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Journal articles on the topic 'Cottages in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 March 2023

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1

Bowen, James P. "Cottage and Squatter Settlement and Encroachment on Common Waste in the Sixteenth and Seventeenth Centuries: Some Evidence from Shropshire." Local Population Studies, no. 93 (December 31, 2014): 11–32. http://dx.doi.org/10.35488/lps93.2014.11.

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This article examines the local impact of cottage building on common wasteland in the wood-pasture countryside of the county of Shropshire in the sixteenth and seventeenth centuries. Based on the study of written documentary records, contemporary accounts and original maps, it examines the process of cottage building on commons in both rural agrarian and industrial contexts, exploring case studies of cottage settlement in a range of localities within Shropshire including forest, heathland, woodland and wetland areas. It outlines the character of the cottage economy and considers the regulation of cottages in relation to statute law concerning cottage building, poor relief and vagrancy. It complements the existing body of local and regional studies of cottage building, providing insight into the everyday lives of cottagers who built their cottages and encroached on common land, relying on commons access for their survival. Despite the informal existence of cottages and the fragile lives of those who inhabited them, it argues that it is possible to recover a picture of the impact of cottage settlement at a local level, and its significance as part of the development of the landscape.

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2

Firman Eddy and Rini Oktarine S. "Cottage Resort Simalem Park (Traditionalism)." International Journal of Architecture and Urbanism 3, no. 3 (2019): 262–70. http://dx.doi.org/10.32734/ijau.v3i3.3741.

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Tourism will be producing foreign exchange in Indonesia. Indonesia has a tourism appeal that manifests itself in traditional homes and village. In promoting Indonesian tourism to foreign countries, traditional architecture is a better choice, but fewer relics of traditional building art are worth a visit. Sumatera is an ethnically diverse island. Sumatera has become a tourist attraction that is often visited by foreign tourist. Resort attractions are becoming tourist attractions and lodging that is frequented by foreign tourist. There are several problems, namely how to realize the planning and design of resort cottages by considering traditional architecture and having planning standards that need to consider based on comparative studies carried out, then how to process the appearance of the building to fit the atmosphere in Taman Simalem Resort. With the aim of the design is to realize the concept of designing Resort Cottages and supporting facilities such as restaurants and spas by applying the principles of Traditional architecture. The design method used in the object design includes two aspects, namely the approach to the design theme, location, and environmental studies.

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3

Storm, Eric, and Hans Vandevoorde. "Bierstuben, Cottages and Art Deco: Regionalism, Nationalism and Internationalism at the Belgian World Fairs." Revue belge de philologie et d'histoire 90, no. 4 (2012): 1373–88. http://dx.doi.org/10.3406/rbph.2012.8291.

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4

Muliadi, I. Nyoman, and Ida Ayu Suryasih. "PENGELOLAAN MUSEUM ARMA SEBAGAI DAYA TARIK WISATA BUDAYA DI DESA UBUD." JURNAL DESTINASI PARIWISATA 4, no. 2 (2016): 58. http://dx.doi.org/10.24843/jdepar.2016.v04.i02.p11.

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Arma Museum is a museum located in the village of Ubud. When viewed from the type collection Arma Museum categorized as museum of art. Arma Museum as a cultural tourist attraction, hopes to become a cultural center is a place for preserving art and culture, therefore the manager is expected to preserve the art of Balinese culture by means of training, education and organizing events related to art and culture of Bali. That assumption is underlying me to choose this topic for research. The topic is “Management of Arma Museum as Cultural Tourist Attraction in the village of Ubud”. The method used in this research is a research method with qualitative descriptive analysis technique to analyze management of Arma Museum . Sources of data derived from primary data and secondary data. Data collecting technique using in-depth interviews, observation and study of literature. Determination of informants from Arma Museum in this study using purposive sampling technique. This study is limited by using the concept of management, the concept of the museum, tourist attraction concept and the concept of cultural tourism. Five museums in the Ubud area has different types of categories the same collection are paintings, but in its management Arma Museum combines the museum as an institution which is a non-profit that is supported by the business unit such as a café, a coffee shop, Restaurant, and the cottages are located in the area Arma museum.. Arma Museum is able to become a cultural tourist attraction because apart from being institutions that preserve works of art, but the museum arma also able to preserve some kind of art such as dance, sculpture and traditional music.

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5

Kozłowski, Ryszard, Kajetan Pyrzyński, Agnieszka Michalska, Małgorzata Muzyczek, Krzysztof Sałaciński, and Jacek Rulewicz. "Wooden heritage buildings and preventing them against fire." Budownictwo i Architektura 14, no. 4 (2015): 079–87. http://dx.doi.org/10.35784/bud-arch.1538.

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The protection of wooden heritage buildings against fire, biodeterioration, robbery and vandalism is one of the most important tasks in the field of cultural property preservation. In Poland and other European countries, the most popular wood-made objects are historical wooden churches (Catholic and Orthodox ones), rural huts, cottages, sheds, barns and wooden wind mills which are like open air museums. Wood is the most common raw material that was used for the construction of these objects since ancient times. Generally these wooden objects are wholly combustible, they are mostly located beyond towns and difficult to guard and exposed to risk of setting on fire. Not everywhere there is a sufficient supply of water from water tanks and fire hydrant network. Moreover, there is a lack of good access ways for fire brigade vehicles and no fire detecting systems were installed in many of these objects. Unfortunately, fire retardant application is insufficient or totally absent in these heritage buildings. This manuscript presents general possibilities of the application of modern technology of fire retardancy systems intended for the protection the heritage objects against fire disaster. None or only minimal influence on an ancient object wood is the advantage of the above systems. The fire safety strategy for wooden buildings and historical sites requires an agreement and compromise between the point of view of art. Historians and conservators and that of fire-fighting experts.

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6

MacKie, Euan W. "Some Eighteenth Century Ferryhouses in Appin, Lorn, Argyll: the Development of the Single-Storeyed Mortared Stone Cottage in the West Highlands." Antiquaries Journal 77 (March 1997): 243–89. http://dx.doi.org/10.1017/s0003581500075211.

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The evolution of the single-storeyed mortared stone cottage in the western highlands of Scotland seems to mirror that of the upper strata of late seventeenth and eighteenth century clan society in the region, and in particular to reflect a little of the disintegration of that society after the two failed Stuart uprisings and its consequent gradual integration with the lowland economy. An analysis of the architectural history of the Ferry House (let to the ferryman as a combined inn and home for his family) at Port Appin provides a foundation for the survey. The earliest part of the building, probably thatched, may well date from the 1740s but already it had lintelled hearths with flues in each gable wall - a lowland urban feature. A major extension with a slate roof was built in about 1770 and the earlier part was probably also slated at this time and subdivided inside to provide rooms for wealthier guests. Thereafter only relatively minor internal improvements were made, in the newer half, until the early 1950s when piped water was introduced and a separate bathroom and kitchen built. The cottages were sold to incomers not long after.A study of other ferries in the area confirms that mortared cottages almost identical to those in Port Appin, and in identical situations, are still to be found at two of these. The one on the south side of the abandoned Rugarve ferry over Loch Creran can also be dated to between about 1750 and 1770 from historical evidence. Also at Rugarve, on the north side, are the remains of a more primitive thatched drystone cottage, probably an early ferry house, which is smaller than the others and lacks hearths with chimneys.

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7

Fox, H. S. A. "Servants, Cottagers and Tied Cottages during the Later Middle Ages: Towards a Regional Dimension." Rural History 6, no. 2 (1995): 125–54. http://dx.doi.org/10.1017/s0956793300000030.

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Over recent years much attention has been given to temporal trends between 1550 and 1900 in the proportions within English rural society of living-in servants in husbandry on the one hand and, on the other, cottage labourers. According to Ann Kussmaul there were two periods when the balance shifted towards labourers and away from servants: one took in the latter half of the sixteenth century and the first part of seventeenth; the other began in the latter part of the eighteenth century and continued throughout the nineteenth. These were both periods when population was rising rapidly and when labour was not in short supply. Between the mid seventeenth century and the mid eighteenth, by contrast, there was a quite dramatic shift in the balance and a growing tendency among farmer-employers to hire farm servants on yearly terms. A relative shortage of labour as population declined, a shift towards pastoral farming (in which resident labour on the farm was all the more desirable to cope with the constant needs of animals as well as crises of birth and death which could occur at any time of the day and night), the falling costs of providing board: all of these encouraged farmers to begin to bind young people to annual contracts and to keep them on the farm.

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8

Brenda and Robert Vale. "Little things that matter." Architectural Research Quarterly 3, no. 4 (1999): 382–84. http://dx.doi.org/10.1017/s1359135500002311.

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Practice for us began with a series of near dilapidated cottages in East Anglia which were to be renovated with the help of a housing improvement grant and much labour from the clients and sometimes even the architects. This must have appealed to the officer who handed out the grants as whenever anyone arrived at his door with a cottage that had a demolition order on it they were sent to us. To aid this practice we soon purchased a copy of Handisyde's Everyday Details. With all respect to Handisyde, the most memorable image to come out of this book was a drawing of a thatched dovecote made from an old barrel. This drawing, in the Foreword, was attributed to Edwin Gunn, the author of Little Things that Matter forthose Who Build, published by The Architectural Press in 1923. Gunn's book had been the inspiration for the new Everyday Details.

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9

McCue, Kate, and Bill McCue. "Policy Forum: Implementing the Chippewas of Georgina Island First Nation Property Tax System—Opportunities, Challenges, and Lessons Learned." Canadian Tax Journal/Revue fiscale canadienne 69, no. 3 (2021): 857–72. http://dx.doi.org/10.32721/ctj.2021.69.3.pf.mccue.

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In 2018, the Chippewas of Georgina Island First Nation (GIFN) implemented a First Nation property tax system under the First Nations Fiscal Management Act (FMA)—one of the earliest First Nations in Ontario to do so. Implementation of a property tax system gave GIFN an opportunity to improve funding for and expand local services, and provide a more equitable sharing of local service costs between cottagers leasing First Nation land and the First Nation. Key challenges encountered when implementing the property tax system were building consensus around the need for a tax system, building an appropriate administrative infrastructure, carrying out property assessments, and professionals lacking knowledge of First Nation property tax. These challenges, however, presented opportunities to create a knowledge base around property taxation within GIFN, among cottage leaseholders, and in the wider community. Key lessons learned were (1) start as soon as possible; (2) First Nations Tax Commission support and standards are important; (3) staff training is important; (4) communicate early and often; (5) hold open houses; (6) local services are more than garbage collection; (7) property taxes do not harm lease rates or cottage sales; (8) educate lawyers, real estate agents, and other professionals; (9) startup costs were significant; (10) coordinate laws and standards with provincial variations; (11) modernize systems; and (12) utilize other parts of the FMA.

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10

Schlacher, Thomas A., Brooke Maslo, and Matthieu A. de Schipper. "Global Coasts: A Baroque Embarrassment of Riches." Coasts 2, no. 4 (2022): 278–301. http://dx.doi.org/10.3390/coasts2040014.

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Coasts form the universal stage on which people interact with the global ocean. Our history is inextricably intertwined with the seashore, being a rich tapestry of archaeological sites that paint a vivid picture of people hunting, foraging, fishing and scavenging at the edge of the sea. Seascapes inspire diverse art forms celebrated through the ages. The world’s sandy beaches have a flummoxing duality of anthropocentric purpose—ranging from the horrors when being theatres of war to first love under a rising moon. ‘Man’s Love of the Sea’ continues to draw people towards the shore: the narrow coastal strip contains everything from holiday cottages to mega-cities. This coastal concentration of the human population is problematic when shorelines erode and move inland, a geological process fastened by climate change. Society’s response is often a heavy investment in coastal engineering to complement and enhance the natural storm protection capacity of beaches and dunes. The coast’s immense cultural, social, and economic significance are complemented by a wealth of natural riches. In the public’s eye, these ecological values can pale somewhat compared with more imminent ecosystem services, particularly protecting human properties from storm impacts. To re-balance the picture, here we illustrate how peer-reviewed science can be translated into ‘cool beach facts’, aimed at creating a broader environmental appreciation of ocean shores. The colourful kaleidoscope of coastal values faces a veritable array of anthropogenic stressors, from coastal armouring to environmental harm caused by off-road vehicles. Whilst these threats are not necessarily unique to coastal ecosystems, rarely do the winds of global change blow stiffer than at the edge of the sea, where millions of people have created their fragile homes on shifting sands now being increasingly eroded by rising seas. Natural shorelines accommodate such changing sea levels by moving landwards, a poignant and powerful reminder that protecting the remaining natural land is primus inter pares in coastal management. There is no doubt that coastal ecosystems and coastal communities face august trials to maintain essential ecosystem services in the face of global change. Whilst bureaucracies are not always well equipped to counteract environmental harm effectively, using measures carrying a social license, many communities and individuals have encouragingly deep values connected to living coastlines. Building on these values, and harnessing the fierce protective spirits of people, are pivotal to shaping fresh models that can enhance and re-build resilience for shores that will continue to be a ‘baroque embarrassment of coastal riches’.

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11

Fainlight, Ruth. "Primrose Cottage." Hudson Review 55, no. 1 (2002): 100. http://dx.doi.org/10.2307/3852855.

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12

Kruty, Paul. "Wood Bungalows and Burnt‐Clay Cottages." Winterthur Portfolio 40, no. 2/3 (2005): 133–52. http://dx.doi.org/10.1086/504856.

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13

Aling, Mike. "Digital Cottage Industries." Architectural Design 83, no. 3 (2013): 100–105. http://dx.doi.org/10.1002/ad.1597.

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14

Olatunji, Nneka Zelda, and Bolajoko Esther Adiji. "The Evolution of Contemporary Indigenous Textile Practice in South West Nigeria." East African Journal of Interdisciplinary Studies 5, no. 1 (2022): 205–11. http://dx.doi.org/10.37284/eajis.5.1.906.

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This paper examines changes that has occurred in the Nigerian textile from its cradle and the influence it had on both contemporary and Indigenous textile practice. Indigenous textile practice in South West of Nigeria has evolved over the past years. This study is an attempt to evaluate contemporary indigenous textile in Nigeria, to understand the difference between the two terms contemporary and indigenous. There is the need to exploit the potential of indigenous textile practice. Therefore, to understand the contemporary evolution that has affected it is important. The aim of this paper therefore, is to investigate contemporary indigenous textile practice evolution in South West of the county. The research used historical method in analysing the evolution of contemporary indigenous textile practice in south west Nigeria. Findings and conclusions were made that the South West has a very rich heritage of contemporary indigenous textile practice which is culturally unique, and this study will act as a stimulus to textile designers, textile cottage industry, students, art historian, and art scholar

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15

Mitson, Anne, and Barrie Cox. "Victorian Estate Housing on the Yarborough Estate, Lincolnshire." Rural History 6, no. 1 (1995): 29–45. http://dx.doi.org/10.1017/s0956793300000819.

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One of the legacies of the great landed estates in England is the large number of distinctive estate cottages which are scattered throughout the countryside. These are, of course, more in evidence in some counties than others, particularly in those where a considerable proportion of land was owned by the elite. Estate cottages survive in some numbers from the eighteenth century, but the greatest number was built in the nineteenth. Research on estate buildings has tended to highlight the model village, built largely during the first half of the nineteenth century and created for aesthetic reasons. A well-known example is Somerleyton in Suffolk, designed in the 1840s for the then owner of Somerleyton Hall. Here, the cottages, built in a variety of styles – some with mock timber-framing, others with thatched roofs – surround the village green. Ilam in Staffordshire is another example, where cottages which were designed by G.G. Scott in 1854 display a range of styles and materials, many alien to the local area. A third example is Edensor on the Duke of Devonshire's Derbyshire estate, where the stone buildings exhibit distinctive Italianate features. The list could be extended, but these examples were clearly designed to impress, to provide aesthetic pleasure for the owners and, in the case of Ilam, to create a picturesque image of idyllic contentment among the labouring population as much as to provide good, spacious, sanitary accommodation for employees. In each of these examples, the cottages are generally of individual design and thus expensive to build.

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16

Ouzman, Sven, and Lyn Wadley. "A history in paint and stone from Rose Cottage Cave, South Africa." Antiquity 71, no. 272 (1997): 386–404. http://dx.doi.org/10.1017/s0003598x00084994.

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In South Africa, as in so many regions, the world of dirt archaeology in shelter floors and of rock art on shelter walls, have also been rather separate as domains of study. In research at Rose Cottage Cave, bridges are being made to link both strands of evidence of the forager social strategies from which both derive.

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17

Wayman, Tom. "A Yellow Cottage." Hudson Review 40, no. 2 (1987): 279. http://dx.doi.org/10.2307/3851099.

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18

Boruah, Rickey Rani, and Momita Konwar. "SWOT analysis of handloom weaving units of Assam." ASIAN JOURNAL OF HOME SCIENCE 15, no. 2 (2020): 345–47. http://dx.doi.org/10.15740/has/ajhs/15.2/345-347.

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Handloom industry in India is an ancient cottage industry with a decentralized set up. Handloom sector plays a very important role in the country’s economy. Assam is a state situated in the northeast of India and is located just below the eastern Himalayan foothills. Handloom industry is the most important industry in Assam having a glorious past. It is closely associated with art and culture of the society. It is the largest cottage industry next to agriculture and plays a key role in the socio- economic life of the people. Inspite of considerable efforts made to rehabilitate it; handloom weaving units continue to be in the grip of problems. Therefore the purpose of this study is to familiarize with the strength, weakness, opportunities and threat of Handloom weaving units of Assam.

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19

Just, Daniel. "Art and everydayness: Popular culture and daily life in the communist Czechoslovakia." European Journal of Cultural Studies 15, no. 6 (2012): 703–20. http://dx.doi.org/10.1177/1367549412450637.

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This article analyzes the interaction between art and practices of everyday life in communist Czechoslovakia in the 1970s and 1980s. Discussing various forms of adaptations to the politically repressive system – from photography and film to social activities such as ‘cottage homemaking’ and ‘cabining’ – the author describes ways in which popular culture under communism resisted the state-induced drive to modernize which, as a political tool, was designed to pacify the masses. The article suggests that by breaching the gap between the quotidian and the extraordinary, which as a systemic division has defined daily life in modernity, popular culture was instrumental in reinvigorating everydayness.

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20

Butler, Sara A. "The ‘art which conceals’: a cottage industry and the invention of Cushing's Island." Studies in the History of Gardens & Designed Landscapes 30, no. 4 (2010): 283–305. http://dx.doi.org/10.1080/14601170903498215.

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21

Ament-Kovács, Bence. "Cottage Industry Co-Operatives with Applied Folk Art Profile in Hungary after World War II." Acta Ethnographica Hungarica 65, no. 1 (2020): 187–226. http://dx.doi.org/10.1556/022.2020.00008.

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This study deals with the history of the Hungarian cottage industry co-operatives with applied folk art profile after World War II. Since publications in this topic concerning Hungary are scarce, this framework is dedicated to the circumstances under which these co-operatives which employed a high number of people and operated quite successfully up to the beginning of the eighties, came into existence, their operations and the scope of objects produced by them, which are identified as applied folk art today. Having the economic, political and cultural environment of the Rákosi- (1949–1956) and Kádár-era (1956–1989) in mind, just as well, as the current approach of creators and ethnographers to the activity of the co-operatives.

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22

Hosaini, Hosaini, and Saeful Kurniawan. "Manajemen Pesantren dalam Pembinaan Umat." Edukais : Jurnal Pemikiran Keislaman 3, no. 2 (2019): 82–98. http://dx.doi.org/10.36835/edukais.2019.3.2.82-98.

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According to Big Indonesian Dictionary (KBBI) management is the management of the business, the use of management resources. Luther Galick define management as a field of science that systematically seeks to understand why and how people work together to achievegoals. According Zamakhsayari Dhofier is cottage, mosques, students, recitals of classical Islamic books and clerics. Guidance comes from the word "coaching" with the prefix "pe" and the suffix "an", which means to build, establish or business. Actions and activities carried out in an efficient and effective way to obtain better results. (KBBI v1.1) While human beings are social life (the set of people) who live together in a place with certain bonds. From divinisi above in the writing of this thesis is the science and art of cottage use of resources in fostering and process improvement in building positive activity by the people. Research Context: Management boarding schools in an effort to coaching people need to hold businesses operational and strategic conceptual globalization is full of competence..

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23

Van Slyck, Abigail A. "The Spatial Practices of Privilege." Journal of the Society of Architectural Historians 70, no. 2 (2011): 210–39. http://dx.doi.org/10.1525/jsah.2011.70.2.210.

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The Spatial Practices of Privilege focuses on the children's cottage that stands on the grounds of the Breakers, in Newport, Rhode Island. Designed by Peabody and Stearns in 1886, the cottage was the first of several changes Cornelius Vanderbilt made to the property after he purchased it in 1885. While the main house (designed by Richard Morris Hunt after the first Breakers burned in 1892) has long been interpreted as the architectural reflection of the Vanderbilts' class status, the cottage has been ignored. Bringing together the methodologies of cultural landscape studies, performance theory, and the history of childhood, Abigail A. Van Slyck argues that the estate played an active role in establishing, maintaining, and enhancing the family's class status, and that children—and their spatial management—were integral to the process. In its form and content, the cottage evoked middle-class domesticity, but did so in the service of an upper-class identity that sought to distinguish itself from the middle class. Ostensibly a site of play, it was also a place of work, both for the Vanderbilts' servants as well as for the Vanderbilt offspring. Modeled on an almshouse and devoted to the homely skills of cooking and sewing, the building made claims to humbleness that were refuted by its size, expense, and its spatial arrangements that supported the Vanderbilt children and their parents in the performance of their privileged status.

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24

Dannatt, Trevor, Charles Rattray, and Ivor Richards. "Subject and object." Architectural Research Quarterly 15, no. 1 (2011): 84–88. http://dx.doi.org/10.1017/s1359135511000443.

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I wanted to get into the real world – not that the Jane Drew world was very real, considering what was going on. We were fiddling around with six, I think it was, wartime agricultural cottages and then Jane got this famous job of Kitchen Consultant to the Gas Council. She was appointed to do kitchens because women architects were supposed to know about kitchens.

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25

Metz, Christopher. "A Township Complete in Itself: The London County Council Architects and the Building of Becontree, 1919–34." Architectural History 65 (2022): 39–60. http://dx.doi.org/10.1017/arh.2022.3.

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ABSTRACTBetween the first and second world wars, the London County Council (LCC) provided 82,000 working-class cottages and flats, of which 25,000 were built on the vast Becontree estate in the east of the metropolis. With these immense housing operations in hand, the LCC drastically increased its technical and administrative staff, becoming one of the largest municipal housing authorities in the world. This article sheds light on the organisation and functioning of the LCC Architect’s Department through analysis of the Becontree estate. Despite the extensive literature on municipal housing in the inter-war years, the council’s own architects during this period have remained almost entirely unknown. Contrary to the widespread preconception of the ‘official architect’, the LCC Architect’s Department evaluated and revised its organisational structure and managed to maintain a remarkable variety and complexity in its urbanistic approach — despite the overarching principles of standardisation and simplification, and despite its limited influence in relation to other departments within the LCC. Analysis of archival sources reveals the identity of these official architects and questions whether the organisational structure of the LCC Architect’s Department as a bureaucracy was reflected in the character of its housing estates.

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26

Ryu, Son-Moo. "The Art of Dwelling in the “Peculiar Nook of the Earth”: Revisiting The Ruined Cottage." Criticism and Theory Society of Korea 23, no. 1 (2018): 93–117. http://dx.doi.org/10.19116/theory.2018.23.1.93.

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27

Hall, John. "From Cottage to Community Hospitals: Watlington Cottage Hospital and its Regional Context, 1874–2000." Local Population Studies, no. 88 (June 30, 2012): 33–49. http://dx.doi.org/10.35488/lps88.2012.33.

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The appearance in England from the 1850s of 'cottage hospitals' in considerable numbers constituted a new and distinctive form of hospital provision. The historiography of hospital care has emphasised the role of the large teaching hospitals, to the neglect of the smaller and general practitioner hospitals. This article inverts that attention, by examining their history and shift in function to 'community hospitals' within their regional setting in the period up to 2000. As the planning of hospitals on a regional basis began from the 1920s, the impact of NHS organisational and planning mechanisms on smaller hospitals is explored through case studies at two levels. The strategy for community hospitals of the Oxford NHS Region—one of the first Regions to formulate such a strategy—and the impact of that strategy on one hospital, Watlington Cottage Hospital, is critically examined through its existence from 1874 to 2000.

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Nicole Reynolds. "Cottage Industry: The Ladies of Llangollen and the Symbolic Capital of the Cottage Ornée." Eighteenth Century 51, no. 1-2 (2010): 211–27. http://dx.doi.org/10.1353/ecy.2010.0014.

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29

Goyal, Dinesh, Yashpal Soni, and Geeta Gandhi. "Issues and Challenges of E-Bazaar Implementation in Rural Rajasthan: A Review." ECS Transactions 107, no. 1 (2022): 16779–84. http://dx.doi.org/10.1149/10701.16779ecst.

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India is a country with cultural heritage rooted to its villages and livelihood. Indian cultural diversity facilitates many remarkable art forms and craft products. Along with other states, Rajasthan is a major stakeholder in this rich cultural heritage and industry like handicraft, pottery, khadi, etc. This sector of market is unorganized, decentralized, and a labor intensive cottage industry which has high potential in global space. To provide this unorganized sector marketplace, an e-commerce scheme with the name e-bazaar has been launched by the Rajasthan government. In this paper we review the current e-bazaar scheme of GoR, its impact, and its technical challenges while comparing it with other such platforms provided by government or non-government agencies.

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30

Wolff, Ilze. "A Cottage to Breathe In: Refusing Museums, Making Homes." Architectural Design 92, no. 6 (2022): 62–67. http://dx.doi.org/10.1002/ad.2875.

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31

Guarasci, Bridget L. "THE ARCHITECTURE OF ENVIRONMENT: BUILDING HOUSES ALONG THE GREAT RIFT VALLEY IN JORDAN." International Journal of Middle East Studies 50, no. 3 (2018): 513–36. http://dx.doi.org/10.1017/s0020743818000776.

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AbstractThis article analyzes the restoration of Jordan's UN Dana Biosphere Reserve cottages for ecotourism and home building in the neighboring village of Qadisiyya as competing land projects. Whereas a multimillion-dollar endowment from the United States Agency for International Development (USAID) restores Dana's houses as a “heritage” village for a tourist economy, families in Qadisiyya build houses with income from provisional labor to shore up a familial future. Each act of home building articulates a political claim to land. This article argues for attention to the architecture of the environment in the comparison of two, once-related villages. A comparative analysis of Dana and Qadisiyya reveals the competing socio-political objectives of home building for the future of Jordan and the implications of environment in that struggle.

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Rosen, Steven A. "Early multi-resource nomadism: Excavations at the Camel Site in the central Negev." Antiquity 77, no. 298 (2003): 749–60. http://dx.doi.org/10.1017/s0003598x0006169x.

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Excavations at the Camel Site, in the Negev, provide evidence of desert cottage industries making (and probably trading) beads and millstones in the Early Bronze Age. But these were people for whom nomadism was the ‘default lifestyle’.

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LECKIE, BARBARA. "The Architecture of “Middlemarch”: From Building Cottages to the Home Epic." Nineteenth Century Studies 24, no. 1 (2010): 53–75. http://dx.doi.org/10.2307/45197020.

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LECKIE, BARBARA. "The Architecture of “Middlemarch”: From Building Cottages to the Home Epic." Nineteenth Century Studies 24, no. 1 (2010): 53–75. http://dx.doi.org/10.2307/ninecentstud.24.2010.0053.

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35

Taylor, Michael A., and L. I. Anderson. "The museums of a local, national and supranational hero: Hugh Miller's collections over the decades." Geological Curator 10, no. 7 (2017): 285–368. http://dx.doi.org/10.55468/gc242.

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Hugh Miller (1802-1856), Scottish geologist, newspaper editor and writer, is a perhaps unique example of a geologist with a museum dedicated to him in his birthplace cottage, in Cromarty, northern Scotland. He finally housed his geological collection, principally of Scottish fossils, in a purpose-built museum at his house in Portobello, now in Edinburgh. After his death, the collection was purchased in 1859 by Government grant and public appeal, in part as a memorial to Miller, for the Natural History Museum (successively Edinburgh Museum of Science and Art, Royal Scottish Museum, and part of National Museums Scotland). The collection's documentation, curation and display over the years are outlined, using numerical patterns in the documentation as part of the evidence for its history. A substantial permanent display of the Miller Collection, partly by the retired Benjamin Peach (1842-1926), was installed from c. 1912 to 1939, and briefly postwar. A number of temporary displays, and one small permanent display, were thereafter created, especially for the 1952 and 2002 anniversaries. Miller's birthplace cottage was preserved by the family and a museum established there in 1885 by Miller's son Hugh Miller the younger (1850-1896) of the Geological Survey, with the assistance of his brother Lieutenant-Colonel William Miller (1842-1893) of the Indian Army, and the Quaker horticulturalist Sir Thomas Hanbury (c. 1832-1907), using a selection of specimens retained by the family in 1859. It may not have been fully opened to the public till 1888. It was refurbished for the 1902 centenary. A proposal to open a Hugh Miller Institute in Cromarty, combining a library and museum, to mark the centenary, was only partly successful, and the library element only was built. The cottage museum was transferred to the Cromarty Burgh Council in 1926 and the National Trust for Scotland in 1938. It was refurbished for the 1952 and just after the 2002 anniversaries, with transfer of some specimens and MSS to the Royal Scottish Museum and National Library of Scotland. The Cottage now operates as the Hugh Miller Birthplace Cottage and Museum together with Miller House, another family home, next door, with further specimens loaned by National Museums Scotland. The hitherto poorly understood fate of Miller's papers is outlined. They are important for research and as display objects. Most seem to have been lost, especially through the early death of his daughter Harriet Davidson (1839-1883) in Australia. Miller's collection illustrates some of the problems and opportunities of displaying named geological collections in museums, and the use of manuscripts and personalia with them. The exhibition strategies can be shown to respond to changing perceptions of Miller, famous in his time but much less well known latterly. There is, in retrospect, a clear long-term pattern of collaboration between museums and libraries in Edinburgh, Cromarty and elsewhere, strongly coupled to the fifty-year cycle of the anniversaries of Miller's birth.

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Stonehouse, Roger. "Layers of practice, theory and experience at East Lodge." Architectural Research Quarterly 8, no. 1 (2004): 14–25. http://dx.doi.org/10.1017/s1359135504000041.

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Located in Northumberland, 35km north of Newcastle-upon-Tyne and 3km from the North Sea, the mid-nineteenth-century East Lodge to Togston Hall was originally a simple, linear, rectangular single-storey cottage of whinstone with a dual pitch roof. It had acquired an accumulation of ugly, pebble-dashed, flat-roofed extensions to the south and was in poor condition.

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Chauvel, Pamela, and James L. Flexner. "Mapping Difference in the “Uniform” Workers’ Cottages of Maria Island, Tasmania." International Journal of Historical Archaeology 24, no. 4 (2020): 902–19. http://dx.doi.org/10.1007/s10761-019-00531-w.

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Roberts, Edward, and Daniel Miles. "Castle Bridge Cottages, North Warnborough, Hampshire - Tree Ring Dated to 1476 and 1534/5." Vernacular Architecture 28, no. 1 (1997): 117–18. http://dx.doi.org/10.1179/030554797786050473.

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Vijayan, K., P. P. Srivastava, P. J. Raju, and B. Saratchandra. "Breeding for higher productivity in mulberry." Czech Journal of Genetics and Plant Breeding 48, No. 4 (2012): 147–56. http://dx.doi.org/10.17221/162/2011-cjgpb.

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Mulberry (Morus L.) is an economically important tree being cultivated for its leaves to rear the silkworm Bombyx mori. Rearing of silkworm is an art and science popularly known as sericulture; an agrobased cottage industry provides employment to millions in China, India, Korea, Vietnam, etc. Mulberry is a perennial tree that maintains high heterozygosity due to the outbreeding reproductive system. It is recalcitrant to most of the conventional breeding methods, yet considerable improvement has been made in leaf yield and leaf quality. Conventional breeding in mulberry is a tedious, labour intensive and time taking process, which needs to be complemented with modern biotechnological methods to speed up the process. This article enumerates the problems, challenges, constraints and achievements in mulberry breeding along with recent advances in biotechnology and molecular biology to enable mulberry breeders to tackle specific problems more systematically and effectively.

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Mooney, Barbara Burlison. "The Comfortable Tasty Framed Cottage: An African American Architectural Iconography." Journal of the Society of Architectural Historians 61, no. 1 (2002): 48–67. http://dx.doi.org/10.2307/991811.

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African American architectural history is not a secondhand version of the European American white experience; evidence of African American architectural agency can be discovered by tracing the evolution of the iconography of the "comfortable, tasty, framed cottage." Arising out of aspirations of assimilation before and after emancipation, the image of an idealized African American middle-class house was understood not only as a healthful and convenient shelter, but as the measure of racial progress and as a strategy for gaining acceptance into the dominant white culture. Three institutions within the African American community promoted this iconography: industrial education, the women's reform movement, and the print media. While abysmal living conditions existed for most African Americans, a small number created houses that were informed by the iconography of the ideal black home. Indeed, so powerful was this architectural message of assimilation that black possession of a middle-class home often provoked white violence. While the origins, development, and promulgation of the idealized image can be outlined with some assurance, judging its ultimate value is more uncertain, and some have denounced the African American iconography of domestic architecture as a false and destructive adaptation of white hegemonic cultural values.

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Kestner, Joseph A. "The Concept of Working-Class Education in Industrial Investigative Reports of the Eighteen-Thirties." Browning Institute Studies 16 (1988): 57–75. http://dx.doi.org/10.1017/s0092472500002091.

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Steven Marcus has observed, “On any account, the 1830s are a decade of critical importance” (15). The period is prominent in the industrial era for several far-reaching if not entirely satisfactory pieces of legislation, including the Reform Bill of 1832, Althorp's Factory Act of 1833, and the Poor Law Amendment Act of 1834. The Municipal Corporations Act of 1835 established the principle of popular election in all corporate boroughs with the exception of London. The decade is marked, as well, by the quantification of social problems, which is represented by the statistical societies founded in Manchester in 1833 and in London in 1834 and by the Journal of the Statistical Society in 1838. These manifestations of the transition from an agricultural to an industrial economy reflected the shift from cottage to factory production that marked the Industrial Revolution.

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Watson, George. "The Singular Friendship: Yeats and Pound at Stone Cottage." Hudson Review 42, no. 3 (1989): 421. http://dx.doi.org/10.2307/3850813.

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Madden, Ryan H. "Sitka's Cottages Community in Alaska History and the Development of the Alaska Native Brotherhood." American Indian Culture and Research Journal 40, no. 2 (2016): 73–90. http://dx.doi.org/10.17953/aicrj.40.2.madden.

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Tyack, Geoffrey. "Roger White, Cottages Ornés: The Charms of the Simple Life; Yale University Press (New Haven and London, 2017), 272 pp. incl. 239 colour and b&w ills; ISBN: 97803002267745; £40." Architectural History 61 (2018): 287–89. http://dx.doi.org/10.1017/arh.2018.14.

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45

Macarthur, John. "Colonies at Home: Loudon's Encyclopaedia, and the architecture of forming the self." Architectural Research Quarterly 3, no. 3 (1999): 245–58. http://dx.doi.org/10.1017/s1359135500002074.

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In the early nineteenth century, the small house in its own garden formed a crucial image of agricultural reform in Britain and in the aspirations of those leaving for North America and Australasia. The material and social technologies of the ‘cottage’ became not only equipment for the colonial enterprise, but a kind of colonization of the home by a new kind of family. These issues are apparent in J. C. Loudon's Encyclopaedia where the whole gamut of architecture is re-examined as a subject of interest to agricultural reformers, colonists, democrats and homemakers, especially women.

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Roworth-Stokes, Seymour. "Professionalizing a Cottage Industry: Ktps and Design Group Development." Design Journal 9, no. 3 (2006): 45–58. http://dx.doi.org/10.2752/146069206789331447.

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Yallop, Rosemary. "Daniel Maudlin , The Idea of the Cottage in English Architecture, 1760–1860; Routledge (Abingdon, 2016), 212 pages incl. 28 b&w ills; ISBN: 9781138793873; £95.00." Architectural History 59 (2016): 364–66. http://dx.doi.org/10.1017/arh.2016.17.

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Roberts, Edward. "The Thatched Cottage, North Warnborough, Hampshire - Tree Ring Dated to 1445/46." Vernacular Architecture 28, no. 1 (1997): 119. http://dx.doi.org/10.1179/030554797786050626.

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Johnson, Michael Andrew. "The Sunderland Cottage: 'The Favourite and Typical Dwelling of the Skilled Mechanic'." Vernacular Architecture 41, no. 1 (2010): 59–74. http://dx.doi.org/10.1179/174962910x12838716153925.

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Sukarno, Sukarno. "Revealing the Meanings on William Wordsworth’s Poem Strange Fits of Passion Have I Known." International Journal of Linguistics, Literature and Translation 5, no. 3 (2022): 114–26. http://dx.doi.org/10.32996/ijllt.2022.5.3.15.

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This study investigates a literary work, a poem, from a linguistic framework. The aim of this study is to reveal the meanings found in William Wordsworth’s poem ‘Strange Fits of Passion Have I Known’ from systemic stylistic analysis in the framework of Systemic Functional Linguistics and Verbal Art Semiotics. The data were collected by library study and analyzed with a descriptive, deconstructive method and content analysis with an intrinsic objective approach. This result of the study proves that the subject matter of this poem is ‘the poet rode a horse to Lucy’s cottage from the rice of evening till the drop of the bright moon”. The deep level of meaning refers to the last clause complex ‘O that is a mercy, to myself I cried If Lucy should be dead.’ The deeper level of meaning of this poem is about ‘the death of a young girl named Lucy’, and finally, the deepest level or the theme of this poem is about ‘death is a natural part of life cycle.’

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