Relevant bibliographies by topics / Costumes

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Costumes'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Costumes.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Costumes"

1

Taylor, Madeline. "Fitting materials: Costume flows, intra-actions and agency in and around the fitting room." Scene 9, no. 1 (2021): 97–116. http://dx.doi.org/10.1386/scene_00039_1.

Full text
Abstract:
The costume fitting room has long been considered an essential space in developing a character, with many actors crediting the fitting as a critical stage in creating or understanding their character. In these spaces, characters and costume designs emerge and evolve. This article argues that active in this emergence are actors, designers and costumers and the costume itself. This research explores the costume’s agentic nature in the performance-making process, using ethnographic observation of Australian theatre costume fitting rooms. It evidences the multiple, disparate and sometimes surprisi
APA, Harvard, Vancouver, ISO, and other styles
2

Brookins, Amelia. "Costumes as palimpsests: Accumulation of narratives through reuse of costumes in film and theatre." Studies in Costume & Performance 8, no. 1 (2023): 91–103. http://dx.doi.org/10.1386/scp_00087_1.

Full text
Abstract:
Palimpsest is a term traditionally associated with parchment manuscripts, referring to a writing surface on which the original text has been overwritten. As demonstrated by the famous Archimedes Palimpsest, despite the reuse of the parchment, it retains traces of its previous texts. This article argues that the term palimpsest can also describe costumes used in performance. This article seeks to investigate questions such as, what happens when a costume is taken out of one narrative and placed into another? If a costume is inscribed with narrative, like a palimpsest, does the original narrativ
APA, Harvard, Vancouver, ISO, and other styles
3

Apeh, Apeh Columba, and Okugya Osumanyi. "Aesthetics of costume and make-up for stage and screens: a contextual discuss on AMIRI festival of Agwatashi, Obi Local Governent Nasarawa State." Journal of Textile Engineering & Fashion Technology 10, no. 4 (2024): 166–70. http://dx.doi.org/10.15406/jteft.2024.10.00384.

Full text
Abstract:
In theatre and film (screen) productions, costume and makeup designers make the aesthetics choice of what the characters wear based on the historical background of the production. Students’ lack of interest in technical theatre is affecting the quality of costume and makeup in production design. Exposure to social media is also affecting the style of costume and makeup for students’ productions. This paper is theorized based on the design aesthetic considerations of Albright, William and Lee which are appropriateness, individuality and unity. The research adopts content analysis methodology in
APA, Harvard, Vancouver, ISO, and other styles
4

Kusuma Wardani, Ni Putu Sintia Dewi, I. Gede Budasi, and Putu Eka Dambayana. "Lexicon Analysis in Sampi Gerumbungan Dance Costume." Linguistic, English Education and Art (LEEA) Journal 6, no. 2 (2023): 263–81. http://dx.doi.org/10.31539/leea.v6i2.5330.

Full text
Abstract:
The study aims to find out what are lexicons used in the Sampi Gerumbungan dance in the costumes and its cultural meaning. The method used in this study is a descriptive qualitative design. The method directs researchers in obtaining social information accurately, broadly, and completely by designing problem formulations. The results of this study found that there were sixteen (16) lexicons found in the costumes of the Sampi Gerumbungan dance. All lexicons in the costumes are also classified based on parts of body, namely head costumes (5 lexicons), neck costumes (2 lexicons), hand costume (1
APA, Harvard, Vancouver, ISO, and other styles
5

Andersson, Therése. "Costume Cinema and Materiality: Telling the Story of Marie Antoinette through Dress." Culture Unbound 3, no. 1 (2011): 101–12. http://dx.doi.org/10.3384/cu.2000.1525.113101.

Full text
Abstract:
In ’Costume Cinema and Materiality: Telling the Story of Marie Antoinette through Dress’ a materiality-based approach for analysing film narratives through costumes is examined. Sofia Coppola’s film Marie Antoinette (2006) serves as the empirical starting point and the theme of dressing and redressing is pursued throughout the film, crystallizing costume as a significant feature for reading the movie. The article argues that costumes, on a symbolic level, work as agents. It thus focuses on the interdependence between costume and interpretations of the screenplay’s main character. A theoretical
APA, Harvard, Vancouver, ISO, and other styles
6

BAKARE, Lilian Eguriase. "The Challenges of Teaching Costume and Scenic Design in Tertiary Institution: The Federal University Oye – Ekiti Experience." International Journal of Research 11, no. 12 (2024): 174–86. https://doi.org/10.5281/zenodo.14552186.

Full text
Abstract:
<em>The basic responsibility of the theatre cast and crew, of which the costumier and scene designer are an integral part, is to interpret an artistic work. Thus, in communicating with the audience through costumes and scenic design, the ultimate goal of the costume cum set designer is to transform an ordinary person into an extraordinary yet believable character and setting within a story that does not exist in reality. Accordingly, costumes, as used in theater performances or movies, speak to the audience with words of silence and visual interpretation, just like the scenic design does.&nbsp
APA, Harvard, Vancouver, ISO, and other styles
7

Dotlačilová, Petra. "Molière en costumes (Molière in Costumes), curated by Véronique Meunier-Delissnyder." Studies in Costume & Performance 8, no. 1 (2023): 121–27. http://dx.doi.org/10.1386/scp_00089_5.

Full text
Abstract:
Review of: Molière en costumes (Molière in Costumes), curated by Véronique Meunier-Delissnyder Centre national du costume de scène (CNCS) (National Centre for Stage Costume), Moulins, 26 May–6 November 2022
APA, Harvard, Vancouver, ISO, and other styles
8

Pantouvaki, Sofia. "Transmedia Costume as 'Sustainable' Costume? Blending Physical and Virtual Bodily Materialities." International Journal of Film and Media Arts 9, no. 1 (2024): 32–46. https://doi.org/10.60543/ijfma.v9i1.9335.

Full text
Abstract:
Combining tangible and digital means in costume design by merging live digital content with traditional costume materials opens new possibilities to create evolving performance dramaturgies and &lsquo;unusual&rsquo; bodies. This article focuses on recent and ongoing explorations from the field of costume design for live and mediated performance that employ a combination of physical and virtual tools to design multi-layered characters and costumes. The study analyses experimental works that address questions of virtuality and materiality through the costumed body. Such works explore in practice
APA, Harvard, Vancouver, ISO, and other styles
9

Colpaert, Lisa. "Costume on film: How the femme fatale’s wardrobe scripted the pictorial style of 1940s film noir." Studies in Costume & Performance 4, no. 1 (2019): 65–84. http://dx.doi.org/10.1386/scp.4.1.65_1.

Full text
Abstract:
The character of the femme fatale and the visual style of film noir are vital elements in our understanding of that genre. Film costumes worn by the femme fatale are crucial, and are defining elements in genre recognition precisely because of their explicit cinematic visualization, rather than functioning as unequivocal signs. This article proposes a methodology for film costume researchers to conduct a pictorial analysis, without necessarily analysing film costume in terms of a meaning-making repertoire adhering to our understanding of film as a ‘language’. In the proposition of a framework f
APA, Harvard, Vancouver, ISO, and other styles
10

Kalmakurki, Maarit. "Snow White and the Seven Dwarfs, Cinderella and Sleeping Beauty: The Components of Costume Design in Disney’s Early Hand-Drawn Animated Feature Films." Animation 13, no. 1 (2018): 7–19. http://dx.doi.org/10.1177/1746847718754758.

Full text
Abstract:
Costumes in feature films can be deliberately used for narrative purposes to reveal or conceal something related to the plot, functioning as a key element for cinematic storytelling. Costume design in animation is an integral part of character creation; however, relatively little is known about the design process. Previous research concentrates on either the history of hand-drawn animation, the principles of making animated films or character construction. This article presents several key components of the animators’ costume design process in Walt Disney’s animated feature films Snow White an
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Costumes"

1

Chu, Hoi-shan. "Museum for traditional Chinese garment." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956875.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Baker, Terry. "Sing for Your Costumes: A Costume Design Thesis on The Boys from Syracuse." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2345.

Full text
Abstract:
This thesis document is a presentation and exploration of the process involving the costume design for The Boys from Syracuse (music by Richard Rodgers, lyrics by Lorenz Hart, book by George Abbott) in the McLeod Theatre at Southern Illinois University Carbondale during February 2018. This light-hearted, farcical musical reminds us that life doesn’t have to be so serious. It explores our ability to be consumed by our own responsibilities, which causes us to escape to the theater and just enjoy a show. Chapter 1 contains the research, background information, and script analysis that was conduct
APA, Harvard, Vancouver, ISO, and other styles
3

Товстенко, Ілона. "National Costumes in Ukraine." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7258.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Rigdon, Jessica. "THE STORY OF THE COSTUMES: A COSTUME DESIGN THESIS ON TUCK EVERLASTING: THE MUSICAL." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2850.

Full text
Abstract:
This thesis document follows the costume design and production of Southern Illinois University’s February 2021 production of Tuck Everlasting: the Musical. This “earthbound fantasy” musical takes the audience along with the young protagonist on a life changing journey as she discovers a mysterious immortal family living in the wood near her home. The primary focus surrounds a costume designer’s role through analysis, the design process, the production process, and reflection as it applies to Tuck Everlasting: the Musical.
APA, Harvard, Vancouver, ISO, and other styles
5

Rocha, Rosane Muniz. "A trajetória de Gianni Ratto na indumentária." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13052009-161645/.

Full text
Abstract:
Esta pesquisa registra e analisa as criações de figurinos, desde a Itália até o Brasil, de Gianni Ratto, diretor, cenógrafo, iluminador e figurinista, além de autor e importante figura no teatro italiano e brasileiro. A catalogação, organização e digitalização das imagens de seus trabalhos resgata parte da história do teatro. Somada à investigação em fontes bibliográficas, e levando em consideração a história oral nos depoimentos registrados, a análise do seu acervo torna-se não apenas histórica, mas também cultural. Um estudo comparativo de três montagens do mesmo espetáculo (Elixir de Amor)
APA, Harvard, Vancouver, ISO, and other styles
6

Nicks, Andie. "Recreating Creation: Designing the Costumes for Children of Eden." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2133.

Full text
Abstract:
Southern Illinois University’s Department of Theater presented Children of Eden on the McLeod Theater stage in October of 2016. This Thesis is an examination of the process of designing the costumes for the production from the early play analysis, through the design, to the performances. Stephen Schwartz and John Caird’s Children of Eden is a musical exploration of the first nine chapters of the book of “Genesis.” Our production of Children of Eden focused on creating a global exploration of the familial themes. The first chapter of this document contains an in-depth analysis of this scr
APA, Harvard, Vancouver, ISO, and other styles
7

Burris, Sarah Mittiga. "Creatures: Series of Sculptural Costumes." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1227280056.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Burris, Sarah M. "Creatures series of sculptural costumes /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1227280056.

Full text
Abstract:
Thesis (M.F.A.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Jan. 5, 2010). Advisor: Paul O'Keeffe. Keywords: sculpture, performance, fabric, beauty, sewing, feminine. Includes bibliographical references (p. 28).
APA, Harvard, Vancouver, ISO, and other styles
9

Arzatian, Céline G. "Mode et cinéma en france de 1896 à 1930. Comment habille-t-on les actrices et acteurs ?" Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030022.

Full text
Abstract:
À travers une étude générale de l’organisation et de l’évolution des costumes au cinéma en France, du début du cinématographe jusqu’à la fin du muet, l’ambition de cette thèse est d’étudier les liens qui se sont créés entre la mode et le cinéma par le biais des maisons de couture participant à la confection des costumes de la vedette principalement. Il s’agit également de montrer quel a été l’impact de l’arrivée d’un professionnel de l’écran : le créateur de costume dans la conception des costumes d’un personnage. Cette thèse analyse à travers les dimensions historiques, humaines, économiques,
APA, Harvard, Vancouver, ISO, and other styles
10

Neckman, Karolina, and Elgé Petrulyté. "Historical fashion and modern action : Historical accuracy in female costumes in games." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-18967.

Full text
Abstract:
This thesis will investigate how developers can create recognizable and historically realistic female game characters while balancing historically accurate aspects and creative aesthetics.This paper is meant to give a better understanding of the importance of accurate historical female costumes in games, and investigate whether or not these are preferable to a gaming audience. The results will be reached by analysing the results collected from two online surveys where six 3D models’ turnarounds from two different eras with different levels of historical accuracy will be represented.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Costumes"

1

Casey, Kevin K. Costumes. Rourke Publications, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

B.C. Primary Teachers' Association. Abbotsford Chapter., ed. Costumes. B.C. Primary Teachers' Association, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Beaton, Clare. Costumes. Warwick Press, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Schaefer, Lola M. Costumes. Pebble Books, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Moxley, Juliet. Fabulous fun costumes. Sterling Pub., 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Papantōniou, Iōanna. Greek costumes. 2nd ed. Peloponnesian Folklore Foundation, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

India. Ministry of Information and Broadcasting. Publications Division., ed. Indian costumes. Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Papantōniou, Iōanna. Greek costumes. 3rd ed. Peloponnesian Folklore Foundation, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Piñol, Roser. Creating costumes. Blackbirch Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Biswas, A. Indian costumes. Publications Division, Ministry of Information and Broadcasting, Govt. of India, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Costumes"

1

Viémont, Gaëlle. "Costumes à jouer, costumes à louer : projections identitaires et marchandises émotionnelles." In La Révolution et le théâtre des émotions. Presses universitaires Blaise-Pascal, 2025. https://doi.org/10.4000/147eh.

Full text
Abstract:
Durant la période révolutionnaire, une circulation certaine et sous-estimée s’opère entre les costumes de scène et les costumes loués par les particuliers, en lien avec le développement de l’activité des costumiers entrepreneurs. Cette économie de la diffusion des modèles costumiers capitalise sur les promesses émotionnelles d’identification à l’acteur, et est favorisée par la multiplication des salles de spectacles et par l’esprit de renouveau antique qui règne alors. Ce phénomène accompagne les transformations des rapports entre la scène et la ville, et est corrélé à la fortune d’un mot nouv
APA, Harvard, Vancouver, ISO, and other styles
2

Burton, Peter, and John Lane. "Costumes." In New Directions. Routledge, 2025. https://doi.org/10.4324/9781003630173-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Guler, Sibel Deren, Madeline Gannon, and Kate Sicchio. "Wearable Costumes." In Crafting Wearables. Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1808-2_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Lang, Ye, and Zhu Liangzhi. "Traditional Costumes." In Insights into Chinese Culture. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-4511-1_32.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Draper, R. P. "Sets and Costumes." In The Winter’s Tale. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06739-8_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Owens, Jim. "Makeup and Costumes." In Television Production. Routledge, 2019. http://dx.doi.org/10.4324/9780429027581-13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

van Buren, Anne H. "Van Lathem’s Costumes." In Invention. Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.mef-eb.3.825.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Doyle, Barbara Freedman. "Costumes and Props." In Understanding Design in Film Production. Routledge, 2019. http://dx.doi.org/10.4324/9781315163642-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Beare, W. "Costumes and Masks*." In The Roman Stage. Routledge, 2024. http://dx.doi.org/10.4324/9781003482192-24.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Jürgens, Anna-Sophie. "Costumes of belonging." In Social Beings, Future Belongings. Routledge, 2019. http://dx.doi.org/10.4324/9781315200859-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Costumes"

1

Song, Jiani, and Chengjun Zhou. "Color Analysis and Application of Mongolian Traditional Costumes Based on K-means Clustering Algorithm." In 2024 5th International Conference on Artificial Intelligence and Computer Engineering (ICAICE). IEEE, 2024. https://doi.org/10.1109/icaice63571.2024.10863913.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ding, Li, Qiyan Zang, Zihao Luo, et al. "Poster: Automatic Detection of Minimal Repeated Patterns in Printed Fabrics of Ethnic Minority Costumes." In 2024 20th International Conference on Mobility, Sensing and Networking (MSN). IEEE, 2024. https://doi.org/10.1109/msn63567.2024.00181.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Gu, Cheng, Denghong Fei, and Bin Wen. "GEHUNet: A Method for Grayscale Image Colorization of Ethnic Costumes Based on Instance Semantic Graphs." In 2024 IEEE 8th International Conference on Vision, Image and Signal Processing (ICVISP). IEEE, 2024. https://doi.org/10.1109/icvisp64524.2024.10959410.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Garzarella, Silvia, Giacomo Vallasciani, Pasquale Cascarano, Shirin Hajahmadi, Elena Cervellati, and Gustavo Marfia. "An Extended Reality Platform Powered by Large Language Models: A Case Study on Teaching Dance Costumes." In 2025 IEEE International Conference on Artificial Intelligence and eXtended and Virtual Reality (AIxVR). IEEE, 2025. https://doi.org/10.1109/aixvr63409.2025.00069.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bhagya, K. P. N., P. V. M. Karunaratne, G. M. Ranathunga, and H. R. A. T. Ranaweera. "Investigating the design process of traditional costume penetrating a niche market." In Engineering Research Unit Symposium 2023. Engineering Research Unit, 2023. http://dx.doi.org/10.31705/eru.2023.1.

Full text
Abstract:
The design process defines each market segment in the apparel sector. Traditional costumes of Sri Lanka gained a long historical and cultural demand among Sri Lankan consumers. The most demanding costumes are "Nilame" costumes (male costume) and "Ohoriya" (female costume). This research identifies that traditional costume has become an emerging and demanding market segment today. The market segment is evident in Sri Lanka's suburbs in Colombo, Kandy, Galle, Rathnapura, and Kurunegala. The researcher predicts that the market meets niche market parameters
APA, Harvard, Vancouver, ISO, and other styles
6

Zhanguzhinova, Meruyert, Bagdat Akylbekova, Sabit Kurmanbekov, Nazerke Kumargaliyeva, and Nazerke Kairbekkyzy. "Innovative Trends in Ethno-Costumology in the Modern Theater Process." In 15th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2022. http://dx.doi.org/10.22616/reep.2022.15.023.

Full text
Abstract:
This article examines the topicality of ethno-costumes in the context of the modern theatrical process. The aim of the study is to conduct a theoretical and methodological study of the problems of ethno-costumeology in the context of the modern theatrical process. The scientific and theoretical methodology of the research include the theoretical foundations of ethno-costumes, concepts of the modern theatrical process, methodological aspects of ethno-costumes, innovative directions of ethno-costumes, artistic principles of creating an ethnocostume. Scientific and theoretical methods were used:
APA, Harvard, Vancouver, ISO, and other styles
7

Ilić, Tamara, Bojan Banjanin, and Ivan Pinćjer. "FROM SKETCH TO ANIMATED 3D MODEL: THEATRICAL COSTUME DESIGN." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p30.

Full text
Abstract:
Theatre costume design is a demanding process that requires the collaboration of the play's creative team, including the director and performers. Traditionally, the process involved phases such as sketching, tailoring, sewing, and fitting. Nowadays, these phases have been transformed through digital reconstruction, clothing simulation, and motion-tracking tools. This paper aims to illustrate the theatrical costume design process using Tibor Vajda's play Pygmalion as a case study and to explore how modern technology can breathe new life into the process. The study examines the costume design wo
APA, Harvard, Vancouver, ISO, and other styles
8

Maurhofer, Christoph, Gokcen Cimen, Mattia Ryffel, Robert W. Sumner, and Martin Guay. "AR costumes." In VRCAI '18: International Conference on Virtual Reality Continuum and its Applications in Industry. ACM, 2018. http://dx.doi.org/10.1145/3284398.3284402.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Kirkland, Arden, Michael Lesk, and Allison Steffmann. "Context for costumes: faceted access to historic costumes." In Electronic Visualisation and the Arts (EVA 2010). BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/eva2010.11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Paula, Suélen Carolini de. "BEYOND THE OLD AND THE NEW IN FASHION: THE UPCYCLING BELLY DANCE COSTUME DEVELOPMENT." In ENSUS2023 - XI Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/2596-237x.ensus2023.v11.n1.p229-239.

Full text
Abstract:
The research is characterized as exploratory and applied and aims to present the use of upcycling for the development of belly dancing costumes. As a theoretical review, it presents sustainability in fashion,Upcycling as an alternative for the reuse of discarded products and Costume Design in Belly Dance. The applied methodology unfolded through a bibliographic review and application of design tools,investing in the verification of techniques and materials suitable for the reuse of discarded party dresses. The main results refer to. development of a collection of belly dance costumes made from
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Costumes"

1

Hallberg, Kajsa. Exploring Transformable Design for Development of More Sustainable Fantasy Costumes. Iowa State University, 2022. http://dx.doi.org/10.31274/cc-20240624-708.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kumpikaitė, Eglė, Yordan Kyosev, Daiva Mikučionienė, et al. Traditional costumes and folklore dancing : Review as preparation for digitalization of the cultural heritage. Technische Universität Dresden, Forschungsstelle für Vergleichende Ordensgeschichte (FOVOG - Dresden), 2024. https://doi.org/10.25368/2024.124.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Tawfiq, Wijdan, and Sara Marcketti. The Meaning and Symbolism of Traditional Bridal Costumes in the Western Region of Saudi Arabia. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-434.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Martin, Kathi, Nick Jushchyshyn, and Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

Full text
Abstract:
The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished wit
APA, Harvard, Vancouver, ISO, and other styles
5

Arthur Bradley, Linda. Mounting a Costume Exhibit:. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-609.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Jablon-Roberts, Sara, and Eulanda Sanders. Historical Accuracy in Costume Design: Experiences and Perceptions of Broadway Costume Designers. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1745.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Lennon, Sharon J., Aziz Fatnassi, and Zhiying Zheng. Sexualization of Halloween Costumed Women. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1423.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Seybold, Patricia. Want Costumner-Contributed Content? Patricia Seybold Group, 2009. http://dx.doi.org/10.1571/bp09-01-09cc.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Van Wyk, Lindsey. Communication and its importance in costume design. Iowa State University, 2013. http://dx.doi.org/10.31274/cc-20240624-386.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Rhee, Jongeun, and Susanna Bordelon. �Choli�: Re-Design and Engineering Functional Belly Dancing Costume. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8283.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Costumes' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography