Academic literature on the topic 'CosmosDB'

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Journal articles on the topic "CosmosDB"

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Singh, Ramendra, Amer Jyothi, Ashish Sinha, Babita Agarwal, and Arun Patro. "COSMOS Service Centre: Service Recovery Using Distribution Channels." Asian Case Research Journal 17, no. 02 (2013): 267–87. http://dx.doi.org/10.1142/s0218927513500120.

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COSMOS is a technology solutions provider offering IT infrastructure, personal computing and access devices, global services, imaging, and printing for consumers and enterprises. The company uses a mix of distribution channels (both online and offline) to deliver its products and services. COSMOS uses authorized intermediaries to increase offline reach — both for sales and service. To offer seamless customer service, COSMOS has a complaints website for customer logs. COSMOS service centres have well defined processes and policies to guide them in service delivery. However, this has not helped the case of Amer (the case protagonist), a business graduate student, who has faced multiple issues in service recovery after the purchase of his laptop from COSMOS. Why is Amer facing this slew of problems because of the service failure from COSMOS? Is it because of the negligence of B'Devlop, the COSMOS Service Centre or are COSMOS's policies and processes flawed? Can COSMOS offer a permanent solution to Amer's problems? How can COSMOS rectify the situation and prevent it from recurring? What should be the service recovery strategies for the company, and its distribution channel members that have a direct interface with the customers? These are some of the key questions that the case highlights, and can bring up for discussion in the classroom.
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Ebadi, H., and H. Moradpour. "Thermodynamics of universe with a varying dark energy component." International Journal of Modern Physics D 24, no. 14 (2015): 1550098. http://dx.doi.org/10.1142/s0218271815500984.

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We consider a Friedmann–Robertson–Walker (FRW) universe filled by a dark energy (DE) candidate together with other possible sources which may include the baryonic and nonbaryonic matters. Thereinafter, we consider a situation in which the cosmos sectors do not interact with each other. By applying the unified first law of thermodynamics on the apparent horizon of the FRW universe, we show that the DE candidate may modify the apparent horizon entropy and thus the Bekenstein limit. Moreover, we generalize our study to the models in which the cosmos sectors have a mutual interaction. Our final result indicates that the mutual interaction between the cosmos sectors may add an additional term to the apparent horizon entropy leading to modify the Bekenstein limit. Relationships with previous works have been addressed throughout the paper. Finally, we investigate the validity of the second law of thermodynamics and its generalized form in the interacting and noninteracting cosmoses.
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Deng, Jian Xin, Ji Hye Lee, Narayan Chandra Paul, Hye Sun Cho, Hyang Burm Lee, and Seung Hun Yu. "Occurrence of Leaf Blight on Cosmos Caused by Alternaria cosmosa in Korea." Plant Pathology Journal 31, no. 1 (2015): 78–82. http://dx.doi.org/10.5423/ppj.nt.09.2014.0095.

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Mejía-Muñoz, J. M., and M. A. Arroyo-Rojas. "Contribución al mejoramiento genético de cosmos (Cosmos bipinnatus Cav.)." Revista Chapingo Serie Horticultura I, no. 01 (1994): 184–87. http://dx.doi.org/10.5154/r.rchsh.1993.01.007.

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Wu, W. S., H. C. Wu, and Y. L. Li. "Potential of Bacillus amyloliquefaciens for Control of Alternaria cosmosa and A. patula of Cosmos sulfurous (Yellow Cosmos) and Tagetes patula (French Marigold)." Journal of Phytopathology 155, no. 11-12 (2007): 670–75. http://dx.doi.org/10.1111/j.1439-0434.2007.01293.x.

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INOGUCHI, TAKASHI, and LIEN THI QUYNH LE. "Toward Modelling a Global Social Contract: Jean-Jacques Rousseau and John Locke." Japanese Journal of Political Science 17, no. 3 (2016): 489–522. http://dx.doi.org/10.1017/s1468109916000207.

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AbstractThe paper attempts to construct a global model of a social contract using well-known metaphors of two great philosophers: Jean-Jacques Rousseau and John Locke. By modelling a global social contract, I mean the formulation of a social contract using two sets of data: one is global citizens' preferences about values and norms while the other is sovereign states' participation in multilateral treaties. Both Rousseau and Locke formulate their versions of social contract theories in the national context of eighteenth-century Europe. This paper tries my hands on extending their theories to the global context. This paper attempts to link empirically the relationship between global citizens' preferences as gauged by the World Values Survey and sovereign states' participation in 120 multilateral treaties deposited to the United Nations. To see the link between citizens and treaties (quasi-legislative outcomes, sort of), dimensional similarities of the cosmos of citizens' preference and the cosmos of sovereign states' willingness to join multilateral treaties are examined. Once done, all the sovereign states are located in each of the two cosmoses, citizens and states, and the correlation coefficients between them are measured. Based on these empirical results, the nature of the global quasi-legislative process is clarified. Conclusions and implications are drawn.
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Espadas-R., M., and P. G. Zita. "Contribución al conocimiento de la fitopatología del mirasol morado (Cosmos bipinnatus Cav.)." Revista Chapingo Serie Horticultura I, no. 04 (1995): 113–16. http://dx.doi.org/10.5154/r.rchsh.1994.06.041.

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Lyubomir, Berov. "The Intelligent Cosmos." Psychology and Mental Health Care 4, no. 5 (2020): 01–02. http://dx.doi.org/10.31579/26378892/086.

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In this article, I propose a new hypothesis which offers a novel interpretation of the anthropic principle and argues against the premise that the Universe is “configured” (via its characteristic constants) specifically so that human life can exist.
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Fernández, M. R., P. G. Zita, and R. M. Espadas. "Potencial ornamental del género Cosmos en México." Revista Chapingo Serie Horticultura I, no. 01 (1994): 162–70. http://dx.doi.org/10.5154/r.rchsh.1993.12.086.

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Piccolboni, Luca, Paolo Mantovani, Giuseppe Di Guglielmo, and Luca P. Carloni. "COSMOS." ACM Transactions on Embedded Computing Systems 16, no. 5s (2017): 1–22. http://dx.doi.org/10.1145/3126566.

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Dissertations / Theses on the topic "CosmosDB"

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Hedman, Jennifer, and Mikael Holmberg. "Jämförelse av NoSQL-databas och SQL-baserad relationsdatabas : En förklarande studie för när NoSQL kan vara att föredra framför en relationsdatabas." Thesis, Högskolan Dalarna, Informatik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-29817.

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With the explosive development of the mobile world, web applications and Big Data, new requirements for storage capacity and speed of database systems have arisen. The traditional relational database that has long dominated the marked has received competition because of its lack in speed and scalability. NoSQL is a collective name for databases that are not based on the traditional relational model. NoSQL databases are designed to easily expand their storage capacity while delivering high performance. NoSQL databases have been around for decades but the need for them is relatively new. Our partner expressed a desire to know what differences exist between NoSQL and the traditional relational database. To clarify these differences, we have answered the following questions in this work:  When can a NoSQL database be preferred to a relational database?  What are the differences in database performance? In order to answer these questions, a literature study has been conducted together with experiments where we test which performance differences exist between the selected databases. Performance tests have been performed with the benchmarking tool Yahoo Cloud Serving Benchmark, to verify or falsify the enhanced performance of the NoSQL databases. The hypotheses were falsified in both NoSQL databases. The results showed that the relational database performed better than the cloud based NoSQL databases, but also that the relational database performance deteriorates when the load increased. The results of the experiments are combined with the literature study and together answer our questions. The conclusion is that no database performs better than another one, it is the requirements of the data to be stored. From these requirements, analyses can be made to draw conclusions about what kind of database is preferable.
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Orthof, Nina Aprigliano. "Cosmos : navegar." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/22018.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-graduação em Arte, 2016.<br>Submitted by Fernanda Percia França (fernandafranca@bce.unb.br) on 2016-06-02T18:47:34Z No. of bitstreams: 1 2016_NinaApriglianoOrthof.pdf: 12175247 bytes, checksum: 87876c49c32302572f87694f9fce6cc3 (MD5)<br>Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2016-12-21T13:13:10Z (GMT) No. of bitstreams: 1 2016_NinaApriglianoOrthof.pdf: 12175247 bytes, checksum: 87876c49c32302572f87694f9fce6cc3 (MD5)<br>Made available in DSpace on 2016-12-21T13:13:10Z (GMT). No. of bitstreams: 1 2016_NinaApriglianoOrthof.pdf: 12175247 bytes, checksum: 87876c49c32302572f87694f9fce6cc3 (MD5)<br>Procurando combinar os cadernos de viagem e
a escrita, o trabalho reflete sobre a minha prática artística - em movimento, na imobilidade e no entre- meio. Em percursos terrestres, aquáticos, no espaço sideral ou no próprio trabalho. O texto levanta reflexões poéticas acerca de conceitos como: imensidão, navegar e cosmos. Estilo de escrita, formato e conteúdo foram considerados para configurar uma estrutura que constitua outra dimensão do trabalho artístico. Os trabalhos podem ser encontrados no seguinte endereço eletrônico: www.ninaorthof.com. ________________________________________________________________________________________________ ABSTRACT<br>As it merges travel journeys and writing, this work reflects upon my artistic practice – in movement, in stillness, in between – either on terrestrial, aquatic or outer space courses and in the artwork itself. The text brings about poetic reflections on: wideness, navigation and cosmos. Writing style, format and content is aimed to structure yet another dimension to the artistic work.Works can be found on the following webpage: www.ninaorthof.com.
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Hatleback, Eric Nelson. "Chimera of the cosmos." Thesis, University of Pittsburgh, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3647982.

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<p> Multiverse cosmology exhibits unique epistemic problems because it posits the existence of universes inaccessible from our own. Since empirical investigation is not possible, philosophical investigation takes a prominent role. The inaccessibility of the other universes causes argumentation for the multiverse hypothesis to be wholly dependent upon typicality assumptions that relate our observed universe to the unobserved universes. The necessary reliance on typicality assumptions results in the Multiverse Circularity Problem: the multiverse hypothesis is justified only through invoking typicality assumptions, but typicality assumptions are justified only through invoking the multiverse hypothesis. The unavoidability of the circularity is established through argumentation for each of the two conjuncts that comprise it.</p><p> Historical investigation proves the first conjunct of the Multiverse Circularity Problem. Detailed study of the now-neglected tradition of multiverse thought shows that philosophers and scientists have postulated the multiverse hypothesis with regularity, under different names, since antiquity. The corpus of argumentation for the existence of the multiverse breaks cleanly into three distinct argument schemas: implication from physics, induction, and explanation. Each of the three argument schemas is shown to be fully reliant upon unsupported typicality assumptions. This demonstrates that the multiverse hypothesis is justified only through invoking typicality assumptions.</p><p> Philosophical assessment of cosmological induction establishes the second conjunct of the Multiverse Circularity Problem. Independent justification for typicality assumptions is not forthcoming. The obvious candidate, enumerative induction, fails: Hume&rsquo;s attack against inference through time is extended to inference through space. This move undercuts external justification for typicality assumptions, such as the Cosmological Principle, which cosmologists implement to justify induction. Removing the legitimacy of enumerative induction shows that typicality assumptions are justified only through invoking the multiverse hypothesis, thereby establishing the Multiverse Circularity Problem. </p>
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Silva, Boloña Valeria. "Observatorio natural del cosmos." Tesis, Universidad de Chile, 2014. http://www.repositorio.uchile.cl/handle/2250/130180.

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Schroeder, Angela L. "Susan Botti's Cosmosis a conductor's analysis with performance considerations /." connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3617.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by recitals, recorded Feb. 27, 2005, Apr. 28, 2005, Apr. 13, 2006, Apr. 19-20, 2006, July 8, 2006, Sept. 28, 2006, Sept. 29, 2006, and Feb. 19, 2007. Includes bibliographical references (p. 60).
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Schroeder, Angela. "Susan Botti's Cosmosis: A Conductor's Analysis with Performance Considerations." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3617/.

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In 2005, composer Susan Botti won the coveted Prix de Rome in musical composition and spent eleven months in residency at the American Academy in Rome. That same year, the University of Michigan Wind Symphony, under the direction of Michael Haithcock, premiered her exciting new work Cosmosis at the College Band Directors National Association Conference in New York City. The bi-annual conference is a venue for the premiere of new works for wind ensembles and bands, and the 2005 conference saw the world premiere of nine works for winds and percussion, many of which were performed in the legendary Carnegie Hall. What made the debut performance of Cosmosis exciting and notable was the composer's own appearance as soprano soloist, and the inclusion of a chorus of women augmenting the ensemble of winds and percussion. Such a combination of elements is unique, and created a fresh and powerful sonority. Botti's inventive approach to composition has expanded the repertoire for both women's chorus and wind ensemble with this distinctive work. This study is intended to serve as a guide to the study and performance of Cosmosis. The information provides a detailed examination of the work from its conception to its premiere performance. The work is based on the poetry of American poetess May Swenson, and Botti's interpretation of the poetry in music unveils interesting parallels between these artistic disciplines. The research provides a contextual framework from which the conductor may begin study of the work, and which may lead to an informed performance of the work.
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Parizot, Etienne. "Rayons cosmiques et rayonnement du cosmos." Habilitation à diriger des recherches, Université Paris-Diderot - Paris VII, 2005. http://tel.archives-ouvertes.fr/tel-00011476.

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Les rayons cosmiques occupent une place privilégiée au sein de l'astrophysique et de la physique des astroparticules, non seulement parce qu'ils participent à la plupart des processus énergétiques à l'œuvre dans l'univers, mais parce que leur existence même et la continuité de leur spectre d'énergie (des énergies thermiques à plus de 1020 eV) soulèvent des questions d'une grande fécondité et d'une richesse inattendue. La source de ces particules énergétiques sillonnant le cosmos demeure largement inconnue, et des décennies de recherche n'ont pas permis d'élucider pleinement le lien existant entre celles que l'on voit rayonner sur toute l'étendue du spectre électromagnétique dans telle ou telle source astronomique et celles que l'on détecte au voisinage de la Terre, porteuses d'informations précieuses pour la physique en général. Nous proposons une approche globale et pluridisciplinaire du rayonnement cosmique, insistant sur la nécessité de considérer conjointement ses trois dimensions spectrales : la distribution en énergie (spectre), la distribution angulaire (anisotropies) et la distribution en masse (composition). Nous analysons divers aspects de cette problématique — théoriques, phénoménologiques et expérimentaux — avec une attention particulière au cas des rayons cosmiques ultra-énergétiques, en relation avec l'Observatoire Pierre Auger, mais nous tentons également d'expliciter les liens existant entre les différentes gammes d'énergie, et de mettre en lumière l'importance de la transition galactique/ extragalactique. De nombreuses contraintes sont également apportées par l'astronomie non-thermique et l'astrophysique nucléaire, dont nous discutons certains aspects directement liés aux particules énergétiques, à leur accélération comme à leur propagation dans le cosmos.
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Giodini, Stefania. "Galaxy groups in the COSMOS survey." Diss., lmu, 2010. http://nbn-resolving.de/urn:nbn:de:bvb:19-118268.

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Martínez, Quiroga Amelia. "Cosmos y teatro : dos historias paralelas." Doctoral thesis, Universitat Politècnica de Catalunya, 2015. http://hdl.handle.net/10803/326734.

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The image of the great Cosmos and the perception that man has from himself in relation to it is in the thematic core of this study, much more than a reconstruction of the diverse categories of his own thought in regard to the nature. lt is a notion that in three important epochs of history can be understood as an evident manifestation in the realm of the arts. "Cosmos" takes its origin from the Greek word "Kocrµoc;" (kósmos), that means "order", the antithesis of Chaos. In its general sense, a cosmos can be understood then, as an orderly composition. In Gorgias, Plato's dialogue, Socrates states that, that's why the wise people give to the Universe the name of Cosmos, namely, the name of order and not of disorder. Therefore, the elucidation of the Universe is a question that has been observed, among other aspects, from different perspectives that attempt to solve a problem of order. And the drastic cosmic changes, discovered in the scientific realm throughout history produced, as well, similar changes in the way the human being has ordained his works of art. Every new image of the great Cosmos has dictated and has been manifested in society as a new image of order, namely, a new esthetic paradigm. The ancient Greece and its geocentric cosmos, absolutely symmetric, represent in this study the first change. Then, the thinking and writings of Isaac Newton consolidated at the end of the Scientific Revolution, a second: the Universe became a heliocentric and mechanic Cosmos. And finally, two hundred years later, at the beginning of the 20th century, a new concept of motion, unlike the ancient and mechanical approaches, is a physic phenomenon that excels as the essential expression of a third scientific change of the order of the Universe: space-time. A new concept presented by Albert Einstein in 1905, as a part of his very known publication of the Theory of Special Relativity. The casual cosmos of the 17th century, where all phenomena where studied in the basis of a three dimensional Cartesian space, becomes a fourth dimensional composition, where the three spatial magnitudes and time are now inseparable. The Universe is a tetra dimensional field, dwelled by an unlimited web of body relations, eternally in motion. This is the new order that important 20th century creators and artists would attempt to reconstruct in their works of art as the great paradigm of beauty, founding with it the beginning of an unusual modern insight.<br>La imagen del gran Cosmos y la percepción que el hombre tiene de si mismo con respecto a éste es en el núcleo temático de este estudio, mucho más que una reconstrucción de las diversas categorías de su pensamiento con respecto a la naturaleza. Es una noción que puede ser entendida en tres momentos importantes de la historia como una manifestación que se hace evidente en el mundo de las artes. "Cosmos" se origina del término griego "Kóoµoc;", que significa "orden" y es la antítesis del Caos. En su sentido general un cosmos puede ser entendido entonces como una composición ordenada. En Gorgias, el diálogo escrito por Platón, Sócrates expresa que es por esto que los sabios dan a este Universo el nombre de Cosmos, es decir, de orden y no de desorden. La elucidación del Universo es así una cuestión que ha sido tratada desde entonces, entre otros aspectos, desde perspectivas diversas que buscan solucionar un problema de orden. Y los drásticos cambios cósmicos descubiertos a lo largo de la historia en el ámbito científico produjeron, a su vez, cambios semejantes en la forma de "ordenar'' la obra de arte. Cada nueva imagen del gran Cosmos ha dictado y se ha manifiestado en la sociedad como una nueva imagen o paradigma estético. La Grecia antigua y su Cosmos geocéntrico, absolutamente simétrico representa un primer gran cambio. Después, los escritos de Newton consolidan mucho más tarde, hasta a finales de la Revolución Científica, un segundo cambio: el Cosmos viene a ser heliocéntrico y mecánico. A principios del siglo XX el concepto movimiento es un fenómeno físico, que a diferencia de la aproximación antigua y de la mecánica clásica, sobresale como la expresión primordial del tercer cambio científico del orden del Universo, el cual fue dado a conocer por Albert Einstein en 1905 en su publicación de la Teoría Especial de la Relatividad: esto es el espacio-tiempo. Así, el Cosmos de causalidad del siglo XVII dónde los fenómenos se estudiaban en un espacio cartesiano, se convierte entonces en una composición de cuatro dimensiones, donde las tres magnitudes del espacio y el elemento tiempo vienen a ser inseparables. En un campo tetra dimensional habitado por una red de relaciones entre cuerpos que se encuentran en eterno movimiento. Este es el nuevo orden que importantes creadores del siglo XX buscaron reconstituir en sus obras, fundando el inicio de una historia moderna inédita.
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Silva, Bruna Pires da. "Potencial alelopático de Cosmos sulphureus Cav. /." Jaboticabal, 2017. http://hdl.handle.net/11449/150867.

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Orientador: Pedro Luís da Costa Aguiar Alves<br>Coorientador: Rosa María Varela Montoya<br>Coorientador: Mariluce Pascoina Nepomuceno<br>Banca: Alberto José Cavalheiro<br>Banca: Leonardo Bianco de Carvalho<br>Banca: Sônia Cristina Juliano Gualtieri<br>Banca: Davi Rodrigo Rossatto<br>Resumo: Cosmos sulphureus Cav. é uma espécie que foi introduzida no Brasil como ornamental e hoje se comporta como uma planta daninha, apresentando elevado poder invasivo no ambiente, devido ao seu potencial alelopático, suprimindo inclusive o crescimento de outras plantas daninhas. Essa característica da planta a torna uma potencial candidata para obtenção de herbicidas naturais, os aleloquímicos, que uma vez isolados e caracterizados poderão ser utilizados diretamente como tal ou então para a semi-síntese de novos compostos. Em vista disso, objetivou-se avaliar e caracterizar o potencial alelopático de C. sulphureus e, também, extrair, fracionar e isolar os aleloquímicos promotores do efeito alelopático. Caracterizou-se o potencial alelopático de C. sulphureus pelo método de liberação por decomposição e por exsudação radicular (planta "in vivo"). A decomposição de plantas de C. sulphureus resultou em efeito alelopático inibitório sobre Lactuca sativa, Amaranthus viridis e Panicum maximum, principalmente na incorporação da maior quantidade de material vegetal.Exsudatos radiculares de C. sulphureus resultaram em efeito alelopático inibitório sobre A. viridis e P. maximum. Dentre os dois modos de liberação de aleloquímicos por C. sulphureus estudados, a exsudação radicular foi o mais ativo (planta "in vivo"). Também foi realizada a extração de folhas de C. sulphureus com água e solventes orgânicos e verificou-se a cito/fitotoxicidade dos extratos. Os extratos mais at... (Resumo completo, clicar acesso eletrônico abaixo)<br>Abstract: Cosmos sulphurous Cav. was introduced in Brazil as an ornamental plant and has become a problematic weed. This plant grows rapidly and it's a dominant species, probably due to its allelopathic activity, suppressing the growth of other weeds. This characteristic makes C. sulphureus a potential source of natural herbicides (allelochemicals). When isolated and characterized they can be directly used as such or used to synthesize new related compounds. The aim of this study was to evaluate and characterize the allelopathic potential of C. sulphureus and to extract, fractionate and isolate the allelochemical promoters of the allelopathic effect. The allelopathic potential of C. sulphureus was characterized by the decomposition release method and by root exudation ("in vivo" plant). The decomposition of C. sulphureus resulted in allelopathic inhibitory effect on Lactuca sativa, Amaranthus viridis and Panicum maximum, mainly in the incorporation of the greater amount of plant material. Root extracts of C. sulphureus resulted in allelopathic inhibitory effect on A. viridis and P. maximum. Based on the results of this work, the main release pathway presented by C. sulphureus is root exudation ("in vivo" plant). Extraction of C. sulphureus leaves with water and organic solvents was also performed and the cytotoxicity of the extracts was checked. The most active extracts were fractionated using appropriate chromatography techniques and the fractions were tested by means of bioassays (bi... (Complete abstract click electronic access below)<br>Doutor
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Books on the topic "CosmosDB"

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Browne, Robert T. Cosmos. Edited by Fiallo Gilberto J. Hermetic Society for World Service, 2000.

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Sagan, Carl. Cosmos. 2nd ed. Random House, 2002.

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Sagan, Carl. Cosmos. Ballantine Books, 1985.

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Gombrowicz, Witold. Cosmos. Yale University Press, 2005.

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Gombrowicz, Witold. Cosmos. Yale University Press, 2008.

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Sagan, Carl. Cosmos. Wings Books, 1995.

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Arditi, Sylvia. Cosmos. Firefly, 2004.

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Sagan, Carl. Cosmos. Wings Books, 1995.

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Sagan, Carl. Cosmos. Abacus, 1995.

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Kaleli, Ferhat. Cosmos. Edition Nautilus, 2002.

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Book chapters on the topic "CosmosDB"

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Hudson, Martyn. "Cosmos." In Critical Theory and the Classical World. Routledge, 2018. http://dx.doi.org/10.4324/9780429504297-8.

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Samuelson, Norbert M. "Cosmos." In Encyclopedia of Sciences and Religions. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_201062.

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Richter, Cornelia. "Cosmos." In The Bonn Handbook of Globality. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90382-8_45.

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Strawson, Peter. "Cosmos." In The Bounds of Sense. Routledge, 2018. http://dx.doi.org/10.4324/9780429447075-7.

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Halpern, Paul. "Other Cosmos." In The Cyclical Serpent. Springer US, 1995. http://dx.doi.org/10.1007/978-1-4899-6036-8_12.

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Anderson, Douglas. "Introduction Cosmos." In Pictures of Ascent in the Fiction of Edgar Allan Poe. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100824_1.

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Jones, Barrie W. "The cosmos." In Life in the Solar System and Beyond. Springer London, 2004. http://dx.doi.org/10.1007/978-1-85233-897-8_1.

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Sastry, K. Subramanya, Bikash Mandal, John Hammond, S. W. Scott, and R. W. Briddon. "Cosmos spp." In Encyclopedia of Plant Viruses and Viroids. Springer India, 2019. http://dx.doi.org/10.1007/978-81-322-3912-3_255.

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Lim, T. K. "Cosmos sulphureus." In Edible Medicinal And Non-Medicinal Plants. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7395-0_19.

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Wilson, Eric. "Electric Cosmos." In Emerson's Sublime Science. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230389717_4.

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Conference papers on the topic "CosmosDB"

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Wu, Qinyi, Calton Pu, and Danesh Irani. "Cosmos." In the 5th International Symposium. ACM Press, 2009. http://dx.doi.org/10.1145/1641309.1641343.

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Gutterman, Craig, Dan Kilper, Artur Minakhmetov, et al. "COSMOS." In the ACM SIGCOMM 2019 Workshop. ACM Press, 2019. http://dx.doi.org/10.1145/3363542.3363546.

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Giannoulis, Michail, Haridimos Kondylakis, and Emmanouil Marakakis. "COSMOS." In PETRA '18: The 11th PErvasive Technologies Related to Assistive Environments Conference. ACM, 2018. http://dx.doi.org/10.1145/3197768.3201555.

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Shi, Cong, Karim Habak, Pranesh Pandurangan, Mostafa Ammar, Mayur Naik, and Ellen Zegura. "COSMOS." In the 15th ACM international symposium. ACM Press, 2014. http://dx.doi.org/10.1145/2632951.2632958.

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Kim, Yung Bok, Marie Kim, and Yong Joon Lee. "COSMOS." In the 2008 ACM symposium. ACM Press, 2008. http://dx.doi.org/10.1145/1363686.1363812.

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Lapointe, Jean-François. "COSMOS." In the 2005 international conference. ACM Press, 2005. http://dx.doi.org/10.1145/1152399.1152439.

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Tosch, Emma, and Lee Spector. "Achieving COSMOS." In the fourteenth international conference. ACM Press, 2012. http://dx.doi.org/10.1145/2330784.2330848.

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Machida, Tamotsu. "GEO-COSMOS." In ACM SIGGRAPH 2002 conference abstracts and applications. ACM Press, 2002. http://dx.doi.org/10.1145/1242073.1242202.

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Nakamura, Masahiro, Go Inaba, Jun Tamaoki, Kazuhito Shiratori, and Jun'ichi Hoshino. "bubble cosmos." In ACM SIGGRAPH 2006 Emerging technologies. ACM Press, 2006. http://dx.doi.org/10.1145/1179133.1179137.

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Roosendaal, Ton. "Cosmos laundromat." In SIGGRAPH '16: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2016. http://dx.doi.org/10.1145/2897841.2964194.

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Reports on the topic "CosmosDB"

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Medhi, Deep, and David Tipper. COSMOS: Multi-Layered Network Survivability Project. Defense Technical Information Center, 2001. http://dx.doi.org/10.21236/ada387500.

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Eylander, John, Michael Lewis, Maria Stevens, John Green, and Joshua Fairley. An investigation of the feasibility of assimilating COSMOS soil moisture into GeoWATCH. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/41966.

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Abstract:
This project objective evaluated the potential of improving linked weather-and-mobility model predictions by blending soil moisture observations from a Cosmic-ray Soil Moisture Observing System (COSMOS) sensor with weather-informed predictions of soil moisture and soil strength from the Geospatial Weather-Affected Terrain Conditions and Hazards (GeoWATCH). Assimilating vehicle-borne COSMOS observations that measure local effects model predictions of soil moisture offered potential to produce more accurate soil strength and vehicle mobility forecast was the hypothesis. This project compared soil moisture observations from a COSMOS mobile sensor driven around an area near Iowa Falls, IA, with both GeoWATCH soil moisture predictions and in situ probe observations. The evaluation of the COSMOS rover data finds that the soil moisture measurements contain a low measurement bias while the GeoWATCH estimates more closely matched the in situ data. The COSMOS rover captured a larger dynamic range of soil moisture conditions as compared to GeoWATCH, capturing both very wet and very dry soil conditions, which may better flag areas of high risk for mobility considerations. Overall, more study of the COSMOS rover is needed to better understand sensor performance in a variety of soil conditions to determine the feasibility of assimilating the COSMOS rover estimates into GeoWATCH.
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Klein, Spencer R. Heavy Nuclei, From RHIC to The Cosmos. Office of Scientific and Technical Information (OSTI), 2002. http://dx.doi.org/10.2172/816550.

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Dogliani, Harald Osvald. Pentachart: From the Earth’s Core to the Cosmos. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1156843.

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Zhanov, Akram. Advancing the Theory of Nuclear Reactions with Rare Isotopes: From the Laboratory to the Cosmos. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1224216.

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Nunes, Filomena. Advancing the Theory of Nuclear Reactions with Rare Isotopes. From the Laboratory to the Cosmos. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1214794.

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Elster, Charlotte. Advancing the Theory of Nuclear Reactions with Rare Isotopes: From the Laboratory to the Cosmos. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1244262.

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Boychev, B., G. Belyaev, V. Kostin, O. Ovcharenko, and E. Trushkina. Ionosphere Parameters Changing by Interactive Tropical Cyclones according to Cosmos-1809 and Intercosmos Bulgaria-1300 Satellite Data. Balkan, Black sea and Caspian sea Regional Network for Space Weather Studies, 2018. http://dx.doi.org/10.31401/sungeo.2018.01.05.

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Dobrescu, Bogdan A., and Don Lincoln. Mystery of the hidden cosmos: The invisible dark matter particles that dominate the universe may come in strange and varied forms. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1235042.

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Jaros, J. The Proceedings of the 28th SLAC Summer Institute on Particle Physics: Neutrinos From The Lab, The Sun, And The Cosmos (SSI 2000). Office of Scientific and Technical Information (OSTI), 2004. http://dx.doi.org/10.2172/826945.

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