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Books on the topic 'Country music Popular music Country musicians'

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1

Lost highway: Journeys & arrivals of American musicians. Boston: Back Bay Books, 1999.

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2

Southern cultures: Music. [Chapel Hill, N.C.]: University of North Carolina Press, 2009.

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3

Canadian Country Music Hall of Fame. Canadian Country Music Hall of Fame official souvenir book: Pictures and stories of the 25 inaugural inductees. Kitchener, Ont: Canadian Country Music Hall of Fame, 1990.

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4

Koster, Rick. Louisiana music: A journey from R & B to zydeco, jazz to country, blues to gospel, Cajun music to swamp pop to carnival music and beyond. Cambridge, MA: Da Capo Press, 2002.

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5

McCusker, Kristine M. Lonesome cowgirls and honky-tonk angels: The women of barn dance radio. Urbana: University of Illinois Press, 2008.

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6

McCusker, Kristine M. Lonesome cowgirls and honky-tonk angels: The women of barn dance radio. Urbana: University of Illinois Press, 2008.

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7

Family style. Austin, TX: University of Texas Press, 2009.

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8

Louisiana music: A journey from R & B to zydeco, jazz to country, blues to gospel, Cajun music to swamp pop to carnival music and beyond. Cambridge, MA: Da Capo Press, 2002.

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9

Taylor Swift: Her song. New York: Scholastic, 2010.

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10

Taylor Swift: Her song. New York: Scholastic, 2010.

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11

Assayas, Michka. Dictionnaire du rock: Blues, country, folk, pop, reggae, rock indépendant, soul. Paris: R. Laffont, 2000.

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12

Collins complete UK hit singles 1952-2005. London: Collins, 2005.

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13

Supremely American: Popular song in the 20th century : styles and singers and what they said about America. Lanham, Md: Scarecrow Press, 2005.

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14

Classic country: Legends of country music. New York: Routledge, 2001.

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15

Jonathan, Maitland, Cassidy Hugh, Cassidy Barbara 1939-, and Byrd Elana Rhodes, eds. Eva Cassidy, songbird. New York: Gotham Books, 2003.

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16

Classic country music. Washington, D.C: Smithsonian Collection of Recordings, 1990.

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17

Robert, Kimball, and Emmet Linda, eds. The complete lyrics of Irving Berlin. New York: A.A. Knopf, 2001.

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18

Robert, Kimball, and Emmet Linda, eds. The complete lyrics of Irving Berlin. New York, NY: Applause Theatre & Cinema Books, 2005.

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19

Nelly. Country grammar. New York: Universal Records, 2000.

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20

Grelun, Landon, and Stambler Irwin, eds. Country music: The encyclopedia. New York: St. Martin's Press, 1997.

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21

Country music, U.S.A. Austin: University of Texas Press, 1985.

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22

Taylor Swift: Country music star. Edina, Minn: ABDO, 2010.

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23

Wacholtz, Larry E. Inside country music. New York: Billboard Publications, 1986.

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24

Foster, Pamela E. My country: The African diaspora's country music heritage. Nashville, TN: My Country, 1998.

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25

Wallner, Rosemary. Garth Brooks: Country music star. Edina, Minn: Abdo & Daughters, 1993.

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26

Carlin, Richard. Country. 2nd ed. New York: Facts On File, 2011.

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27

The world of country music. Stamford, CT: Longmeadow Press, 1992.

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28

Kacey Musgraves: Country music star. Minneapolis, Minnesota: Abdo Publishing, 2015.

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29

Blake Shelton: Country music star. Minneapolis, Minn: Big Buddy Books, 2013.

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30

Miranda Lambert: Country music star. Edina, Minn: ABDO Pub. Co., 2012.

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31

Encyclopedia of country music. London: Kola, 1985.

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32

Wallner, Rosemary. Wynonna Judd: Country music star. Edina, Minn: Abdo & Daughters, 1991.

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33

A, Nelson Judy, ed. The insider's country music handbook. Salt Lake City: Gibbs-Smith, 1993.

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34

Taylor Swift: Country music star. New York: PowerKids Press, 2011.

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35

1939-, Mason Michael, ed. The Country music book. New York: C. Scribner's Sons, 1985.

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36

Rick, Jackson. Encyclopedia of Canadian country music. Kingston, Ont: Quarry Press, 1996.

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37

Mahlmann, Monica. Country music der '90er Jahre. Berlin: Ber, 1993.

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38

Kathleen, Shaw, Speir Elizabeth, and Byrn Anne, eds. Cooking with country music stars. Atlanta, Ga: Marmac Pub. Co., 1986.

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39

Williams, Doc. A country music legend: Looking back. Wheeling, W. Va: Creative Impressions, 2006.

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40

Hollaran, Carolyn Rada. Our brightest stars in country music. Nashville, Tenn. (P.O. Box 101545, Nashville 37210-1545): Nashville Celebrity Book Publishers, 1987.

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41

Hollaran, Carolyn Rada. Our brightest stars in country music. Nashville, Tenn. (P.O. Box 101545, Nashville 37210-1545): Nashville Celebrity Book Publishers, 1987.

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42

Buried country: The story of Aboriginal country music. Annandale, NSW: Pluto Press, 2000.

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43

Country. New York: Facts On File, 2006.

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44

Dobbs, Ray B. Handbook for country music fans: How to see and meet the country music stars! New York: Vantage Press, 1998.

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45

Copyright Paperback Collection (Library of Congress), ed. The Country music guide to life. New York, N.Y: Signet, 1994.

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46

Creating country music: Fabricating authenticity. Chicago: University of Chicago Press, 1997.

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47

A century of country: An illustrated history of country music. New York: TV Books, 1999.

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48

T, Brown Charles. Music U.S.A.: America's country & western tradition. Englewood Cliffs, N.J: Prentice-Hall, 1986.

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49

Buried country: The story of Aboriginal country music. Verse Chorus Press, 2014.

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50

Stimeling, Travis D. Recording Practice in Country Music. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.5.

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This chapter explores the influence of recording technologies on the creation and reception of country music from the first hillbilly recordings to the twenty-first century. Following a survey of recent literature from the musicology of recording and sound studies, country music’s voice-centered recording strategies are explored through case studies drawn from early hillbilly, honky tonk, and “hot country” recordings. Country music’s history as a recorded musical practice is shaped by technological and aesthetic developments that can be heard in a wide range of recorded popular musics. Furthermore, this chapter examines the ways that bluegrass musicians, engineers, and producers deploy specific technologies, including the single-microphone technique, to articulate their musical and cultural authenticity. These ways can help us gain a better understanding of the expressive power of recorded country music by placing these “records in dialogue” with other recordings in country music and from other music styles.
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