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Dissertations / Theses on the topic 'Costumers'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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1

Acquisti, Alessandro, and Sarah Spiekermann. "Do Interruptions Pay Off? Effects on Interruptive Ads on Costumers' Willingness to Pay." Elsevier, 2011. http://dx.doi.org/10.1016/j.intmar.2011.04.003.

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We present the results of a study designed to measure the impact of interruptive advertising on consumers' willingness to pay for products bearing the advertiser's brand. Subjects participating in a controlled experiment were exposed to ads that diverted their attention from a computer game they were testing. We found that ads significantly lowered subjects' willingness to pay for a good associated with the advertised brand. We did not find conclusive evidence that providing some level of user control over the appearance of ads mitigated the negative impact of ad interruption. Our result
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CELESTINO, PATRICIA GAZE. "IMPLEMENTATION OF THE NEW SYSTEM TO SUPPLY INDUSTRIAL AND MEDICINE GASES MODEL TO VMI COSTUMERS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11025@1.

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A utilização de um modelo eficiente para o abastecimento de clientes VMI (Vendor Management Inventory) é um dos fatores mais importantes para que as empresas promovam uma relação equilibrada entre o nível de serviço oferecido ao cliente e o custo logístico associado a operação. Dado a importância do assunto, e a possibilidade por parte da autora de participar da implementação de um novo sistema para o abastecimento de clientes VMI em uma empresa de gases industriais e medicinais, o objetivo desta dissertação foi analisar a adoção deste novo sistema e os principais resultados obtidos apó
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Silva, Pedro Marcos de Oliveira. "Customer satisfaction of neighborhood supermarkets in the city of Fortaleza." Universidade Federal do CearÃ, 2007. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=3545.

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O presente trabalho foi realizado na cidade de Fortaleza/Ce, e tem como objetivo analisar o nÃvel de satisfaÃÃo, a partir do ponto de vista dos consumidores, da qualidade dos serviÃos disponibilizados pelos supermercados de vizinhanÃa. Foi aplicado um estudo de natureza exploratÃria, utilizando-se um referencial bibliogrÃfico, de autores clÃssicos do marketing, revistas e periÃdicos especÃficos, discorrendo as teorias que contemplam o varejo, e particularmente os supermercados. Foi realizada tambÃm pesquisa de campo, com o levantamento de dados primÃrios atravÃs da aplicacao de questionÃrios c
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Minor, Mirjam, Peter Clemens, Robert Dey, et al. "GIS-based sales support by company knowledge reuse in the telecommunications sector." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-181490.

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A quick and timely response to a customer request provides an important competitive advantage for a company. Experience reuse as intended by experience management facilitates an acceleration of the process of preparing offers. From a technology-oriented point of view, experience is "valuable, stored, specific knowledge that was acquired by a problem solving agent in a problem solving situation" . In the situation of creating an offer in response to a customer request, such valuable knowledge from a company’s experience might include past prices of products or services for a similar customer re
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Chu, Hoi-shan. "Museum for traditional Chinese garment." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956875.

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Valdemarsson, Samantha, and Lubna Hameed. "Att bygga ett framgångsrikt varumärke : En fallstudie av H&M." Thesis, Södertörn University College, School of Business Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1073.

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<p>Syftet med denna uppsats är att undersöka hur ett starkt varumärke byggs upp. För att få svar på denna fråga har författarna valt att undersöka H&M, då de har byggt upp ett så starkt och känt varumärke. Vilka egenskaper är de främsta? Vidare vill författarna även granska vilken bild som H&M förmedlar till omvärlden och se om den överensstämmer med kundernas uppfattningar.</p><p>Uppsatsen är baserad på en enkätundersökning av 120 personer i varierande ålder, från ca 20-40 års ålder. Respondenterna är av olika kön dock är majoriteten kvinnor. Alla respondenter är bosatta i Stockholm och de är
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Moreira, Ivo Filipe Pedro. "Perspectivas sobre o impacto do envelhecimento da população no sector bancário." Master's thesis, Instituto Superior de Economia e Gestão, 2011. http://hdl.handle.net/10400.5/4322.

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Mestrado em Finanças<br>Tal como o próprio título refere com a presente dissertação pretendemos analisar as perspectivas sobre o impacto do envelhecimento da população no sector bancário. O presente estudo foi levado a cabo com base na análise de dois pontos: Banca; Seus clientes. No primeiro ponto foram realizados inquéritos à Banca tentando-se abranger o maior número de instituições bancárias. O inquérito teve como objectivo recolher informação sobre quais as medidas que estão a ser tomadas para suplantar o problema do envelhecimento da população, de maneira a evitar a fuga de clientes. No s
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Skruibytė, Lina. "Paslaugų kokybės vertinimas AB „flyLAL – Lithuanian Airlines“ pavyzdžiu." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20090602_090816-18799.

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Paslaugų kokybės vertinimas AB „flyLAL – Lithuanian Airlines“ pavyzdžiu Darbo objektas: Oro linijų bendrovės teikiamų paslaugų kokybė. Tyrimo problema: Nepakankamas dėmesys oro linijų bendrovės teikiamų paslaugų kokybei. Tyrimo tikslas: Ištirti, ar paslaugos teikėjo formuojami vartotojų lūkesčiai atitinka vartotojų suvoktą kokybę ir ar gaunama vertė atitinka už ją mokamą kainą. Tyrimo uždaviniai: • Ištirti, kaip vartotojai vertina skirtingas bendrovės paslaugų kokybės dimensijas; • Išanalizuoti vartotojų suvokiamą kokybę; • Ištirti vartotojų pasitenkinimo lygį bendrovės teikiamomis paslaug
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Assur, Stagliano Stefan. "Värderingar i CSR-kommunikation. : Kan ett företag minska risken för att budskapet uppfattas med skepticism?" Thesis, Högskolan i Gävle, Avdelningen för ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-19155.

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Syfte: Examensarbetet har skrivits för att testa om ett CSR-budskap baserat på ett värdeteoretiskt ramverk har högre trovärdighet hos en presumtiv kund än ett budskap som inte är det.Metod: I detta examensarbete har endast primärdata använts som samlats in genom en kvantitativ enkätundersökning. Dataanalysen har sedan skett utifrån ett kvantitativt förhållningssätt. Resultat och slutsats: Resultatet i studien visar att företag som önskar öka trovärdigheten i sin CSR-kommunikation bör överväga att använda sig av ett värdeteoretiskt ramverk i sin kommunikation. Resultatet stödjer Schmeltz tes fr
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Pitadas, Catarina Alexandra Heliodoro André. "Base de dados de perfil de cliente - um contributo para a competitividade das AVs." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/30064.

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O presente projeto, pretenderá justificar a pertinência e estrutura ideal de uma base de dados partilhada pelas AVs da NUT II Alentejo, para que, se possa conhecer o perfil de cliente que visita a região para que, desta forma, se consigam adaptar os produtos existentes aos consumidores. Este sistema permitirá apoiar a atividade das AVs, e até mesmo dos destinos, nas seguintes vertentes: Adaptação de produtos de acordo com as preferências de cada cliente, conhecimento das características especificas de cada grupo de clientes das Avs, uma melhor gestão do mercado e maior capacidade de fidelizaçã
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Baker, Terry. "Sing for Your Costumes: A Costume Design Thesis on The Boys from Syracuse." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2345.

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This thesis document is a presentation and exploration of the process involving the costume design for The Boys from Syracuse (music by Richard Rodgers, lyrics by Lorenz Hart, book by George Abbott) in the McLeod Theatre at Southern Illinois University Carbondale during February 2018. This light-hearted, farcical musical reminds us that life doesn’t have to be so serious. It explores our ability to be consumed by our own responsibilities, which causes us to escape to the theater and just enjoy a show. Chapter 1 contains the research, background information, and script analysis that was conduct
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Rigdon, Jessica. "THE STORY OF THE COSTUMES: A COSTUME DESIGN THESIS ON TUCK EVERLASTING: THE MUSICAL." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2850.

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This thesis document follows the costume design and production of Southern Illinois University’s February 2021 production of Tuck Everlasting: the Musical. This “earthbound fantasy” musical takes the audience along with the young protagonist on a life changing journey as she discovers a mysterious immortal family living in the wood near her home. The primary focus surrounds a costume designer’s role through analysis, the design process, the production process, and reflection as it applies to Tuck Everlasting: the Musical.
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Rocha, Rosane Muniz. "A trajetória de Gianni Ratto na indumentária." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13052009-161645/.

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Esta pesquisa registra e analisa as criações de figurinos, desde a Itália até o Brasil, de Gianni Ratto, diretor, cenógrafo, iluminador e figurinista, além de autor e importante figura no teatro italiano e brasileiro. A catalogação, organização e digitalização das imagens de seus trabalhos resgata parte da história do teatro. Somada à investigação em fontes bibliográficas, e levando em consideração a história oral nos depoimentos registrados, a análise do seu acervo torna-se não apenas histórica, mas também cultural. Um estudo comparativo de três montagens do mesmo espetáculo (Elixir de Amor)
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Sousa, Madalena Carvalho e. "Relatório de estágio na empresa Mercedes." Master's thesis, Instituto Superior de Economia e Gestão, 2012. http://hdl.handle.net/10400.5/7037.

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Mestrado em Contabilidade, Fiscalidade e Finanças Empresariais<br>Neste relatório pretende-se sintetizar o estágio curricular que ocorreu entre Janeiro e Março de 2012 numa empresa do sector automóvel, a Mercedes-Benz. Este relatório compreende três partes fundamentais: a descrição da organização e da sua envolvente; a descrição das actividades desenvolvidas; e, por fim, o balanço crítico dessas mesmas actividades. A Mercedes-Benz é uma empresa do Grupo Daimler, fundada em Abril de 2004, que conta actualmente com 296 colaboradores. As actividades desenvolvidas durante este estágio podem ser
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Arzatian, Céline G. "Mode et cinéma en france de 1896 à 1930. Comment habille-t-on les actrices et acteurs ?" Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030022.

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À travers une étude générale de l’organisation et de l’évolution des costumes au cinéma en France, du début du cinématographe jusqu’à la fin du muet, l’ambition de cette thèse est d’étudier les liens qui se sont créés entre la mode et le cinéma par le biais des maisons de couture participant à la confection des costumes de la vedette principalement. Il s’agit également de montrer quel a été l’impact de l’arrivée d’un professionnel de l’écran : le créateur de costume dans la conception des costumes d’un personnage. Cette thèse analyse à travers les dimensions historiques, humaines, économiques,
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Danielsson, Tess, and Olof Nordvall. "Ungerska modevarumärken på den svenska marknaden?" Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19854.

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Executive summaryOn todays fashion market, no product will become successful without branding. The competition in the growing fashion market is tuff, which makes it hard to reach the target costumers. Competition makes it difficult to reach out with a message and it is crucial to differentiate the company in the consumer market.Differentiation of the brand requires knowledge of competitors who are on the market. Understanding competitors, as well as the customer, is the basis for a well functioning communication. Different markets have different conditions and today&apos;s global market is com
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Nguimfack-Perault, Sylvie. "Une approche ethnologique du costume de spectacle, de ceux qui le portent à ceux qui le fabriquent : identité, savoir faire et transmission." Paris 7, 1999. http://www.theses.fr/1999PA070117.

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On reconnaît l'individu de spectacle à son allure. On ne peut confondre l'acrobate avec la danseuse, la tragédienne avec le clown. Le costume de scène conjugué à l'attitude du corps constitue un puissant indicateur implicite sur le personnage représenté. Dans ce cadre, la danse et en particulier le music-hall où le paraître est porté à son comble constituent une référence obligée. La formation pour passer du statut de danseuse à celui de Girl est identique à une forme d'initiation. On en retrouve les ingrédients : le choc émotionnel (l'audition), l'isolement (la formation), la régression (le s
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Coulon, Anne. "Du maniaque à l'insouciance, la stratégie du costume chez les chorégraphes contemporains." Paris 1, 2000. http://www.theses.fr/2000PA010585.

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En danse contemporaine, le champs du costume recouvre un large domaine, allant du nu à une quasi accessoirisation du corps, en passant par la fripe ou des tenues diversement élaborées. Réelle interface entre le corps du danseur et le regard du spectateur, le costume reste trop souvent du domaine de l'évidence, ne bénéficiant que rarement d'une attention dans les discours relatifs à la danse. C'est la relation entre les costumiers et les chorégraphes que nous nous proposons de regarder ici de plus près, au-delà des relations trop souvent obscures qui lient costume et danse. Après un retour dans
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Aguirre, Núñez Fabián Antonio. "De los usos y costumbres en Chile, en relación a la limitación probatoria de la costumbre mercantil." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/114919.

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Memoria (licenciado en ciencias jurídicas y sociales)<br>El presente estudio tiene por objetivo principal exponer la problemática a la que se ve enfrentada la costumbre mercantil para ser aplicada en la práctica judicial. Problemática que se origina en razón del artículo 5° del Código de Comercio que establece una prueba de carácter compleja y poco factible de cumplir, volviendo la aplicación de la costumbre mercantil general una tarea ardua al carecer de la posibilidad de probar mediante peritos la existencia del derecho no escrito (medio probatorio que si es posible de invocar respecto del
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Tamošiūnaitė, Šarūnė. "KTU cheminės technologijos fakulteto studentų žinių ir požiūrio apie genetiškai modifikuotą maistą ir jo ženklinimą tyrimas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080619_145307-29192.

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Darbo tikslas: Įvertinti KTU Cheminės technologijos fakulteto studentų žinias ir požiūrį apie genetiškai modifikuotą maistą, jo ženklinimą. Darbo uždaviniai: 1. Nustatyti KTU Cheminės technologijos fakulteto studentų informavimo šaltinius apie genetiškai modifikuotą maistą ir jo ženklinimą. 2. Ištirti KTU Cheminės technologijos fakulteto studentų žinias ir požiūrį apie genetiškai modifikuotą maistą ir jo ženklinimą. 3. Parengti rekomendacijas siekiant pagerinti genetiškai modifikuoto maisto ir jo ženklinimo informuotumą. Tyrimo metodika: Tyrimo objektas: Žinios ir požiūris apie genetiškai modi
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Françozo, Laura de Campos. "Lume teatro: trajes de cena e processo de criação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13112015-101124/.

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O objetivo deste trabalho é analisar o processo de criação dos figurinos dos espetáculos do grupo Lume Teatro. Já que este grupo é, antes de tudo, um núcleo de pesquisa, o presente trabalho busca então compreender de que forma as linhas de pesquisa do Lume Teatro influenciam ou modificam o modo de produção dos trajes de cena. Para atingir essa meta, analisamos o pensamento acerca dos figurinos dos mestres teatrais que foram a base do trabalho desenvolvido pelo Lume. A seguir, foram entrevistados os sete atores-pesquisadores do Lume e dois figurinistas que trabalham com frequência com o grupo.
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Juchet, Aurore. "Les costumes de scène et leurs dessinateurs à Paris au temps du Romantisme 1825-1850 : le triomphe du costume historique." Paris 10, 2008. http://www.theses.fr/2008PA100164.

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Au début du XIXe siècle, il était encore fréquent de voir sur scène des acteurs jouer ensemble dans une même représentation vêtus de costumes de différents styles et différentes époques. Pourtant, depuis le milieu du XVIIIe siècle, un vaste mouvement de réforme s’était engagé visant à rétablir la vérité historique dans le costume. Mais ce n’est finalement qu’entre 1825 et 1850 que les costumes historiques, élaborés par des artistes à partir de sources archéologiques et de documents anciens s’imposèrent véritablement sur la scène tant au théâtre qu’à l’opéra. L’intérêt nouveau du public pour to
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Nicks, Andie. "Recreating Creation: Designing the Costumes for Children of Eden." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2133.

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Southern Illinois University’s Department of Theater presented Children of Eden on the McLeod Theater stage in October of 2016. This Thesis is an examination of the process of designing the costumes for the production from the early play analysis, through the design, to the performances. Stephen Schwartz and John Caird’s Children of Eden is a musical exploration of the first nine chapters of the book of “Genesis.” Our production of Children of Eden focused on creating a global exploration of the familial themes. The first chapter of this document contains an in-depth analysis of this scr
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Viémont, Gaëlle. "Les costumiers, ces orfèvres d'un art dramaturgique sans nom : assises, enjeux et perspectives d'un secteur professionnel méconnu." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC016.

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Cette thèse cherche à comprendre et à analyser les fondements historiques, sociaux, culturels et genrés d’une méconnaissance et d’une sous-valorisation actuelles des costumiers et des costumières, en accordant un primat à leur parole propre. Traitant des origines théoriques de l’art costumier à partir de l’apparition de l’appellation professionnelle consacrée, la première partie retrace le parcours et les luttes multiples de Pierre-Nicolas Sarrazin, en cherchant à identifier les motifs de l’échec de la valorisation professionnelle entreprise par ce dernier au XVIIIe siècle. La deuxième partie
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Fickling, Sarah. "Costume Design and Production of An Enemy of the People." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461090962.

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Silva, Luciana Maines da. "Identificação de fatores culturais adaptativos relevantes na utilização de sistemas CRM para fidelizar clientes em comércio varejista." Universidade do Vale do Rio do Sinos, 2006. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2688.

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Made available in DSpace on 2015-03-05T18:36:38Z (GMT). No. of bitstreams: 0 Previous issue date: 21<br>Nenhuma<br>Competir deixou de ser somente a disputa pelo mercado para tornar-se fator de sobrevivência para a grande maioria das empresas. As organizações devem estabelecer e colocar em prática estratégias, o mais rapidamente possível, para manter-se em seu mercado. A Tecnologia da Informação e Comunicação (TIC) é ferramenta essencial para o posicionamento estratégico, pois fornece um maior detalhamento das informações disponíveis, com maior agilidade. Aliado a isso, a aplicação de uma
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Albazi, Hanin, and Nicole Lenhart. "Strategisk användande av sociala medier inom bankbranschen : En studie om informationschefers varumärkestänkande i förhållande till sociala medier." Thesis, Södertörns högskola, Institutionen för samhällsvetenskaper, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-19614.

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Neckman, Karolina, and Elgé Petrulyté. "Historical fashion and modern action : Historical accuracy in female costumes in games." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-18967.

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This thesis will investigate how developers can create recognizable and historically realistic female game characters while balancing historically accurate aspects and creative aesthetics.This paper is meant to give a better understanding of the importance of accurate historical female costumes in games, and investigate whether or not these are preferable to a gaming audience. The results will be reached by analysing the results collected from two online surveys where six 3D models’ turnarounds from two different eras with different levels of historical accuracy will be represented.
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Товстенко, Ілона. "National Costumes in Ukraine." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7258.

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Koptekin, Derya. "Experiencing Class Differences: The Case Of Food Retail Store Workers In Ankara Sinifsal Farkliliklarin Deneyimlenmesi: Ankara Market Iscileri Ornegi." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12611967/index.pdf.

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This thesis aims to examine the class experiences of workers who work in food retail stores in Ankara. In this respect, it focuses on the structure of food retailing as interactive service work, working conditions of workers, stratification, fragmentation and unionization of workers in stores. In addition, it examines how workers experience class as a matter of self-esteem in their workplaces, how they cope with discourtesy of costumers, how they classify costumers and whether they develop a sense of deprivation if it is taken into consideration that they work in a consumption area. It is also
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Barford, Katie Elizabeth. "Drawing, interpretation and costume design : a study of the costumed body informed by watching 'Tanztheater Wuppertal' in rehearsal and performance." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12001/.

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This practice-led study contributes new methods of practice and applications of theory to record and analyse the costumed body in performance. While costume scholarship has gained momentum in recent years, this is the first research project to fully explore the application of drawing blind as a means of documenting a researcher’s response to the costumed body. This study contributes to existing knowledge of drawing practice as a method of costume research,through its development of a specific methodology of blind drawing used to record observations while watching video, rehearsals and performa
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SILVA, Sandro Vasconcelos da. "O Costume da praça vai à casa : as transformações urbanas e suas influências sobre os costumes da classe burguesa do Recife oitocentista (1830 - 1880)." Universidade Federal Rural de Pernambuco, 2011. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/6187.

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Submitted by Mario BC (mario@bc.ufrpe.br) on 2016-12-29T13:47:33Z No. of bitstreams: 1 Sandro Vasconcelos da Silva.pdf: 8088173 bytes, checksum: c9c8e24d2ed78b9bb99a1f303780832d (MD5)<br>Made available in DSpace on 2016-12-29T13:47:33Z (GMT). No. of bitstreams: 1 Sandro Vasconcelos da Silva.pdf: 8088173 bytes, checksum: c9c8e24d2ed78b9bb99a1f303780832d (MD5) Previous issue date: 2011-07-29<br>Influencé par la modernité européenne du XIXe siècle, et en partie par les changements à Rio de Janeiro, avec l'arrivée de la famille royale et plus tard avec la formation de l'Empire, la ville de Recif
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Jay, Corey M. "The Unraveling of Shakespeare's Othello." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/117.

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This thesis analyzes one of Shakespeare’s greatest tragedies from the perspective of its costumes, and chronicles the start-to-finish process of the costume design for the April 2012 production of Othello held at Pomona College. Incorporating the Pre-Raphaelite art movement with high fashion’s late Alexander McQueen, this thesis brings to light Othello’s predominant themes of race and honesty by means of luxurious textiles and distinct silhouettes.
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Burris, Sarah Mittiga. "Creatures: Series of Sculptural Costumes." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1227280056.

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Burris, Sarah M. "Creatures series of sculptural costumes /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1227280056.

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Thesis (M.F.A.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Jan. 5, 2010). Advisor: Paul O'Keeffe. Keywords: sculpture, performance, fabric, beauty, sewing, feminine. Includes bibliographical references (p. 28).
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Burrington, David J. "Dancing Around Costuming: A Symbiotic Relationship of Disciplines, Costume Design for Dance 2011: Parallel and Intersect." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334347548.

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Hao, Priscilla Ruth. "An Interpretation of Modern: Costume Designs for An Adaptation of Shakespeare's The Two Gentlemen of Verona." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1486.pdf.

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Luetkenhaus, Deana M. "Annealing fear : designing costumes for "The Crucible" /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1328054851&sid=6&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Åkerfelt, Nicolina. "Gender in LittleBigPlanet : Analysis of LittleBigPlanet's Costumes." Thesis, Uppsala universitet, Institutionen för speldesign, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297857.

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In this study, ninety costumes from the LittleBigPlanet (Media Molecule, 2008, 2011; Sumo Digital 2014) franchise were analyzed in order to answer the question on how the LittleBigPlanet series have represented diversity of different genders through the available costumes to a seemingly gender neutral character. This is done by dividing the costumes into three categories: feminine, masculine and neutral. The costumes are categorized according to set criteria, and in the results it is revealed that there are mostly feminine costumes, even though the difference is minor. The study also analyses
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Zanelato, Henrique. "Ceticismo e Montaigne: uma apologia dos costumes." Universidade Estadual do Oeste do Paraná, 2018. http://tede.unioeste.br/handle/tede/3937.

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Submitted by Marilene Donadel (marilene.donadel@unioeste.br) on 2018-09-13T18:45:11Z No. of bitstreams: 1 Henrique_Zanelato_2018.pdf: 966050 bytes, checksum: c45242d719cfbd0cf89a2fc1bb5be4d8 (MD5)<br>Made available in DSpace on 2018-09-13T18:45:11Z (GMT). No. of bitstreams: 1 Henrique_Zanelato_2018.pdf: 966050 bytes, checksum: c45242d719cfbd0cf89a2fc1bb5be4d8 (MD5) Previous issue date: 2018-06-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The following research deals with the investigation of one of the most important questions concerning skeptical doctrine: th
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Varhaugvik, Amanda. "A Merging of Costumes, Voice & Transcendence." Thesis, Konstfack, Textil, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7221.

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I am an interdisciplinary artist working with a merging of costumes and voice through the performance art medium. In this masters degree project I present costume as the main performer and look at the ability for my performance to create a transcendent experience in a secular art context. The paper will lift some of the historical and contemporary ideas about transcendence in art. I will argue that the singing voice can be used as an enchanting tool to create presence and communicate the inexplicable. By using my own practice as an example I present costume as the initiator and leading star of
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Marchi, Tavares de Melo Isabela. "Threading Art: the dynamics of costume design and costume studies." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3380.

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The main objective of this research is to demonstrate the strong relationship between design and history in the process of studying and creating costumes for theatre. Costumes are considered an important area in the study of material culture, which has been given more visibility within academia. Over the past few decades, the number of museums and universities with collections dedicated exclusively to costumes and textiles has noticeably increased, recognizing them as works of art worthy of being preserved. Considering costumes’ ability to document time and space, and to visually tell stories,
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Lebis, Evelyn. "Interactive Costume Design." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11182.

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Is improvisation during collaboration a design choice? What is the difference between responsive inspiration and collaboration? Who is in charge of the artistic end result? And what influences the designer’s mood? These questions come across when investigating how to present wearable technology and the role of performance.
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Kovtun, I. "Egyptian Costume History." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8476.

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Фролова, Олена Олексіївна, and Н. М. Сиромля. "Traditional Japanese costume." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18273.

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Hamlin, Gretchen Lapp. "Costume as art /." Online version of thesis, 1991. http://hdl.handle.net/1850/11870.

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Borton, Lisa Kay. "Graduate costume design." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2826.

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Kang, Zi Young. "Reproduction of historic costumes using 3D apparel CAD." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/16869/.

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The progress of digital technology has brought about many changes. In the world of fashion, 3D apparel CAD is attracting attention as the most promising product which reduces time and cost in the design process through virtual simulation. This study highlights the potential of its technology and tries to extend the boundaries of its practical use through the simulation of historical dresses. The aim of this study is to identify the desirable factors for digital costume development, to produce accurate reproductions of digital clothing from historical sources and to investigate the implications
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Cagle, Natalie Kenra. "Costume Design and Production for City of AngelsBook by Larry Gelbart, Music by Cy Coleman, and Lyrics by David Zippel." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437645350.

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Martin, Roxanne. "François Barbeau et son approche du costume : récit de carrière (1955-2016)." Doctoral thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/66749.

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François Barbeau est reconnu comme l’un des plus grands concepteurs de costumes du Québec. Sa réputation n’est plus à faire, mais la nécessité d’avoir une vue d’ensemble de sa carrière restait à faire et elle est peut-être encore plus importante aujourd’hui que le costumier est décédé. La thèse propose de faire un récit de sa carrière qui serait le témoin de la longévité et de l’ampleur du travail de Barbeau, mais aussi de sa qualité d’artiste, inégalée dans le domaine au Québec. Il s’agira donc de décrire les différentes étapes qui composent son approche du costume en faisant le récit des mom
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