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Dissertations / Theses on the topic 'Costume designer'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 May 2024

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1

Мосіна, Елеонора Олександрівна. "The profession of costume designer in film industry of USSR." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15341.

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Roche, Erin J. "In search of authorship: The role of the costume designer in characterisation-three case studies of Australian screen costume design." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/122984/1/Erin_Roche_Thesis.pdf.

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Costume designers are visual storytellers. They interpret the written word and transform text into three-dimensional, tactile, visually informative costumes that create a character's fundamental expression of self. Costume designers communicate the unwritten components of a script. This research aims to develop a conceptual understanding of the costume designer's role in Australian screen production and, specifically, if they can claim an authorial voice through characterisation. The research forms a theory of costume design that incorporates collaborative authorship, the designer's voice and

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3

Esposito, Angelina Sara. "A pictoral journey of theatrical costume and light design 2013-2016." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3079.

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4

Arzatian, Céline G. "Mode et cinéma en france de 1896 à 1930. Comment habille-t-on les actrices et acteurs ?" Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030022.

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À travers une étude générale de l’organisation et de l’évolution des costumes au cinéma en France, du début du cinématographe jusqu’à la fin du muet, l’ambition de cette thèse est d’étudier les liens qui se sont créés entre la mode et le cinéma par le biais des maisons de couture participant à la confection des costumes de la vedette principalement. Il s’agit également de montrer quel a été l’impact de l’arrivée d’un professionnel de l’écran : le créateur de costume dans la conception des costumes d’un personnage. Cette thèse analyse à travers les dimensions historiques, humaines, économiques,

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Cozzolino, Paula de Maio Iglecio. "O figurino no Cinema Marginal: Rogério Sganzerla." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-08042016-110200/.

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Esta pesquisa analisa e documenta os figurinos criados para o cinema brasileiro na obra O Bandido da Luz Vermelha de Rogério Sganzerla, a qual tem como pano de fundo o Cinema Marginal. Focaliza o trabalho de figurino neste período, com o objetivo de contribuir para a memória coletiva nacional e enriquecer o material de investigação dos profissionais ligados à área. O estudo se faz a partir de um levantamento dos aspectos sócio-político-culturais do país nas décadas de 60 e 70, refletidos num cinema que aparece como uma reação à situação por que passava o país no período de 1964 1968, com a po

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Бабина, Юлианна. "Традиции и современность в творчестве дизайнера Натальи Вавилиной". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10193.

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Исследованы биография и творчество известного в республике Молдова и за ее пределами художника, дизайнера, архитектора и педагога Натальи Вавилиной. Материалом для исследования послужили многочисленные авторские работы мастера и труды студентов, созданных под ее руководством.<br>In this article the author presents the biography and works of the famous, in the Republic of Moldova and beyond, artist, designer, architect and teacher, Natalia Vavilina. The material for this study was the author's numerous works and the works of students created under the guidance of this talented designer.

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Rigdon, Jessica. "THE STORY OF THE COSTUMES: A COSTUME DESIGN THESIS ON TUCK EVERLASTING: THE MUSICAL." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2850.

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This thesis document follows the costume design and production of Southern Illinois University’s February 2021 production of Tuck Everlasting: the Musical. This “earthbound fantasy” musical takes the audience along with the young protagonist on a life changing journey as she discovers a mysterious immortal family living in the wood near her home. The primary focus surrounds a costume designer’s role through analysis, the design process, the production process, and reflection as it applies to Tuck Everlasting: the Musical.

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8

Baker, Terry. "Sing for Your Costumes: A Costume Design Thesis on The Boys from Syracuse." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2345.

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This thesis document is a presentation and exploration of the process involving the costume design for The Boys from Syracuse (music by Richard Rodgers, lyrics by Lorenz Hart, book by George Abbott) in the McLeod Theatre at Southern Illinois University Carbondale during February 2018. This light-hearted, farcical musical reminds us that life doesn’t have to be so serious. It explores our ability to be consumed by our own responsibilities, which causes us to escape to the theater and just enjoy a show. Chapter 1 contains the research, background information, and script analysis that was conduct

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9

Rocha, Rosane Muniz. "A trajetória de Gianni Ratto na indumentária." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13052009-161645/.

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Esta pesquisa registra e analisa as criações de figurinos, desde a Itália até o Brasil, de Gianni Ratto, diretor, cenógrafo, iluminador e figurinista, além de autor e importante figura no teatro italiano e brasileiro. A catalogação, organização e digitalização das imagens de seus trabalhos resgata parte da história do teatro. Somada à investigação em fontes bibliográficas, e levando em consideração a história oral nos depoimentos registrados, a análise do seu acervo torna-se não apenas histórica, mas também cultural. Um estudo comparativo de três montagens do mesmo espetáculo (Elixir de Amor)

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10

Nicks, Andie. "Recreating Creation: Designing the Costumes for Children of Eden." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2133.

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Southern Illinois University’s Department of Theater presented Children of Eden on the McLeod Theater stage in October of 2016. This Thesis is an examination of the process of designing the costumes for the production from the early play analysis, through the design, to the performances. Stephen Schwartz and John Caird’s Children of Eden is a musical exploration of the first nine chapters of the book of “Genesis.” Our production of Children of Eden focused on creating a global exploration of the familial themes. The first chapter of this document contains an in-depth analysis of this scr

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Fickling, Sarah. "Costume Design and Production of An Enemy of the People." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461090962.

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Françozo, Laura de Campos. "Lume teatro: trajes de cena e processo de criação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13112015-101124/.

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O objetivo deste trabalho é analisar o processo de criação dos figurinos dos espetáculos do grupo Lume Teatro. Já que este grupo é, antes de tudo, um núcleo de pesquisa, o presente trabalho busca então compreender de que forma as linhas de pesquisa do Lume Teatro influenciam ou modificam o modo de produção dos trajes de cena. Para atingir essa meta, analisamos o pensamento acerca dos figurinos dos mestres teatrais que foram a base do trabalho desenvolvido pelo Lume. A seguir, foram entrevistados os sete atores-pesquisadores do Lume e dois figurinistas que trabalham com frequência com o grupo.

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Cousins, Jennie. "Unstitching the 1950s film costumes : hidden designers, hidden meanings." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/42353.

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This thesis showcases the work of four costume designers working within the genre of costume drama during the 1950s in France, namely Georges Annenkov, Rosine Delamare, Marcel Escoffier, and Antoine Mayo. In unstitching the cinematic wardrobes of these four designers, the ideological impact of the costumes that underpin this prolific yet undervalued genre are explored. Each designer’s costume is undressed through the identification of and subsequent methodological focus on their signature garment and/or design trademark. Thus the sartorial and cinematic significance of the corset, the crinolin

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Hamlin, Gretchen Lapp. "Costume as art /." Online version of thesis, 1991. http://hdl.handle.net/1850/11870.

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15

Juurinen, Jenni M. H. "A designer's journey, set and costume design for Approaching Zanzibar." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38561.pdf.

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Lebis, Evelyn. "Interactive Costume Design." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11182.

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Is improvisation during collaboration a design choice? What is the difference between responsive inspiration and collaboration? Who is in charge of the artistic end result? And what influences the designer’s mood? These questions come across when investigating how to present wearable technology and the role of performance.

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17

Hao, Priscilla Ruth. "An Interpretation of Modern: Costume Designs for An Adaptation of Shakespeare's The Two Gentlemen of Verona." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1486.pdf.

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Squitiere, Rita Noelle. "Costume Design for Rent." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/86601.

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Theater<br>M.F.A.<br>Rent is an extremely popular musical, recognizable across the globe. The iconic characters, images, and costumes from the original production have been copied and interpreted numerous times. I have chosen to reinterpret this script by examining the essence of each individual character. After researching magazines from the time period in which Rent was written and books containing information on AIDS and the East Village, all subject matter within Rent, I developed a design concept. Through a series of fourteen sketches I present my original concept for a very well known st

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Beach, Joni Leigh. "Apparel Textile Design Process as Related to Creativity." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/36697.

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This study was framed by the question, How is creativity integrated into the design process of apparel textile designers? A qualitative approach was used to explore the integration of creativity in the design process of two designers in the field of clothing and textiles. The personal experiences of a weaver and a costume designer were shared with the researcher through interviews, participant observation, logs, and document/visuals. Data were analyzed by a method of coding and categorizing. Comparative analysis was conducted on the studies of the weaver and the costume designer. A comparative

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Marchi, Tavares de Melo Isabela. "Threading Art: the dynamics of costume design and costume studies." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3380.

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The main objective of this research is to demonstrate the strong relationship between design and history in the process of studying and creating costumes for theatre. Costumes are considered an important area in the study of material culture, which has been given more visibility within academia. Over the past few decades, the number of museums and universities with collections dedicated exclusively to costumes and textiles has noticeably increased, recognizing them as works of art worthy of being preserved. Considering costumes’ ability to document time and space, and to visually tell stories,

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Edelson, Kate Elizabeth. "Costume Designs for Divine Words." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/84203.

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Theater<br>M.F.A.<br>Divine Words is an adaptation of the play Divinas Palabras by Ramon del Valle- Inclan. In this paper, I hope to outline my design process as well as give insight into the development of a new theatrical work. I want to outline my journey from the beginning with the development of the script, the process of designing the show, and then implementing that design. Designing the costumes for this production required creating characters that both aided in telling the story as well as reflected individual character. I designed twenty-eight looks for fourteen actors that took into

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Ruiz, Emily Beth. "Costume design for the stage." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4740.

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Jay, Corey M. "The Unraveling of Shakespeare's Othello." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/117.

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This thesis analyzes one of Shakespeare’s greatest tragedies from the perspective of its costumes, and chronicles the start-to-finish process of the costume design for the April 2012 production of Othello held at Pomona College. Incorporating the Pre-Raphaelite art movement with high fashion’s late Alexander McQueen, this thesis brings to light Othello’s predominant themes of race and honesty by means of luxurious textiles and distinct silhouettes.

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Gilbert, Melissa Leigh. "Costume design for the theatre." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1608.

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Neckman, Karolina, and Elgé Petrulyté. "Historical fashion and modern action : Historical accuracy in female costumes in games." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-18967.

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This thesis will investigate how developers can create recognizable and historically realistic female game characters while balancing historically accurate aspects and creative aesthetics.This paper is meant to give a better understanding of the importance of accurate historical female costumes in games, and investigate whether or not these are preferable to a gaming audience. The results will be reached by analysing the results collected from two online surveys where six 3D models’ turnarounds from two different eras with different levels of historical accuracy will be represented.

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Johnson, Virginia Bristol. "Costume designs for Macbeth by William Shakespeare." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=2962.

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Thesis (M.F.A.)--West Virginia University, 2003.<br>Title from document title page. Document formatted into pages; contains vi, 100 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 34-35).

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Ryan, Hayley Melissa. "Creating character: a costume design portfolio." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6268.

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The role of a costume designer in a theatrical production is influential in creating character, time, and space. Costumes are the way in which a costume designer expresses a character’s personality, emotions, social status, and other personal idiosyncrasies. The job of a costume designer is to know how a character’s identity influences how they dress themselves. As a character develops throughout the performance, so must their clothing. Costumes show how a character ages, transforms, or regresses over the arc of a production. Not only do costumes show character details, they help clue the audi

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Crocker-Aulenback, Heather Lee. "Dressing cultures costume designs for Pericles /." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/369/.

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Feickert, Kabrina Lee. "Costume Design for "The Matchmaker", A Reflection on Process." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/314340.

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Theater<br>M.F.A.<br>This paper recounts and reflects upon the costume design process for Temple Theaters' 2015 production of "The Matchmaker" by Thorton Wilder. Each major step and phase of the process will be discussed. This includes the script analysis, period fashion research, rendering, and implementation of design choices made by the designer. In addition, the paper will explore the designer's training and goals leading up to this production as a culmination of her post-graduate education with Temple University.<br>Temple University--Theses

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Parsons, Julie. "Undressing and redressing the harlequin: An Australian designer's perspective." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2009. https://ro.ecu.edu.au/theses/125.

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In undressing and redressing the Harlequin from an Australian designer’s perspective, the question is why has the Harlequin costume endured for over 500 years and in locations far away from its country of origin? Why do we associate its lozenge pattern with energetic joyous mischief? What are the Harlequin costume codes and how have they been manifested in Australia? The thesis components are divided as follows: The Designer’s Notebook is a pictorial and historical review of the iconic costume, which is made up of a complex patchwork of triangles where colour placements form a diamond pattern

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Waxstein, Christine Michele. "Digital Illustration: The Costume Designer’s Process For East Tennessee State University’s Spring Dance Concert 2012." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etd/1504.

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This paper's objective is to document the research and developmental processes of creating East Tennessee State University's Spring Dance Concert 2012 costume designs and renderings. This thesis describes design creation from research stage to idea formulation to the conception of costumes using inspirational images, illustrations, and performance photos and videos. The show was a challenging undertaking because it involved the collaboration of many in a compressed timeframe: 1 artistic director, 9 choreographers, 20 dances, 46 performers, 10 lighting designers, 1 costume designer, and 3 weeks

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Biehl, Jennifer N. Ms. "Hoping for Chekhov costume design for Three sisters /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1236874515.

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Thesis (M.F.A.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed Nov. 30, 2009). Advisor: Sharron Campbell. Keywords: costume design; Three Sisters; Chekhov Includes bibliographical references (p. 94-95).

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Lahoda, Oksana, and Yanwen Lin. "Men's costume and "masculine shaping" in design." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17899.

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The authors propose to consider the problem of gender identity, which in male fashion can be identified by means of "masculinity". The aim of the study is to determine the constants of a man's suit that are associated with exclusively masculine qualities in clothing and constitute the meaning of the category "masculinity", its gender subtext. It has been established that in its historical and socio-cultural development, the design of a man's suit and trends in men's fashion are closely related to socio-psychological types, their style of life, and the ideology of subcultures.

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Russell, Sarah. "Capturing a classic costume design for Jane Eyre /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1240343022.

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Sturdivant, Jr Jeffrey A. "COSTUME DESIGN OF “THE TWO GENTLEMEN OF VERONA”." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/388813.

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Theater<br>M.F.A.<br>This paper is meant to serve as a reflection and observation of the author's work costume designing Temple University's production of The Two Gentlemen of Verona by William Shakespeare. The paper will walk the reader through the design process of the production from inception, through execution and to the final product. The paper will also reflect on the author's personal goals during the three years spent pursing Master of Fine Arts in Theatre.<br>Temple University--Theses

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Chen, Yu-Chieh. "Versatile bridal wear." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1345.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010<br>In the 19th and 20th Century, products were manufactured with little concerns for the environment. The result of this was an over flowing of low quality products and a high elimination rate, especially in the fashion industry where constant change is the nature of the business. Particularly in bridal wears, the sustainability is deficient and practicality is limited. bridal garments would only be worn once and are usually highly priced. The purpose of this research is to explore whether consumers are willing

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Booysen, Eileen Eleanor. "Challenging tradition through sustainable bridal wear for a contemporary South African market." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1349.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010<br>This research was conducted to find a natural and functional alternative to commercialised bridal wear in South Africa, for a South African market base, which is holistically sustainable in light of the global paradigm shift towards sustainability. In order to find what the alternative would be I have questioned the symbolic meaning behind the product being presented to the South African bridal apparel market, and the bridal apparel consumer's views and attitudes towards commercialised bridal wear. For the

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Winton, Anna F. "Creative clothing design inspired by descriptions of Cinderella's clothing recorded in 322 Cinderella story variants." Online version, 2000. http://www.uwstout.edu/lib/thesis/2000/2000wintona.pdf.

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Johnson, Jerry L. "Costuming It's a wonderful life." Morgantown, W. Va. : [West Virginia University Libraries], 2002. http://etd.wvu.edu/templates/showETD.cfm?recnum=2446.

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Thesis (M.F.A.)--West Virginia University, 2002.<br>Title from document title page. Document formatted into pages; contains vi, 61 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 61).

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Russell, Sarah Roseanne. "Capturing a Classic: Costume Design for Jane Eyre." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1240343022.

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Milena, Leskovac. "Режије Боривоја Ханауске у Српском народном позоришту". Phd thesis, Univerzitet u Novom Sadu, Akademija umetnosti u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=99813&source=NDLTD&language=en.

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Позоришни редитељ Боривоје Ханауска незаобилазан је у проучавању делатности Српског народног позоришта у периоду после Другог светског рата. Ханауска је од 1945. до 1967. (са прекидом од 1948. до 1952) у Српском народном позоришту режирао тридесет представа. Овај рад приказуке редитељски радБоривоја Ханауске у СНП, једног од најзначајнијих редитеља СНП-а, и на најбољиначин показује његовог значај и допринос развоју режије у српском послератномпозоришту. Методи истраживања били су историјски, театролошки, реконструкција ианализа свих тридесет представа које је Ханауска режирао у СНП, као и синт

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Kuhn, Lindsey LaRissa. "Character in cloth and concrete: a costume and scenic design portfolio." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6785.

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Green, Melanie Fisher. "Come Look At The Freaks: Costume Designs for Temple University's Production of Side Show." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/542013.

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Theater<br>M.F.A.<br>The purpose of this thesis is to recount the creative process used when designing the costumes for Temple University’s Fall 2018 production of Side Show. The process is chronicled from the first assignment of the production, to reading the play, then through the process of gathering research, the initial design process and subsequent revisions, the final renderings, and into the process of building and implementing the author’s designs into a fully realized production. Subjects include the historical life of the Hilton Twins, the realities of side show performers, the chan

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Bush, J. Theresa. "Shockheaded Peter: a junk opera. Costume Design." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3107.

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My concept is rooted in the fairy tail land of the dark woods like so many other terrifying fairy tails from my youth. Shockheaded Peter, our boogie man, is of the trees. The blood of the rotten children feeds the trees in this concept for the marbles that fall from our children literally representing blood will flow down the rake, across tin gutters, and into a huge tin washbasin out of which grows our gnarly set tree, a gnarly knobby willow. Peter comes from this tree that is fed by the blood of children. I set my costumes in the Regency period and located it in Germany, which gives my

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Schmeal-Swope, Catherine Isabel. "Costume Design and Production for Othello, by William Shakespeare." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306343922.

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Goeres, Sharon Tobin. "Costume designs for An ideal husband by Oscar Wilde." Morgantown, W. Va. : [West Virginia University Libraries], 2002. http://etd.wvu.edu/templates/showETD.cfm?recnum=2395.

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Thesis (M.F.A.)--West Virginia University, 2002.<br>Title from document title page. Document formatted into pages; contains iv, 152 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 130).

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Quander, Kenann. "The Grapes of Wrath; A Costume Design Thesis." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2176.

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In this thesis, I intend to present an original costume design for John Steinbeck's The Grapes of Wrath. This production is the first full collaboration of its kind between Virginia Commonwealth University’s Theatre Department and Barksdale Theatre. This thesis will be a complete account of my entire design process from the design concept to the finished, realized production. I will be examining my design choices and finished production photos, including color photographs of my original renderings, fabric swatches and research. Throughout my thesis, I will be researching ways to accurately r

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Burrington, David J. "Dancing Around Costuming: A Symbiotic Relationship of Disciplines, Costume Design for Dance 2011: Parallel and Intersect." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334347548.

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Lan, Xiaolin. "The Exploration of Development of the Costume Design for Musical Urinetown." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4161.

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The purpose of this thesis is to explain my process in the development of the costume design for Urinetown: The Musical as my last mainstage design project for the Virginia Commonwealth University Department of Theatre. Included is the concept, analysis and design process that went into creating effective costumes for the production for the stage.

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Lynch, Julie. "FROM CHARACTER TO CLOTH: Analysing Costume Design on Screen." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/9955.

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From Character to Cloth: Analysing Costume Design on Screen examines five key components in costume design for screen. The five chapters include: Observation: Analyses how designers make appropriate and balanced design choices by utilising accurate and curious observation methods. It explores how rigorous observation can enrich research outcomes, textual comprehension and design interpretation. Collaboration: Considers and evaluates director and designer practices and relationships. The study focuses on four internationally recognised creative partnerships including: Baz

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