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Relevant bibliographies by topics / Correspondence (Chekhov, Anton Pavlovich)

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Academic literature on the topic 'Correspondence (Chekhov, Anton Pavlovich)'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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Journal articles on the topic "Correspondence (Chekhov, Anton Pavlovich)"

1

Markina, I. V. "The summer visit to Bogimovo." Voprosy literatury, no. 4 (August 28, 2020): 33–41. http://dx.doi.org/10.31425/0042-8795-2020-4-33-41.

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The article discusses the details of A. Chekhov’s visit to the Kaluga governorate, which influenced some of his later short stories. There is a wooden house in Kaluga. Built on a stone basement, it overlooked the boulevard and once belonged to the parents of Mikhail Mikhaylovich Chekhov (who resided in Moscow at the time), a cousin of Anton Pavlovich Chekhov and his active correspondent. The latter even had plans to visit his Kaluga relatives. Sadly, this never happened. But the writer’s brother, Mikhail Pavlovich Chekhov, worked as a tax inspector in the town on Aleksin, an administrative hub in the Tula governorate, resulting in Chekhov’s family visiting the town’s environs in 1891 and staying on the state Bogimovo in the Tarusa district of the Kaluga governorate, which belonged to a landowner E. Bylim-Kolosovsky. It was there that Chekhov was working on his novella The Duel [Duеl] and the book Sakhalin Island [Ostrov Sakhalin]. A spectacular view of the nearby Dankovo, whose purchase Chekhov contemplated for a while, was recreated in his short story The House with the Mezzanine [Dom s mezoninom].

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2

Babich, Irina Leonidovna. "The reflection of spiritual crisis of the late XIX century among creative intelligentsia (on the example of relationship between the monks of male Orthodox monastery “Voznesenskaya Davidova Pustyn” and Chekhov family in 1892-1899)." Человек и культура, no. 1 (January 2020): 90–102. http://dx.doi.org/10.25136/2409-8744.2020.1.28733.

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The subject of this research is the character of relationship between Chekhov family and the Orthodox male monastery “Voznesenskaya Davidova Pustyn”. The object of this research is the religious life of Chekhov family. The goal consists in analysis of the religious and secular contacts between the Chekhov family and the abode, clarification of the question of religiosity of the prominent Russian writer Anton Pavlovich Chekhov, as well as answering the question regarding the impact of spiritual crisis of the late XIX upon him. The article explores the life of Chekhov family in their estate in Melikhovo from 1892 to 1899. Chekhov’s parents, especially his father, was a deeply religious person. The article also discusses the relationship between the writer and monks of the monastery, his visits of worship services in the abode. Russian Chekhoviana is quite extensive; the period from 1990 to 2010’s marks the emergence of works dedicated to religious views of the writer. The article is prepared on the basis of archival and unpublished materials (particularly Chekhov’s correspondence and the diary of his father Pavel Egorovich). The modern publications usually underline the presence of staunch atheistic creeds. Sometimes his life in Melikhovo is described without mentioning contacts with the monastery. This article is first to determine the problem of relationship of Chekhov family and one of the male monasteries of Moscow Region.

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Igić, Rajko. "Anton Pavlovich Chekhov (1860–1904)." American Journal of Psychiatry 162, no. 12 (December 2005): 2248. http://dx.doi.org/10.1176/ajp.162.12.2248.

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4

Shchur, Oleksandra, and J. Douglas Clayton. "Anton Pavlovich Chekhov: Poetics, Hermeneutics, Thematics." Slavic and East European Journal 51, no. 4 (December 1, 2007): 779. http://dx.doi.org/10.2307/20459576.

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5

Rozin, V. "Chekhov in the mirror of everyday life of Anton Pavlovich Chekhov." Voprosy kul'turologii (Issues of Cultural Studies), no. 4 (April 1, 2020): 6–15. http://dx.doi.org/10.33920/nik-01-2004-01.

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The paper discusses the problem that has arisen in recent decades in connection with discussions on the Internet, the publication of memoirs, as well as studies of the lives of famous writers and poets. On the example of the interpretation of the life and work of Marina Tsvetaeva and Anton Pavlovich Chekhov, two hypotheses of the relationship between the work of the author and his ordinary life are examined. The author tries to show that if a special reconstruction of both is carried out, then one can understand the essential features of the author’s work.

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6

Ismayılova, Tamam Ali gizi. "PSYCHOLOGISM AND ANTON PAVLOVICH CHEKHOV IN RUSSIAN LITERATURE." Тrаnscarpathian Philological Studies, no. 15 (2021): 244–48. http://dx.doi.org/10.32782/tps2663-4880/2021.15.46.

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7

Gygalov, A. "On the anniversary of Anton Pavlovich Chekhov (polemic notes)." Voprosy kul'turologii (Issues of Cultural Studies), no. 4 (April 1, 2020): 16–18. http://dx.doi.org/10.33920/nik-01-2004-02.

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8

Handanović, Merima. "IRONIJSKI MODUS HEROJA U DRAMAMA A. P. ČEHOVA / THE IRONIC MODE OF HEROES IN PLAYS BY A. P. CHEKHOV." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 23 (November 10, 2020): 305–17. http://dx.doi.org/10.46352/23036990.2020.305.

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The aim of this paper is to investigate the model of the figure of the hero in the plays of Anton Pavlovich Chekhov. In analyzing the model of the figure of the hero, four of the most significant plays by A. P. Chekhov were analyzed in consultation with the literature on the poetics of 20th century drama in order to gain a clearer understanding of how the dramatic world of characters was constructed. Specifically, the focus is on four dramas in four acts: "Three Sisters", "Ivanov", "Seagull" and "Uncle Vanya". For the sake of placing love in the key context of this work, the subject of research is not the drama "Cherry." The paper is entitled thesis on the functioning and construction of characters in dramas based on the principle of irony, and thus sets the goal of examining and proving the title thesis. In doing so, it is very interesting to deal with such a model of hero placed in dramatic situations from the perspective of A. P. Chekhov, a writer who writes his characters as a writer-analyst.

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9

Stepchenkov, Roman Petrovich. "Chekhov as a writer and as a doctor." Spravočnik vrača obŝej praktiki (Journal of Family Medicine), no. 12 (November 20, 2021): 63–66. http://dx.doi.org/10.33920/med-10-2112-08.

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In his short autobiography, Anton Pavlovich wrote that after a great number of years, although he could not remember what exactly had prompted him at one time to choose the profession of a doctor and enter the medical faculty of the university, he knew for sure that subsequently he never regretted his choice. In his letters, he even wrote that he considered literature to be his wife, while medicine was his mistress, and when he got tired of one, he turned his gaze to the other. «Perhaps this is immoral to some extent,» he wrote, «but I never get bored. Why not chase two hares if there were hounds!» Chekhov began his medical practice in the Zvenigorod district of the Moscow province. He was lucky to have as his mentor an outstanding physician P. A. Arkhangelsky, whose fame as a practicing therapist was so great that young doctors from almost all over the country came to him to gain experience. The eminent doctor was very pleased with the success of the talented young man, and even left him solely for the entire hospital as a practicing doctor. Such activity helped Chekhov not only gain invaluable medical experience, but also formed the basis of many of his works, such as «The Runaway», «Village Doctors», «On Official Duty». Anton Chekhov devoted the first half of the day to receiving patients, and in the afternoon, he took part in autopsies, acted as a medical expert, and consulted especially difficult and controversial cases of diseases.

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10

Gosaki Nata Miharja, Asep. "Konsep Kebutuhan Bertingkat "Tamu" dalam Naskah Drama Beruang Menagih Hutang (The Bear/The Boor) Karya Anton Pavlovich Chekhov: Kajian Teori Psikologi Humanistik Abraham Maslow." Jurnal Lingko : Jurnal Kebahasaan dan Kesastraan 1, no. 1 (June 30, 2019): 1–13. http://dx.doi.org/10.26499/jl.v1i1.26.

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Penelitian ini mendeskripsikan tentang konsep kebutuhan tokoh Tamu dalam naskah drama Beruang Menagih Hutang (The Bear/The Boor) karya Anton Pavlovich Chekhov. Penelitian ini menggunakan metode dokumentatif sedangkan teknik yang digunakan dalam pengumpulan data adalah teknik baca catat, menggarisbawahi serta pengelompokan data ke dalam tabel data. Data-data tersebut selanjutnya dianalisis dengan menggunakan metode dan pendekatan yang telah ditetapkan sebelumnya. Berdasarkan hasil penelitian, diperoleh data yang menunjukan bahwa tokoh Tamu memenuhi kebutuhannya dipengaruhi ketidakstabilan emosi. Konsep kebutuhan tokoh Tamu berupa usahanya untuk memenuhi empat tingkat kebutuhan, yaitu, kebutuhan fisiologis, kebutuhan rasa aman, kebutuhan rasa cinta dan memiliki, dan kebutuhan harga diri. Selanjutnya, data tersebut dianalisis dengan merujuk pada teori kebutuhan bertingkat Maslow. Sedangkan kebutuhan aktualisasi diri tidak muncul di dalam data.

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Dissertations / Theses on the topic "Correspondence (Chekhov, Anton Pavlovich)"

1

Jänis, Marja. "Kirjallisuutta ja teatteriteksti tutkimus näytelmien kääntämisestä esimerkkiaineistona Anton Tšehovin Kolmen sisaren suomennokset /." Joensuu : University of Joensuu, 1991. http://catalog.hathitrust.org/api/volumes/oclc/27683301.html.

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2

Lemieux, Martha. "The evolution of irony in the short stories of Chekhov /." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60576.

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In the corpus of Chekhov's prose there is a perceptible evolution in his use of irony. This study involves an examination of the use of irony in the initial, middle and final phases of his artistic career. It will demonstrate that in the initial phase, Chekhov's use of irony was direct and overt; in the middle phase, it was more deliberate and covert; and in the final phase, it was subdued, more transparent and transcendent. Selected stories taken from all three periods will illustrate this evolution.

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3

Ziskin, Gregory. "The main principles of Chekhov's dramatic technique /." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61256.

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The purpose of the present study is to analyze the structural techniques and genre of Chekhov's plays.
The many books and articles published on Chekhov's plays far exceeds his own works. Although there have been numerous studies analyzing the structural techniques of his play, considerable controversy still exists among literary and theatre scholars regarding the genre of his plays. Most of the studies simply avoid this complex and intricate problem.
In this study particular emphasis is also placed on the dramatic techniques used by Chekhov: the sequence of events, the nature of the roles and the so-called "unfinished" endings.

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4

Ledingham, Georgina May. "Chekhov's doctors : a prescription for a better life." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26864.

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Anton Chekhov pursued two careers simultaneously throughout his life—that of a doctor as well as a writer of prose and drama. It is not surprising, therefore, to discover many physicians amongst his characters but it is puzzling that the portrayal of doctors is frequently unflattering despite his admitted indebtedness to the profession. The thesis herein proposed is that the poor image Chekhov presents points to the necessity of self-determination in matters of emotional and spiritual health; if the doctors are incapable of healing themselves and those in their care, the patients might well take the biblical directive, "Arise! Take up thy bed and walk." In his stated desire to show people how bad and dreary their lives are, thereby assisting them in fashioning better lives, Chekhov's prescription is one of self-help. The short stories—Late-Blooming Flowers, Anyuta, Ward No. 6, The Head Gardener's Tale and The Doctor's Visit—and the plays— Platonov, Ivanov, The Seagull, The Wood-Demon, Uncle Vanya and Three Sisters—have been examined; beneath the incompetence and villainy of the doctors an affirming statement is discovered in the otherwise melancholy canon of Chekhov.
Arts, Faculty of
Theatre and Film, Department of
Graduate

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5

Bartlett, Joseph. "Freedom and self-knowledge in the dramatic works of Anton Chekhov." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4229.

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Thesis (M.A.) University of Missouri-Columbia, 2005.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (May 18, 2007) Includes bibliographical references.

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6

Biehl, Jennifer N. Ms. "Hoping for Chekhov costume design for Three sisters /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1236874515.

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Thesis (M.F.A.)--Kent State University, 2009.
Title from PDF t.p. (viewed Nov. 30, 2009). Advisor: Sharron Campbell. Keywords: costume design; Three Sisters; Chekhov Includes bibliographical references (p. 94-95).

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7

Glazkova, Anna. "Detail within the artistic method in the prose of Chekhov and Nabokov /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422925.

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8

Nankov, Nikita. "A poetics of freedom Anton Chekhov's prose fiction and modernity /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3243795.

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Thesis (Ph.D.)--Indiana University, Dept. of Slavic Languages and Literatures, 2007.
Title from PDF t.p. (viewed Nov. 17, 2008). Source: Dissertation Abstracts International, Volume: 67-12, Section: A, page: 4559. Adviser: Andrew Durkin.

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9

Kaderabek, Sarah. "Beyond fidelity : the works of Gogol', Dostoevskii and Chekhov in Soviet and Russian film." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36962.

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The transfer of an artistic work from the literary medium to the filmic medium presents technical, personal, social and political factors for consideration which are capable of revealing important information about the times in which both the literary work and the film work were created. In a Russian context, where both literature and film have played roles of central cultural importance, the study of this interaction can be particularly fruitful. The first chapter of this dissertation considers the theoretical aspects of adaptation, namely fidelity to the original work and questions of metaphor and narrative structure. After examining these issues in a general context, Chapter 1 then views them in the light of specific stages of Russian cinematic history. The remaining chapters of this dissertation consider selected post-revolutionary Soviet and Russian filmic adaptations of the works of Nikolai Gogol', Fedor Dostoevskii and Anton Chekhov in chronological order. Analysis of both text and film is undertaken in order to demonstrate the complexity of literary and extra-literary factors involved in adaptation. The works of Gogol' have provided film makers with the challenge of finding "adequate" filmic equivalents to this writer's narrative devices, particularly his use of skaz [oral folk narration]. Dostoevskii's works have proven to be a stumbling block for film makers, both in terms of their ideological acceptability, and their exploration of complex psychological and religious issues. The adaptations of Chekhov's works have provided cinema with diverse subject matter that reflects the various stages and developments of Russian cinematic history, from pure fabula borrowing to an emphasis on mood and atmosphere. The interdisciplinary approach of this dissertation strives to show both the on-going relevancy of nineteenth-century Russian literature to modern culture, and the cinema's ability to present vastly differing interpretive possibilities of the literary cano

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10

Dusterbeck, Shelley. "Exploring authentic personal expression by letting go of perfectionism in the role of Irina in Anton Chekhov's "Three Sisters" /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29279.

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Thesis (M.F.A.)--York University, 2006. Graduate Programme in Theatre.
Typescript. Includes bibliographical references (leaves 62-64). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29279

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Books on the topic "Correspondence (Chekhov, Anton Pavlovich)"

1

Pavlovich, Chekhov Anton. The selected letters of Anton Chekhov. New York: Barnes & Noble, 2007.

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Pavlovich, Chekhov Anton. The selected letters of Anton Chekhov. Hopewell, N.J: Ecco Press, 1994.

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3

Cynthia, Carlile, McKee Sharon, and Turkov Andreĭ Mikhaĭlovich, eds. Anton Chekhov and his times. Fayetteville: University of Arkansas Press, 1995.

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4

Pavlovich, Chekhov Anton. Anton Chekhov's life and thought: Selected letters and commentary. Evanston, Ill: Northwestern University Press, 1997.

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5

Pavlovich, Chekhov Anton. Anton Chekhov's life and thought: Selected letters and commentary. Evanston, Ill: Northwestern University Press, 1997.

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6

A.P. Chekhov i izdatelʹstvo "Posrednik". Moskva: Nestor-Istorii︠a︡, 2012.

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7

Knipper-Chekhova, Olʹga Leonardovna. Dear writer-- dear actress--: The love letters of Olga Knipper and Anton Chekhov. London: Methuen Drama, 1996.

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Pavlovich, Chekhov Anton. Dear writer, dear actress: The love letters of Anton Chekhov and Olga Knipper. London: Methuen, 1996.

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9

Pavlovich, Chekhov Anton. A life in letters. London: Penguin Books, 2004.

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Harold, Bloom, ed. Anton Chekhov. Broomall, Pa: Chelsea House Publishers, 2000.

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Book chapters on the topic "Correspondence (Chekhov, Anton Pavlovich)"

1

Korolenko, V. G. "Anton Pavlovich Chekhov." In Anton Chekhov and his Times, 11–24. University of Arkansas Press, 1995. http://dx.doi.org/10.2307/j.ctv2j6xrhz.5.

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