Relevant bibliographies by topics / Country music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Country music'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Country music"

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Schneider, David. "Country Music." Scientific American 273, no. 5 (November 1995): 28. http://dx.doi.org/10.1038/scientificamerican1195-28.

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Hollowell, Adam, and Alexandria Miller. "Country Music for People Who Don't Like Country Music." Journal of Popular Music Studies 31, no. 4 (2019): 121–41. http://dx.doi.org/10.1525/jpms.2019.31.4.121.

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This essay explores white masculinity and the recuperation of privilege in the figure of Sturgill Simpson, an American country music singer from Jackson, Kentucky. Operating at the intersection of country music studies and third wave whiteness studies, it demonstrates how Simpson deploys the outsider identity of the industry outlaw to recuperate insider benefits of critical acclaim, commercial success, and creative license. As an artist who makes country music for “people who don't like country music,” Simpson functions as a representative figure of the adaptive tactics of white masculinity and the broader politics of inclusion and exclusion in contemporary country music.
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Fraser, Max. "Country Music Capital." Dissent 63, no. 1 (2016): 15–19. http://dx.doi.org/10.1353/dss.2016.0008.

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Wickes, Helen. "Country Music II." Massachusetts Review 57, no. 4 (2016): 761. http://dx.doi.org/10.1353/mar.2016.0128.

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Fenster, Mark. "Country music video." Popular Music 7, no. 3 (October 1988): 285–302. http://dx.doi.org/10.1017/s0261143000002956.

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In order to take advantage of the promotional potential of the music video, the country music industry was forced to adapt a medium with conventions and aesthetic elements established by other musical genres – by pop and rock. And to reach its distinct market country music video also had to incorporate country's own established iconographic elements. This iconography is constructed and understood in two ways: through the traditional concerns of country music lyrics; and through the history of visual media based on and developed around the genre. Country music has, in fact, been associated with the screen since movies could first talk, from Jimmie Rodgers' 1929 movie short The Singing Brakeman through thousands of singing cowboy movies to the national television exposure that culminated in Hee Haw.
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Willett, Ralph. "Country Music, USA." Popular Music 6, no. 1 (January 1987): 123. http://dx.doi.org/10.1017/s0261143000006760.

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Gibson. "International Country Music." Journal of American Folklore 127, no. 504 (2014): 236. http://dx.doi.org/10.5406/jamerfolk.127.504.0236.

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Jocelyn R. Neal. "Country Music Stars." Southern Cultures 15, no. 3 (2009): 70–74. http://dx.doi.org/10.1353/scu.0.0063.

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Cusic, Don. "Country Green: The Money in Country Music." South Atlantic Quarterly 94, no. 1 (January 1, 1995): 231–41. http://dx.doi.org/10.1215/00382876-94-1-231.

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Sartwell, Crispin. "Confucius and Country Music." Philosophy East and West 43, no. 2 (April 1993): 243. http://dx.doi.org/10.2307/1399615.

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Dissertations / Theses on the topic "Country music"

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Thomas, Rebecca Ann. "The color of music : race and the making of America's country music /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974690.

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Harrison, Jack Pascal. "Thoughts on art and country music." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314211662.

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Tolley, Rebecca. "Review of Country Music Annual 2000." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etsu-works/5608.

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Sellmar, Nike. "En härmapa till låtskrivare : Att skriva låtar utifrån inspirationskällor." Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-84875.

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Under hösten 2020 och våren 2021 har jag fördjupat mig i mitt arbete att bli en bättre låtskrivare. Eftersom jag tidigare inte analyserat musik genom att ställa utförliga frågor och ta reda på information om en låtskrivares verk så ansåg jag detta arbete som ett tillfälle att ge mig fler redskap för mitt fortsatta låtskrivande.  Syftet med detta examensarbete är att fördjupa mitt arbete i låtskrivning, genom att analysera och försöka efterlikna musik av ett antal låtskrivare inom country- och americanagenren. Jag har under arbetet analyserat 20 låtar av fyra låtskrivare och artister inom countrygenren. Jag har valt att analysera alla artisters verk på samma sätt. Jag skrev en tabell för att fylla i information om deras, vad jag har valt att kalla; låt-ingredienser . Efter min analysprocess skrev jag tre låtar utifrån mina analyser som skulle representera vardera låtskrivare.  Arbetet har resulterat i tre låtar som representerar de fyra låtskrivarna. Jag har reflekterat kring mina tillvägagångssätt som lett till de klingande resultaten, genom att ifrågasätta min egen analysförmåga och även analyserat kring de element där jag utvecklats. I dag skriver jag mer utarbetade och genomtänkta låtar där den främsta utvecklingen varit ackord, historieberättande och vissa textmässiga redskap jag tidigare inte bemästrat, samt att jag har fått en bättre analysförmåga.
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Murphy, Clifford R. "New England country and western music self-reliance, community expression, and regional resistance of the New Egnland frontier /." Restricted access (UM), 2008. http://libraries.maine.edu/gateway/oroauth.asp?file=orono/etheses/37803141.pdf.

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Campbell, Patrick Jude. "Fall and Redemption: The Essence of Country Music." The University of Montana, 2007. http://etd.lib.umt.edu/theses/available/etd-07172007-180612/.

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My initial focus as a final project in the Creative Pulse was to begin to sing again. Singing fulfilled the three requirements of choice in a project: risk, rigor, and the requirement of having to do it. I had sung as a young man, and stopped as the result of listening to an adult tell me that I could not sing. During the following 23 years, I used percussion and became a dancer in order to express myself. The art forms of percussion and dance I was drawn to like a man is drawn to a woman that he must have. What about being drawn to an art form in order to continue existing? An artistic pursuit whose means of expression are a salvation? One can read about many artists who came into an art form out of necessity. Their life outside of expressing themselves was bleak and the art form became their cry. I by no means wish to place myself at the level of expertise of such artists that came to their art to survive, or to imply that I paid my dues to the extent that certain artists have (artists such as Hank Williams, or the Blues artist Robert Johnson, for example). I do mean to express through this paper my experience of the catharsis in singing country music and the Blues. My beginning singing came at a time when I really needed it; the music helped me through a difficult time. The title of the paper is Fall and Redemption: the Essence of Country Music for this reason. It is in Narrative form, foot printing my process and discovery of the music. I attempted to combine lifes experiences with the discovery of the music. The experiences were the inspiration behind playing the music. The essence of country music and the Blues is its sincerity, and I hope that I have combined my lifes narrative with the artistic process effectively, as the time period (December 2005 to June 2007) was a time in which art was defined by life, and life was defined by art.
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Daniel, Linda Jean. "Singing out!, Canadian women in country music." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0022/NQ49995.pdf.

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Ruff, Joseph. "Country Music in the Northeast: Two Careers." TopSCHOLAR®, 1993. https://digitalcommons.wku.edu/theses/2792.

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Although country music and its antecedents have received attention primarily as cultural phenomena of the South, the past twenty years have witnessed a growing scholarly interest in the interplay between commercial country music, vernacular components. and performers within a regional context. The commercial product which has now attained worldwide appeal undoubtedly sustains a significant relationship to the folkways and regional identity of the South; nonetheless, performers and vernacular styles from other areas of the country have contributed to the development of country music. Most important. many areas outside of the South maintain local traditions of country music entertainment. In this thesis, I argue for a broader conception of country music and its sources by examining the careers of Gene Hooper and Dick Curless within the context of country music in Maine. The evidence presented suggests that country music, in its local context, retains a significant link to regional image and identity, as well as maintaining a connection to traditional music style and function. The acceptance of the "new social history" rests upon the belief that knowledge of everyday people and culture contributes to our understanding of historical processes and periods. The methods of folkloristics complement this perspective and also provide an approach with which to study performance in small group contexts. Much of my information derives from observation of country music culture in Maine and interviews with relevant persons. I have also utilized archival material and scholarship concerning the history of country music and vernacular music in the Northeast. Within the thesis. I examine theoretical considerations of region and group identity. Because the scholarly and popular conceptions of country music identify it primarily as a cultural phenomenon of the American South, my examination begins with a summary of historical perspectives on country music and the development of the Southern image connected with it. This discussion is followed by a brief survey of theoretical attitudes toward country music and regional identity within the discipline of folklore. Turning toward country music in the Northeast, I outline the roots of vernacular music there and describe the evolution of a regional country music boom. A detailed description of the careers of Gene Hooper and Dick Curless follows, with particular emphasis on the differing professional contexts of their music. Finally, I return to academic models of country music and region, elaborating on distinctions between the commercial context of the Nashville music industry and the vernacular music of the Northeast.
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Nunn, Erich Thomas. "Country music and the souls of white folk." [Gainesville, Fla.] : University of Florida, 2002. http://purl.fcla.edu/fcla/etd/UFE1000149.

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Bidgood, Lee, and Doctors and Outlaws. "Celebration of 1970s Country-Rock-Grass Fusion." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1063.

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A one-time celebration of the 1970s country-rock-grass fusion of Crowe, Parsons, the Rices, the Burritos, etc. View the YouTube videos below: Part 1: https://www.youtube.com/watch?v=lbWzeKhdbus Part 2: https://www.youtube.com/watch?v=ImrFFCPPXw4 Part 3: https://www.youtube.com/watch?v=Je5oXBpDGmU Part 4: https://www.youtube.com/watch?v=WkNjD079QFQ
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Books on the topic "Country music"

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Leepson, Marc. Country Music. 2455 Teller Road, Thousand Oaks California 91320 United States: CQ Press, 1985. http://dx.doi.org/10.4135/cqresrre1985053100.

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Howard, Smith Benjamin, ed. Country music stars. New York: Crescent Books, 1994.

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Wacholtz, Larry E. Inside country music. New York: Billboard Publications, 1986.

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Kosser, Michael. Country music '88. Toronto: Paperjacks, 1988.

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Daley, Dan. Country music portraits. s.l: Smithmark Publication Inc., 1998.

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1973-, Neal Jocelyn R., ed. Country music, U.S.A. 3rd ed. Austin: University of Texas Press, 2010.

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Wolfe, Charles K. Classic country: Legends of country music. New York: Routledge, 2000.

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Nelly. Country grammar. New York: Universal Records, 2000.

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Country Music Country. Thistledown Press, 1996.

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Carlin, Richard. Country Music. Routledge, 2014. http://dx.doi.org/10.4324/9780203953334.

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Book chapters on the topic "Country music"

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Ching, Barbara. "Country Music." In A Companion to the Literature and Culture of the American South, 203–20. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756935.ch12.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "Country Music." In Anthology to Accompany Gateways to Understanding Music, 356–58. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-48.

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Lightman, Richard. "Country & Eastern." In Innovation in Music, 3–16. New York: Routledge, 2021. | Series: Perspectives on music production: Focal Press, 2020. http://dx.doi.org/10.4324/9780429345388-2.

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"Country Music." In All Black Everything, 6. University of Iowa Press, 2023. http://dx.doi.org/10.2307/jj.6380587.4.

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"COUNTRY MUSIC." In Popular Music, 65–72. Routledge, 2016. http://dx.doi.org/10.4324/9781315622583-11.

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"COUNTRY MUSIC." In That Ship Has Sailed, 66. University of Pittsburgh Press, 2023. http://dx.doi.org/10.2307/j.ctv34dm7n1.50.

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Edwards, Leigh H. "Country music." In The Bloomsbury Handbook of Religion and Popular Music. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350287006.ch-30.

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"Mountain Music." In Ozark Country, 155–72. University of Arkansas Press, 2021. http://dx.doi.org/10.2307/j.ctv1bd4n7x.14.

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Maddox, Richard Peter. "Music." In High Lean Country, 308–18. Routledge, 2020. http://dx.doi.org/10.4324/9781003115960-32.

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Logsdon, Gene. "The Country in Country Music." In The Mother of All Arts, 247–71. University Press of Kentucky, 2007. http://dx.doi.org/10.5810/kentucky/9780813124438.003.0015.

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Conference papers on the topic "Country music"

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Page, Kevin R., Benjamin Fields, Bart J. Nagel, Gianni O'Neill, David C. De Roure, and Tim Crawford. "Semantics for Music Analysis through Linked Data: How Country is My Country?" In 2010 IEEE 6th International Conference on E Science (e-Science). IEEE, 2010. http://dx.doi.org/10.1109/escience.2010.49.

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Livingstone, David. "Breaking Blackface: African Americans, Stereotypes, and Country Music." In 10th Annual Conference of the Croatian Association for American Studies: Breaking Stereotypes in American Popular Culture. University of Zagreb Faculty of Humanities and Social Sciences; Croatian Association for American Studies, 2023. http://dx.doi.org/10.17234/9789533791258.08.

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Mei, Jiaqi. "Major Genres of Country Music and Its Development." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.120.

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Hodges, Dan, and Mary Lauren Teague. "The Rise of Color and Diversity in Country Music." In MEIEA Summit 2023. Music and Entertainment Industry Educators Association, 2023. http://dx.doi.org/10.25101/23.21.

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Alexander Burnett, Robert. "CULTURAL VALUE, BELIEF, BEHAVIOUR AND MYTH IN THAI COUNTRY MUSIC." In World Conference on Media and Mass Communication. TIIKM, 2016. http://dx.doi.org/10.17501/medcom.2016.1106.

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"The Minor Wife, the Marginal Woman in Thai Country Music." In International Conference on Business, Sociology and Applied Sciences. International Centre of Economics, Humanities and Management, 2014. http://dx.doi.org/10.15242/icehm.ed0314577.

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SANZHIEVA, L. N. "MUSIC OF COMPOSERS OF BURYATIA IN THE COUNTRY AND THE WORLD." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-213-216.

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Bauer, Christine, and Markus Schedl. "Cross-country User Connections in an Online Social Network for Music." In CHI '19: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3290607.3312831.

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QIN, WEI-WEI. "A STUDY ON PRONOUNCING SKILLS IN VOCAL MUSIC SINGING." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35694.

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In China, pronouncing correctly and clearly is a basic requirement in vocal music singing. Only with a sufficient understanding of the pronouncing skills can a performer present a qualified vocal work. Through a simple analysis of the pronouncing problems that often occur in vocal singing and, targeted suggestions will be put forward in this paper. At the end of the paper, an analysis of pronouncing skills will be made, hoping to provide theoretical help to the development of vocal music singing in our country.
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Bauer, Christine, and Markus Schedl. "On the Importance of Considering Country-specific Aspects on the Online-Market: An Example of Music Recommendation Considering Country-Specific Mainstream." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2018. http://dx.doi.org/10.24251/hicss.2018.461.

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Reports on the topic "Country music"

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Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), November 2020. http://dx.doi.org/10.19088/ids.2020.001.

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This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field interviews and observations among audiences at selected popular music concerts and public workshops in Maputo city. Secondary data were drawn from radio broadcasts, digital media, and social networks. The songs analysed were widely played in the past two decades (1998–2018), a period in which three different presidents led the country. Our focus is on the protest song, conceived as those musical products that are concerned with public affairs, particularly public policy and how it affects citizens’ social, political and economic life, and the relationship between citizens and the state.
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Marrickville. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208593.

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Marrickville is located in the western heart of inner-city Sydney and is the beneficiary of the centrifugal process that has forced many creatives out of the inner city itself and further out into more affordable suburbs. This locality is built on the lands of the Eora nation. It is one of the most culturally diverse communities in the country but is slowly being gentrified creating tensions between its light industrial heart, its creative industry community and inner city developers. SME’s, co-working spaces and live music venues, are all in jeopardy as they occupy light-industrial warehouses which either have been re-zoned or are under threat of re-zoning. Its location underneath the flight path of major air traffic may indeed be a saving factor in its preservation as the creative industries operate across all major sectors here and the air traffic noise keeps land prices down. Despite these pressures the creative industries in Marrickville have experienced substantial growth since 2011, with the current CI intensity sitting at 9.2%. This is the only region in this study where the cultural production sector holds more than half the employment for specialists and support workers, when compared to creative services.
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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