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Journal articles on the topic 'Correspondence (Chekhov, Anton Pavlovich)'

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Published: 4 June 2021

Last updated: 28 July 2025

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1

Markina, I. V. "The summer visit to Bogimovo." Voprosy literatury, no. 4 (August 28, 2020): 33–41. http://dx.doi.org/10.31425/0042-8795-2020-4-33-41.

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The article discusses the details of A. Chekhov’s visit to the Kaluga governorate, which influenced some of his later short stories. There is a wooden house in Kaluga. Built on a stone basement, it overlooked the boulevard and once belonged to the parents of Mikhail Mikhaylovich Chekhov (who resided in Moscow at the time), a cousin of Anton Pavlovich Chekhov and his active correspondent. The latter even had plans to visit his Kaluga relatives. Sadly, this never happened. But the writer’s brother, Mikhail Pavlovich Chekhov, worked as a tax inspector in the town on Aleksin, an administrative hub

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2

Babich, Irina Leonidovna. "The reflection of spiritual crisis of the late XIX century among creative intelligentsia (on the example of relationship between the monks of male Orthodox monastery “Voznesenskaya Davidova Pustyn” and Chekhov family in 1892-1899)." Человек и культура, no. 1 (January 2020): 90–102. http://dx.doi.org/10.25136/2409-8744.2020.1.28733.

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The subject of this research is the character of relationship between Chekhov family and the Orthodox male monastery &ldquo;Voznesenskaya Davidova Pustyn&rdquo;. The object of this research is the religious life of Chekhov family. The goal consists in analysis of the religious and secular contacts between the Chekhov family and the abode, clarification of the question of religiosity of the prominent Russian writer Anton Pavlovich Chekhov, as well as answering the question regarding the impact of spiritual crisis of the late XIX upon him. The article explores the life of Chekhov family

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3

Жирова, И. Г., and Ц. Чжан. "Adaptive translation of A.P. Chekhov's short stories from Russian into Chinese." Modern scientist, no. 5 (July 23, 2024): 68–73. http://dx.doi.org/10.58224/2541-8459-2024-5-68-73.

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в настоящее время антропоцентризм выступает актуальной и востребованной лингвистической парадигмой, которая обусловлена появлением новых подходов при сопоставительном исследовании аутентичного художественного текста оригинала и его перевода на иностранные языки. Целью статьи является изучение лексико-семантических особенностей перевода коротких рассказов А. П. Чехова с выявлением русско-китайских соответствий. Важен анализ переводческих проблем в языковой паре «русский / китайский» с точки зрения лексическо-семантических особенностей идиостиля выдающегося русского писателя Антона Павловича Чех

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4

Igić, Rajko. "Anton Pavlovich Chekhov (1860–1904)." American Journal of Psychiatry 162, no. 12 (2005): 2248. http://dx.doi.org/10.1176/ajp.162.12.2248.

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5

Shchur, Oleksandra, and J. Douglas Clayton. "Anton Pavlovich Chekhov: Poetics, Hermeneutics, Thematics." Slavic and East European Journal 51, no. 4 (2007): 779. http://dx.doi.org/10.2307/20459576.

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6

Белова, А. В. "ALEXANDER CHEKHOV - EDITOR." Актуальные вопросы современной филологии и журналистики, no. 1(52) (April 22, 2024): 109–14. http://dx.doi.org/10.36622/2587-9510.2024.44.73.019.

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Статья посвящена исследованию творчества Александра Чехова, писателя, публициста и автора мемуаров об А.П. Чехове, старшего брата Антона Павловича Чехова, на примере его редакторской работы в журналах «Слепец», «Пожарный», «Вестник Российского общества покровительства животным». Отражение личного элемента в произведениях — это то, чем зачастую отличался слог беллетристических произведений Александра Чехова. Об этом не раз ему указывал Антон Павлович Чехов. Думается, что и редакторская работа именно в этих изданиях не обошлась без влияния «личного элемента», который проявился у Александра Павло

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7

Rozin, V. "Chekhov in the mirror of everyday life of Anton Pavlovich Chekhov." Voprosy kul'turologii (Issues of Cultural Studies), no. 4 (April 1, 2020): 6–15. http://dx.doi.org/10.33920/nik-01-2004-01.

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The paper discusses the problem that has arisen in recent decades in connection with discussions on the Internet, the publication of memoirs, as well as studies of the lives of famous writers and poets. On the example of the interpretation of the life and work of Marina Tsvetaeva and Anton Pavlovich Chekhov, two hypotheses of the relationship between the work of the author and his ordinary life are examined. The author tries to show that if a special reconstruction of both is carried out, then one can understand the essential features of the author’s work.

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8

Ismayılova, Tamam Ali gizi. "PSYCHOLOGISM AND ANTON PAVLOVICH CHEKHOV IN RUSSIAN LITERATURE." Тrаnscarpathian Philological Studies, no. 15 (2021): 244–48. http://dx.doi.org/10.32782/tps2663-4880/2021.15.46.

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9

Белова, А. В. "ALEXANDER CHEKHOV-PHOTOGRAPHER." Актуальные вопросы современной филологии и журналистики, no. 2(53) (July 8, 2024): 111–15. http://dx.doi.org/10.36622/2587-9510.2024.53.2.017.

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Статья посвящена Александру Павловичу Чехову, эрудиту и полиглоту, беллетристу и журналисту, старшему брату Антона Павловича Чехова. Александр Павлович Чехов был очень увлекающейся натурой. Многие вещи ему нравилось делать собственными руками: изготовлять линолеум, выводить породистых кур, мастерить часы, высаживать огород, переплетать книги, составлять рецепты чернил и растворов для пломбирования зубов. Но было у него еще одно увлечение, которое пригодилось в его репортерской работе — фотографирование. Он изобретал новый вид фотобумаги, составлял особые проявители. Свои советы он обобщил в бр

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10

Jamshid, Musayevich Atavullayev. "AESTHETIC EXPRESSION OF THE IMAGE OF MAN IN THE WORKS OF ANTON CHEKHOV." Multidisciplinary Journal of Science and Technology 5, no. 4 (2025): 1255–57. https://doi.org/10.5281/zenodo.15348277.

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11

Bošnjak, Blanka. "Pisatelj Milan Pugelj kot pomemben člen v kratkoprozni ustvarjalnosti iz začetka 20. stoletja na Slovenskem (2. del)." Jezik in slovstvo 49, no. 1 (2024): 3–15. http://dx.doi.org/10.4312/jis.49.1.3-15.

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Part 2 of the article gives a brief comparative analysis of Pugelj’s short stories and those written by two great European writers of short story – Guy de Maupassant and Anton Pavlovich Chekhov. Pugelj’s attachment to naturalism was mentioned by Kocijan. Several literary historians and other researchers of Pugelj’s work, among them Lavrin, Pregelj, Karlin, Koblar, Mahnich, Zadravec, and more recently A. Koron, have all stressed the explicit influence of Maupassant and Chekhov.

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12

Gygalov, A. "On the anniversary of Anton Pavlovich Chekhov (polemic notes)." Voprosy kul'turologii (Issues of Cultural Studies), no. 4 (April 1, 2020): 16–18. http://dx.doi.org/10.33920/nik-01-2004-02.

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13

Rozin, V. M. "Unconventional Chekhov." Uchenyy Sovet (Academic Council), no. 1 (January 9, 2025): 34–39. https://doi.org/10.33920/nik-02-2501-04.

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I read a very interesting book by Donald Rayfi eld, “Anton Chekhov: A Life”. And the image of Chekhov as a subtle, intelligent man wearing pince-nez, a brilliant master of short stories and tales, one of the theater reformers of the late 19th and early 20th centuries literally collapsed for me. More precisely, the assessment and signifi cance of Chekhov’s works have fully stood the test, but only scraps of the image of Anton Pavlovich as a person and an individual remain. Then I thought, what kind of image was this, where did I get it from? Frankly speaking, I must admit that this image is in

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14

McVay, Gordon. "Anton Pavlovich Chekhov: Poetics - Hermeneutics - Thematics by J. Douglas Clayton (review)." Slavonic and East European Review 87, no. 1 (2009): 108–9. http://dx.doi.org/10.1353/see.2009.0185.

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15

Srmikyan, V. S. "“KRASNOYARSK CHAPTERS” OF EASTERN TRAVELS OF ANTON CHEKHOV AND NICHOLAY ALEXANDROVICH, THE HEIR TO THE THRONE: RECEPTIVE ASPECT." Culture and Text, no. 60 (2025): 27–45. https://doi.org/10.37386/2305-4077-2025-1-27-45.

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This article studies the “Krasnoyarsk Text” of Russian literature of the late XIXth – early XXth centuries. The focus is on archival sources, fiction, egodocuments, and newspaper articles dedicated to Krasnoyarsk as the centre of the Yenisey Siberia and related to the arrival of Anton Pavlovich Chekhov and Nicholay Alexandrovich, Tsesarevich of Russia, to the capital of the province. The paper makes conclusions about the aspects of perception of the Siberian city, strategies for presenting the region in journalism and fiction, and key motives and images of the “Krasnoyarsk Text” at the stage o

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16

Semghoun, A. A. "ON THE QUESTION OF THE LIFE AND WORK OF A. P. CHEKHOV." Modern Linguistic and Methodical-and-Didactic Researches, no. 1(32) (December 31, 2021): 74–84. http://dx.doi.org/10.36622/mlmdr.2021.32.1.008.

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Statement of the problem.The article is devoted to the description of the biography and an overview of the creative path of the classic of Russian literature - the outstanding Russian writer of the XIX - early XX centuries Anton Pavlovich Chekhov. The relevance of this article is beyond doubt, since acquaintance with the work, biography and personality of the writer A.P. Chekhov is an integral part of the educational process in the study of Russian literature. Results. The author carried out a serious work on the systematization of biographical data indicating various aspects of A.P. Chekhov's

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17

Grămoșteanu, Corina. "Psychological Mechanisms in Chekhov." CONCEPT 29, no. 2 (2025): 196–211. https://doi.org/10.37130/2kg29m63.

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This paper aims to analyse the psychological mechanisms present in the dramaturgy of Anton Pavlovich Chekhov, alongside the psychic transformations undergone by the theatre creator during the process of interpreting and staging these classic texts. Considering the symbolic value of Chekhov’s characters at a social and cultural level, all of which were developed under the auspices of the great cultural and historical shifts of the beginning of the 20th century, the present analysis investigates a series of stage expression methods that the contemporary theatre has exhibited over the past decade

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18

Balási, András. "Mi lett velünk, Anton Pavlovics?" Symbolon 24, no. 2(45) (2023): 7–13. http://dx.doi.org/10.46522/s.2023.02.1.

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The rapid spread of new media, especially the social media platforms, has changed everything around and within us: our habits, our gestures, the ways of traveling, our stories and sometimes even our memories. Directly or indirectly, everyone has become media consumer, whether there is or isn’t purpose or benefit to it. To understand these phenomena, continuous interpretation, reevaluation, and various reflections are needed. As with any phenomenon that begins to dominate the smallest vibrations of life, in the case of social media too, we can observe repulsive and frightening effects. Art has

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19

Zhang, Huizhen, and Vladimir Alekseevich Meskin. "Anton Chekhov in the work of Wang Zengqi." Litera, no. 7 (July 2024): 148–57. http://dx.doi.org/10.25136/2409-8698.2024.7.71090.

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The article examines the reflection of Anton Pavlovich Chekhov's work in the works of the famous contemporary Chinese writer Wang Zengqi, who has repeatedly stated the influence of the Russian novelist on his works. The purpose of this paper is to examine the genesis of Wang Zengqi's work, to determine how exactly the influence of the nineteenth-century novelist on the twentieth-century novelist manifests itself. Based on the theory of comparative literature by A. Veselovsky and V. Zhirmunsky, we analyze the most famous stories by Wang Zengqi, in which the influence of the master and teacher i

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20

Handanović, Merima. "IRONIJSKI MODUS HEROJA U DRAMAMA A. P. ČEHOVA / THE IRONIC MODE OF HEROES IN PLAYS BY A. P. CHEKHOV." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 23 (November 10, 2020): 305–17. http://dx.doi.org/10.46352/23036990.2020.305.

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The aim of this paper is to investigate the model of the figure of the hero in the plays of Anton Pavlovich Chekhov. In analyzing the model of the figure of the hero, four of the most significant plays by A. P. Chekhov were analyzed in consultation with the literature on the poetics of 20th century drama in order to gain a clearer understanding of how the dramatic world of characters was constructed. Specifically, the focus is on four dramas in four acts: "Three Sisters", "Ivanov", "Seagull" and "Uncle Vanya". For the sake of placing love in the key context of this work, the subject of researc

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21

Panyukov, Alexander I. "Always Chekhov. Every Day of the Chekhovs... Chekhov and Philosophical Chekhoviana. To the 165th Anniversary of the Birth of Anton Pavlovich Chekhov." Общество: философия, история, культура, no. 6 (June 18, 2025): 22–32. https://doi.org/10.24158/fik.2025.6.2.

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The article is devoted to some aspects of understanding the philosophical content of the work and biography of A.P. Chekhov. Variants of the author's interpretation of the issues that are devoted to the literary and philosoph-ical heritage of A.P. Chekhov and are the subject of literary, historiographical and philosophical reflections are presented. Attention is paid to the uniqueness of A.P. Chekhov “philosophizing”, the philosophical shades of A.P. Chekhov’s works are indicated. The concept of Chekhov’s “truth” is singled out, that is, the appeal to the everyday reality of love, everyday lif

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Stepchenkov, Roman Petrovich. "Chekhov as a writer and as a doctor." Spravočnik vrača obŝej praktiki (Journal of Family Medicine), no. 12 (November 20, 2021): 63–66. http://dx.doi.org/10.33920/med-10-2112-08.

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In his short autobiography, Anton Pavlovich wrote that after a great number of years, although he could not remember what exactly had prompted him at one time to choose the profession of a doctor and enter the medical faculty of the university, he knew for sure that subsequently he never regretted his choice. In his letters, he even wrote that he considered literature to be his wife, while medicine was his mistress, and when he got tired of one, he turned his gaze to the other. «Perhaps this is immoral to some extent,» he wrote, «but I never get bored. Why not chase two hares if there were hou

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Gosaki Nata Miharja, Asep. "Konsep Kebutuhan Bertingkat "Tamu" dalam Naskah Drama Beruang Menagih Hutang (The Bear/The Boor) Karya Anton Pavlovich Chekhov: Kajian Teori Psikologi Humanistik Abraham Maslow." Jurnal Lingko : Jurnal Kebahasaan dan Kesastraan 1, no. 1 (2019): 1–13. http://dx.doi.org/10.26499/jl.v1i1.26.

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Penelitian ini mendeskripsikan tentang konsep kebutuhan tokoh Tamu dalam naskah drama Beruang Menagih Hutang (The Bear/The Boor) karya Anton Pavlovich Chekhov. Penelitian ini menggunakan metode dokumentatif sedangkan teknik yang digunakan dalam pengumpulan data adalah teknik baca catat, menggarisbawahi serta pengelompokan data ke dalam tabel data. Data-data tersebut selanjutnya dianalisis dengan menggunakan metode dan pendekatan yang telah ditetapkan sebelumnya. Berdasarkan hasil penelitian, diperoleh data yang menunjukan bahwa tokoh Tamu memenuhi kebutuhannya dipengaruhi ketidakstabilan emosi

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24

Festic, Fatima. "Lermontov’s ‘The Dream’, Chekhov’s ‘Dreams’: at the Brink of Life and Death." southern semiotic review 2021 i, no. 14 (2021): 1–17. http://dx.doi.org/10.33234/ssr.14.1.

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This text offers a comparative analysis of a lyric poem, The Dream (1841) by Mikhail Yurievich Lermontov and a short story, Dreams (1886) by Anton Pavlovich Chekhov, two major Russian authors embedded in the rigid Russian imperial structures. I examine their dream concepts and figurations, and their representations of various structures that permeate the human existence and human experience of the empire, as well as their poetic irony that comes as their brink. Further, I elucidate the meaning and function of the poetics and aesthetics of the written dream in the societal and political reality

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25

Luchenetskaya-Burdina, Irina Yu, and Kseniya Ye Poltevskaya. "“THE CHERRY ORCHARD” BY ANTON CHEKHOV AND “THE ATONEMENT” BY IGNATY POTAPENKO: THE ARTISTIC INTERDEPENDENCE AND THE PLOT CORRESPONDENCE." Vestnik of Kostroma State University, no. 3 (2020): 153–58. http://dx.doi.org/10.34216/1998-0817-2020-26-3-153-158.

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It is generally recognized that the dramaturgy of Anton Chekhov had a significant impact on the theatre of the 20th century. At the same time, the question of the writer’s role in the playwright’s work of the turn of the 19th–20th centuries has been little studied in literature. Ignaty Potapenko is one of the most popular writers of the 1890s and a friend of Anton Chekhov. The article presents a comparative analysis of the plays – “The Cherry Orchard” by Anton Chekhov and “The Atonement” by Ignaty Potapenko – in which the same topic is revealed: the old nobiliary manors destruction. The plot a

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Kubasov, A. V. "THE IMAGE OF CHEKHOV UNDER THE MASK OF A HERO IN A. S. SUVORIN’S NOVEL “AT THE END OF THE CENTURY. LOVE”." Culture and Text, no. 56 (2024): 6–17. http://dx.doi.org/10.37386/2305-4077-2024-1-6-17.

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The article is devoted to the phenomenon of creative controversy, realized in a fictional form. One of the most active interlocutors of Chekhov was the publisher, journalist and writer Alexei Sergeevich Suvorin. He knew his younger colleague well and left few but valuable testimonies about him. The loss of Suvorin’s letters to Chekhov causes serious semantic gaps. They can be filled by the analysis of other sources, with a lower level of verification. These include Suvorin’s novel “At the end of the century. Love “(1893), in which the author created the image of Chekhov, hiding him under the m

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Bošnjak, Blanka. "Pisatelj Milan Pugelj kot pomemben člen v kratkoprozni ustvarjalnosti iz začetka 20. stoletja na Slovenskem (1. del)." Jezik in slovstvo 48, no. 6 (2024): 61–74. http://dx.doi.org/10.4312/jis.48.6.61-74.

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Milan Pugelj (Kandija near Novo mesto, 3 January 1883 – Ljubljana, 3 February 1929) gained recognition and friendship of many Slovene, Croatian and Serbian writers, even though he is as a novelist linked to a wider European area. In the first decade of his literary engagement Milan Pugelj published mainly poems dealing with love, loneliness and yearning, which were created partly under the influence of the new romanticism in Slovenia. His short-story writing began around 1905, when he wrote lyrical novellas and romantic short stories. From simple motifs from the Dolenjska region, Pugelj gradua

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SAVA-FANTU, Cezara-Ștefania. "But does snow have meaning?" Theatrical Colloquia 13, no. 1 (2023): 168–74. http://dx.doi.org/10.35218/tco.2023.13.1.19.

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"Today, people sometimes feel a sense of emptiness, of lack of content, of meaning, which can trigger existential problems. Boredom has become a pathological psychological cause, neuroses have a wider range, especially the noogenic ones, a new clinical form constituting the Sunday neurosis. Theatre diligently reflects everything that has sap, everything that hides some psychological hill, always being present in the song of the hungry soul, in its themes and time. This article proposes a return to essential questions - such as "What is the meaning of life? What is the meaning of theatre? The f

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Zaitsev, Viktor S. "A.P. CHEKHOV AND “WARTS-AND-ALL BIOGRAPHIES”: GENESIS, ALGORITHMS OF MAKINGS AND SPECIFICITY OF THE GENRE." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 1 (2023): 65–81. http://dx.doi.org/10.18522/2415-8852-2023-1-65-81.

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The article is devoted to the phenomenon of “desacralizing” biography at the example of several studies of A.P. Chekhov’s life and works, and to the reasons of popularity of such biographies among the mass readers. This way to describe Chekhov’s life is partly connected with the memoir tradition, in particular, with the essay by N.M. Yezhov “Anton Pavlovich Chekhov (An attempt of characteristics)” (1909). N.M. Yezhov tried to create an objective yet creative psychological portrait of the writer, based on the experience of personal communication with A.P. Chekhov. The attempt was reduced to a m

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Ma, Zihan. "Rethinking Chekhov's work in modern Chinese productions." Философия и культура, no. 7 (July 2022): 76–86. http://dx.doi.org/10.7256/2454-0757.2022.7.38398.

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This article is devoted to the consideration of a number of stage projects by Chinese directors, in which the work of the writer Anton Pavlovich Chekhov is reinterpreted. Analysis of such productions and projects as the international drama festival "Chekhov Forever" in 2004, a hybrid work based on Chekhov's story "Three Sisters" and Beckett's novel "Waiting for Godot" by Lin Zhaohua in 1998 and 2018, a double performance by Stan Lai based on the works "I take You by the Hand" by Carol Rocamora and "The Seagull" Chekhov 2014 , etc . It allows us to trace innovative approaches to reading Chekhov

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Семгхун, А. А. "ON THE QUESTION OF THE LIFE AND WORK OF A.P. CHEKHOV." НАУЧНЫЙ ЖУРНАЛ СОВРЕМЕННЫЕ ЛИНГВИСТИЧЕСКИЕ И МЕТОДИКО-ДИДАКТИЧЕСКИЕ ИССЛЕДОВАНИЯ, no. 1(49) (March 17, 2021): 101–13. http://dx.doi.org/10.36622/vstu.2021.75.94.008.

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Постановка задачи. Статья посвящена описанию биографии и обзору творческого пути классика русской литературы - выдающегося русского писателя XIX-начала XX веков Антона Павловича Чехова. Актуальность данной статьи не вызывает сомнения, поскольку ознакомление с творчеством, биографией и личностью писателя А.П. Чехова является неотъемлемой составной частью учебного процесса при изучении русской литературы. Результаты. Автором проведена серьезная работа по систематизации биографических данных, свидетельствующих о различных аспектах жизни А.П. Чехова: его семье, учебе, работе, общественной деятельн

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Gorbachev, Igor' Nikolaevich. "A game of hide and seek. Dramatic Mechanisms in Chekhov's «The Seagull»." Философия и культура, no. 8 (August 2023): 77–101. http://dx.doi.org/10.7256/2454-0757.2023.8.43536.

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The analysis of the play "The Seagull" undertaken in the article is based on an unusual assumption. Chekhov's phrase is known that "after writing a story, you should cross out its beginning and end." What if we apply this "formula" to the dramatic works of Anton Pavlovich and assume that when finishing the plays, Chekhov "left out some part of the text"? The analysis of the "Seagull" is performed directly by the classic tool of directors – the method of effective analysis. The work involved a wide range of facts about the social and everyday realities of the Russian Empire of the late XIX - ea

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Cvetković, Raisa, and Biljana Soleša. "Figura učitelja u novelama „Zaprega”, „Profesor književnosti”, „Čovek u futroli” i „Učitelj” Antona Pavloviča Čehova." Узданица 18, no. 1 (2021): 197–209. http://dx.doi.org/10.46793/uzdanica18.1.197c.

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This paper deals with the interpretive potential of the character of the teacher in selected stories by Anton Pavlovich Chekhov. The stories thematize school life, with special attention to the character of the teacher, who is not perceived as a source of knowledge, but as a discontent, unfulfilled individual whose attitudes and ideas belong to ideological and cultural framework of the epoch. The introductory part of the paper gives an overview of the topic of school in Russian literature, as well as Chekhov’s views about the importance of education. The central part of the paper deals with in

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Cui, Yunyun. "Reception of A.P. Chekhov's play “The Cherry Orchard” in China." Litera, no. 1 (January 2024): 226–36. http://dx.doi.org/10.25136/2409-8698.2024.1.69518.

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Anton Pavlovich Chekhov is a well-known Russian writer and playwright in China. During his life, he created many works that are familiar to the Chinese readers. It is generally recognized that Chekhov's plays open a new page in the history of drama and theater. The Cherry Orchard, Chekhov's last work, is considered one of his most mature dramatic works and today has a debatable character in literary criticism, its interpretations are offered to the audience on the theater stage all over the world, including in China. This article aims to trace the evolution of the reception of the named work i

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Larionova, Marina Ch, and Roman G. Mikhalyuk. "CONTEMPORARY FIGURATIVE CHEKHOVIANA IN THE DON AND AZOV REGION: STATING THE PROBLEM." Proceedings of Southern Federal University. Philology 26, no. 1 (2022): 25–36. http://dx.doi.org/10.18522/1995-0640-2022-1-25-36.

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Chekhov’s oeuvre is “the text of culture” which broadcasts meanings outside literature to the other kinds of arts. An artist, who perceives and conceives it, may find himself or herself in the milieu of different time and space. However, his or her vision and perception of Chekhov’s personality and works enrich both his/her own world of arts, the world of arts in general, and the understanding of Chekhov’s oeuvre and legacy. Artists of the Don and Azov Region, who come from the same part of the country as the great writer, react to the writer’s destiny and works in much more vivid way, creatin

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Andrushchenko, Elena A. "“You Are New, I Am Old”: Handwritten Drafts of A.S. Suvorin’s Letters to D.S. Merezhkovsky (1901–1911)." Studia Litterarum 9, no. 1 (2024): 284–303. http://dx.doi.org/10.22455/2500-4247-2024-9-1-284-303.

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This work is the first to introduce handwritten drafts of the letters of A.S. Suvorin (1834–1912), owner and publisher of the “Novoye vremya” newspaper, to D.S. Merezhkovsky. The letters, which remained in the newspaper’s archive, cover the period from 1901 to 1911 and can explain the reasons for Suvorin’s interest in the young writer. Merezhkovsky was one of the objects of his passion for talented people, which was recalled by contemporaries and which explains his relationship, in particular, with Anton Chekhov. Suvorin’s letters to Merezhkovsky express his views as a critic, publisher, and t

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Razumova, Nina E. "Another "returned" name. New book: Anton Chekhov and his critic Mikhail Menshikov: Correspondence. Diaries. Memory lane. Articles / Comp. articles, ed. texts, notes. A. S. Melikova. Moscow: Russian Way, 2005." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2006): 99–102. http://dx.doi.org/10.17223/18137083/16/11.

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RAZUMOVSKAYA, A. G. "“THEY ALL SPEAK ABOUT THE SAME”: RACHMANINOFF IN THE EYES OF WRITERS." Imagologiya i komparativistika, no. 22 (2024): 262–84. https://doi.org/10.17223/24099554/22/15.

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For the first time the image of Sergey Rachmaninoff, an outstanding composer, pianist and conductor, depicted in memoirs and diary entries, epistolary notes of his contemporary writers, is considered. Famous for his great love for literature, Rachmaninoff knew many people personally or by correspondence. Some, observing the virtuoso musician from the outside (Nikolai Teleshov, Konstantin Balmont, Aleksandr Kuprin, Igor Severyanin), saw him as a rare responsive and selfless personality (“a man shone by God”, according to Kuprin’s definition). Marietta Shaginian, based on meetings and epistolary

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Amir, M. Faisal, and Ali Madeeh Hashmi. "Medicine and the Humanities: Anton Chekhov’s ‘The Black Monk’." Annals of King Edward Medical University 22, no. 2 (2016). http://dx.doi.org/10.21649/akemu.v22i2.1309.

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(Authors' Note: Anton Pavlovich Chekov (1860 – 1904) the Russian playwright and short story writer is considered one of the greatest fiction writers in history. He was a physician and practiced medicine his whole life before his death from tuberculosis at the young age of 44. “The Black Monk”, one of his most famous short stories was written in 1894.) Andrei Vasslyich Kovrin, Master of Arts in Psychology, decides to go to a country house on account of his nerves being ‘weary from over work’. There, he feels rejuvenated at the sight of blossoming natural beauty. It seems to bring on intense joy

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