Relevant bibliographies by topics / Courtly love; Cancionero poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Courtly love; Cancionero poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Courtly love; Cancionero poetry"

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Yoonhee Park. "Courtly Love Poetry: Language for Seduction." Medieval and Early Modern English Studies 15, no. 2 (2007): 355–82. http://dx.doi.org/10.17054/memes.2007.15.2.355.

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Ecklund Farrell, Dianne. "Rear Cover: Courtly Love in the Caucasus: Rustaveli’s Georgian Epic, The Knight in the Panther Skin." Carl Beck Papers in Russian and East European Studies, no. 2205 (November 13, 2012): A. http://dx.doi.org/10.5195/cbp.2012.193.

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The Knight in the Panther Skin by Shota Rustaveli is the great medieval (ca. 1200) epic of Georgia, and its most distinctive feature is courtly or romantic love, which is its basic motivating force. This article seeks to establish in which respects The Knight in the Panther Skin resembles Western courtly love, and what the explanation for this resemblance might be. In this endeavor I have had to challenge a common (mis-) conception that Western courtly love was essentially illicit loveOne can easily demonstrate that the literary roots of The Knight in the Panther Skin lie in Persian literature
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Dahami, Yahya Saleh Hasan, and Abdullah Al Ghamdi. "MUA'LLAGAT ZOHAYR IBN ABI SOLMA: ELEGANT PIECE OF ARABIC POETRY (1)." International Journal of Applied Research in Social Sciences 3, no. 1 (2021): 1–11. http://dx.doi.org/10.51594/ijarss.v3i1.208.

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Zohayr ibn Abi Solma is identified as an eminent poet who produced poetry distinguished with preeminence in courtly and virtuous love. The study employs an analytical and critical methodology, attempting to elucidate the influence of virtuous love narrated by the poet in the first verse lines of his great Mua'llagah. It commences with a terse introductory synopsis shedding light on the importance of classical Arabic and its involvement with poetry. The paper attempts to prove, via the poetry of Zohayr ibn Abi Solma, the greatness of the Arabic classical poetry and demonstrate the aptitudes of
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Eckhardt, Joshua. ""Love-song weeds, and Satyrique thornes": Anti-Courtly Love Poetry and Somerset Libels." Huntington Library Quarterly 69, no. 1 (2006): 47–66. http://dx.doi.org/10.1525/hlq.2006.69.1.47.

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Prats, Arturo. "The love poetry of Shelomoh ben Reuben Bonafed: Hebrew poems and courtly love." Journal of Medieval Iberian Studies 3, no. 2 (2011): 149–63. http://dx.doi.org/10.1080/17546559.2011.610173.

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Khoddam, Salwa. "The God Amor, the Cruel Lady, and the Suppliant Lover: C.S. Lewis and Courtly Love in Chapter One of The Allegory of Love." Journal of Inklings Studies 3, no. 2 (2013): 153–81. http://dx.doi.org/10.3366/ink.2013.3.2.9.

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Lewis’s “effort of the historical imagination” in The Allegory of Love: A Study in Medieval Tradition—commensurate with his innate romanticism—bolstered by like-minded writers as his sources, resulted in his reconstructing of Courtly Love and its characters as a fantasy. While this approach limited his understanding of Courtly Love, its origins and its relationship to marriage and adultery, it allowed him to create a mythology of a Religion of Love: a “quasi-religion” of “service love” between a chevalier/poet and his sovereign lady, under the auspices of the god Amor. This view would elevate
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Smith, Daniel Starza. "Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry." English Studies 92, no. 8 (2011): 924–25. http://dx.doi.org/10.1080/0013838x.2011.620260.

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Pintarič, Miha. "Hate Speech and French Mediaeval Literature." Acta Neophilologica 51, no. 1-2 (2018): 63–70. http://dx.doi.org/10.4312/an.51.1-2.63-70.

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Hate speech is spoken or written word which expresses a hostile attitude of a dominating majority towards any kind of minority. The author analyses a few examples of hate speech in literary history and concludes that such a phenomenon is typical of The Song of Roland, whether uttered in a direct way or spoken between the lines. One will expect hate speech in epic and heroic poetry, less in the Troubadour poetry. Yet we come across this awkward characteristic even in their love poetry. To be quite clear, in the poetry of Bernart de Ventadorn. The last part of the article is about the courtly ro
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Alareer, Refaat, Noritah Omar, and Hardev Kaur. "A Bakhtinian Reading of John Donne’s Parody Poem “The Bait”." Advances in Language and Literary Studies 8, no. 1 (2017): 200. http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.200.

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While conventional critics seek the comic aspect of parody, modernist critics credit parody with questioning mainstream literary trends and subverting literary production. For instance, Mikhail Bakhtin believes in parody’s power to create “a decrowning double” by turning the official worldview up-side-down. For experimental poets like John Donne, parody transcends mere comical imitation into a serious practice. Donne, having lived in the heyday of the Renaissance with its overemphasis on decorum and courtly love, sought refuge in parody to resist and disturb existing norms of versification and
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Bajetta, C. M. "JOSHUA ECKHARDT, Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry." Notes and Queries 57, no. 4 (2010): 584–86. http://dx.doi.org/10.1093/notesj/gjq154.

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Dissertations / Theses on the topic "Courtly love; Cancionero poetry"

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Del, Pulgar Manuel-Jesús Moreno García. "La poesía de Nicolás Núńez." Thesis, Durham University, 1996. http://etheses.dur.ac.uk/5199/.

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An exponent of the much maligned form cancionero poetry, Nicolás Núńez was one of the few poets writing in this genre who received some recognition. Some years ago Keith Whinnom produced and edition of Continuación of Cárcel de Amor, Nicolás Núńez's poetic works however remain almost entirely unstudied. The aim of this thesis is to produce a critical study and edition of the poetry of Nicolás Núńez, who epitomises a generation of writers devoted to the game of poetry or the game of love. Exploring this definition of love as a 'courtly pastime', I have sifted the formulaic critical appraisal of
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McCullough, Eleanor G. ""Except you ravish me" [microform] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric "In a valey of this restles mynde" /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p048-0326.

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O'Brien, Erica F. ""FLIPPING THE SCRIPT": FEMININE CULPABILITY MODELS IN FIFTEENTH-CENTURY IBERIAN TEXTS." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/577421.

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Spanish<br>Ph.D.<br>This dissertation explores the ways in which feminine culpability is verbally articulated by the male courtly lover to his beloved lady within the amorous relationship in three fifteenth-century Spanish sentimental novels: Diego de San Pedro’s Cárcel de amor, published in 1492, and two of Juan de Flores' sentimental novels, Grimalte y Gradissa and Grisel and Mirabella, both published in approximately 1495, and how these motifs of feminine culpability are subverted in the anonymous fifteenth-century Catalan chivalric novel Curial e Güelfa. This subversion of culpability moti
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McCullough, Eleanor G. "Except you ravish me [electronic resource] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric In a valey of this restles mynde /." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.

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Hostert, Thomas. "L'amor cortese provenzale fra hohe Minne e dolce stil novo." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79948.

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In this thesis, a literary historic path on the development of the lyric expression of courtly love will be created. The path will take us from the Provence through Germany and Sicily, and up to the Tuscany of the thirteen's century. The poetic characteristics of the hohe Minne and dolce stil novo will be particularly highlighted in order to facilitate the comprehension of their similarities and differences. It is understood that it will not be possible to offer a complete interpretation of the two lyric expressions. Rather, this thesis wishes to offer a basis for the development of fur
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Rueda, Sánchez Marina. "«En cada desdén un rayo»: la impronta del amor cortés en la lírica áurea española." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/671087.

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El amor cortés puede considerarse una revolución en la lírica profana de tipo amoroso que nació en las cortes occitanas del siglo XII y se extendió rápidamente por el país galo hasta pro- pagarse por toda la Europa medieval. La influencia de esta nueva forma poética de entender el amor y a la mujer resulta ostensible en múltiples manifestaciones líricas tanto en la época que la vio nacer como en siglos posteriores, lo cual se observa, especialmente, en la poesía amorosa del Siglo de Oro español, donde los paralelismos entre la corriente trovadoresca y la lírica del mentado siglo afloran prácti
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Säll, Ellen. "Att älska högt och på avstånd : En komparativ analys av kärleksuttrycket inom hövisk kärlek och klassisk persisk poesi av Jalal al-din Rumi och Fakhr al-din Araqi." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-183001.

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This essay aims to examine the expressions of love in classical Persian poetry and the European, medieval courtly love. The main focus is to analyze the Persian divine love using a selection of poems from Jalal al-din Rumis Vassflöjtens sång and Fakhr al-din Araqis Gnistornas bok, both translated and commented by Ashk Dahlén. The method used for this study is to analyze the Persian divine love with the perspective of the courtly love using the questions how the love in the poems are expressed and how it relates to the rules of courtly love. The knowledge behind the Persian poetry is mostly pro
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Jaluška, Matouš. "Dvorná láska v kontextu herních aspektů dvorské kultury (Cantigas de Santa Maria a trubadúrský zpěvník R)." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-357878.

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1./1 Courtly Love in the context of ludic elements of courtly culture (Cantigas de Santa Maria and the troubadour chansonnier R) Matouš Jaluška Abstract Dissertation Courtly Love in the context of ludic elements of courtly culture (Cantigas de Santa Maria and the troubadour chansonnier R) strives to refine on the common notion that the me- dieval courtly poetry is a kind of game. It is based in the tradition of thinking about playing, which is based on the essay Homo ludens of Johan Huizinga and continues through works of Roger Cailloise, Jacques Henriot and Eugen Fink to the current trend of
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VELICKÁ, Olga. "Minnesang a dvorská literatura na dvoře posledních Přemyslovců a prvních Lucemburků." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-119457.

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Qualifying work has interdisciplinary charakter. This work is concentrate on knowledge of history and culture of age last members of Přemysl´s dynasty and the first members of Luxembourg´s dynasty. The primary aim of work is to identify the conditions under which there is courtly literature and minnesing on the courts of these rulers. Next aim is using the comparative method to define the basic topics in prose and poetry. The secondary aim is recognizing influence of German and Latin literature domestic and foreign on literature written in Czech. The work ?Minnesing and court literature at the
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Books on the topic "Courtly love; Cancionero poetry"

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Castillo, Hernando del. Cancionero general. Editorial Castalia, 2004.

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Castillo, Hernando del. Cancionero general. Editorial Castalia, 2004.

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Estudio biográfico sobre los poetas del Cancionero general. Consejo Superior de Investigaciones Científicas, 2007.

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Rodríguez, Óscar Perea. Estudio biográfico sobre los poetas del Cancionero general. Consejo Superior de Investigaciones Científicas, 2007.

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Bahler, Ingrid. Of kings and poets: Cancionero poetry of the Trastámara courts. P. Lang, 1992.

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Agudeza y retórica en la poesía amorosa de cancionero. Universidade de Santiago de Compostela, 1995.

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Christine. Le livre du duc des vrais amans. Medieval and Renaissance Texts and Studies, 1995.

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editor, Demartini Dominique, and Lechat Didier editor, eds. Le livre du duc des vrais amants. Honoré Champion, 2013.

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Christine. Le livre duduc des vrais amans. Medieval and Renaissance Texts and Studies, 1995.

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Cherchi, Paolo. Andreas and the ambiguity of courtly love. University of Toronto Press, 1994.

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Book chapters on the topic "Courtly love; Cancionero poetry"

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Birrell, Anne M. "The Dusty Mirror: Courtly Portraits of Woman in Southern Dynasties Love Poetry." In Expressions of Self in Chinese Literature, edited by Robert E. Hegel and Richard C. Hessney. Columbia University Press, 1985. http://dx.doi.org/10.7312/hege91090-004.

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Reynaert, J. "Hadewijch: mystic poetry and courtly love." In Medieval Dutch Literature in its European Context. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511553967.015.

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"‘Words of Seduction’: Courtly Love Poetry." In Sex and Eroticism in Mesopotamian Literature. Routledge, 2013. http://dx.doi.org/10.4324/9780203414286-23.

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Eckhardt, Joshua. "Epilogue: Redeploying Anti‐Courtly Love Poetry Against the Protectorate." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0006.

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Eckhardt, Joshua. "The Politics of Courtly and Anti‐Courtly Love Poetry in the Hands of Collectors." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0002.

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Eckhardt, Joshua. "‘Love‐song weeds, and Satyrique thornes’: Anti‐Courtly Love Poetry and Somerset Libels." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0003.

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Eckhardt, Joshua. "The Literary and Political Activity of Manuscript Verse Collectors." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0001.

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Eckhardt, Joshua. "The Spanish Match and the History of Sexuality." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0004.

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Eckhardt, Joshua. "Verse Collectors and Buckingham's Assassination." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0005.

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Dickason, Kathryn. "Romancing the Dance." In Ringleaders of Redemption. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197527276.003.0007.

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This chapter addresses the relationship between religion and dance in popular, vernacular literature. While some scholars view secular and religious works as separate, unrelated phenomena, I demonstrate how medieval romances co-opted sacred dance motifs. In these texts, dance functioned as a ritual, deifying courtly love (including troubadour lyric) and conferring a sacred aura onto courtliness. The first section uses Guillaume de Lorris’s section of Le Roman de la Rose (The Romance of the Rose) to show how dance in romance championed aristocratic values (including the chivalry of medieval knights), the gift economy, and enchantment. The second section focuses on Jean de Meun’s section of Le Roman de la Rose. It shows how Jean co-opted the Rose’s dance content to critique the project of courtly love. The third section analyzes Dante’s poetry from the Paradiso (Paradise), in which the poeticization of dance enabled Dante to best express divine love.
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