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Relevant bibliographies by topics / Costume History / Dissertations / Theses

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Dissertations / Theses on the topic 'Costume History'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Kovtun, I. "Egyptian Costume History." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8476.

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Стрижак, Любов Олександрівна, and Н. М. Сиромля. "History of Chinese costume." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18267.

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3

Wu, Hao, and 吳昊. "History of Chinese women's costume." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B3124080X.

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4

Ege, Ufuk. "Costume in Chaucer's works with special reference to the visual history of costume in his era." Thesis, Lancaster University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310504.

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Fontaine, Alexia. "Conditions d'émergence et développement des collections vestimentaires : patrimonialisation, muséalisation, virtualisation : regards croisés en France - Canada -Québec (XIXe-XXIe siècle)." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30060/document.

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Troublée par l’avènement inopiné de la mode au musée, nous avons souhaité cerner puis examiner les fondamentaux du « musée de la mode », que nous considérons comme un concept historique. Depuis les années 1990, il s’impose en effet dans la sphère culturelle comme un nouveau modèle de musée. Nous nous questionnons donc sur le phénomène qui sous-tend cette effervescence. S’il fait son apparition dans les années 1980, il est issu d’une forme muséale plus ancienne que l’on désignait alors par « musée du costume ». Nous entendons ainsi mener une enquête sur le « musée de la mode » par la saisie de

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6

Barford, Katie Elizabeth. "Drawing, interpretation and costume design : a study of the costumed body informed by watching 'Tanztheater Wuppertal' in rehearsal and performance." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12001/.

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This practice-led study contributes new methods of practice and applications of theory to record and analyse the costumed body in performance. While costume scholarship has gained momentum in recent years, this is the first research project to fully explore the application of drawing blind as a means of documenting a researcher’s response to the costumed body. This study contributes to existing knowledge of drawing practice as a method of costume research,through its development of a specific methodology of blind drawing used to record observations while watching video, rehearsals and performa

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Musset, Anne. "Stage costume and the representation of history in Britain, 1776-1834." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/93369/.

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This thesis explores the relationships between stage costume and British historical culture in the period 1776-1834. Until the painstakingly researched antiquarian stagings of the mid-nineteenth century, the history of historical stage costume has typically been described in terms of a stereotyped ‘Van Dyck dress’. Yet the period witnessed the expansion of antiquarianism and portrait print collecting, the development of the Picturesque and Neo-Gothic aesthetics, the success of historical novels and a general desire to know more about the habits and costumes of the past. This interdisciplinary

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8

Tolley, Rebecca. "Review of Chicago History Museum, Digital Collection: Costume and Textile Collection." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/5646.

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Musset, Anne. "Stage costume and the representation of history in Britain, 1776-1834." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC294.

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A travers l’évolution du costume de scène et de sa représentation dans les arts graphiques, la thèse explore les éclairages croisés que jettent l’un sur l’autre le développement du costume de scène historique et la construction d’une pensée et d’une culture historique en Grande-Bretagne, entre 1776 et 1834. L'histoire du costume de scène historique, avant les mises en scène érudites du milieu du XIXème siècle, est généralement évoquée en termes de costumes "Van Dyck" stéréotypés. C'est pourtant dans la deuxième moitié du XVIIIème siècle que se développent l'engouement pour l’étude des antiquit

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Hamel, Nathalie. "Le costume en Beauce, 1920-1960 : tradition, innovation et régionalisme." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq33670.pdf.

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11

Petropulos, Elizabeth-Hannah. "Musical game-changers through history and how we listen with our eyes." Thesis, Kansas State University, 2017. http://hdl.handle.net/2097/38263.

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Master of Music<br>School of Music, Theatre, and Dance<br>Patricia Thompson<br>This thesis will examine musical game changers in a chronological order. It will discuss how composers have redefined the face of their musical genre and comment on how the past of music affects the future of music. In addition, the following contents will make a case for the idea that individuals listen with their eyes. I will examine the effect that costumes and their design have on both the audience and the performers. The sixty minutes Masters Recital that is the basis of this thesis will consist works by the fo

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12

Martin, Amanda L. "Infusing High Fashion Streetwear with Personal History| Creating the Costume Design for Polaroid Stories." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10751933.

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<p> The costume design for Naomi Iizuka’s <i>Polaroid Stories </i> focused on the adaptation of runway fashion to street clothes for the homeless characters in the play. The dichotomy between runway fashion and the homeless youth visually represents the nature of the play. It explores the societal oppression of youth living on the streets who are constantly striving for what they cannot achieve. The use of distressing on the costumes was crucial in portraying the extent of the character’s plight. The collaboration between scenic, lighting, sound, hair, and makeup design, created a

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Eluwawalage, Damayanthie. "History of costume : the consumption, governance, potency and patronage of attire in colonial Western Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/830.

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This dissertation represents a new' departure in the study of dress in colonial Western Australia, focusing on the rationale behind individual and collective clothing practices in the new society. As a study of significant social and cultural practices, rather than an account of fashion, this research contributes to the understanding of previously disregarded elements in colonial Western Australian ethno-economic and social histories. The study investigates the internal and external influences which impacted upon colonial inhabitants' ways of dressing, their societal attitudes and social demea

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14

Carlberg, Marianne. "Skådespelare, kostymer och kontrakt : en bortglömde del av teater- och kostymhistorien." Thesis, Stockholms universitet, Modevetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-136691.

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The purpose of this study - Actors, costumes and agreements - is to highlight an almost forgotten part of the history of theatre costume and theatre history. During at least two hundred years actors in Sweden were expected to contribute to the performance by their costumes. The study is divided into three parts: agreements, memoirs and conversation. Nine agreements between theatres and actors from 1778 to 1971 will be analyzed with focus on costumes. What do they express about the period, fashion and repertoire, audience? The theatres demand of the actors could be very detailed and shifting.

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Wagner, Krista Ann. "Farbs, Stickjocks, and Costume Nazis: A Study of the Living History Subculture in Modern America." Youngstown State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1196710568.

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Pironti, Elinor Dei Tos. "The interconnection of culture and manufacture in Japanese No theater costume| Conservation of an Edo Period choken." Thesis, Fashion Institute of Technology, SUNY, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10140949.

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<p>The subject of this qualifying paper is an Edo Period N&omacr; theater <i> ch&omacr;ken</i>. Upon receipt, this choken was in very poor condition. There were six types of damage that needed treatment. </p><p> <i>First</i>, there was extensive warp breakage along the full length of the shoulders and sleeve bottoms and one area of full loss to the base fabric, exposing wefts. <i>Second</i>, a couched metallic thread was used as an outline to five vase motifs and as patterning for four butterflies. All used ‘urushi,’ better known as Japanese lacquer, for an adhesive binding a met

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Bond, Katherine Louise. "Costume albums in Charles V's Habsburg Empire (1528-1549)." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/277715.

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This dissertation addresses the development of the costume book in the rapidly globalising world of the sixteenth century, concentrating on two costume albums produced in the second quarter of the sixteenth century and whose owners and creators shared close ties to the imperial court of Habsburg ruler and Holy Roman Emperor Charles V (r. 1519-56). These richly illustrated albums were among the first known and surviving attempts to make sense of cultural difference by compiling visual information about regional clothing customs in and around Europe and further abroad. Their method of codifying

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18

Nowara, Malgorzata T. "La sécession dans l'architecture à Cracovie, 1897-1914: un costume national, moderne et européen." Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210725.

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La Sécession dans l’architecture à Cracovie (1897-1914) Un costume national, moderne et européen<p><p>A la fin du XIXe et au début du XXe siècle, l’Art nouveau envahit la majeure partie de l’Europe. Dans chaque pays, ce mouvement artistique prit des appellations et des physionomies différentes. Mélangé souvent aux traditions locales, ce style international développa un langage original jusqu’à devenir parfois synonyme de style national, revêtant selon le cas un costume national, moderne et européen. <p>Dans ce contexte international et de promotion de l’identité nationale, le cas très particul

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Wamboldt, Carly R. "Study of a Cleveland, Ohio, Tailoring Business, 1854-1923: Elias Rheinheimer and Son." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1428271563.

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Johnson, Lauren Marie. "Fashioning the Goddesses: Idealizing and Celebrating the Female Form." Miami University Honors Theses / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1178301027.

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21

Kok, Chui-wah Ranee, and 郭翠華. "Qipao: living and evolving tangible and intangible cultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48345052.

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“Clothing always shows people’s personality.” said William Shakespeare. “Even we bow our heads with silence, our clothing and bearing will still reveal our past experiences.” As for a Chinese woman, Qipao reminds and even reveals her own background and roots. Qiapo is so widely recognized that people from different countries relate it to China once they see it. Such a Chinese female identity has been built for decades. Qipao has been seen as the National Costume throughout the 20th Century until nowadays. It expressed the patriotic purposes in the sense of Chinese and the rest of the worl

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22

Parsons, Julie. "Undressing and redressing the harlequin: An Australian designer's perspective." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2009. https://ro.ecu.edu.au/theses/125.

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In undressing and redressing the Harlequin from an Australian designer’s perspective, the question is why has the Harlequin costume endured for over 500 years and in locations far away from its country of origin? Why do we associate its lozenge pattern with energetic joyous mischief? What are the Harlequin costume codes and how have they been manifested in Australia? The thesis components are divided as follows: The Designer’s Notebook is a pictorial and historical review of the iconic costume, which is made up of a complex patchwork of triangles where colour placements form a diamond pattern

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23

Thompson, Jaime L. M. "“A Wild Apparition Liberated From Constraint”: The Baroness Elsa von Freytag-Loringhoven’s New York Dada Street Performances and Costumes of 1913-1923." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148267685.

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Gaumy, Tiphaine. "Le chapeau à Paris. Couvre-chefs, économie et société, des guerres de Religion au Grand Siècle (1550-1660)." Thesis, Paris, Ecole nationale des chartes, 2015. http://www.theses.fr/2015ENCP0001/document.

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Dans la première moitié de l’époque moderne, période de troubles politiques et religieux ainsi que de découvertes géographiques ouvrant de nouveaux débouchés commerciaux, la question du chapeau et des autres couvre-chefs est abordée sur les plans technique, commerciaux, à la fois dans la capitale, à la Cour, dans le royaume et à l’étranger, esthétiques avec l’évolution des formes et des décors (broderies, panaches, enseignes) mais aussi sociaux (manières et fonctions de leur port). Ce commerce, transformé par le castor et l’obligation sociale du port d’un couvre-chef, dans le contexte particul

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Jones, Stacey Elizabeth. "Why women's clothing? a critical history of clothing collections : a regional case study /." Connect to PDF file Connect to PDF file, 2005. http://purl.fcla.edu/fcla/etd/UFE0009404.

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Urniežiūtė, Ieva. "Aukštaičių ir žemaičių tautiniai rūbai: ištakos ir kūrimo tendencijos." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080924_184535-48750.

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Darbe nagrinėjami Aukštaitijos ir Žemaitijos tradiciniai išeiginiai valstiečių moterų ir vyrų drabužiai dėvėti XIX a. - XX a. pr., bei jų pagrindu kuriami tautiniai kostiumai, t.y. siekiama išsiaiškinti kiek tradiciškumas atsispindi šiuolaikiniuose tautiniuose kostiumuose dėvimuose kultūros ir švietimo įstaigose šiandien. Tuo tikslu buvo pasirinkta po vieną šiuose regionuose esantį rajoną, bei juose esančios įstaigos turinčios tautinių kostiumų. Aukštaitijoje atsitiktiniu būdu buvo pasirinktas Kėdainių rajonas ir jame esančios 5 įstaigos, Žemaitijoje - Tauragės rajonas ir jame esančios 9 įstai

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Elliott, Jane E. "The colonies clothed : a survey of consumer interests in New South Wales and Victoria, 1787-1887 /." Title page, contents and introduction only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phe462.pdf.

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Ferrara, Flora. "Translating History of Fashion on Screen : A study of Piero Tosi’s costumes in Senso and their power of divulgation as historiophoty." Thesis, Stockholms universitet, Modevetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-183256.

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The aim of this thesis is to demonstrate that historical costumes can be a valid tool to crystallize and disseminate visual knowledge about fashion and dress history. In the specific, this thesis argues that the screen representation of dress and fashion of the 1860s in the adaptation Senso (1954) provides an evocative contextualization of their past use and meaning for modern viewers. It also discusses the historical accuracy attained by one of the film’s costume designers, Piero Tosi, and his mediation between on-page story and reality. To do this, it visually and textually compares the film

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Estepa, García Silvia. "Mode et process industriels textiles dans les Asturies (1898 – 1918)." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/31696.

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Ce mémoire porte sur le processus d’industrialisation du secteur textile asturien pendant la première étape de la révolution industrielle asturienne. Pour aborder ce sujet, on a considéré à mettre en relation la sociologie de la mode, spécifiquement celle qui traite les questions sur la distinction sociale, avec l’étude des techniques de production des vêtements, d’abord artisanales, ensuite mécaniques. On verra comment l’industrialisation a entraîné des conséquences sur la mode, qui se traduisent dans un changement de la société asturienne, parce que la mode est en réalité un produit social;

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Ximenes, Maria Alice. "A saia motriz : um percurso nos misterios da vestimenta e da representatividade espanhola." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284669.

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Orientador: Ernesto Giovanni Boccara<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-13T23:03:03Z (GMT). No. of bitstreams: 1 Ximenes_MariaAlice_D.pdf: 2735860 bytes, checksum: 3d3895755e9f44181b86c5416a3848bc (MD5) Previous issue date: 2009<br>Resumo: A presente pesquisa tem como objetivo fazer uma homenagem à forma. A forma que forma e deforma, que reforma e transforma, que transcende e que tem vida. Que faz e desfaz, que nasce e morre. A forma que desenha o espaço, o corpo e o movimento. A forma pesquisada é a forma da sai

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Lappas, Jennifer. "A Plantation Family Wardrobe, 1825 - 1835." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2299.

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Carlos, Raoul Christian. "‘One Dress – One Nation!’ : The societal implications of King Gustav III’s National Costume in late eighteenth-century Swedish Court Society." Thesis, Stockholms universitet, Modevetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194805.

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This thesis explores the societal implications of Gustav III’s national costume in the context of Swedish court society during the late eighteenth century. With the aims of uncovering King Gustav III’s view of the National Costume and its role in Swedish court society, as well as how we can understand the National Costume’s meaning for the aristocracy in late eighteenth-century Sweden, this thesis presents a post-structural textual analysis of Gustav III’s (1806) REFLEXIONER, angående en ny nationel klädedrägt (Reflections concerning a new national costume) in order to uncover King Gustav III’

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Pourbahman, Fereydoun. "Histoire du costume en Perse antique." Besançon, 1987. http://www.theses.fr/1987BESA1030.

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Pour retracer l'histoire du costume en perse, de 5000 ans avant Jésus-Christ au VIIème siècle après Jésus-Christ, un découpage en cinq périodes nous est nécessaire, chacune correspondant à des moments précis et distincts de l'histoire de la perse. C'est pourquoi avant de s'attacher à l'étude propre du costume, nous nous sommes imposes de retracer, pour chacune de ces périodes, les faits historiques importants qui les caractérisent, mouvements de l'histoire et évolution du costume étant en étroite corrélation. L'étude de l'habillement des élamites, qui régnèrent sur une partie de la perse avant

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Arzatian, Céline G. "Mode et cinéma en france de 1896 à 1930. Comment habille-t-on les actrices et acteurs ?" Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030022.

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À travers une étude générale de l’organisation et de l’évolution des costumes au cinéma en France, du début du cinématographe jusqu’à la fin du muet, l’ambition de cette thèse est d’étudier les liens qui se sont créés entre la mode et le cinéma par le biais des maisons de couture participant à la confection des costumes de la vedette principalement. Il s’agit également de montrer quel a été l’impact de l’arrivée d’un professionnel de l’écran : le créateur de costume dans la conception des costumes d’un personnage. Cette thèse analyse à travers les dimensions historiques, humaines, économiques,

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SILVA, Sandro Vasconcelos da. "O Costume da praça vai à casa : as transformações urbanas e suas influências sobre os costumes da classe burguesa do Recife oitocentista (1830 - 1880)." Universidade Federal Rural de Pernambuco, 2011. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/6187.

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Submitted by Mario BC (mario@bc.ufrpe.br) on 2016-12-29T13:47:33Z No. of bitstreams: 1 Sandro Vasconcelos da Silva.pdf: 8088173 bytes, checksum: c9c8e24d2ed78b9bb99a1f303780832d (MD5)<br>Made available in DSpace on 2016-12-29T13:47:33Z (GMT). No. of bitstreams: 1 Sandro Vasconcelos da Silva.pdf: 8088173 bytes, checksum: c9c8e24d2ed78b9bb99a1f303780832d (MD5) Previous issue date: 2011-07-29<br>Influencé par la modernité européenne du XIXe siècle, et en partie par les changements à Rio de Janeiro, avec l'arrivée de la famille royale et plus tard avec la formation de l'Empire, la ville de Recif

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Aymerich, Bassols Montse. "L’art de la indumentària a la Catalunya del segle XIV." Doctoral thesis, Universitat de Barcelona, 2011. http://hdl.handle.net/10803/35680.

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A les primeres dècades de la catorzena centúria la vestimenta catalana (i en general, la d’Occident) és sacsejada per novedoses formes que canvien la silueta dels seus portadors tant masculins com femenins. Al mateix temps, aquestes vestidures s’adornaren amb un creixent i refinat luxe que transpassà els reduïts límits dels cercles cortesans i aristocràtics per abastar a grups socials com la burgesia enriquits pel comerç o els negocis i que es podien permetre destinar un elevat dispendi per al seu guarda-roba. El centre cronològic de més interès pel que fa a l’evolució vestimentària de Catalun

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Kang, Zi Young. "Reproduction of historic costumes using 3D apparel CAD." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/16869/.

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The progress of digital technology has brought about many changes. In the world of fashion, 3D apparel CAD is attracting attention as the most promising product which reduces time and cost in the design process through virtual simulation. This study highlights the potential of its technology and tries to extend the boundaries of its practical use through the simulation of historical dresses. The aim of this study is to identify the desirable factors for digital costume development, to produce accurate reproductions of digital clothing from historical sources and to investigate the implications

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Le, Fort Geneviève. "La royauté sacrée chez les Mayas de l'époque classique (200-900 ap. J.-C.)." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211725.

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Betta, Edinéia Pereira da Silva. "A institucionalização da indumentária gaúcha: imagens que (re)vestem o tradicionalista gaúcho (1947 - 1989)." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21196.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-03T13:31:46Z No. of bitstreams: 1 Edinéia Pereira da Silva Betta.pdf: 6467024 bytes, checksum: 3aa2fc4f2168c2e2b442ed1553a59343 (MD5)<br>Made available in DSpace on 2018-07-03T13:31:46Z (GMT). No. of bitstreams: 1 Edinéia Pereira da Silva Betta.pdf: 6467024 bytes, checksum: 3aa2fc4f2168c2e2b442ed1553a59343 (MD5) Previous issue date: 2018-04-16<br>This research set reflections about the Gaucho Traditionalist Movement and analyses the selected imagery repertoire on the composition of the institutionalized Gaucha clothing. Clothin

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Martin, Roxanne. "François Barbeau et son approche du costume : récit de carrière (1955-2016)." Doctoral thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/66749.

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François Barbeau est reconnu comme l’un des plus grands concepteurs de costumes du Québec. Sa réputation n’est plus à faire, mais la nécessité d’avoir une vue d’ensemble de sa carrière restait à faire et elle est peut-être encore plus importante aujourd’hui que le costumier est décédé. La thèse propose de faire un récit de sa carrière qui serait le témoin de la longévité et de l’ampleur du travail de Barbeau, mais aussi de sa qualité d’artiste, inégalée dans le domaine au Québec. Il s’agira donc de décrire les différentes étapes qui composent son approche du costume en faisant le récit des mom

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Wood, Eleanor. "Displaying dress : new methodologies for historic collections." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/displaying-dress-new-methodologies-for-historic-collections(8ac9a65f-f153-43ca-88d5-d6e04ea5db1b).html.

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At the beginning of the twenty-first century British costume museums were failing to attract audiences; consequently, all but the Gallery of Costume, Manchester and the Fashion Museum, Bath were closed to the public. This thesis has sought to examine the traditional display methodologies of historic costume museums, using the Gallery of Costume as its primary case study of practice. This investigation problematises the theoretical assumptions upon which the gallery’s display methodologies are founded and compares its approaches to those taken in contemporary displays of historic dress. The fin

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Bavoux, Nadège. "Sacralité, pouvoir, identité : Une histoire du vêtement d'autel : (XIIIe - XVIe siècles)." Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENH008/document.

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Cette thèse propose une anthropologie historique de l'objet de culte. Elle s'appuie sur un corpus de 454 chasubles ou orfrois produits entre le XIIIe et le XVIe siècle, croisé avec les témoignages de sources écrites et iconographiques. Elle s'inspire des modèles de « vie de l'objet » et s'intéresse aux fonctions, représentations et usages du vêtement liturgique. Aux derniers siècles du Moyen Âge, le vêtement liturgique est fixé par un ensemble de normes. Sa forme n'évolue que très peu et les autorités ecclésiastiques cherchent à ancrer cet objet dans le rituel. Malgré cela, le vêtement peut ch

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LIANG, LIAN. "Le costume chinois a l'epoque des tang (618-907). Histoire du costume, de la mode et de la beaute feminine dans les lettres et les arts." Paris 4, 1993. http://www.theses.fr/1993PA040216.

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Le custome, la coiffure, la parure et le maquillage atteignirent les plus hauts sommets a l'epoque des tang (618-907 ap. J. C. ) et temoignent a l'age d'or dans l'histoire du costume chinois. La premiere partie de la these presente une breve retrospective de l'histoire du costume chinois avant la periode tang. La deuxieme partie traite du costume masculin et de ses accessoires. Quant a la troisieme partie, elle concerne le costume feminin, les accessoires, la coiffure, pa parure et le maquillage des femmes de cette epoque. Pour conclure, nous essayons de proposer quelques refelxions sur la civ

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Silva, Rogério Souza. "Modernidade em desalinho: costumes, cotidiano e linguagens na obra humorística de Raul Pederneiras (1898-1936)." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/12840.

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Made available in DSpace on 2016-04-27T19:30:57Z (GMT). No. of bitstreams: 1 Rogerio Souza Silva.pdf: 38406474 bytes, checksum: 13c790b2070c7cf6d92a60a27f050ed3 (MD5) Previous issue date: 2014-05-13<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis performs a discussion of the humorous production of Raul Pederneiras. The starting point of the research is the year 1898, when the artist published his first caricature, in O Mercurio. Aspects of modern urban area of Rio de Janeiro were among his favorite subjects. He noted the wide gap between a modernity seen as idea

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Isaac, Veronica Tetley. "'Dressing the part' : Ellen Terry (1847-1928) : towards a methodology for analysing historic theatre costume." Thesis, University of Brighton, 2016. https://research.brighton.ac.uk/en/studentTheses/87400942-c698-4d46-b2a4-983f5df1eb6f.

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The material culture of historic theatre costume offers a vital resource for the fields of dress and theatre history that has yet to be fully recognised. This thesis unites approaches from both disciplines to create a specific methodology for the study of theatre costume founded upon the examination and assessment of such garments. It argues that theatre costume represents a separate and specific category of clothing and theatrical ephemera. Celebrated actress Ellen Terry (1847-1928), an individual highly attuned to the significance of dress as an expression of identity, is used as a case stud

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Nogueira, Maria Lúcia Porto Silva. "A norma dos "bons costumes" e as resistências femininas nas obras de João Gumes (Alto Sertão Baiano, 1897-1930)." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/12636.

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Made available in DSpace on 2016-04-27T19:30:09Z (GMT). No. of bitstreams: 1 Maria Lucia Porto Silva Nogueira.pdf: 3016821 bytes, checksum: 47abd7644496b30cfe6340d009290a25 (MD5) Previous issue date: 2010-12-01<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This research has as its object of analysis the gender representations in the Alto Sertão of Bahia, at the turn of the XIX century and the first decades of the XX century. It aims to evidence some cultural practices and social tensions that permeated the experiences of women and men in the society at that time. Based

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Bottini, Giorgio. "Costumi e consuetudine in Machiavelli." Tesi di dottorato, Lyon, 2017. http://www.fedoa.unina.it/11889/1/Bottini_Giorgio_28.pdf.

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Ce travail de thèse a pour ambition d’étudier le statut et la fonction des termes et concepts issus de la tradition juridique antique ainsi que médiévale dans la pensée politique de Machiavel. L’angle d’analyse adopté est celui du « ius non scriptum » et permet de mesurer l’influence des notions latines de « mores » et de « consuetudo » élaborées par le droit romain et le droit canon sur les formes vulgaires de « costumi » et de « consuetudine » que Machiavel mobilise dans l’ensemble de ses écrits. Plus largement, la recherche esquisse une généalogie du lexique politique de la Renaissance ital

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Vallières, Nicole. "La robe montréalaise bourgeoise, 1870-1883 : clichés, tendances et contextes de consommation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/NQ48556.pdf.

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Anthore-Baptiste, Soline. "La Esselentissima Casa Donada deve dare..." Les pratiques vestimentaires féminines à Venise au XVIIIe siècle, au travers des textes, de l'iconographie et des collections conservées : l'exemple des Donà di Riva di Biaisio." Thesis, Université Grenoble Alpes (ComUE), 2019. http://www.theses.fr/2019GREAH023.

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Le costume est un vecteur d’identité, et les choix que firent les Vénitiennes ont sûrement été dictés par la représentation qu’elles cherchaient à donner d’elles-mêmes. Mais le costume oriente également l’image que l’étranger pouvait se faire des habitants de Venise. Il apparaît comme un moyen d’expression, au travers duquel une société montre ce qui la représente, voire ce qu’elle aimerait être, ses goûts, son rapport au pouvoir, etc. La présente recherche vise à décrire le contexte dans lequel des vêtements ont été créés, choisis et portés, et l’identité culturelle et sociale qu’ils ont pu v

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Corrêa, Misael Costa. "Costume proibido : a rinha de galos na Grande Florianópolis (1980-2011)." Universidade do Estado de Santa Catarina, 2012. http://tede.udesc.br/handle/handle/1435.

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Made available in DSpace on 2016-12-08T16:59:52Z (GMT). No. of bitstreams: 1 Misael.pdf: 12780001 bytes, checksum: c910fafe3cec1756e7ae7a607db7d681 (MD5) Previous issue date: 2012-03-08<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>When writing about the History of Present Time we are challenged by different problems, especially those that refer to our very existence, which are the ones that hold our attention most. It is the cockfighting, that is, the discourses, perceptions and meanings about it that concerned us more in the field of ideas. Therefore, the option of pr

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