Relevant bibliographies by topics / Couvent Sainte Marie de la Tourette

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Couvent Sainte Marie de la Tourette'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Couvent Sainte Marie de la Tourette"

1

Alison, Aurosa, and Gioconda Cafiero. "L’Esprit du Sacré: Le Corbusier and the necessary Utopia of Sainte Marie de La Tourette." Resourceedings 2, no. 3 (November 17, 2019): 141. http://dx.doi.org/10.21625/resourceedings.v2i3.641.

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“L’homme qui recherche l’harmonie a le sens du sacré”. In this way Le Corbusier claims the main difference between holiness and spirituality. In the omitted comparison, it is clear that the Architect's main interest is to highlight the strong laical and spiritual character of which is harmonious both in Nature and Architecture. Thanks to this approach, the democratic reception of the spiritual feeling overcomes the sacred one which remains linked to semantics stratifications that still require interpretation. In order to develop a democratic vision to community life, Le Corbusier entrusts the rules of a daily living, with the contingent possibilities of a community such as the Dominican one and also with the need to individual seclusion, celebrating immanence and silence. “Loger dans le silence des hommes de prière et d’étude et leur construire une église”.The celebration of both prayer and community life is what Le Corbusier wants to achieve, without distracting attention from the main purpose of the spiritual and individual growth, that nourishes the utopian function of this project. This shares a common research with the other architectures conceived for a community life such as l’Unité d’Habitation or the Swiss Pavilion. This is the way the liturgical spaces welcome daily life evaluating un homme de 24 heures, arranging an hermeneutical relationship between places for gathering and meditation. From this we can acknowledge that architecture of the Le Corbusier’s Convent, allows holy inspirational feelings among liturgical and environmental spaces. All this is due to an hard intellectual work based on humanism, far from faith, but open to spiritual values and mystical feelings which place Beauty as an existential motivation for a religious work, including human dimension and the answers to his needs.
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CROSSLEY, C. "Review. Le Corbusier et l'architecture sacree. Sainte-Marie-de-la-Tourette-Eveux. Biot, Francois, Perrot, Francoise et al." French Studies 41, no. 4 (October 1, 1987): 490. http://dx.doi.org/10.1093/fs/41.4.490-a.

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Guégan, Catherine. "Le couvent de la Visitation Sainte-Marie de Fourvière (Lyon, Rhône)." In Situ, no. 11 (July 22, 2009). http://dx.doi.org/10.4000/insitu.5620.

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Dissertations / Theses on the topic "Couvent Sainte Marie de la Tourette"

1

Gunawan, Grace Amelia, and 魏美蓮. "A Study on the Characteristics of Natural Light in Sainte-Marie de La Tourette." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/em7wqm.

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碩士
國立臺灣科技大學
建築系
107
Architecture and light are inseparable and influence each other. Natural light is an important part in architecture and often used by Le Corbusier in his works. One of his popular works is Sainte-Marie de La Tourette Monastery. Many researches have been conducted about natural light in this monastery but mostly limited on church part only. This research aims to discuss about natural light in monastery part by making simulation and to identify the light characteristics based on “Light Revealing Architecture”. Seven parts are chosen to be examined, which are oratory, refectory, cells, cell’s corridor, corridor, east ramp, and north ramp. It is shown that this monastery has diverse exploration of natural light inside the building. Its layout plan makes it able to receive maximal light from many directions and times. There is a unity in arranging rooms layout, apertures shape, and activities inside. The natural light characteristics of seven rooms in the monastery have their own characteristics based on their functions, supported by aperture’s form, material, and orientation. It is hoped that this study will provide a better understanding of natural light characteristics in the monastery and natural light exploration in architecture.
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Correia, Marta Nascimento Galinho 1992. "Arquitectura religiosa de Le Corbusier." Master's thesis, 2017. http://hdl.handle.net/11067/3587.

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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2017.
Exame público realizado em 30 de Outubro de 2017.
Esta investigação tem como objectivo, conhecer e compreender um pouco do percurso pessoal e profissional, do arquitecto Charles-Edouard Jeanneret - Le Corbusier, e a sua importância no panorama da arquitectura modernista do século XX. Dando particular foco ao que julgamos serem as motivações do arquitecto, em relação à elaboração das suas obras religiosas: a Capela de Notre-Dame-du-Haut Ronchamp, construída entre 1950 e 1955; e o Convento de Sainte Marie de La Tourette, cuja construção data de 1953 e 1960. A investigação destas duas obras religiosas de Le Corbusier, construídas quase no final da sua vida, baseia-se numa análise factual e pessoal, que pretende realçar o sentido de culto e sagrado inerente, e reflectir sobre as motivações do arquitecto em relação às mesmas. Desta forma a abordagem in loco das obras representadas procura analisá-las transportando-nos para a descoberta da sua essência, isto é, do que não é tangível pelo olhar. Realçando, assim, o significado destas obras como marcos da arquitectura Mundial do século XX.
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Books on the topic "Couvent Sainte Marie de la Tourette"

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Le Corbusier a La Tourette: Qualche congettura. Firenze: All'insegna del giglio, 2000.

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2

Denti, Giovanni. Le Corbusier, il convento di La Tourette. Firenze: Alinea, 1988.

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3

Thijs, Edelkoort, ed. La Tourette + Le Corbusier: L'architecture du couvent et l'attitude de l'architecture = La Tourette + Le Corbusier : the architecture of the monastery and the architect's attitude. 2nd ed. Delft: University Press, 1987.

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4

1957-, Couturier Stéphane, Hausherr Pascal, Le Corbusier 1887-1965, and Morellet François, eds. La Tourette, le cinquantenaire, 1959-2009: Rencontre Le Corbusier-François Morellet : regards contemporains. Suresnes: Couleurs contemporaines, 2009.

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5

Gobi, Jean. Miracles de Sainte Marie-Madeleine. Paris: CNRS Editions, 1996.

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6

Solange, Rostan, ed. La Basilique Sainte-Marie-Madeleine et le Couvent royal dominicain: Saint-Maximin-de-Provence. Aix-en-Provence: EDISUD, 1985.

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7

Die Kirche Sainte-Marie-Madeleine und der Dominikanerkonvent in Saint-Maximin (Provence): Studien zur Baugeschichte, Bauorganisation und Architektur am Beispiel einer königlichen Stiftung (1295-1550). Frankfurt am Main: P. Lang, 1990.

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8

Sérgio, Ferro, ed. Le Couvent de la Tourette: Le Corbusier. Marseille, France: Parenthèses, 1987.

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9

Le Corbusier: Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette (Le Corbusier Guides (englisch/französisch)). Birkhäuser Basel, 2001.

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10

François, Biot, ed. Le Corbusier et l'architecture sacrée: Sainte-Marie-de-la-Tourette-Eveux. Lyon: La Manufacture, 1985.

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Book chapters on the topic "Couvent Sainte Marie de la Tourette"

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"History of the Project." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 30–39. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.30.

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"Introduction." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 4. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.4.

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"History of the Construction Process." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 40–45. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.40.

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"The Lesson of the Monastery." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 46–65. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.46.

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"Orientation Guide Parcours de visite." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 5–29. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.5.

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"Notes." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 66–67. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.66.

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"Bibliography/Bibliographie." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 68–69. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.68.

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"Frontmatter." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 1–2. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.fm.

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"Contents." In Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette, 3. Birkhäuser, 2001. http://dx.doi.org/10.1515/9783035603149.toc.

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"Sainte Marie De La Tourette." In Studio Prix, edited by IoA Institute of Architecture, Klaus Bollinger, Roswitha Janowski-Fritsch, Anja Jonkhans, and Baerbel Mueller. Berlin, Boston: De Gruyter, 2016. http://dx.doi.org/10.1515/9783035612189-091.

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Conference papers on the topic "Couvent Sainte Marie de la Tourette"

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Klinkhammer, B. "Ineffable space: Le Corbusier’s colour schemes for the Monastery Sainte Marie de la Tourette." In STREMAH 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/str110101.

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2

Virseda Aizpun, Alejandro. "“EL PROYECTO DEL CONVENTO DE SAINTE MARIE DE LA TOURETTE. DE LA CELDA AL ESPACIO INEFABLE”." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1251.

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Resumen: En la década de los años 50 Le Corbusier realiza el convento de Sainte Marie de la Tourette reconocido por la propia Oeuvre complète como su “producción más significativa” ya que supone “una confrontación y una síntesis de su evolución desde la Cartuja de Ema, que descubriera y dibujara en Italia en 1911...” El artículo trata de revelar el sentido de esta afirmación, centrando su foco de atención en la fase de proyecto que comprende un periodo de 5 años, entre 1953 y 1957. Es en este periodo de elaboración, y desarrollo de las ideas en el Atelier de LC, previa a la acción de construir, donde se encuentran las verdaderas claves, para poder entenderla y explicarla. Los apartados del escrito se ordenan según la cronología del proyecto, y en cada uno de ellos se analizan dos conceptos característicos de la producción de LC presentes en el convento. Este procedimiento binario, es utilizado muy frecuentemente por el arquitecto para lograr que los conceptos e ideas estallen, se hagan transparentes o muestren su estructura íntima con una mayor intensidad que si se presentaran de un modo aislado, ofreciendo a la reflexión una superficie lisa imposible de morder. Abstract: In the 1950s Le Corbusier brings into being the convent of Sainte Marie de la Tourette which was recognised by the Oeuvre complète as his “most significant work” as it was “a confrontation and a synthesis of its evolution from Cartuja de Ema, that he discovered and drew in Italy in 1911…” This article attempts to reveal the meaning of this affirmation, centring the focus of its attention on the 5 year fase of the project between 1953 and 1957. It is in this period of design and development of ideas at the Atelier de LC, prior to construction, that we discover the keys to understand and explain the work. The following sections are arranged in the project’s chronological order and in each one two characteristic concepts are analysed. This binary procedure is frequently used by the architect so that the concepts and ideas explode, become transparent or show their intimate structure with a higher intensity than if they were presented in isolation, providing a deliberation like a flat surface that is impossible to bite. Palabras clave: Le Corbusier, convento; Tourette; celda; inefable. Keywords: Le Corbusier, convent; Tourette; cell; ineffable. DOI: http://dx.doi.org/10.4995/LC2015.2015.1251
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