a process of social construction and seeks to understand the implications of the relationship between the social construction of body and evangelical religious practices. Chooses the Congregation Christian Churches, Presbyterian and Reborn in Christ in the neighborhood of Rudge Ramos, Sao Bernardo do Campo, as an investigation of this issue. This relationship is shrouded in intentions and physical manifestations involving religious practices and lifestyles of people who attend these names in the neighborhood in question. The study developed a mapping of physical techniques that mean the way people are "worth" of their bodies. When assessing the social, cultural and economic factors related to the neighborhood in question, and inserted it to the churches, we seek to understand how these three gospel traditions develop differentiated body techniques. Also, if people who attend these churches suffer any influence of the "model" of embodiment of society today is to claim that the quest for social mobility and the conditions of consumption linked to the body.(AU)
A presente pesquisa analisa o corpo como parte de um processo de construção social e busca compreender as implicações da relação entre essa construção social do corpo e práticas religiosas evangélicas. Elege as Igrejas Congregação Cristã, Presbiteriana e Renascer em Cristo no bairro de Rudge Ramos, em São Bernardo do Campo, como objeto de investigação dessa questão. Essa relação está envolta em intenções e manifestações corporais que implicam práticas religiosas e os estilos de vida das pessoas que freqüentam as referidas denominações no bairro em questão. O estudo desenvolve um mapeamento das técnicas corporais que significam a maneira como as pessoas se valem dos seus corpos. Na apreciação dos aspectos sociais, culturais e econômicos relacionados ao bairro em questão e às igrejas nele inseridas, procuramos compreender a maneira como essas três tradições evangélicas desenvolvem técnicas corporais diferenciadas. Também, se as pessoas que freqüentam essas igrejas sofrem alguma influência do modelo de corporeidade da sociedade atual que tem como pretensão a busca pela ascensão social e por condições de consumo vinculadas ao corpo.(AU)
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Sánchez, Martínez Rafael Ángel. "El teatro comercial en Murcia durante el siglo XVII." Doctoral thesis, Universidad de Murcia, 2005. http://hdl.handle.net/10803/10950.
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La Tesis Doctoral es un estudio de todos los aspectos relacionados con el teatro comercial en la ciudad de Murcia desde finales del siglo XVI hasta el siglo XVIII. En ella se aportan datos sobre los corrales de comedias, actores y compañías de teatro en época aurisecular, además de hacer un recorrido por la festividad del Corpus Christi en Murcia. El primer espacio escénico que existió en Murcia en los albores del barroco fue uno de los patios del Hospital de Nuestra Señora de Gracia y Buen Suceso. Se hicieron representaciones desde el año 1593 hasta 1609. En 1609 se construyó el teatro del Toro, una gran casa de comedias de propiedad municipal que pretendía dar abasto a la demanda de teatro de la ciudad. En 1633 el teatro se trasladó a un edificio en la Plaza de Santa Catalina de esta ciudad, hasta 1636 que la casa de comedias del Toro vuelve a funcionar hasta el siglo XIX. Murcia quedó inserta en itinerarios que utilizaban los comediantes cuando recorrían las parte sur-levante de la península. En Murcia representaron las compañías más prestigiosas de la época.The doctoral thesis is a research on every aspect related to the commercial theatre in Murcia city from the end of 16th century to the 18th century. The research provides with information about corrales de comedias (former play houses, theatres), actors and theatre companies at the Golden Age as well as a look through Corpus Christi feast in Murcia.At the dawn of Baroque the first place for performing in Murcia was a courtyard in Nuestra Señora de Gracia y Buen Suceso Hospital where some performances took place from 1593 to 1609. In 1609 the Toro theatre was built; it was a big municipal play house which tried to meet the demand for theatre in the city. In 1633 performances were moved to a building in Santa Catalina square in Murcia, but in 1636 the Toro theatre reopened and worked until the 19th century.Murcia city was a permanent performing spot for actors and companies when touring the south and east of the country.