Academic literature on the topic 'Cowley, Malcolm'

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Journal articles on the topic "Cowley, Malcolm"

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Holditch, W. Kenneth, and Thomas Daniel Young. "Conversations with Malcolm Cowley." South Central Review 4, no. 2 (1987): 116. http://dx.doi.org/10.2307/3189175.

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Poland, Tim, and Hans Bak. "Malcolm Cowley: The Formative Years." American Literature 66, no. 1 (1994): 185. http://dx.doi.org/10.2307/2927464.

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Shi, David E. "A Critical Friendship Kenneth Burke and Malcolm Cowley." American Literary History 1, no. 4 (1989): 920–31. http://dx.doi.org/10.1093/alh/1.4.920.

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Hazlett, John Downton. "The American Generational Autobiography: Malcolm Cowley and Michael Rossman." Prospects 16 (October 1991): 421–42. http://dx.doi.org/10.1017/s0361233300004610.

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In the prologue to his 1951 revision of Exile's Return, Malcolm Cowley (Figure 1) described the first edition of 1934 as “the story of the lost generation” written “while its adventures were still fresh in my mind.”He then added, “since I had shared in many of the adventures I planned to tell a little of my own story, but only as an illustration of what had happened to others.” In fact, this modest description of his method drastically understates the importance of Cowley's own life in the originalstory. In the first edition, he does combine stretches of narrative about his own life — includin
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Cott, Nancy F. "Revisiting the Transatlantic 1920s: Vincent Sheean vs. Malcolm Cowley." American Historical Review 118, no. 1 (2013): 46–75. http://dx.doi.org/10.1093/ahr/118.1.46.

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Poland, Tim, and Paul Jay. "The Selected Correspondence of Kenneth Burke and Malcolm Cowley, 1915-1981." American Literature 61, no. 3 (1989): 505. http://dx.doi.org/10.2307/2926862.

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Travis, Trysh. "The Man of Letters and the Literary Business: Re-viewing Malcolm Cowley." Journal of Modern Literature 25, no. 2 (2001): 1–18. http://dx.doi.org/10.2979/jml.2001.25.2.1.

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Travis, Trysh. "The Man of Letters and the Literary Business: Re-viewing Malcolm Cowley." Journal of Modern Literature 25, no. 2 (2001): 1–18. http://dx.doi.org/10.1353/jml.2003.0011.

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Madsen, Michael. "Hans Bak's (ed.) The Long Voyage: Selected Letters of Malcolm Cowley, 1915-1987." American Studies in Scandinavia 46, no. 1 (2014): 125–28. http://dx.doi.org/10.22439/asca.v46i1.5155.

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Bak, Hans. "For the Nation and the World: Malcolm Cowley, the Making of American Literature and the Cultural Cold War." International Journal for History, Culture and Modernity 7, no. 1 (2019): 1008–37. http://dx.doi.org/10.18352/hcm.596.

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In this essay I examine the extent to which Malcolm Cowley’s mid-century efforts on behalf of ‘the making of American literature’ – as critic, editor, publisher’s advisor and literary gatekeeper – dovetailed with the aims of U.S. cultural diplomacy and (wittingly or unwittingly) played a part in the ‘cultural Cold War’. I analyze in particular ‘American Books Abroad’, Cowley’s concluding chapter to Literary History of the United States (1948), and examine his role as guest editor and critic of the Autumn 1953 issue of Perspectives USA, a quarterly launched by James Laughlin of New Directions a
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Dissertations / Theses on the topic "Cowley, Malcolm"

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Bak, Joannes Theodorus Jozef. "Malcolm Cowley : the formative years : 1898-1930 /." Nijmegen : Netherlands : l'auteur, 1988. http://catalogue.bnf.fr/ark:/12148/cb34959546c.

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Kilic, Adam. "On the Road to the Market : Kerouac, Revisions, and Market Forces." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-118164.

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The publication of the thitherto unavailable original scroll of On the Road in 2007 marked a decisive point for Beat scholarship. Enabling line-by-line comparison, the two versions could suddenly be placed under proper scrutiny, and Kerouac’s revisions set up against the established myth of the novel’s creation. How should we understand the revisions? To supply a contribution to an answer, this paper will map the artistic as well as personal trajectory of Jack Kerouac throughout the 1950s. Basing my analysis largely on correspondence, I will show how Kerouac constantly oscillated between diffe
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Bacalski, Cherise Marie. "Towards a Consummated Life: Kenneth Burke's Concept of Consummation as Critical Conversation and Catharsis." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3931.

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Consummation was the one term about which Kenneth Burke wasn't particularly long-winded - odd considering his claim that it was the apex of his theory of form. Perhaps Burke never explained exactly what consummation was because he himself was never clear on the subject, as he told John Woodcock in an interview toward the end of his career. Burke began conceptualizing his theory of form early on - in his 20s - and published it in his first critical book, Counter-Statement, in 1931. At that time, Burke's theory of form had already taken one evolutionary step - from self-expression, with the focu
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Books on the topic "Cowley, Malcolm"

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1919-, Young Thomas Daniel, ed. Conversations with Malcolm Cowley. University Press of Mississippi, 1986.

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W, Faulkner Donald, ed. The portable Malcolm Cowley. Viking Penguin, 1990.

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Cowley, Malcolm. The portable Malcolm Cowley. Penguin Books, 1990.

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Cowley, Malcolm. The portable Malcolm Cowley. Viking, 1990.

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W, Faulkner Donald, ed. Thep ortable Malcolm Cowley. Viking, 1990.

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Bak, Hans. Malcolm Cowley: The formative years. University of Georgia Press, 1993.

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Malcolm, Cowley, and Jay Paul, eds. The selected correspondence ofKenneth Burke and Malcolm Cowley, 1915-1981. University of California Press, 1990.

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Burke, Kenneth. The selected correspondence of Kenneth Burke and Malcolm Cowley, 1915-1981. Viking, 1988.

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Kempf, James Michael. The early career of Malcolm Cowley: A humanist among the moderns. Louisiana State University Press, 1985.

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The early career of Malcolm Cowley: A humanist among the moderns. Louisiana State University Press, 1985.

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Book chapters on the topic "Cowley, Malcolm"

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Qabaha, Ahmad Rasmi. "Voluntary/Involuntary Departures: The Complications of Exile and Belonging in Malcolm Cowley and Fawaz Turki." In Exile and Expatriation in Modern American and Palestinian Writing. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91415-2_2.

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"Malcolm Cowley, Review, 'new Republic', April 1941." In W.H. Auden. Routledge, 2002. http://dx.doi.org/10.4324/9780203198513-70.

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"Malcolm Cowley, Review, 'new Republic', Sep-tember 1934." In W.H. Auden. Routledge, 2002. http://dx.doi.org/10.4324/9780203198513-40.

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"Malcolm Cowley, Beyond Poetry, 'New Republic', June 1943." In T.S. Eliot Volume 2. Routledge, 2002. http://dx.doi.org/10.4324/9780203197479-48.

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Gardner, Sarah E. "Mr. Cowley’s Southern Saga." In Faulkner and History. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496809971.003.0011.

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This chapter reexamines Malcolm Cowley's efforts to resuscitate Faulkner's reputation by moving our attention away from the Faulkner who earned the esteem of influential critics. Instead, it looks at the ways in which Cowley used Faulkner to write a version of southern history that met the demands of a wartime book industry. The Faulkner that emerges from Cowley's Portable Faulkner was not the purveyor of the grotesque of the 1930s; nor was it the Faulkner of the late 1940s and 1950s who represented “the complexities and paradoxes of Cold War existential angst, artistic freedom, and unrelenting struggle.” Rather, it was the Faulkner who was needed in the national effort defined by the Second World War and its aftermath, the autochthonous Faulkner who loved the land and the people who inhabited it.
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Gordon, Caroline. "“Mr. Faulkner’s Southern Saga”." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0015.

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This chapter discusses The Portable Faulkner, the first comprehensive survey of William Faulkner's work that chronicles the saga of the South. In his preface to The Portable Faulkner, Malcolm Cowley calls the collection a legend, “because it is obviously no more intended as an historical account of the country south of the Ohio than The Scarlett Letter was intended as a history of Massachusetts or Paradise Lost as a factual account of the Fall.” Cowley and Marion O'Donnell are the only critics see in The Portable Faulkner not a series of novels with sociological implications, but a saga, a legend that is still in the making. The text also compares Faulkner with Gustave Flaubert and Nathaniel Hawthorne.
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"Malcolm Cowley, review in New Republic (New York), October 1941." In Virginia Woolf. Routledge, 2003. http://dx.doi.org/10.4324/9780203444726-142.

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Ford, Richard. "“The Three Kings: Hemingway, Faulkner, and Fitzgerald”." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0037.

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In this chapter, the author reflects on how he came to read William Faulkner, Ernest Hemingway, and F. Scott Fitzgerald—whom he describes as the three kings. The author begins by recalling a few years ago reading in Exile's Return, Malcolm Cowley's book on the 1920s, the teenage correspondence between Cowley and Kenneth Burke. He admits that reading was his very problem in Mississippi. He also remembers the first time he read Fitzgerald's story “Absolution” and how he came to know who Faulkner was. According to the author, 1962 was the year he would first read Faulkner, Fitzgerald, and Hemingway. He read The Sun Also Rises, Absalom, Absalom!, and The Great Gatsby. He argues that Faulkner was the best of all three, and the very best of any American writing fiction this century. He concludes by discussing what he and his generation might have learned from the three writers.
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"MALCOLM COWLEY, Afterthoughts on T. S. Eliot, 'New Republic', May 1936." In T.S. Eliot Volume I. Routledge, 2012. http://dx.doi.org/10.4324/9780203444818-101.

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Eller, Jonathan R. "A Poet’s Heart." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0024.

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In 1985 Bradbury was invited to testify before the National Commission on Space. Chapter 23 opens with Bradbury’s testimony highlights, which trace his notion that the life force expressed in the writings of George Bernard Shaw, Henri Bergson, and Nikos Kazantzakis was inextricably involved in the human desire to explore the cosmos. The chapter also shows how Bradbury further modified his cosmic vision in the wake of the Challenger Space Shuttle disaster in his Guest of Honor lecture at the 1986 Science Fiction World Con. The launch of the Ray Bradbury Theater television series, his brief correspondence with Malcolm Cowley, and the great loss of literature cause by the massive Los Angeles Library fire round out the chapter.
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