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Dissertations / Theses on the topic 'Courtesans'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Shreve-Price, Sharada Sue. "Complicated courtesans: Lucian's Dialogues of the courtesans." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/1501.

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Lucian's Dialogues of the Courtesans (Dialogi Meretricii) are fifteen short dialogues set in classical Athens. The Dialogues depict exchanges between courtesans and between courtesans and their clients. Dialogues of the Courtesans is part of a larger body of Greek literature featuring courtesans that begins with the first attested use of hetaira (ἑταίρα) for courtesan in Herodotus' Histories (2.134) and includes Attic oratory, philosophical dialogue, Hellenistic epigram, and New Comedy. Though Lucian borrows from this body of literature, especially from New Comedy, to craft his fictional world

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2

Funke, Melissa. "Sexuality and gender in Alciphron's Letters of Courtesans." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/2288.

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Current studies on the topic of sexuality in the ancient Greek world tend to favour the active/passive paradigm of understanding sexual relations which was originally proposed in Kenneth Dover's Greek Homosexuality (1978) and Michel Foucault's three volume History of Sexuality (1978, 1985, and 1986). In Dover and Foucault, the sexual behaviour of the classical Athenian male takes primacy, so much so that the reader of either scholar can be left with the impression that the role of the active partner was available only to adult citizen males. Alciphron's Letters of Courtesans (Book 4 of his wor

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Pesuit, Margaret. "Representations of the courtesan in sixteenth-century Venice : sex, class, and power." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37227.pdf.

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Whiteley, Rebekah. "Courtesans and kings, ancient Greek perspectives on the hetairai." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ49593.pdf.

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Davidson, James N. "Courtesans and fishcakes : the consuming passion of classical Athens /." New York (N.Y.) : St. Martin's press, 1998. http://catalogue.bnf.fr/ark:/12148/cb37633420f.

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6

Taranath, Anupama. "Disrupting colonial modernity : Indian courtesans and literary cultures, 1888-1912 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9981961.

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7

Steenson, J. D. "' The courtesans characters : ''scandalous memoirists'' and their fiction, 1788-1830'." Thesis, Queen's University Belfast, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492317.

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This thesis examines 'character' as the place where issues of public and private reputation and memoir and fiction meet, taking as its focus three of the late eighteenth-century's most notorious courtesans and memoirists - Elizabeth Gooch (1756 - post 1804), Mary Robinson (1758 - 1800) and Harriette Wilson (1786 1845). As figures who had publicly flouted the restraints of the period's conventional definitions of feminine identity, all three women came to write about their lives mindful of the rigorous discourses that governed the expression of female character. While tensions between the intem

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8

Granholm, Patrik. "Alciphron, Letters of the Courtesans : Edited with Introduction, Translation and Commentary." Doctoral thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-183681.

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This dissertation aims at providing a new critical edition of the fictitious Letters of the Courtesans attributed to Alciphron (late 2nd or early 3rd century AD). The first part of the introduction begins with a brief survey of the problematic dating and identification of Alciphron, followed by a general overview of the epistolary genre and the letters of Alciphron. The main part of the introduction deals with the manuscript tradition. Eighteen manuscripts, which contain some or all of the Letters of the Courtesans, are described and the relationship between them is analyzed based on complete

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Lemperle, Shandy April. "Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses." The University of Montana, 2008. http://etd.lib.umt.edu/theses/available/etd-05302008-103549/.

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This thesis explores the development in the pictorial representation of four important French royal mistresses. It looks at works depicting Agnès Sorel, mistress to Charles VII; Diane de Poitiers, mistress to Henri II; Gabrielle dEstrées, mistress to Henri IV; and Madame de Pompadour, mistress to Louis XV. By placing the portrayals of these women within a historical context, it becomes apparent that there are links between the strength of the crown and the depictions of the mistresses. This thesis traces the development of the imagery associated with these women and demonstrates that as the cr

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Lemperlé, Shandy April. "Kings and courtesans a study of the pictorial representation of French royal mistresses /." CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-05302008-103549/.

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11

Xu, Sufeng. "Lotus flowers rising from the dark mud : late Ming courtesans and their poetry." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.

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The dissertation examines the close but overlooked relationship between male poetry societies and the sharp rise of literary courtesans in the late Ming. I attempt to identify a particular group of men who devoted exclusive efforts to the promotion of courtesan culture, that is, urban dwellers of prosperous Jiangnan, who fashioned themselves as retired literati, devoting themselves to art, recreation, and self-invention, instead of government office. I also offer a new interpretation for the decline of courtesan culture after the Ming-Qing transition.<br>Chapter 1 provides an overview of the s

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12

Rosenthal, Margaret F. "Veronica Franco the courtesan as poet in sixteenth-century Venice /." [S.l : s.n.], 1985. http://books.google.com/books?id=JzhdAAAAMAAJ.

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Sachdeva, Shweta. "In search of the Tawa'if in history : courtesans, nautch girls and celebrity entertainers in India." Thesis, SOAS, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515820.

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The Urdu term tawa'if has variously been understood as a term for courtesans or prostitutes in north India. Most scholars see the tawa'if either as an unchanging group of hereditary performers or as women engaged in the 'oldest profession' of prostitution. This thesis attempts to rethink these linear and separate histories of performers and prostitutes into a dynamic historical model across the long duree of the 1720s to the 1920s. Using multiple language sources I first show that a diverse group of slave girls, prostitutes and women performers made up the varied group of the tawa'if. To trace

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De, Santo Paola Chiara. "(Ne) Habeas corpus: The Body and the Body Politic in the Figures of the Ambassador and the Courtesan in Renaissance Italy." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11601.

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This dissertation offers a comparative study of two key figures of the Italian Renaissance, the ambassador and the courtesan, and the place of their bodies in relation to the Renaissance body politic. In studying myriad textual spaces of the body natural within writings by and about these two seemingly opposite figures, I find that these spaces range from the material to the metaphorical. In the Renaissance material spaces were increasingly allocated to both figures, urban confinement for the prostitute, and the establishment of the embassy for the ambassador. Metaphorically, the prostitute be

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Knight, Petrine. "“All the men admired her, and many of the women envied her” : The Role of Dress in Portraits of Eighteenth-Century British Courtesans, 1751-1790." Thesis, Stockholms universitet, Centrum för modevetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62781.

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Tsakou, Effrosyni. "Femmes de parole. Les courtisanes dans l'épistolographie de l'époque impériale (Alciphron, Philostrate, Aristénète)." Electronic Thesis or Diss., Université de Lille (2022-....), 2024. https://pepite-depot.univ-lille.fr/ToutIDP/EDSHS/2024/2024ULILH016.pdf.

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Cette thèse examine l'identité des hetairai (courtisanes), leurs rôles littéraires ainsi que leur voix, en impliquant la production des discours rhétoriques, dans les lettres érotiques de l'époque impériale : Alciphron, Lettres des Courtisanes ; Philostrate, Lettres ; Aristénète, Lettres Érotiques. Le contenu des lettres représente non seulement les relations personnelles entre les courtisanes et leurs clients, histoires placées au passé historique, mais aussi les liens sous-jacents entre les épistolographes et leur lectorat, influencés par le contexte culturel dans lesquels ils vivent, c'est-

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Van, Hensbergen Claudine. "The courtesan's narrative in English literary culture, 1660-1730." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540185.

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Starr, Chloe. "The late Qing courtesan novel as text and fiction." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311310.

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Riwoe, Mirandi J. "A nemesis in crinoline: The Eurasian courtesan as sleuth." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/101160/6/Mirandi_Riwoe_Thesis.pdf.

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This thesis contextualises and extends representations of the nineteenth-century fictional female detective, by way of creative practice and critical analysis. The practice led research incorporates textual analysis and reflective practice in order to triangulate neo-Victorian studies, crime fiction and the figure of Eurasian courtesan. The research findings not only disrupt depictions of the 'sinister Oriental', but also reveal that it was possible for certain working class women, sex-workers included, to have the necessary agency to detect in the Victorian period. In re-imagining the ninetee

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Derghoukassian, Khatchik. "Illicit Associations in the Global Political Economy: Courtesan Politics, Arms Trafficking and International Security." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/467.

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The accelerated trend of globalization has transformed the traditional role of the state. According to James Mittelman and Robert Johnston, the state is engaged in a courtesan role, which consists in shifting from serving citizens to acting as tacit partners in market relations, including with globally organized criminal groups. Building on the concept of the courtesan role of the state, this study addresses: (a) the general question of direct and indirect connections of states with illicit transactions in the post-Cold War, with a special attention to arms trafficking; (b) the reaction of the

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YELLIG, CATHERINE L. "RETHINKING THE RENAISSANCE COURTESAN: CONTEMPORARY INTERPRETATION OF THREE PAINTINGS BY TITIAN (TIZIANO VECELLIO, c 1485-1576)." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178629291.

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Yellig, Catherine L. "Rethinking the Renaissance courtesan contemporary interpretation of three paintings by Titian (Tiziano Vecellio, c 1485-1576) /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1178629291.

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Thesis (M.A.)--University of Cincinnati, 2007.<br>Title from electronic thesis title page (viewed July 17, 2007). Includes abstract. Keywords: Courtesan; Titian; Venice; Cortigiana onesta. Includes bibliographical references.

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Yu, Miao 1974. "Space, vision and identity : imagining and inventing Shanghai in the courtesan illustrations of Dianshizhai Pictorial (1884-1898)." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99399.

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This thesis investigates various representational modes and strategies in the Shanghai courtesan illustrations in Dianshizhai Pictorial. The aim of the study is to examine how Shanghai's early modern identity was imaged, imagined and contested through the courtesan figure. I argue that by establishing a new urban iconography, Dianshizhai Pictorial transformed the Shanghai courtesan from a traditional archetypical meiren to a universal image of the urban beauty. On the one hand, the modern city, previously an alien concept, was made familiar and acceptable through the image of the Shanghai cour

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Khoyratty, Farhad. "Beneath the red dupatta: an exploration of the mythopoeic functions of the ‘Muslim’ courtesan (tawaif) in hindustani cinema." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/326464.

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Després d’haver estat un dels mites més habituals del cinema hindustànic gairebé de forma continuada des dels anys vint i, per tant, des de pràcticament els inicis de la producció de pel#lícules índies fins a les darreries de la dècada dels noranta, amb el seu punt més àlgid en els anys seixanta i vuitanta del segle passat, semblaria que el tema de la cortesana comença a recular al segle vint-i-u. No obstant això, la tawaif hi apareix de forma reiterada. De fet, la tawaif s’està mantenint en el cinema hindustànic en forma de mite inconscient i subjacent com si fos un avatar general on fa la fu

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Geschwind, Rachel L. "MAGDALENE IMAGERY AND PROSTITUTION REFORM IN EARLY MODERN VENICE AND ROME, 1500-1700." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1302019358.

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Merlin, Monica. "The late Ming courtesan Ma Shouzhen (1548-1604) : visual culture, gender and self-fashioning in the Nanjing pleasure quarter." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:0da584bf-16fc-4372-8a1b-b97afd3bcf8a.

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Ma Shouzhen (1548-1604) was a cultured courtesan who lived in the famous pleasure quarter along the Qinhuai River in Nanjing, the southern capital of the Ming dynasty (1368-1644). She was talented in dance and music, painting and poetry, and surprisingly for her time, she was also a playwright. Although she was a celebrity of the prolific Nanjing cultural milieu and there is a good corpus of extant material by and about her, the particular contribution of Ma Shouzhen - her character and her work - have been marginalised, or even neglected, by the previous scholarship. This thesis is a cross-di

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Boyington, Amy. "Maids, wives and widows : female architectural patronage in eighteenth-century Britain." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/271383.

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This thesis explores the extent to which elite women of the eighteenth century commissioned architectural works and the extent to which the type and scale of their projects was dictated by their marital status. Traditionally, architectural historians have advocated that eighteenth-century architecture was purely the pursuit of men. Women, of course, were not absent during this period, but their involvement with architecture has been largely obscured and largely overlooked. This doctoral research has redressed this oversight through the scrutinising of known sources and the unearthing of new ar

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Farkhondeh, Iris. "Représentations des femmes dans la littérature sanskrite du Cachemire (VIIIe-XIIe siècles)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA140.

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La thèse présente une typologie raisonnée des personnages féminins qui apparaissent dans un corpus de quatre œuvres littéraires rédigées en sanskrit au Cachemire entre le VIIIe et le XIIe siècles : le Kuṭṭanī-mata de Dāmodaragupta, la Samaya-mātṛkā de Kṣemendra, le Kathā-sarit-sāgara de Somadeva et la Rāja-taraṅgiṇī de Kalhaṇa. Les représentations littéraires donnent à voir un large spectre de comportements et de statuts féminins. Si la conduite de certaines femmes correspond aux attentes des textes normatifs, d’autres sont tout à fait inattendues et atypiques, des aventurières parfois pittore

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Landau, Cécilia. "Les courtisanes dans la Grèce classique : entre réalité et représentation : approche prosopographique, philologique et rhétorique." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC029/document.

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L'objectif de la présente thèse est d'établir un dictionnaire de courtisanes ("hetairai") de la période classique, accompagnée de l'ensemble des textes y faisant référence. Ces sources grecques et latines, écrites de la période classique à la période byzantine, font l'objet d'une traduction française. L'enquête discute également du terme "hetaira" lorsqu'il est associé à une femme de la période classique et étudie les contextes dans lesquels il est employé. Le travail vise à comprendre ce que représente une "hetaira" pour les Grecs et cherche à mettre en lumière les mécanismes qui régissent ci

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Hunter, Lauren. "A time of passing things : an exploration of the decline and disappearance of the devadasi tradition through the medium of historical fiction." Thesis, 2002. http://hdl.handle.net/2429/12100.

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Written in the form of an historical fiction, this thesis explores the multiple influences that were active in the lives of temple dancers in Southern India from 1861 to 1947. It addresses the question of whether or not the devadasis were prostitutes, placing this debate in the context of conflicting colonial, Hindu and reform movement pressures, influences directing the decline and disappearance of the temple dancing tradition. In gathering information about this period, I have drawn from three main sources: colonial literature of the time, modern feminist research, and dance scholarsh

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I-LingTsai and 蔡依玲. "A Study of the 〝Ci〞 Poetry Regarding the Courtesans During the Ming Dynasty." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/78298506405397894094.

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碩士<br>國立成功大學<br>中國文學系碩博士班<br>99<br>The abundance of literary creations by courtesans during the Ming dynasty was a significant phenomenon contributed by several factors, such as a more open social atmosphere, the popularity and advancement of publishing techniques, and the promotion by literati. This thesis uses Quan mingci and Quan mingci bubian as the major sources of reference, and several other collections during the Ming as supplementary sources. According to my statistics, 87 of the ci writers in these collections are courtesans; they contribute to 351 pieces of ci works. The other write

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Chia-HuiChen and 陳佳慧. "A Study of the “Ci” PoetryRegarding the courtesans During the earlier Song Dynasty." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/69992190352278003103.

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碩士<br>國立成功大學<br>中國文學系碩博士班<br>101<br>The scholars’ life tightly connected to the “Ci” due to the economic and social background of the earlier SongDynasty. The raise of the Ci Poetries also related to the scholars and the “Ci”. The amount of the Ci Poetries which related the “Ci” are quite impressive. This article includes 475 poetries from “Quan Song Ci” and some “Ci”’ productions. From the process of collecting, analyzing, and discussing these poetries, we would like to discover the thoughtfulness and characteristic of these poetries, and the influence of the poetries to the society. Finally,

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Chen, Yi-Shiu, and 陳羿秀. "The image of famous courtesans in“ Shikidookagami” and “Hankyozakki” －The contraction of Yoshino and Li Xiang Jun －." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/05194848938372940480.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>96<br>Although Yoshino and Li Xiang Jun lived in the same 17th century, they were brought up into two different countries, Japan and China, lived in two different backgrounds of the Japanese Edo period and at the turn of the Chinese Ming and Qing periods, and therefore also the expectations of the contemporary men of culture towards them as famous courtesans were entirely different. Characteristic features of the two ourtesans were “benevolence” and “chivalry”, but why has these two features taken the main place in the aesthetics of that time? At the beginning of th

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Sullivan, Courtney Ann. "Classification, containment, contamination, and the courtesan the grisette, lorette, and demi-mondaine in nineteenth-century French fiction /." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116197.

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CHEN, HSIEN-YI, and 陳憲儀. "The Study of Courtesan Novels in Tang Dynasty." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/f9dyf2.

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Shiu, Ia-Uen, and 徐雅文. "Topic Consciousness and Plot Mode in the Late Qing Courtesan Novels." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/46605114705419552773.

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碩士<br>淡江大學<br>中國文學系研究所<br>83<br>To an unsuccessful intellectual person of Chinese feudalism, a prostitute often turns to be a friendly parly he seeks for as a spiritual companion in general. An intellectual person and prostitute share sentiments as both being unsuccessful parties but not fully in commercial business relationship. But after formaton of modern capitalism system, strong trade nature has been gradually increased. In a brothel, mutual political, social and ethical interaction is developed where money, power and lust chases one after another. A brothel seems to be a window to look a

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Yang, Li. "Mirroring the Wu School: Ma Shouzhen's Orchid Painting." Master's thesis, 2010. http://hdl.handle.net/10048/1495.

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Ma Shouzhen (1548-1604), one of the most acclaimed courtesans at the Qinhuai pleasure quarters in the late-Ming period, is well-known for her orchid paintings in Chinese art history. This thesis explores the courtesan-painters success in the courtesan world and in the male-dominated history of Chinese art, with its focus upon the artistic interactions between Ma Shouzhen and her lifelong lover Wang Zhideng (1535-1612), an exponent of the Wu School literati painting. This thesis argues that it was Wang Zhideng in particular who played a crucial role in constructing the courtesans image and pos

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Zhang, Han. "Shanghai: Mundane flowers. An analysis of Shanghai courtesan novels at the turn of the 20th century." Thesis, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1464551.

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Wang, Jing. "Courtesan culture in the "Beili zhi" (Records of the Northern Quarter) in the context of Tang tales and poems /." 2009. http://www.library.wisc.edu/databases/connect/dissertations.html.

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CESARINO, LOREDANA. "Poesie di cortigiane Tang nel “Quan Tangshi” 全唐詩 tra realtà storica e rappresentazione letteraria". Doctoral thesis, 2013. http://hdl.handle.net/11573/1133873.

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La tesi si concentra su un gruppo di 21 cortigiane (ji 妓) Tang (618-907) e discute la paternità delle poesie loro attribuite nel Quan Tangshi 全唐詩 (“Poesie complete dei Tang”) alla luce degli studi sull’attendibilità del canone poetico dell’epoca. In particolare, la ricerca separa la “realtà storica” (voci di cortigiane Tang) dalla “rappresentazione letteraria” (voci maschili o anonime camuffate da cortigiane Tang) e sostiene l’ipotesi secondo la quale l’immagine di queste donne trasmessa e canonizzata nei secoli dalle fonti cinesi sia figlia di pratiche editoriali messe in atto da autori ed ed

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Paterson, Susanne F. C. "Exchanging blows and courtesies status and conduct in Bonduca, A king and no king, and The nice valour /." 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3034945.

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Szurlej, Tatiana. "Tradycja, stereotyp, manipulacja : postać kurtyzany w indyjskiej literaturze i kinie popularnym." Praca doktorska, 2015. https://ruj.uj.edu.pl/xmlui/handle/item/45109.

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Huang, Tzu-Chun, and 黃子純. "Courtesan Novels in the Early Stage of the Late Qing Dynasty for Imitation and Reconstruction of Human Novels-" Fengyue Meng " and " Pinhua Baojian " as Examples." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/k854py.

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博士<br>淡江大學<br>中國文學系博士班<br>104<br>Most of the studies on Courtesan Novels are recent and focus on Haishanghua Liezhuan and the later works. However, there are many researchers staging Courtesan Novels to Early and Late Stage for discussing. Besides, Lu Xun and the other researchers find the relevance between Courtesan Novels in the early stage and Family-Society novels, especially the Courtesan Novels in the early stage inherited from Family-Society novels, different to the late stage, which is written based on the era of social change. Therefore, Haishanghua Liezhuan couldn’t be the representa

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Rodrigues, Ana Catarina Ferreira. "A empatia histórica sobre o quotidiano cortesão medieval: um estudo com alunos do 10º ano do Ensino Secundário." Master's thesis, 2017. http://hdl.handle.net/1822/57993.

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Relatório de estágio de mestrado em Ensino de História no 3º ciclo do Ensino Básico e no Ensino Secundário<br>Através de quatro tarefas procurou perceber-se o nível de empatia histórica que os alunos de uma turma de ensino secundário, 10º ano, possuíam relativamente aos indivíduos que vivenciavam a cultura cortesã medieval. O estudo centra-se principalmente nas práticas festivas bem como na produção escrita medieval, principalmente a poesia trovadoresca e os romances de cavalaria. A partir da questão orientadora de todo o projeto “Que tipo de empatia histórica os alunos apresentam relativamen

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