Academic literature on the topic 'Cosmography in art'

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Journal articles on the topic "Cosmography in art"

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Llorenç i Blat, Josep. "Dant i el Renaixement català." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 4, no. 4 (2014): 31. http://dx.doi.org/10.7203/scripta.4.4353.

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RESUM Procurador reial i nobiliari, cosmògraf, joier, lapidari, mercader i escriptor, i al capdavall, un ciutadà català honrat, Ferrer (Vidreres, ~1445 – Blanes, 1529) va marxar de ben jove a la cort de Nàpols, al servei del rei Ferran i. Acabada aquesta peripècia italiana va tornar a Blanes al servei del vescomte de Cabrera i de Bas fins que va morir a la mateixa vila al 1529. Un seu criat, disset anys més tard, va editar uns papers esparsos que havia trobat a can Ferrer, les Sentèncias cathòlicas del diví poeta Dant florentí, compilades per lo prudentíssim mossèn Jaume Ferrer de Blanes[sic],
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Grespan, Margherita, and Marek Biesiada. "Strong Gravitational Lensing of Gravitational Waves: A Review." Universe 9, no. 5 (2023): 200. http://dx.doi.org/10.3390/universe9050200.

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The first successful detection of gravitational waves (GWs) opened up a new window to study a realm of the most violent phenomena in the universe, such as coalescences of binary black holes (BH–BH), binary neutron stars (NS–NS), and mixed (BH–NS) systems, which are mostly inaccessible in the electromagnetic window. On the other hand, strong gravitational lensing of distant sources, such as galaxies and quasars, by other massive objects lying closer along the line of sight has become a powerful tool in cosmology and astrophysics. With the increasing sensitivity of the new generation of GW detec
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Neklyudov, I.V. "Exegesis of Hexameron in Middle and Late Byzantine Iconography." Humanity space. International almanac 12, no. 3 (2023): 182–202. https://doi.org/10.24412/2226-0773-2023-12-3-182-202.

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The article covers the interpretation of the biblical creation narrative of the world in the Byzantine iconography of the 10th-12th centuries. As an object, the article considers the samples of canonical iconography, which are preserved in the temple art of Western Europe. The author reveals the photographs of the Creation iconography, provides a biblical and theological interpretation of the iconographic subjects under consideration, draws parallels with the iconography of the Nativity of Christ and Pentecost, reveals a single theological concept for the iconography of the Creation, the Nativ
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Dunn, Richard. "Cosmography and its histories." Journal for the History of Astronomy 55, no. 1 (2024): 131–32. http://dx.doi.org/10.1177/00218286231214487.

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Mobio, Francis. "Stock-market Forecasting as Cosmography." Diogenes 48, no. 190 (2000): 43–57. http://dx.doi.org/10.1177/039219210004819004.

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Breeze, Andrew. "DoesCorieltaviMean ‘Army of Many Rivers’?" Antiquaries Journal 82 (September 2002): 307–9. http://dx.doi.org/10.1017/s0003581500073820.

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The British people formerly known to scholars asCoritani, but now commonly referred to asCorieltauvi, lived in the region of Leicester, Nottingham and Lincoln, with their capital atRatae, or Leicester. Their name was recovered as follows. They appear in Ptolemy asCoritani(variantContavi) and the Ravenna Cosmography asRate Corion(taken as an abbreviated form).CoritaniandCorionresisted every attempt to extract a meaning from them.
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Viljoen, Madeleine C. "Christoph Jamnitzer's Neuw Grotteßken Buch, Cosmography, and Early Modern Ornament." Art Bulletin 98, no. 2 (2016): 213–36. http://dx.doi.org/10.1080/00043079.2016.1108153.

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Knights, Theo. ":An Ottoman Cosmography: Translation of Cihānnümā." Journal of Near Eastern Studies 82, no. 2 (2023): 371–72. http://dx.doi.org/10.1086/726261.

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Martínez, Carolina. "On the Translation of Founding Narratives into Cartographic Images: America in Le Testu’s Cosmographie Universelle (1556)." Culture & History Digital Journal 10, no. 2 (2021): e017. http://dx.doi.org/10.3989/chdj.2021.017.

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This article analyzes the links between the first travel accounts of the New World and the production of cartographic images of America in Guillaume Le Testu’s Cosmographie Universelle (1556). Produced in 1556 and dedicated to Admiral of France Gaspard de Coligny, the Norman pilot’s manuscript atlas was created in the context of growing French colonial interest in Terra Brasilis. The transposition of America’s founding narratives into cartographic images as presented in Le Testu’s Cosmographie is interpreted here as an act of translation lato sensu. The translation of the continent’s travel ac
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Blakely, Sandra. "Social Mobility: Mithraism and Cosmography in the 2nd-5th Centuries CE." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 11–41. http://dx.doi.org/10.5617/acta.7798.

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Pragmatic cognitive science, rooted in Dewey's epistemology and models of distributed cognition, offers new hypotheses for the emergence and decline of the Mithraic rites. These models foreground the responsiveness of the rites to their economic and social environment, generating new form-meaning pairs through multimodal engagements inside the Mithraic caves. These moments of cognitive blending answered the needs of the early social catchment of the rites, which was predominantly freedmen and soldiers benefitting from the upward mobility of the thriving second century CE. Within the caves, mul
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Dissertations / Theses on the topic "Cosmography in art"

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Lestringant, Frank. "André Thevet, cosmographe." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376152699.

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Simek, Rudolf. "Altnordische Kosmographie : Studien und Quellen zu Weltbild und Weltbeschreibung in Norwegen und Island vom 12. bis zum 14. Jahrhundert /." Berlin ; New York : W. de Gruyter, 1990. http://catalogue.bnf.fr/ark:/12148/cb35361682w.

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Hees, Syrinx von. "Enzyklopädie als Spiegel des Weltbildes : Qazwīnīs Wunder der Schöpfung : eine Naturkunde des 13. Jahrhunderts /." Wiesbaden : Harrassowitz, 2002. http://catalogue.bnf.fr/ark:/12148/cb390001090.

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Books on the topic "Cosmography in art"

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1940-, Clair Jean, Musée des beaux-arts de Montréal., and Centre de Cultura Contemporània de Barcelona., eds. Cosmos: Du Romantisme à l'Avant-garde. Musée des beaux-arts de Montréal, 1999.

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1940-, Clair Jean, Montreal Museum of Fine Arts., and Centre de Cultura Contemporània de Barcelona., eds. Cosmos: Du Romantisme à l'Avant-garde : Musée des beaux-arts de Montréal, Pavillon Jean-Noël Desmarais. Gallimard, 1999.

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Guillou, Philippe Le. Richard Texier: Theoria sacra. Éditions Le temps qu'il fait, 2008.

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Richard, Texier, ed. Richard Texier: Theoria sacra. Éditions Le temps qu'il fait, 2008.

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Jay, Belloli, and Cosgrove Denis E, eds. The universe: A convergence of art, music, and science. Armory Center for the Arts, 2001.

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Michael, Hrsg :. Eissenhauer, ed. Die Erfindung der Welt: Martin Schaffners bemalte Tischplatte von 1533. Ausstellung in der Gem aldegalerie Alte Meister vom 9. August - 3. November 2002. Staatliche Museen Kassel, 2002.

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Büttner, Nils. Die Erfindung der Landschaft: Kosmographie und Landschaftskunst im Zeitalter Bruegels. Vandenhoeck & Ruprecht, 2000.

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Śnieżyńska-Stolotowa, Ewa. Tajemnice dekoracji Psałterza Floriańskiego: Z dziejów średniowiecznej koncepcji uniwersum. Wydawn. Nauk. PWN, 1992.

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Amelie, Jensen, and Öffentliche Kunstsammlung Basel, eds. Kreis und Kosmos: Ein restauriertes Tafelbild des 15. Jahrhunderts ; Kunstmuseum Basel, 18. August-11. November 2007. M. Imhof, 2007.

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Pliny. Über Glas und Metalle. Scripta Mercaturae Verlag, 2000.

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Book chapters on the topic "Cosmography in art"

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McKenzie, Jon. "Becoming Cosmographer: Co-designing Worlds." In Transmedia Knowledge for Liberal Arts and Community Engagement. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20574-4_4.

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"3. The piloto mayor: cosmography and the art of navigation." In Exploration, Religion and Empire in the Sixteenth-century Ibero-Atlantic World. Amsterdam University Press, 2021. http://dx.doi.org/10.1515/9789048544547-006.

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Freidel, David A., Prudence M. Rice, and Michelle E. Rich. "Landesque Cosmography." In The Materialization of Time in the Ancient Maya World. University Press of Florida, 2024. http://dx.doi.org/10.5744/florida/9780813069807.003.0002.

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The Maya materialized beings from Creation Time by shaping natural features of the landscape. They made cosmographic landscapes from the Preclassic period. This chapter focuses the crocodile orthogonal form of Nixtun Ch’ich’ at the western end of Lake Peten Itza, dating from the beginning of the Middle Preclassic, and the turtle terraformed hill with in-line triadic locales registering the Maya constellation incorporating the belt stars of Orion at the eastern end of El-Peru Waka’, dating from the Late Preclassic. These are examples of the Maya practice of landesque cosmography, investing in t
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Chase, Arlen F., Anne S. Dowd, David A. Freidel, and Jerry Murdock. "The Maya Materialization of Time." In The Materialization of Time in the Ancient Maya World. University Press of Florida, 2024. http://dx.doi.org/10.5744/florida/9780813069807.003.0001.

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In this introductory chapter, the editors begin by pointing out that the materialization of time, the most famous intellectual interest of the ancient Maya, was aspirational through charting of the future through prophecy and divination as well as contemplative of the past in myth and historical chronicle. They then outline important themes of the ensuing chapters beginning with the gathering of sustained collective labor to create the ceremonial centers celebrating and counting the passage of days and nights that precede and anticipate the complex communities that would emerge surrounding the
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Swindell, Tate. "Cut-ups and Cosmographs." In Harold Norse. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.003.0013.

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Between 1959 and 1961, the poet Harold Norse lived at the “Beat Hotel,” along with his better-known contemporaries, Brion Gysin, William Burroughs and Gregory Corso. Although Norse was involved in the development of the cut-up process, he has been airbrushed out of most accounts. Even less well-known is Norse’s contribution to visual art. During his stay at the “Beat Hotel,” Norse developed a painting method that he called Cosmographs, which he created by throwing Pelican inks onto Bristol paper, which were then rinsed off in a bidet. The results created proto psychedelic maps of inner and out
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Field, Christopher D. S. "Jenkins and the Cosmography of Harmony." In John Jenkins and his Time. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198164616.003.0001.

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Abstract If a flat Map be but pasted upon a Globe, the farthest East, and the farthest West meet, and are all one. John Donne, letter to Sir Robert Ker (1623)Like other years 1592 had its ups and downs. On Bankside a new play, Rarey the vi, in which the up-and-corning Shakespeare is thought .to have had a major hand, was enjoying a good run till bubonic plague closed the London theatres in June. Before the year was out the epidemic had spread into Kent, and in Jenkins’s birthplace, Maidstone, the authorities had to try to combat ‘diverse infectious and dangerous savours and noisome airs’ aroun
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Delle Donne, Carlo. "Time and Genre." In Time, Tense, and Genre in Ancient Greek Literature. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780191949302.003.0007.

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Abstract The purpose of this chapter is to demonstrate the relationship between the choice of verbal tenses and the genre of cosmography in ancient Greek philosophical literature. Several pieces of textual evidence are considered, ranging from pre-Platonic fragments (particularly from Anaxagoras) to Plutarch’s Platonic Questions. The investigation reveals a consistent pattern in the selection of specific verbal tenses to depict each stage of the cosmogonic process across texts written by different authors. This suggests the existence of a customary association within the genre regarding the de
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Bushnell, David. "Method to Be Employed in the Education of My Nephew Fernando Bolívar." In El Libertador. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195144819.003.0034.

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Abstract The education of children should always be appropriate to their age, inclinations, spirit, and temperament. As my nephew is above twelve years of age, he should apply himself to learning modern languages, without neglecting his own. The dead languages should be studied after he has learned the living languages. Geography and cosmography should be the earliest knowledge acquired by a young man. The study of history, like languages, should begin with the contemporary period and then gradually move back in time to the dark ages of fable. It is never too early to begin the study of natura
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Oberlies, Thomas. "The Indo-Iranian Religion". У The Religion of the Ṛgveda. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192868213.003.0004.

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Abstract The shared elements of Zoroastrianism and the Ṛgvedic religion, going back to an Indo-Iranian religion, are manifold. The number of shared deities and religious concepts (e.g. certain cosmographic ideas and a specific form of ʻtruthʼ) is very high, and reconstruction can even be extended to general assumptions about rituals. The centre of the Indo-Iranian cultic system is the sacrifice, in which the gods are treated to convivial offerings such as food, drink, poetry, and the divine potion (Soma in Vedic). These central elements retain their importance in Ṛgvedic times. The layer of be
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Surin, Kenneth. "‘The Writing of the Empire’: Economies of Writing and ‘Otherness’ in Henri Fauconnier’s Malaisie." In Critical Inquiry in Comparative Literature [Working Title]. IntechOpen, 2023. http://dx.doi.org/10.5772/intechopen.111680.

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The development of colonial and postcolonial literatures usually follows a tripartite periodization: (1) a phase during which works are produced by \'representatives\' of the colonial order, those able to represent this order by virtue of being white and European; (2) a succeeding phase in which texts are produced under the auspices of the colonial order by culturally incorporated natives who are bound by the hegemonies of this order as a condition of undertaking literary production; (3) this phase is then overtaken by one existing after the Second World War—here independent postcolonial liter
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Conference papers on the topic "Cosmography in art"

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Costa, Maria Luiza Calim de Carvalho. "América Latina: cartografias poéticas." In Encontro de História da Arte. Universidade Estadual de Campinas, 2012. http://dx.doi.org/10.20396/eha.8.2012.4237.

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O cartógrafo alemão Martin Waldseemüller, em 1507, desenhou o mapa “Universalis Cosmographia” a partir de epistolas de Américo Vespúcio em que relatava suas viagens a Pier Soderini, supremo magistrado da República Florentina, e também aos Médici onde o navegador florentino reconhece as terras descobertas por Colombo como terras novas, Mundus Novus- o título de uma das três epistolas enviadas aos Médici.É a imagem inaugural da América.
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