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Relevant bibliographies by topics / Cover painting signed by author

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Academic literature on the topic 'Cover painting signed by author'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Cover painting signed by author"

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Tulić, Damir. "Cristoforo Tasca i Giovanni Battista Augusti Pitteri: nepoznate slike i njihovi naručitelji na sjevernom Jadranu." Ars Adriatica 9 (February 28, 2020): 89–106. http://dx.doi.org/10.15291/ars.2926.

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In the first two decades of the 18th century, Cristoforo Tasca (Bergamo, 1661 – Venice, 1735) produced numerous artworks for Rijeka, Krk, and Karlobag. His oeuvre has now been complemented by a signed and dated altarpiece from 1725 at the main altar of the Collegiate, today a parish church in Rijeka. The author elucidates the complex circumstances behind the construction of the main marble altar and the role of its donators, the Orlando family, who created the altar iconography as directly related to the family’s patron saints. Based on the last will of Giovanni Michele Androcha from 1728, the

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2

Osiński, Dawid Maria. "About forms of the autobiography in culture – a few approximations." Tekstualia 2, no. 61 (2020): 3–18. http://dx.doi.org/10.5604/01.3001.0014.3818.

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The editorial aims to cover the content of the presented issue of „Tekstualia”. This article tries to offer an overview of the scientifi c papers included in the „Tekstualia” issue, but also (as an introduction) offers a kind of reconnaissance which focused on different forms of the autobiography in culture in many genres (for example: diary, memoire, novel, poems, painting, movie, Instagram and others autobiographical hybrid forms). The author tries to discuss the fundamental ideas and categories which are helpful to diagnose the meaning and specifi c of modern autobiography in culture: authe

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3

Lubas-Bartoszyńska, Regina. "Tłumaczka Aleksandra Olędzka-Frybesowa jako eseistka i poetka." Przestrzenie Teorii, no. 31 (December 6, 2019): 373–86. http://dx.doi.org/10.14746/pt.2019.31.20.

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This article presents the essays and poems of Aleksandra Olędzka-Frybesowa, who was a renowned translator from French and also English. In her essays, Olędzka-Frybesowa specialises in the Romanesque and Gothic architecture and sculpture of Western Europe as well as European painting from Medieval Ages onwards. She is also familiar with the art of South-East Europe. Her essays cover literary criticism devoted especially to poetry, with a particular interest in French and mystical poetry, as well as haiku, which was also her own artistic activity. The author of this article analyses Olędzka-Fryb

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Zia Aftab Khan, Muhammad, and Ji Hyun Park. "Retraction: The effect of human capital on performance of East African commercial banks." Banks and Bank Systems 15, no. 2 (2020): 56–66. http://dx.doi.org/10.21511/bbs.15(2).2020.06.

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Retracted on the 7th of July, 2020 by the Journal’s Editor-in-Chief request dated July 3th 2020. The type of retraction – plagiarism. The Editor-in-Chief of the journal was asked to retract this article because of plagiarism. The request came from the author of the article, which was published 8 months before the retracted article was published in “Banks and Bank Systems” journal. The author(s) insisted that the article completely repeated his own, i.e. contained a high level of plagiarism that could not be corrected. Editorial staff carried out an investigation into plagiarism in the article

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Kannaiah, Desti, and T. Narayana Murty. "Retraction: Exchange rate intervention and trade openness on the global economy with reference to Brazil, Russia, India, China and South Africa (BRICS) countries." Investment Management and Financial Innovations 14, no. 3 (2017): 339–52. http://dx.doi.org/10.21511/imfi.14(3-2).2017.05.

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Retracted on the 17th of April, 2020 by the Journal’s owner request dated April 12th 2020. The type of retraction – plagiarism. The owner of the journal was asked to retract this article because of plagiarism. The request came from the author of the dissertation, which was published a year before the publication of the article. The author insisted that there was significant plagiarism in the article that could not be adjusted. Editorial staff carried out an investigation into plagiarism in the article published. When the manuscript was submitted to the Journals for consideration, the authors s

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Serwach, Małgorzata. "The Statutory Duty of Customer Needs and Requirements Assessment in Liability Insurance." Prawo Asekuracyjne 2, no. 99 (2019): 35–48. http://dx.doi.org/10.5604/01.3001.0013.5662.

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The article aims at considering the general rules for the assessment of customer needs and requirements as well as presenting the reasons for the introduction of this obligation and showing the differences between the above-mentioned legal concepts. Furthermore, the author examines the necessity to recognize the customer needs and requirements in the civil liability insurance. She emphasizes that, due to the nature of the civil liability insurance, it is a fundamental need of the liability insurance customer to conclude an insurance contract with the insurance cover as comprehensive as possibl

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Le Baillif, Anne-Marie. "The Translator’s Paradox." Interlitteraria 21, no. 2 (2017): 195. http://dx.doi.org/10.12697/il.2016.21.2.3.

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This paper will focus on the translators as their situation has proved to be more and more difficult in France. With examples, we want to consider how one’s position has evolved in the publishing world from the 16th century to the present. Looking at the 16th century, we can observe a real fever for translations of ancient texts. In the Netherlands, Italy and France, printers were translators and signed their translations with their proper name. Playwrights did the same with Latin and Greek works. For example, we know Oedipo tyranno by Giustiniani who translated Sophocles. The name of the Gree

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8

Friedemann, Karin M. "Flowers of Galilee." American Journal of Islam and Society 21, no. 4 (2004): 124–26. http://dx.doi.org/10.35632/ajis.v21i4.1759.

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Flowers of Galilee breaks new ground in modern political discourse. Thisbook recommends a democratic one-state solution in all of historicalPalestine and the return of the Palestinians to rebuild their villages. Thebeautiful front cover painting by Suleiman Mansour of Jerusalem lovinglydepicts a Palestinian family, children seated on a donkey, walking past a hillcovered with olive trees. Similarly, Israel Shamir’s essays portray the peaceful,pastoral landscape of the Holy Land and the humanity of its inhabitants,juxtaposed against the ugliness and inhumanity of Jewish racism.These thought-prov

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Black, Jeremy. "Eighteenth-Century English Politics: Recent Work." Albion 32, no. 2 (2000): 248–72. http://dx.doi.org/10.2307/4053774.

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This article is intended as a sequel to the one published in Albion 28, 4 ([Winter 1996]: 607–33). As with the earlier article, it reflects the wealth of recent scholarship and adopts a wide definition of politics, and there is a powerful element of choice and subjectivity. The last arises in part from the breadth of the subject. A definition of the political culture and process of the period that directs attention to cultural, religious, social and gender issues is not one that can be readily summarized by restricting attention to the world of Court, Parliament, and the political elite.Last t

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De Bodt, Saskia. "Borduurwerkers aan het werk voor de Utrechtse kapittel- en parochiekerken 1500-1580." Oud Holland - Quarterly for Dutch Art History 105, no. 1 (1991): 1–31. http://dx.doi.org/10.1163/187501791x00047.

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AbstractThe article starts by taking stock of research into North and South Netherlandish professional embroidery in the sixteenth and seventeenth centuries. Such embroidery, which was rarely or never signed, and much of which has been lost, has hitherto been studied largely on stylistic grounds and grouped around noted schools of painting. Classifications include 'circle of Jacob Cornelisz van Oostsanen', for instance, or 'Leiden school/influence of Lucas van Leyden'. The author advocates a more relative approach to such classification into schools. She suggests that only systematic archive r

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Book chapters on the topic "Cover painting signed by author"

1

Courts, Jennifer. "Caterina van Hemessen in the Habsburg Court of Mary of Hungary." In Women Artists in the Early Modern Courts of Europe. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462988194_ch03.

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Jennifer Courts considers the career of Caterina van Hemessen, a portraitist and a member of the court of Mary of Hungary. Her virtues as a painter were praised by contemporaries, and she is recognized by modern scholars for her artistic innovation; yet signed paintings by the artist ceased at approximately the same time she entered courtly service. Rather than viewing painting as the pinnacle of her career, the author argues that Caterina’s artistic output served as a means of social mobility. The author also suggests that van Hemessen’s activities created opportunities for subsequent artists, notably Sofonisba Anguissola, who arrived at the Habsburg court in Spain after shortly after van Hemessen’s departure in 1558.

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