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Dissertations / Theses on the topic 'Counterculture'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Daykin, Brian Rande. "Counterculture." Fogler Library, University of Maine, 2001. http://www.library.umaine.edu/theses/pdf/DaykinBR2001.pdf.

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2

Remse, Christian. "Vodou and the U.S. Counterculture." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1368710585.

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3

Muggleton, David. "Crossover counterculture : postmodernism and spectacular style." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364366.

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4

Stephens, Larry D. "The West Georgia counterculture, 1967-1974." Thesis, University of West Georgia, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10241167.

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<p> This thesis presents a chronological narrative of the small, but marginally influential West Georgia College counterculture movement—which included no more than a hundred or so students and at least a few dozen faculty members—during a period of great social unrest. Framed by the ongoing moral debate about America’s controversial involvement in the Vietnam War, as well as radical social changes occurring in the larger culture, this study contributes to the historiography of the U.S. counterculture in at least two distinct ways. First, it is one of the few in-depth studies

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5

Regis, Halessa Fabiane. "Feminist counterculture and race in Hettie Jones' writing." reponame:Repositório Institucional da UFSC, 2017. https://repositorio.ufsc.br/xmlui/handle/123456789/177350.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2017.<br>Made available in DSpace on 2017-07-11T04:23:56Z (GMT). No. of bitstreams: 1 346779.pdf: 1199416 bytes, checksum: 6be42023f39c03aeb65c6da1f3cc30dd (MD5) Previous issue date: 2017<br>Este estudo investiga a contracultura feminista e questões de raça na escrita de Hettie Jones, mais especificamente, em suas três coleções de poemas, Drive, All Told e Doing 70, e em seu livro de memórias intitulado How

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6

Walker, Luke. "William Blake in the 1960s : counterculture and radical reception." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53244/.

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The study begins with an account of Blake, as voiced by Allen Ginsberg, taking part in a key Sixties anti-war protest, and goes on to examine some theoretical aspects of Blake's relationship with the Sixties. In Chapter One, I explore the relationship between ‘popular Blake', ‘academic Blake', and ‘countercultural Blake'. The chapter seeks to provide a revisionist account of the relationship between Blake's Sixties popularity and his earlier reception, suggesting that all three elements of Blake's Sixties reception – popular, academic and countercultural – have long been intertwined, and conti

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7

Freer, Joanna Elizabeth. "A "little parenthesis of light" : Pynchon and the counterculture." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/43092/.

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This thesis examines the countercultural politics expressed within the work of the American novelist Thomas Pynchon, contributing to critical work already published on the subject of Pynchon's politics, in which there has been a recent upsurge of interest. Expressions of sympathy with anarchist and anti-Capitalist principles discerned in Pynchon's work are explored in their connection with the author's experience of particular practices and philosophies of the 1960s counterculture. Furthermore, the ongoing significance of sixties politics in Pynchon's more recent production is demonstrated as

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8

Rhuart, Britton Stiles. "Hippie Films, Hippiesploitation, and the Emerging Counterculture, 1955-1970." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu159068865182906.

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9

Gogan, Claire Marissa. "To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73681.

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Klezmer, a type of Eastern European Jewish secular music brought to the United States in the late 19th and early 20th century, originally functioned as accompaniment to Jewish wedding ritual celebrations. In the late 1970s, a group of primarily Jewish musicians sought inspiration for a renewal of this early 20th century American klezmer by mining 78 rpm records for influence, and also by seeking out living klezmer musicians as mentors. Why did a group of Jewish musicians in the 1970s through 1990s want to connect with artists and recordings from the early 20th century in order to "revive" thi

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10

Sack, Susan K. "Teilhard in America: The 1960s, the Counterculture, and Vatican II." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1418374095.

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11

Rothstein, Jeffrey. "The Apotheosis of Discontent: Representations of the Counterculture in 1960's Film and Television." Connect to online version at OhioLINK ETD Connect to online version at Digital.Maag, 1999. http://hdl.handle.net/1989/4795.

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12

Marchetto, Sean. "Tune in, turn on, go punk, American punk counterculture, 1968-1985." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ65041.pdf.

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13

Lovell, Bonnie Alice. "Stoney Burns and Dallas Notes: Covering the Dallas Counterculture, 1967-1970." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc278642/.

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Stoney Burns (Brent LaSalle Stein) edited and published Dallas Notes, a Dallas, Texas, underground newspaper, from November 1967 through September 1970. This thesis considers whether Burns was the unifying figure in the Dallas counterculture.

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14

Walsh, Patrick John. "Boosting Bohemia : counterculture, development, and identity in the American West, 1900-1990 /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008465.

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15

Ryan, Michael C. "From the Wilderness Act to the Monkey Wrench Gang seeking wild nature in American environmental writing, 1964-1975 /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1193230655.

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Kenny, Nicolas. "'Je cherche fortune' : identity, counterculture and profit in fin-de-siècle Montmartre." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79780.

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This thesis examines the countercultural community in the Parisian neighbourhood of Montmartre during the 1880s and 1890s. This period stands out for its unique cultural atmosphere, heavily influenced by the turbulent advent of modernity. Traditionally accepted norms that dictated individuals' sense of identity were being questioned as new understandings of class, gender, sexuality and nationality gained acceptance. Aspiring artists and writers who sought to express these new identities were excluded from the world of official culture. Many congregated in the traditionally bohemian Mont

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17

Moellinger, Terry. ""There's A Man With A Gun Over There": Cops And The Counterculture." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc3041/.

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By 1960, television advertisers recognized the economic potential of American youth, and producers were expected to develop programs to attract them, while still maintaining appeal for the older audience members. This task was to prove difficult as the decade wore on. While continuing to link the nation's cold war concerns to the portrayal of good and evil, some shows, like 77 Sunset Strip, and The Mod Squad, explored alternative lifestyles, but still accepted American values. As the 1960s developed, crime programs continued to promote American hegemony but became increasingly more open to alt

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18

Dodgson, Richard. "Fun for the Revolution of It: A History of Ken Kesey and the Merry Pranksters." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1159973773.

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19

Trainor, Samuel. "Amrit Singh and the Birmingham Quean : fictions, fakes and forgeries in a vernacular counterculture." Thesis, University of Glasgow, 2006. http://theses.gla.ac.uk/3240/.

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For a literary critic preparing a scholarly edition of a text like this within an epistème that disparages the theory underpinning it for being tainted with the gestural idealism of 1968 and the neon-glare of 1980s high postmodernism, the crucial question is how to reconcile the commitment to authenticity ingrained in historicist textual studies (perhaps the critic’s only viable disciplinary inheritance) with the author’s implicit antagonism to any such quietist approach. The encounter inevitably becomes a battle of wills. In the course of the current project, this theoretical struggle escalat

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SARMENTO, LUCIANA VILLELA DE MORAES. "TICKET TO RIDE: THE TENSIONS BETWEEN THE COUNTERCULTURE MOVEMENT AND CONSUMPTION IN BEATLES LYRICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9092@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A contracultura foi um movimento impulsionado pela juventude da década de 1960 que se chocou com a sociedade capitalista e ia contra os seus princípios. Entretanto, para que este movimento de contracultura pudesse se desenvolver, ele necessitava da cultura de massa - que pertence à sociedade capitalista - para se desenvolver e espalhar sua mensagem pelo mundo. São essas tensões entre consumo e contracultura que são detalhadas nesta dissertação, a partir das letras das músicas dos Beatles (grupo musical que foi um dos maiore

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21

Morehead, John W. "Burning Man Festival as life-enhancing, post-Christendom 'middle way'." Theological Research Exchange Network (TREN), access this title online, 2007. http://dx.doi.org/10.2986/tren.112-0001.

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22

Barker, Thomas Patrick. "Music, civil rights, and counterculture : critical aesthetics and resistance in the United States, 1957-1968." Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11693/.

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This dissertation explores the role of music within the politics of liberation in the United States in the period of the late 1950s and the 1960s. Its focus is on the two dominant, but very different (and, it is argued, interconnected) mass political and cultural movements that converged in the course of the 1960s: civil rights and counterculture. Divergent tendencies in the popular musics of the period, which were drawn into the orbits of these two movements, are considered in the context of tensions between political commitment and aesthetic autonomy, between the call for collective politica

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23

Slonecker, Blake Filene Peter G. "The politics of space student communes, political counterculture, and the Columbia University protest of 1968 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,91.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2006.<br>Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History." Discipline: History; Department/School: History.

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Thompson, Pamela J. "Rock and roll and the counterculture : the search for alternative values and a new spirituality." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59237.

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Both the counterculture and its music will be examined using the concepts of heteronomy, autonomy, and theonomy and their dialectical relationship according to Paul Tillich's theory of religion and culture. The main themes beneath the emergence of the counterculture will be outlined, and the ways in which the dominant culture of the time may be considered what Tillich describes as a heteronomous phenomenon will be presented. The historical significance of the counterculture will then be demonstrated in terms of Tillich's concept of kairos. Through examination of the lyrics of some of the most

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25

Hahn, Miriam. "Playing Hippies and Indians: Acts of Cultural Colonization in the Theatre of the American Counterculture." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1400171772.

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Sheeran, Paul. "Altered states in international relations : the role of counterculture in the disintegration of the Soviet Union." Thesis, Nottingham Trent University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302517.

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27

SANTOS, GABRIEL BARBOSA DOS. "EXPIRED AND INSPIRED: THE INFLUENCE OF ENGLISH AND AMERICAN PSYCHEDELIC ROCK SCENES ON THE NATIONAL COUNTERCULTURE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2013. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=23214@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>A década de 1960 é lembrada a partir das mobilizações juvenis ao redor do mundo. Mobilizações essas bastante heterogêneas, indo de extremos como lutas armadas contra ditaduras militares a pregações de paz, amor e fim do moralismo retrógrado que permeava sobre as sociedades capitalistas ocidentais. Operando com a noção de contracultura, esse último grupo buscou criticar questões políticas, sociais e, sobretudo, culturais

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28

Jenkins, Alexandra Mary. "Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407770633.

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29

Turner, Frederick C. "From counterculture to cyberculture : how Stewart Brand and the Whole earth catalog brought us Wired magazine /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3069225.

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30

Gracon, David D. 1976. "Exiled records and over-the-counterculture: A cultural political economic analysis of the independent record store." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11155.

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xvi, 436 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This study examined the cultural political economic significance of the physical "brick and mortar" independent record store in the digital era. The research was built upon two critical frameworks -- the political economy of communication and critical cultural studies. The political economy of communication situated the independent record store within the dominant music industry, and was concerned with the corporate structuring and standardization

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31

Yanes, Nicholas Adam. "Commodifying counterculture: William Gaines, EC Comics, Mad magazine, and the rise of the corporate anti-establishment." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/6893.

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Founded as Educational Comics in 1944 and rebranding itself as Entertaining Comics a few years later, EC Comics would publish several comic book titles, such as Tales from the Crypt, and the magazine, Mad. While the success of these publications can be measured by a legacy of directors, writers, comedians, and others in the entertainment industry who describe EC's properties as an early inspiration for them, the company itself cannot be seen as equally successful in the business world. Though its publications have left permanent fingerprints on American popular culture, the company represents

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Piza, Rafael Nacif de Toledo. "Marcas limítrofes, imagens do invisível: representações da marginalidade em Almodóvar." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1109.

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Esta dissertação apresenta uma análise das representações da marginalidade na obra cinematográfica de Pedro Almodóvar, com base na Sociologia do Desvio de Goffman, Becker e Elias, atualizada pela teoria de covering de Yoshino. A intenção do trabalho é problematizar a produção audiovisual do início da carreira do diretor manchego, de forma a comprovar que os filmes Pepi, Luci e Bom e outras garotas de montão (1980), Labirinto de Paixões (1982), Maus hábitos (1983) e O que eu fiz para merecer isto? (1984) documentam seu engajamento na dinâmica contracultural desenvolvida na Espanha da época. Alm

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McGrogan, Manus Christian. "Tout! in context 1968-1973 : French radical press at the crossroads of far left, new movements and counterculture." Thesis, University of Portsmouth, 2010. https://researchportal.port.ac.uk/portal/en/theses/tout-in-context-19681973(c3c8fb34-f611-40ea-a428-6aac8a6560a0).html.

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With this thesis on the aftermath of 1968 in France, I have recreated the moment and environment of the libertarian paper Tout! Usually associated in historiography with the birth of the gay liberation movement in France, my initial research revealed its influence as more penetrative and revealing of the diverse left and new, countercultural movements of the early 1970s. I sought the testimony of former militants, writers and artists to uncover historical detail and motivations, and consulted relevant textual archives, aiming to situate and examine the paper within a number of interrelated con

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Maldonado, Maritza, and Maritza Maldonado. "La Otredad Indígena en el Panorama Sociocultural Mexicano del Siglo XX." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/625857.

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Tomando en cuenta la naturaleza pluricultural y pluriétnica de la México, la presente tesis doctoral comienza por observar y analizar las maneras en que los medios de comunicación masiva tradicionalmente han contribuido a la distorsión y devaluación de las identidades de los indígenas mexicanos, así como a la fabricación de sus representaciones más caricaturescas en el México moderno. Arguyo que los medios de comunicación masiva han coadyuvado en la formación de tres construcciones socioculturales falsamente enraizadas en los pueblos indígenas de México. Ellos son el indio, el indio-campesino

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35

Weller, Wivian. "HipHop in São Paulo und Berlin ästhetische Praxis und Ausgrenzungserfahrungen junger Schwarzer und Migranten /." Opladen : Leske + Budrich, 2003. http://catalog.hathitrust.org/api/volumes/oclc/51862844.html.

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Тетушкин, Д. Н., та D. N. Tetushkin. "Образ стиляги в контексте советской культуры 1950-1960-х годов : магистерская диссертация". Master's thesis, б. и, 2020. http://hdl.handle.net/10995/94201.

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Работа посвящена актуальной и мало разработанной теме, касающейся советской культуры 1950-1960-х годов, в свете которой исследуется явление «стиляжничества». Избранная проблематика раскрывается на основе многих философских,_социологических, культурологических трудов, которые позволяют выявить состояние советской культуры избранного периода и показать в ней роль «субкультуры» стиляжничества. В диссертации исследуются социокультурные корни этого явления и выявляются особенности "образа стиляги" в реалиях советской культуры, а также его воплощение в документальных и художественных текстах. В раб

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Hotvedt, Maren E. "Buy Global, Think Local: Direct Trade Coffee and Community Renaissance in Olympia, Washington." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/357.

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The development of the specialty coffee industry in the United States occurred in the latter half of the twentieth century not as an independent phenomenon but rather as a result of a series of interrelated movements that began to coalesce in the late 1960s. Direct Trade, the latest development in gourmet coffee sourcing and marketing, is an amalgam of elements of an American food revolution that gained national prominence in the 1970s, the environmental movement, and movements for social justice through conscious consumption. Direct Trade coffee is differentiated in particular by roasters' re

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Psenicka, Carly. ""An Unwavering Band of Light": Kurt Vonnegut and the Psychedelic Revolution." Youngstown State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1433433145.

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Oliveira, Bruno Pereira de. "A cultura punk e o underground: um estudo no cenário de duas cidades do interior paulista." Universidade Federal de São Carlos, 2014. https://repositorio.ufscar.br/handle/ufscar/2737.

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Made available in DSpace on 2016-06-02T19:39:49Z (GMT). No. of bitstreams: 1 6347.pdf: 11031071 bytes, checksum: 986ad3a98ab5b086bfda0f5ec6561852 (MD5) Previous issue date: 2014-08-26<br>This essay is the result of the analysis of history fragments and Punk culture, as well as some artistic productions by the members of this movement, as zines and musics utilized by the Punks to defend their ideals and to establish its position before a hegemonic culture imposed on then. The productions analysed are the main sources of data for the fulfillment of this research, because the sources selected a

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Lovejoy, Rebekah. "Post-cool kids| How the children born into the counterculture of the American 1960s and 70s became a scattered, disorganized, postmodern tribe." Thesis, Pacifica Graduate Institute, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3560882.

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<p> This is an ethnographic and depth psychological study of Post-Cool Kids, people born into the 1960s American counterculture between 1964 and 1978. This population has been predominantly overlooked by the academy apart from the Family Lifestyles Study completed at UCLA twenty years ago. In this, the first study of its kind, I explore the ethnological specificity of this set of people, Post-Cool Kids. </p><p> I have integrated the methodologies of Michel Foucault and the theories of archetypal psychology developed by James Hillman with work done by Victor Turner as well as other work from

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Santos, Daniela Vieira dos [UNESP]. "Não vá se perder por aí: a trajetória dos mutantes." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/98969.

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Made available in DSpace on 2014-06-11T19:29:46Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-08-21Bitstream added on 2014-06-13T20:39:28Z : No. of bitstreams: 1 santos_dv_me_arafcl.pdf: 1452544 bytes, checksum: 97fdb10f293cba39b260f1660f1da05a (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Essa pesquisa, com base numa abordagem sócio-histórica da canção, examina a produção musical dos Mutantes, conjunto de pop rock formado em 1966 por Rita Lee, Arnaldo Baptista e Sérgio Dias. Em especial, o nosso objetivo é o de entender o significado histórico do e

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Siegfried, Detlef. "Time is on my side : Konsum und Politik in der westdeutschen Jugendkultur der 60er Jahre /." Göttingen : Wallstein-Verl, 2008. http://www.gbv.de/dms/bs/toc/512958416.pdf.

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Fernandes, Gabriel de Andrade. "Entre ambientes, (contra)culturas e naturezas. O emergente discurso ambiental na arquitetura dos anos 1960 e 1970 a partir de Buckminster Fuller, Ian McHarg e Murray Bookchin." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/16/16135/tde-19122017-115011/.

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O trabalho busca estabelecer um panorama das várias manifestações do então emergente discurso ambientalista em meio à cultura arquitetônica dos anos 1960 e 1970, bem como identificar suas principais características, recorrências e contradições. Para tanto, limitou-se a análise de veículos e meios de difusão de ideias arquitetônicas ao contexto anglófono e em especial àquele relacionado à efervescente contracultura verificada nos Estados Unidos da América no período recortado. O período escolhido se justifica pela condição de protagonismo que eventualmente assumiu o discurso ambiental neste mom

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Brotto, Julio Cezar de Paula. "Avalanche Escola de Missões Urbanas Underground: trajetória histórica e proposta missiológica e diaconal." Faculdades EST, 2010. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=246.

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O propósito deste trabalho é investigar a Avalanche Escola de Missões Urbanas Underground e sua relevância educacional para os que militam juntos às tribos urbanas cristãs de rosto underground e sua contribuição para setores da igreja institucional cristã que deseja alcançar este segmento da sociedade. Foram analisadas a identidade da Escola e suas propostas diaconal e missiológica com o auxílio do quadro teórico da contracultura, passando pelo surgimento do movimento underground e vinculando o relato histórico da Escola ao movimento underground cristão. As referências teóricas da Teologia Prá

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Silva, Luis Fernando de Matheus e. "Ilusão concreta, utopia possível: contraculturas espaciais e permacultura (uma mirada desde o cone sul)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-07112013-113710/.

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A presente pesquisa visa compreender e analisar criticamente o discurso de sustentabilidade e as práticas constitutivas da permacultura, debatendo tanto o potencial que elas podem oferecer à construção de um utopismo dialético norteado por uma nova práxis ambiental, como as contradições geradas a partir de sua inserção em uma sociedade capitalista, orientada pelo lucro e pela tendência geral em transformar todas as coisas em mercadorias. Pensada originalmente na década de 1970 pelos australianos Bill Mollison e David Holmgren, a permacultura diz respeito à criação de assentamentos humanos sust

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Delmanto, Júlio. "História social do LSD no Brasil: os primeiros usos medicinais e o começo da repressão." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11122018-161707/.

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Depois de apresentar as origens históricas da contracultura, no Brasil e nos Estados Unidos, e contextualizar um pouco das relações entre os integrantes destes movimentos e o uso de drogas, sobretudo maconha e ácido lisérgico, esse trabalho traça, através principalmente da análise de trajetórias individuais que se cruzam de uma forma ou de outra, uma história social da chegada do LSD ao Brasil. O trabalho investiga, com profundidade, o primeiro processo judicial por tráfico e porte da substância, iniciado em janeiro de 1970, em São Paulo, estudando a trajetória dos principais réus, a repercuss

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Almeida, Junior Armando Ferreira de. "A contracultura e a política que o Ylê Aiyê inaugura: relações de poder na contemporanei." Programa de Pós-Graduação em Cultura e Sociedade da UFBA, 2010. http://www.repositorio.ufba.br/ri/handle/ri/10805.

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178f.<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-05-08T17:14:08Z No. of bitstreams: 1 tese_Armando Almeida.pdf: 766280 bytes, checksum: ea227540e6b4cbd063be9f2772a11e05 (MD5)<br>Rejected by Alda Lima da Silva(sivalda@ufba.br), reason: É necessário rever no resumo a grafia e os espaços entre palavras. on 2013-05-08T18:33:22Z (GMT)<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-05-09T16:43:44Z No. of bitstreams: 1 tese_Armando Almeida.pdf: 766280 bytes, checksum: ea227540e6b4cbd063be9f2772a11e05 (MD5)<br>Approved for entry into archive by Alda Lima da Silva(sivalda@

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Tolley-Stokes, Rebecca. "Annotated Bibliography." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/5760.

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Mercer, Kevin. "The farm a hippie commune as a countercultural diaspora." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/587.

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Counterculture history is often divided, with a focus on either the turbulent 1960s or the "back to the land" exodus of the 1970s. A study of Stephen Gaskin and his followers' founding of The Farm, a rural commune near Summertown, Tennessee, provides a unique insight into the commonalities and connections of these two periods. It will be the aim of this thesis to weave the separate narratives of this demographic into one complete idea. The idea that the hippies constituted a counterculture suggests that once that culture went into exile, onto numerous communes, they existed as a diaspora. The

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Hutt, Dan. "Outsiders, outcasts, and outlaws: postmodernism and rock music as countercultural forces in Salman Rushdie's The ground beneath her feet." Thesis, Kansas State University, 2011. http://hdl.handle.net/2097/8851.

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Master of Arts<br>Department of English<br>Dean G. Hall<br>Salman Rushdie's 1999 novel The Ground Beneath Her Feet is ostensibly a rock 'n' roll novel, largely set in the 1960s, that traces the commercial rise of Indian rock star protagonists Vina Apsara and Ormus Cama. As their fame and wealth rise to global status and their stage show comes to entail a logistical complexity of military proportions, it becomes increasingly difficult to discern the couple's earlier countercultural ideals within their new established culture status. I argue that despite the change from countercultural to

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