Academic literature on the topic 'Corpus Christi Festiva'

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Journal articles on the topic "Corpus Christi Festiva"

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Harris, Max. "Saint Sebastian and the Blue-Eyed Blacks Corpus Christi in Cusco, Peru." TDR/The Drama Review 47, no. 1 (2003): 149–75. http://dx.doi.org/10.1162/105420403321250062.

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The early summer festival of Corpus Christi has been for many centuries the occasion for vibrant street theatre throughout the Roman Catholic world. The pageantry thrives in Cusco, Peru, where the week of Corpus Christi festivities runs concurrently with the massive civic parades that precede the reconstructed Inca solstice festival of Inti Raymi. This miscegenation of festive traditions befits the celebration's multiple ethnic referents, invoking the heritages of Spain, the Incas, the rural Indians of the Amazon and the Andes, and urban mestizos.
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Bourque, L. Nicole. "Spatial Meaning in Andean Festivals: Corpus Christi and Octavo." Ethnology 33, no. 3 (1994): 229. http://dx.doi.org/10.2307/3774008.

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Gonzalez, Anita. "Mambo and the Maya." Dance Research Journal 36, no. 1 (2004): 131–45. http://dx.doi.org/10.1017/s0149767700007609.

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This essay is a descriptive analysis of a 2000 encounter with Mayan “mambo” dancing in a mountain community, an encounter that challenges assumptions about prevalent notions of exoticism, identity, and cultural authenticity. Traveling in Guatemala with a group of international scholars, I witnessed a public performance of the transnational mambo by costumed Guatemalans that was not mambo, not Mayan, and not social. Male performers, in celebration of Corpus Christi, dressed as Disney-style costume characters and executed routines to merengue music while nondancing participants watched the spect
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García Pilán, Pedro. "Tradición católica y ritual festivo: secularización y metamorfosis de lo sagrado." Sociología Histórica 11, no. 1 (2021): 10–41. http://dx.doi.org/10.6018/sh.488361.

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El objetivo del artículo es analizar la relación entre tradición, ritual y proceso de secularización en la modernidad avanzada, a partir de un análisis histórico y etnográfico de las fiestas católicas de Corpus Christi y Semana Santa, además de algunas grandes celebraciones locales. Se defiende que la tradición moderna no es una mera herencia del pasado, sino producto de un proceso de retradicionalización selectiva de prácticas formadas conflictivamente en el mundo católico durante el período de la Contrarreforma, tras un proceso de negociación (basado en un desigual equilibrio de poder) entre
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Althouse, Aaron P. "Writing by Caste, Counting the Past: Alphabetic Literacy and Age Consciousness in the Colonial Pátzcuaro Region, 1680-1750." Americas 65, no. 3 (2009): 297–319. http://dx.doi.org/10.1353/tam.0.0094.

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In June of 1739, what might have proven to be a festive early-summer afternoon celebrating the fiesta of Corpus Christi in Pátzcuaro (Mexico), instantaneously veered toward deadly combat when a fight broke out in the streets near a commonly used well in the San Augustín neighborhood, close by where the Corpus procession passed. The turn to violence occurred when two groups of men settled an apparently petty dispute with physical measures that ultimately claimed one participant's life. Two Indian nobles, don Juan de Vargas and his nephew, Santiago Valerio, and a Spaniard, Joseph Ruíz (alias Alv
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Grubbs, Anthony J. "THEATRICAL REPRESENTATIONS OF ST. CHRISTOPHER THROUGHOUT THE CROWN OF ARAGON DURING THE MIDDLE AGES." Catalan Review 20, no. 1 (2006): 273–89. http://dx.doi.org/10.3828/catr.20.15.

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As the patron of travelers, Sr. Christopher inspired one of the most popular cults to spread throughout medieval Europe. The Iberian Peninsula was no exception: his gigantic following spanned the region and his image adorned the walls of most churches and cathedrals. Manifestations were not limited to the plastic arts, however, and paratheatrical representations of St. Christopher were fairly common in processions celebrating Corpus Christi and other religious holidays, especially in Valencia, where the saint enjoyed even greater esteem. Furthermore, the mystery of his conversi on and martyrdo
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Rudin, Ronald. "Marching and Memory in Early Twentieth-Century Quebec: La Fête-Dieu, la Saint-Jean-Baptiste, and le Monument Laval." Journal of the Canadian Historical Association 10, no. 1 (2006): 209–35. http://dx.doi.org/10.7202/030514ar.

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Abstract During a three-day period in June 1908, 250,000 people attended a series of elaborate celebrations in Quebec City in honour of Mgr François de Laval, the first bishop of Quebec, upon the bicentenary of his death. A monument to Laval was unveiled on the middle day, in between the two most important summer festivals of the French-Canadian calendar. The Fête-Dieu (Corpus Christi) celebrations preceded the unveiling, while the Fête de la Saint-Jean-Baptiste followed. In planning the festivities, particular care was devoted to organising processions through the streets of Quebec City. Thes
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Marcelo Acurio M., Daniel, Santiago Alejandro Acurio M., Cristina Páez Quinde, Daniel Sánchez Guerrero, Ruth Infante Paredes, and Marcelo Núñez Espinoza. "The Iconographic Method Applied in the Design of Products with Cultural Demostration in the Creation of the Tourist Destination." Academic Research Community publication 2, no. 2 (2018): 9. http://dx.doi.org/10.21625/archive.v2i2.245.

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The popular festivity known as Corpus Cristi is a clear manifestation of culture in Ecuador. It is considered a crosscultural expression of the cosmovision and iconographic symbolism of religious fusion making an evident imaginary connotation of the population. Where evident, catholics are of a vernacular world and end up being a praise in honor of the favors received from the Body of Christ and the indigenous roots of spirituality. It represents gratitude for the successful harvests obtained in the year by the Pachamama and Taita Inti. The present study aims to provide furnishings with design
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Colomina Subiela, Antoni, Vicente Guerola Blay, and Anastasia Papenkova. "Technical approach and curative conservation and restoration processes of a papier machê giant: “La Turca” from the Corpus de Xàtiva." Conservar Património, May 21, 2021. http://dx.doi.org/10.14568/cp2020073.

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The festive culture encompasses different representations that enrich the collective imagination as elements of heritage identity reinforcement. Giants and big heads are a statement of such folkloric richness, symbolically linked to the tradition of immaterial connotation. This article contextualizes, historically and ichnographically, one of the papier mâché giants from the Corpus Christi festival in the Valencian city of Xàtiva. The technical, material and physiognomic examination of the sculpture, popularly known as “La Turca”, served as a preliminary study to determine its state of conserv
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Abreu, Cleto Junior P. de, and Yumei I. Morales Labañino. "A festa de Corpus Christi dos evangélicos." Ponto Urbe, no. 19 (December 31, 2016). http://dx.doi.org/10.4000/pontourbe.3261.

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Dissertations / Theses on the topic "Corpus Christi Festiva"

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Santos, Beatriz Catão Cruz. "O Corpo de Deus na América a festa de Corpus Christi nas cidades da América portuguesa -- sécula XVIII /." São Paulo, SP : Annablume, 2005. http://catalog.hathitrust.org/api/volumes/oclc/70847372.html.

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Oliveira, Elza Aparecida de. "Igreja e rua, dois espaços a mesma fé. Sacralização do espaço na festa de Corpus Christi." Universidade Federal de Juiz de Fora, 2014. https://repositorio.ufjf.br/jspui/handle/ufjf/767.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-02-17T13:00:26Z No. of bitstreams: 1 elzaaparecidadeoliveira.pdf: 2276278 bytes, checksum: 0aa04fe7b405def8efe888f82123204e (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-02-26T13:04:24Z (GMT) No. of bitstreams: 1 elzaaparecidadeoliveira.pdf: 2276278 bytes, checksum: 0aa04fe7b405def8efe888f82123204e (MD5)<br>Made available in DSpace on 2016-02-26T13:04:24Z (GMT). No. of bitstreams: 1 elzaaparecidadeoliveira.pdf: 2276278 bytes, checksum: 0aa04fe7b405def8efe888f82123204e (MD5) Pr
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Tosetto, Guilherme Marcondes. "Entre o plastico e o simbolico = a festa de Corpus Christi revelada em imagens." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284013.

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Orientador: Etienne Ghislain Samain<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T20:33:40Z (GMT). No. of bitstreams: 1 Tosetto_GuilhermeMarcondes_M.pdf: 140775784 bytes, checksum: 30c8a56f4672bc35deae307dc59c4199 (MD5) Previous issue date: 2009<br>Resumo: Esta dissertação tem como fio condutor o estudo das imagens dentro do campo da antropologia. A festa católica de Corpus Christi foi escolhida como objeto de pesquisa por ser uma importante celebração cultural e religiosa em nosso pais e que se manifesta através d
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Nielen, Holger. "Prozessionsfeste und dramatische Spiele in interreligiösen Vergleich eine religionsphänomenologische Studie zu Fastnacht, Fronleichnam, ʻAšura und Purim". Berlin Logos-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2757744&prov=M&dok_var=1&dok_ext=htm.

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Dean, Carolyn Sue. "Painted images of Cuzco's Corpus Christi social conflict and cultural strategy in viceregal Peru /." 1990. http://catalog.hathitrust.org/api/volumes/oclc/22533745.html.

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"Corpus Christi in Cuzco: festival and ethnic identity in the Peruvian Andes (folklore, Indian, Inca)." Tulane University, 1985.

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The complexity of the Corpus Christi festival in Cuzco, Peru, articulates the subtleties of cultural/ethnic definitions in an urban environment influenced by its unique precolombian past and pressured by modernization Participation in the festival rites form socially interwoven groups not restricted to but strongly influenced by residence, occupation and kinship--criteria which with language use, dietary habits and dress are the effective dimensions of ethnic classification and social stratification. These groups are identified with the city's traditional parish/barrios, where ethnic criteria
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Books on the topic "Corpus Christi Festiva"

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Felipó, Ramon. La Patum: El Corpus Christi de Berga. Edicions El Mèdol], 2005.

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Gómez, Juan Estanislao López. El corpus de Toledo. Editorial Zocodover, 1999.

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Villasante, Luis A. Huayhuaca. Festividad del Corpus Christi en el Cusco. [s.n.], 1988.

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Quizhpilema, Vicente Zaruma. Las fiestas religiosas del Hatun Cañar: El Corpus Christi. Abya-Yala, 1994.

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Brachetti, Angela. El Corpus Christi en Cuzco. Área de Cultura, Ayuntamiento de Málaga, 2000.

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Brachetti, Angela. El Corpus Christi en Cuzco. Área de Cultura, Ayuntamiento de Málaga, 2000.

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Mendoza, J. Carlos Vizuete. Corpus, cofradías eucarísticas y fiestas del sacramento en Toledo. Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 2007.

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Congreso, Nacional de Cofradías del Santísimo Sacramento (2nd 2009 Autol Spain). Festivas demostraciones: Estudios sobre las cofradías del Santísimo y la fiesta del Corpus Christi. Instituto de Estudios Riojanos, 2010.

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Atienza, Miguel Garrido. Antiguallas granadinas: Las fiestas del Corpus. Universidad de Granada, 1990.

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Sardinha, José Alberto. Danças populares do Corpus Christi de Penafiel. Tradisom, 2012.

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Book chapters on the topic "Corpus Christi Festiva"

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"“Corpus Christi Play” and the Feast of Corpus Christi." In Festivals and Plays in Late Medieval Britain. Routledge, 2016. http://dx.doi.org/10.4324/9781315255293-12.

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"The York Corpus Christi Guild and Drama." In Festivals and Plays in Late Medieval Britain. Routledge, 2016. http://dx.doi.org/10.4324/9781315255293-13.

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Quirós, Francisco Bernardo de. "Las fi estas del aldea / The Corpus Christi Village Festival." In The Outrageous Juan Rana Entremeses. University of Toronto Press, 2009. http://dx.doi.org/10.3138/9781442621404-006.

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