Journal articles on the topic 'COVIS'
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Edmunds, CER, Andy J. Wills, and Fraser Milton. "Initial training with difficult items does not facilitate category learning." Quarterly Journal of Experimental Psychology 72, no. 2 (2018): 151–67. http://dx.doi.org/10.1080/17470218.2017.1370477.
Full textMilton, Fraser, and Emmanuel M. Pothos. "Category structure and the two learning systems of COVIS." European Journal of Neuroscience 34, no. 8 (2011): 1326–36. http://dx.doi.org/10.1111/j.1460-9568.2011.07847.x.
Full textGomez, Louis M., J. Barry Fishman, and D. Roy Pea. "The CoVis Project: Building a Large-Scale Science Education Testbed*." Interactive Learning Environments 6, no. 1-2 (1998): 59–92. http://dx.doi.org/10.1076/ilee.6.1.59.3608.
Full textIsmail, Amrizarois, Dhiyan Krishna Wardhani, Lintang Jata Angghita, and Rr M. I. Retno Susilorini. "PENGEMBANGAN INSTRUMEN PENINGKATAN KAPASITAS PEREMPUAN BERBASIS CHEKLIST DALAM UPAYA PENANGGULANGAN BENCANA PANDEMI COVID-19." KRITIS 30, no. 1 (2021): 21–34. http://dx.doi.org/10.24246/kritis.v30i1p21-34.
Full textBemis, Karen G., Deborah Silver, Guangyu Xu, et al. "The path to COVIS: A review of acoustic imaging of hydrothermal flow regimes." Deep Sea Research Part II: Topical Studies in Oceanography 121 (November 2015): 159–76. http://dx.doi.org/10.1016/j.dsr2.2015.06.002.
Full textAndriani, Meri, Asnawi, and Hanafiah. "MINIMIZING THE DISTRIBUTION OF THE COVID-19 PLAGUE THROUGH ERGONOMIC MASK DESIGN." Global Science Society: Jurnal Ilmiah Pengabdian Kepada Masyarakat 3, no. 2 (2021): 178–85. http://dx.doi.org/10.33059/gss.v3i2.3958.
Full textParker, Lee D. "Australian universities in a pandemic world: transforming a broken business model?" Journal of Accounting & Organizational Change 16, no. 4 (2020): 541–48. http://dx.doi.org/10.1108/jaoc-07-2020-0086.
Full textLinzonia, Yolanda Ulandari, and Supriyono Supriyono. "Peran Edukasi Media Sosial Bagi Masyarakat Selama COVID-19." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 7, no. 3 (2021): 195. http://dx.doi.org/10.32884/ideas.v7i3.427.
Full textPaguay Hurtado, Juan Andrés. "Desarrollo de un prototipo para la predicción de nuevos casos de covid-19 en el ecuador mediante el uso de inteligencia artificial." ConcienciaDigital 4, no. 3.1 (2021): 41–52. http://dx.doi.org/10.33262/concienciadigital.v4i3.1.1810.
Full textLiu, Jiang Sheng, and Juan Qian. "Research on Measuring Accuracy Improvement for Tool Presetter." Key Engineering Materials 572 (September 2013): 261–64. http://dx.doi.org/10.4028/www.scientific.net/kem.572.261.
Full textSabbah, Dima A., Rima Hajjo, Sanaa K. Bardaweel, and Haizhen A. Zhong. "An Updated Review on Betacoronavirus Viral Entry Inhibitors: Learning from Past Discoveries to Advance COVID-19 Drug Discovery." Current Topics in Medicinal Chemistry 21, no. 7 (2021): 571–96. http://dx.doi.org/10.2174/1568026621666210119111409.
Full textKo Ho Bin. "A Study on the Stereoscopic 3D Space." Contemporary Film Studies 8, no. 1 (2012): 154–93. http://dx.doi.org/10.15751/cofis.2012.8.1.154.
Full textHo-Young KIM. "7 significant Korean films of 2013." Contemporary Film Studies 10, no. 1 (2014): 7–10. http://dx.doi.org/10.15751/cofis.2014.10.1.7.
Full textwonseon sin. "Three Ways of Viewing Movie." Contemporary Film Studies 10, no. 3 (2014): 381–410. http://dx.doi.org/10.15751/cofis.2014.10.3.381.
Full text이경아. "Analysis on the recent Movie of Ghbli Anime, ‘Kokuriko-zaka kar’ - structure of storytelling and group consciousness." Contemporary Film Studies 9, no. 1 (2013): 221–56. http://dx.doi.org/10.15751/cofis.2013.9.1.221.
Full textLeeKijung. "Robert Gardner's (1986)." Contemporary Film Studies 9, no. 1 (2013): 257–96. http://dx.doi.org/10.15751/cofis.2013.9.1.257.
Full text조성덕. "The comparative analysis between 'Macbeth' and 'Othello' of Orson Welles." Contemporary Film Studies 9, no. 1 (2013): 297–316. http://dx.doi.org/10.15751/cofis.2013.9.1.297.
Full textPark, Ila. "Vampire Films Deconstructing Genres Through Internalization - Focusing on the changes after." Contemporary Film Studies 9, no. 1 (2013): 32–56. http://dx.doi.org/10.15751/cofis.2013.9.1.32.
Full textPark, Sang Mi. "The Fantasy about Womb of Salvation - A Study on Kim Ki-duk's Pieta." Contemporary Film Studies 9, no. 1 (2013): 5–30. http://dx.doi.org/10.15751/cofis.2013.9.1.5.
Full text서정아. "The phenomenological approach on the body in the film -Merleau-Ponty's phenomenology of the body and the image of the body in the Bresson's films-." Contemporary Film Studies 9, no. 1 (2013): 57–90. http://dx.doi.org/10.15751/cofis.2013.9.1.57.
Full text오현화. "Study of monstrous-feminine as reflected in the female body on the Korean films -A violation, separation, and disturbance-." Contemporary Film Studies 9, no. 1 (2013): 91–119. http://dx.doi.org/10.15751/cofis.2013.9.1.91.
Full textSunam Kim. "The Study on the View of Kim, Yujin’s Chungmuro Film Work." Contemporary Film Studies 9, no. 2 (2013): 113–39. http://dx.doi.org/10.15751/cofis.2013.9.2.113.
Full textDaeJeong Suh. "Cinematic Speculation for Overcoming ‘Sensori-Moteur Schéma’-Focusing on Pasolini’s free indirect discourse-." Contemporary Film Studies 9, no. 2 (2013): 141–70. http://dx.doi.org/10.15751/cofis.2013.9.2.141.
Full text이은이. "The Emergence and Definition of Screen Dance." Contemporary Film Studies 9, no. 2 (2013): 171–200. http://dx.doi.org/10.15751/cofis.2013.9.2.171.
Full text우현용. "A Study on the Representation of Korean War Widows in Films -(1955), (1959),(1966)-." Contemporary Film Studies 9, no. 2 (2013): 201–22. http://dx.doi.org/10.15751/cofis.2013.9.2.201.
Full text한상언. "A Study on the Production Designer, Yoon Sang-yeol." Contemporary Film Studies 9, no. 2 (2013): 223–54. http://dx.doi.org/10.15751/cofis.2013.9.2.223.
Full text박병윤. "War Memories and Traditions of Generations Stylized Image -Based on Theories of collective memory and the generations-." Contemporary Film Studies 9, no. 2 (2013): 255–73. http://dx.doi.org/10.15751/cofis.2013.9.2.255.
Full text이윤종. "The Taming of Not the Shrew But the Beast -Female Tamers in Contemporary South Korean Films-." Contemporary Film Studies 9, no. 2 (2013): 275–307. http://dx.doi.org/10.15751/cofis.2013.9.2.275.
Full text허은희. "‘Appropriation’ of Contents and The Crisis of ‘Originality’ in Korean Cinema." Contemporary Film Studies 9, no. 2 (2013): 31–59. http://dx.doi.org/10.15751/cofis.2013.9.2.31.
Full text최수임. "Filmic Magic -The Magical Reality in the Films of the 2000s focusing on Die innere Sicherheit and Le Temps qui reste-." Contemporary Film Studies 9, no. 2 (2013): 5–29. http://dx.doi.org/10.15751/cofis.2013.9.2.5.
Full text정은정. "Zhang Lu’s Film Aesthetics from the Viewpoint of Neo-realism’s Aesthetic Orientation." Contemporary Film Studies 9, no. 2 (2013): 61–88. http://dx.doi.org/10.15751/cofis.2013.9.2.61.
Full text박철웅. "A Study on the Formal Style and World-view of Carlos Reygades’s Silent Light -Focusing on comparison with Carl TH. Dreyer’s Ordet-." Contemporary Film Studies 9, no. 2 (2013): 89–112. http://dx.doi.org/10.15751/cofis.2013.9.2.89.
Full textSunjoo Lee. "Beyond the ‘Loneliness of the Dying’ -On the Essayistic Modes of Nobody’s Daughter Haewon-." Contemporary Film Studies 10, no. 1 (2014): 11–29. http://dx.doi.org/10.15751/cofis.2014.10.1.11.
Full textWoojin Chang. "Jiseul as Their Own Story about Folktales, Land, and Motherhood." Contemporary Film Studies 10, no. 1 (2014): 111–34. http://dx.doi.org/10.15751/cofis.2014.10.1.111.
Full text맹수진. "A Study on the Distance with the Subject Which was Represented in SCENERY -Focusing on the documentary SCENERY(2013) by Zhang Lu-." Contemporary Film Studies 10, no. 1 (2014): 135–51. http://dx.doi.org/10.15751/cofis.2014.10.1.135.
Full textKim Gong-Sook. "A Study on Intertextuality of A Werewolf Boy - In terms of a comparative analysis with Edward Scissorhands -." Contemporary Film Studies 10, no. 1 (2014): 155–96. http://dx.doi.org/10.15751/cofis.2014.10.1.155.
Full text박수미. "The Literal Art on Big Screen -Gains and Losses, A Study on Lolita-." Contemporary Film Studies 10, no. 1 (2014): 197–228. http://dx.doi.org/10.15751/cofis.2014.10.1.197.
Full textLee, Eun Yi. "The Cinema Philosophy of Deleuze as a Methodology of Reading Screen Dance." Contemporary Film Studies 10, no. 1 (2014): 229–63. http://dx.doi.org/10.15751/cofis.2014.10.1.229.
Full text최수임. "Human Presence in Hyperreal Cinema: Ulrich Seidl’s Film Aesthetics -From the Perspective of Alain Badiou’s Thought of Cinema, Focusing on Paradies: Hoffnung-." Contemporary Film Studies 10, no. 1 (2014): 265–92. http://dx.doi.org/10.15751/cofis.2014.10.1.265.
Full textChungbeom Ham. "A study on the peculiarity of way and effect of representation Japan in (Kim Gi-yeong, 1961)." Contemporary Film Studies 10, no. 1 (2014): 293–323. http://dx.doi.org/10.15751/cofis.2014.10.1.293.
Full textHyejin Hwang. ", Life and Art in Dialectic-relationship." Contemporary Film Studies 10, no. 1 (2014): 31–50. http://dx.doi.org/10.15751/cofis.2014.10.1.31.
Full text한상언. "Anxiety on the Korean Peninsula Looked at through Berlin." Contemporary Film Studies 10, no. 1 (2014): 51–67. http://dx.doi.org/10.15751/cofis.2014.10.1.51.
Full textmun gwan gyu. "The Summoning of the History and Traditional Seonbi Sprit, the Power of the Truth -Yangwooseok’s “The Attorney”-." Contemporary Film Studies 10, no. 1 (2014): 69–93. http://dx.doi.org/10.15751/cofis.2014.10.1.69.
Full text이수진. "Cinematographic Representation of Movement in the Snowpiercer (2013)." Contemporary Film Studies 10, no. 1 (2014): 95–110. http://dx.doi.org/10.15751/cofis.2014.10.1.95.
Full textHyeYoung CHO. "An Alchemy between Global Female Labor and Commodity-image in Mika Rottenberg’s Squeeze." Contemporary Film Studies 10, no. 2 (2014): 127–57. http://dx.doi.org/10.15751/cofis.2014.10.2.127.
Full text서대정. "An Analysis of Film Language of John Cassavetes` Films." Contemporary Film Studies 4, no. 1 (2008): 101–28. http://dx.doi.org/10.15751/cofis.2008.4.1.101.
Full text윤성은. "A Study on the Nationalism of Contemporary Chinese Films -Focus on the historic martial arts trilogy of Zhang Yimou-." Contemporary Film Studies 4, no. 1 (2008): 129–52. http://dx.doi.org/10.15751/cofis.2008.4.1.129.
Full textMinyong Jang. "The Cinematic Representation of Memory in American Avant-Garde Cinema." Contemporary Film Studies 4, no. 1 (2008): 153–76. http://dx.doi.org/10.15751/cofis.2008.4.1.153.
Full textMinah Jeong. "Cruel Days of Youth, Korean Japanese Cinema`s Diaspora and Postcolonial Resistance -Focusing on Go, Blood and Bones, We Shall Overcome Someday-." Contemporary Film Studies 4, no. 1 (2008): 177–94. http://dx.doi.org/10.15751/cofis.2008.4.1.177.
Full textTae Soo Chung. "The Question of the Historical Identity and Anxiety about Fascism: New German Cinema (1962-1982)." Contemporary Film Studies 4, no. 1 (2008): 195–222. http://dx.doi.org/10.15751/cofis.2008.4.1.195.
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