Relevant bibliographies by topics / Correspondence (Austen, Jane)

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Academic literature on the topic 'Correspondence (Austen, Jane)'

Author: Grafiati
Published: 26 July 2024

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Journal articles on the topic "Correspondence (Austen, Jane)"

1

Hepburn, Allan. "Elizabeth Bowen and Eudora Welty: Selected Correspondence." Irish University Review 51, no. 1 (May 2021): 137–61. http://dx.doi.org/10.3366/iur.2021.0501.

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Over her career, Elizabeth Bowen published ten novels, yet she left no comprehensive theory of the novel. This essay draws especially upon ‘Notes on Writing a Novel’ (1945), ‘The Technique of the Novel’ (1953), and ‘Truth and Fiction’ (1956), as well as opinions that Bowen expressed in her weekly book columns for The Tatler, to formulate her key perceptions of, and rules for, writing a novel. Bowen defined her ideas by drawing upon the empirical evidence of novels by Elizabeth Taylor, Olivia Manning, H.E. Bates, Jane Austen, Gustave Flaubert, and numerous others. She gave particular thought to ‘situation’, by which she means the central problematic or the crux of the story. The situation precedes and fuels plot. The Second World War, Bowen claimed in her essays and reviews, had a decisive influence on heroism and contemporary fiction by heightening its scale and its repertory of situations.
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Banerjee, Trisha Urmi. "Austen Equilibrium." Representations 143, no. 1 (2018): 63–90. http://dx.doi.org/10.1525/rep.2018.143.1.63.

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By proposing a quantitative game-theory model of the marriage plot in Jane Austen’s Emma, this essay demonstrates that free-market moral philosophy underwrites Austen’s representation of matrimony and key formal elements of her writing—particularly, matters of verbal profusion. Her famed stylistic “economy” is revealed to be structured by the emerging capitalist economy that Adam Smith theorized in The Wealth of Nations. Establishing the correspondences among several kinds of economy, the essay unites economic and formal approaches to Austen’s work.
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3

Bolfarine, Mariana. "O corpo em sofrimento e a Irlanda dos millenials em “At the Clinic”, de Sally Rooney." Letras de Hoje 58, no. 1 (December 7, 2023): e44141. http://dx.doi.org/10.15448/1984-7726.2023.1.44141.

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Sally Rooney é um fenômeno recente na literatura irlandesa, sendo considerada por críticos uma “nova Jane Austen” visto que suas narrativas abordam uma parcela da sociedade, correspondente a sua própria geração, a dos millennials, mas sob uma perspetiva irlandesa do período post-crash, momento de reconstrução econômica e social após o fracasso boom econômico, conhecido por Tigre Celta. Sendo assim, tomando como base o contexto histórico da Irlanda post-crash, neste artigo demonstro que no conto “At the Clinic” (2016), de Sally Rooney, o corpo é representado como local de sofrimento e ao mesmo tempo de superação. Pensando na forma como Dillane, McAreavery e Pine (2016), versam sobre o corpo em sofrimento, investiga-se a maneira pela qual Marianne e Connell, os dois protagonistas de “At the Clinic”, lidam com a (in)expressibilidade da dor, física e emocional. Para isso, a discussão também girará em torno daquilo que Chris Weedon (1987) quer dizer por senso comum e normalidade e se (e como) esses conceitos estão indiretamente presentes na maneira pela qual Connell e Marianne se relacionam em “At the Clinic”. Por fim, concluo que as subjetividades desses personagens principais se constroem mutuamente e que, para Marianne, ao mesmo tempo que ela precisa lidar com a dor física durante a extração de um dente inflamado em um consultório de dentista, ela também acaba lidando com as dores emocionais, causadas por sua família disfuncional e por uma sequência de relacionamentos abusivos. No entanto, quando olhamos de perto para as subjetividades que constituem Connell e Marianne, percebemos que o ponto nevrálgico de “At the Clinic” e Normal People é o fato de que o individual se torna político.
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4

MASSEI-CHAMAYOU, Marie-Laure. "Jane Austen’s Questioning of Gender and Genres." Sociopoétiques, no. 4 (November 9, 2019). http://dx.doi.org/10.52497/sociopoetiques.672.

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If Jane Austen admits in her correspondence that she was eventually pleased with Thomas Gisborne’s Enquiry into the Duties of the Female Sex (1797), the Anglican theologian nonetheless endorsed the prejudices shared by most eighteenth-century moralists towards novels. Now, in Northanger Abbey, a novel filled with literary allusions, Jane Austen’s narrator bravely takes the opposite view by launching into a bold defence of the genre. Besides resorting to a biting irony to scrutinize her society’s axioms, rules and power relations, her novels notably question Manichean representations of masculine and feminine roles. Jane Austen’s choice to distance herself from the strictly gendered models inherited from conduct books, sentimental, or gothic novels, further combines with her questioning of generic conventions. This article thus aims at exploring how Jane Austen engaged with these representations while articulating her subtle didacticism. Her aim was not merely to raise the respectability of the novel genre, but also to provide a possible answer to the crisis of values that was threatening the very foundations of the political and social order.
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5

Espunya, Anna. "Narrative Report of Speech Acts as characterization resource in Mansfield Park and its Spanish and German translations." Language and Literature: International Journal of Stylistics, November 16, 2023. http://dx.doi.org/10.1177/09639470231213685.

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In Jane Austen’s novels conversation provides internal evidence of the nature of characters, both moral and social (Morini, 2009). Among the interplay of speech presentation forms (Bray, 2018; Page, 1972), Narrative Report of Speech Acts (Leech and Short, 2007) is still underresearched (Busse, 2020) as a characterisation resource. Research on speech reports in inquit formulae has focused on illocutionary features (Austin, 1962; Searle and Vanderveken, 1985). However, speech reports also introduce the intersubjective stances adopted by characters and by the narrator, i.e. their receptiveness to disagreeing positions. As engagement resources (Martin and White, 2005), they construct interpersonal styles and offer cues into the narrator’s own stance toward the characters. Such meaning complexes are a challenge for literary translators. For this study, 55 instances of NRSA were sampled from three chapters of Mansfield Park and their correspondences in two Spanish and two German translations. The original text and the translations display remarkable lexical richness, with 36 instances overtly expressing illocutionary force. Characterisation cues appear at the character level of discourse, through the illocutionary features and engagement types attributed to characters (e.g. monoglossic, heteroglossic), and also on the narrator level of discourse, through linguistic co-textual choices weakening the endorsement of the character. All four translations contain shifts affecting the characterisation potential such as changes in a character’s stance, the early disclosure of a character’s attitude, and the insertion of explicit narratorial evaluation of a character. These findings are applicable in stylistics as well as in translation assessment and pedagogy.
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Books on the topic "Correspondence (Austen, Jane)"

1

Jane, Austen. Letters of Jane Austen: Volume 2. Cambridge [u.a.]: Cambridge University Press, 2009.

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2

Jane, Austen. My dear Cassandra: The letters of Jane Austen. New York: Clarkson Potter, 1991.

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3

Rowlatt, Bee. Talking about Jane Austen in Baghdad. Bath: Windsor, 2010.

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4

Coolidge, Susan, and Austen Jane. Letters of Jane Austen. Creative Media Partners, LLC, 2018.

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Jane, Austen. Letters of Jane Austen. ReadHowYouWant.com, Limited, 2010.

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6

Jane, Austen, and Edward Hugessen Knatchbull-Hugessen Lord Brabourne. Letters of Jane Austen. University of Cambridge ESOL Examinations, 2010.

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Coolidge, Susan, and Austen Jane. Letters of Jane Austen. Creative Media Partners, LLC, 2018.

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Coolidge, Susan, and Austen Jane. Letters of Jane Austen. Creative Media Partners, LLC, 2022.

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9

Jane, Austen. Letters of Jane Austen. Independently Published, 2021.

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Jane, Austen. Letters of Jane Austen. Independently Published, 2021.

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Book chapters on the topic "Correspondence (Austen, Jane)"

1

Pospíšil, Ivo. "T. G. M.: Problém filozofie osobnosti, jeho vztahy a souvislosti." In Filosofie jako životní cesta, 61–72. Brno: Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-3.

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The presented contribution analyses – in the context of Jan Zouhar’s research scope and also on the background of the professional interests of the immortalized František Kautman (1927–2016) – the ‘philosophy’ of T. G. Masaryk’s (1850–1937) work. At the beginning, there are new publications on his alleged origin from the family of the Austro-Hungarian monarch, further their fictionalization, the investigation of his late sexual life and, last but not least, the flow of his juvenile correspondence with Zdenka Šemberová (1841–1912). For her, this communication was full of erotic and intellectual hopes which were not fulfilled and led to her lifelong loneliness and resignation, especially after the death of her father Alois Vojtěch Šembera (1807–1882), professor of Vienna Slavonic studies, one of the first opponents of the medieval authenticity of the legendary Czech Manuscripts, all of this on the background of the life of the university and Czech Vienna, where they both lived, and the adjacent Moravia. Masaryk, with his weak knowledge of standard Czech, Šemberová, at that time already a mature lady, record in their correspondence the course of their lives, their opinions, readings, and document their intellectual maturing. Their correspondence represents evidence of the lives of both: Masaryk was gradually becoming a scholar and mainly a politician, and understood their correspondence, from which Zdenka expected also an amorous fulfilment, as a mere practical exercise in stylistics and a confrontation of opinions. Their correspondence throws a new, not always favourable light on the youth of the future Czechoslovak president. Already there, the elementary features of his personality were taking their shapes.
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"Some Correspondence Concerning Emma." In Jane Austen Emma. Bloomsbury Academic, 1991. http://dx.doi.org/10.5040/9781350388222.ch-002.

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