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Dissertations / Theses on the topic 'Craft in Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Summers, Joshua. "Materials and craft in architecture." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=1054816376.

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2

SUMMERS, JOSHUA CRAIG. "MATERIALS AND CRAFT IN ARCHITECTURE- A WORKSHOP FOR THE STUDY OF CRAFT." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054816376.

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3

Sewell, David Joseph. "The craft of the detail." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/22966.

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4

Sillies, Nicholas J. "Activating Material Craft." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275663097.

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5

Harper, Joshua Matthew. "Intersections of Craft." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275071801.

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6

Jacobs, Jennifer (Jennifer Mary). "Algorithmic craft : the synthesis of computational design, digital fabrication, and hand craft." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/91843.

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Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2013.<br>49<br>Title as it appears in the MIT degrees awarded booklet, September 18, 2013: Algorithmic craft: tools and practices for creating useful and decorative objects with code Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 129-131).<br>Programing is a singular creative tool with the potential to support personal expression. Unfortunately, many people who are new to programing view it as a highly specialized, difficult and inac

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7

Walter, Eric Duane 1972. "Center for craft : design for expeditionary learning." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/70719.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1999.<br>Includes bibliographical references (p. 74-75).<br>"Grow into what you are ... there is more in you than you know. If we can come to discover this, we may never again settle for anything less." - Kurt Hahn, Founder - Outward Bound. (1920) "Hours spent by the true craftsman in bringing out the grain which has long been imprisoned in the trunk of a tree, is an act of creation itself. He passes his hand over the satiny texture and finds God within." -George Nakashima, The Soul of a Tree. (1987). This project

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8

Kamath, Ayodh Vasant. "Integrating digital design and fabrication and craft production." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/49541.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2009.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Includes bibliographical references (p. 61-63).<br>This thesis examines if methods of manual craft production can be utilised to overcome the indeterminacies of physical materials and processes that hinder Digital Design and Fabrication (DDF). Indeterminacies in physical materials and processes are considered to be errors that prevent DDF from achieving its stat

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9

Van, Niekerk Warren. "Urban Campus: Building the local craft tradition in Delft." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28136.

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Delft is currently under construction. Evidence reveals that most residents have engaged in some form of building activity, be it small scale or large scale, self-initiated or by hired means. This labour-intensive condition gives rise to the notion of Delft as a site of production, resulting in an emerging local industry, which in return possess a number of opportunities both locally within Delft and outside of Delft. In this regard, the dissertation explores how these building-related craft traditions can be supported, through the design of a vocational training urban campus in Delft. Thus fa

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10

Vermillion, Joshua D. "The digital craftsperson : an investigation into digital tools/processes/craft." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1318944.

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One potential role for the architect of the future will be that of the digital craftsperson. Digital technology is allowing the designer to take control of and retool the entire design I fabrication I assembly process. With this new power, architects are crafting the digital tools and processes required to make architecture for the digital age.First, this thesis examines the notion of craft in the traditional way—how it has applied to architecture and building for most of history. This story recounts the architect's role in the designing and making of architecture, from the medieval master mas

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11

Yu, Wenhao. "Home Craft Pre-Fab Customize Units." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460731680.

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12

Hein, Dawn Michelle. "The art and craft of the interior." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1209805.

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This thesis gives a voice to the call for a holistic approach to the preservation of commercial and particularly domestic architecture. Interior architecture is an important piece of the whole in need of consideration. Arts and Crafts interiors in the state of Indiana are considered in reference to this fact and the case studies chosen exemplify the connection between cultural history and the interior architecture and design.The Arts and Crafts Movement's philosophy worked to integrate the entire design with the surrounding site. The interior was the focus of the synthesized design and it is t

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Francis, Razan. "Secrets of the arts : Enlightenment Spain's contested Islamic craft heritage." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/93011.

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Thesis: Ph. D. in Architecture: History and Theory of Architecture, Massachusetts Institute of Technology, Department of Architecture, 2014.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 258-280).<br>This dissertation examines the artistic and architectural mutations occurring in Spain during the eighteenth century, when Spain decided to participate in the Enlightenment's philosophical project that emphasized the classification of art, crafts, and other knowledge, and thereby raised important questions regarding the value of national heritage relative t

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14

Jordan, Trevor P. "Digital Craft: Refabricating Digital to Analog Design Methodologies." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337718599.

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15

Williams, Tiffany N. "Erudition and Craft: A Proposed Pedagogy of Architectural Education." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460731600.

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16

COFFMAN, BRIAN EDWARD. "THE POWER OF RISK: POETICS OF STANDARDIZED WOOD CONSTRUCTION." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1083186226.

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17

Kärklkäinen, Jimmy. "Creativity and Craft Center : Bringing the Making to the City." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135593.

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18

Hilligoss, Peter Z. "Modern Craft: Linking Material, Process and Environment." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1244642268.

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19

Fuhrman, Anne Mary. "The Craft of Portraiture in Eighteenth-Century America." W&M ScholarWorks, 1992. https://scholarworks.wm.edu/etd/1539625718.

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20

Koberling, James W. "Craft of Dwelling: Reappropriation of Salvageable Mediums into a Lasting, Domestic Architecture." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397234454.

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21

Keiany, Mohsen. "Architecture, craft and religious symbolism in rural areas of Baluchistan in Pakistan." Thesis, Birmingham City University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518231.

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22

Zoran, Amit (Amit Shlomo). "Hybrid re Assembage : bridging traditional craft and digital design." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/91860.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2013.<br>Title as it appears in MIT degrees awarded booklet, September 18, 2013: Hybrid reAssembage: introducing traditional practice into contemporary design Cataloged from PDF version of thesis. Title as it appears in MIT degrees awarded booklet, September 18, 2013: Hybrid reAssembage: introducing traditional practice into contemporary design.<br>Includes bibliographical references.<br>Hybrid reAssemblage is a design gestalt that lies at the cross-section of digital

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23

Kornhauser, Daniel 1973. "Designing a craft computing environment for non-industrial settings." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/62121.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2002.<br>Includes bibliographical references (leaves 83-84).<br>This thesis studies the design and introduction of relevant computer-based design tools for non-industrial locations in developing settings. To this end, a programmable environment for combining motifs into patterns was developed named Estampa (Environment for Stamping Patterns). Estampa was developed for the community of Santa Clara del Cobre, a copper craft artisan town located Mexico, where they already

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24

Grajewski, Zachary T. "Hybrid Craft: Designing a workflow for traditional and digital craftsmen." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439310578.

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25

Dickey, Claire Grace. "Sparkling in the city| Charlottesville's Market District conceived as an expression of terroir and craft." Thesis, University of Maryland, College Park, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1541591.

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<p> The design for an urban sparkling winery in Charlottesville, Virginia, is the focus of this thesis project. While Virginia has nearly 230 wineries, earning it a fifth-place ranking in the U.S. as a wine-producing state, only 15 of those wineries currently produce sparkling wines. However, the potential for great sparkling wine from the Commonwealth clearly exists, and in the last eight years the quality of some Virginia sparklers has begun to receive national attention. </p><p> In addition to a sparkling winery, the project also includes an urban agriculture center, a farm-to-table resta

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26

MUTCHLER, MATTHEW A. "lean architecture." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212009216.

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27

Mahaffey, Logan. "Architecture of materialism : a study of craft in design culture, process, and product." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003165.

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28

Hunter, Simeon. "Analogue Archive : Curating Space for the Craft of Analogue Knowledge, its Evolution, Duration and Effect." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135748.

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My claim is that analogue knowledge must be enacted and therefore cannot be documented explicitly, the emphasis lies in the process therefore architecture must address it in such a way. The architecture lends itself to knowledge as a carrier, of both a space for it to enact and to embody its processes and output. The process here is associated with craftsmanship, enduring and evolving where the craftsperson works to delay the image; they do not work to a set goal (the image) but only to further their own knowledge and craft, it is essentially a process of trial and error that evolves the ‘thin

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29

Ebert, Daniel C. "Embodied Act." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242921113.

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30

Gao, Yu S. M. Massachusetts Institute of Technology. "Micro-Institution : design and craft in education for socio-economic change for urban China migrant workers' children." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/72632.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2012.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Vita. Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (p. 129-133).<br>The socioeconomic condition of the urban migrant worker remains one of the most substantial manifestations of inequality in China. The ever-growing wealth and human rights disparity between urban citizens and rural farmers has multigeneration

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31

Hodos, Tamar. "Craft relations in south-eastern Sicily during the period of Greek colonisation." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363586.

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32

Mangione, Anthony F. "Reconciling Craft with Digital Design: Building a New Infrastructure." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1448037156.

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33

Bengel, Karen A. "Sensual Architecture: Project for a Thermal Bath at Warm Springs." Thesis, Virginia Tech, 2000. http://hdl.handle.net/10919/34590.

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This thesis investigation an project design were driven by the desire to develop an understanding of how architecture addresses the senses. Guided by the practice of a craft, the vestige of art, architectural history and precedent, and the physiology of the five senses, an idea for a thermal bath was expressed through material. This book is a record of that process.<br>Master of Architecture

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34

Halswell, Peter K. "The vibrations of a flexible planing craft : hydroelasticity, boat motion and noise." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/378120/.

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The Royal National Lifeboat Institution (RNLI) is the charity that aims to save lives at sea. The RNLI D-class is a five metre inflatable lifeboat that is used near the shore in waves and surf. Anecdotal evidence indicates that the D-class has improved performance due to its unique, flexible, fabric structure, and this flexibility is highly likely to affect the vibrations generated by the D-class. The boat motion is experienced by the on-board crew, and the air and water borne noise are heard by the on-board crew and the wildlife. This thesis aims to measure these two types of vibration, predi

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35

Dominique, Matilda. "The Architecture of Threads." Thesis, Konstfack, Textil, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4751.

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Most people might not reflect upon textiles as anything more than the soft material in our clothes. As a crafts practitioner, I gain knowledge of woven materials that go beyond that. The knowledge of weaving and materials is developing the ideas that form the concept of this project. From the tacit knowledge, derived from years of practically working with textile materials, an intellectual understanding of materials and the worlds they construct is growing. In this project, I decipher my own ideas of the woven structure in order to invite others to experience the universe within textiles. I lo

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36

Nanda, Puja 1971. "The culture of building to craft--a regional contemporary aesthetic : material resources, technological innovations and the form making process." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/69409.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 1999.<br>Includes bibliographical references (p. 87-90).<br>In the non-Western context, there always has been a dilemma between "who we are" and "who we should be" . One could say "between tradition and modernity" . When the alien culture of building was adopted, the ties with the traditional vernacular processes were snapped off without establishing a critical dialogue between the two. The prevalent primitive modes of production were incongruous with the concepts of mechanization . Moreover, the tradition of the craf

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37

Tunick, Joshua Eric. "Craft in Architecture: The Making of a Coffee Mill and a Study of Form Generation." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/32833.

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The connection of craft and architecture is a subject that has interested me since I began my architecture education some seventeen years ago. Although my path led me away from, then back to architecture, craft and making has remained a passion of mine through the years; specifically, the role of the individual craftsman in architecture. It is my contention that as we move further and further into a machine made world, we lose an understanding of, and an appreciation for variation. Everything in our lives is homogenous. People believe that coffee should taste the way that it does at Starbu

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38

Paquin, Garth William. "Thinking Through Making." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242781351.

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39

Eckhardt, Micah Rye. "StoryScape : fun technology for supporting learning, language and social engagement through story craft." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/98651.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2015.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 127-133).<br>Autism Spectrum Disorder (ASD) is a complex neurodevelopmental disorder that affects approximately 1-in-68 persons and 1-in-42 boys. Challenges related to communication form a core characteristic of the ASD condition. Literature suggests the single most important prognostic indicator for young children diagnosed with ASD is communication ability. Yet, engaging chi

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40

Fenner, James Lyon. "'British Small Craft' : the cultural geographies of mid-twentieth century technology and display." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/14494/.

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The British Small Craft display, installed in 1963 as part of the Science Museum’s new Sailing Ships Gallery, comprised of a sequence of twenty showcases containing models of British boats—including fishing boats such as luggers, coracles, and cobles—arranged primarily by geographical region. The brainchild of the Keeper William Thomas O’Dea, the nautical themed gallery was complete with an ocean liner deck and bridge mezzanine central display area. It contained marine engines and navigational equipment in addition to the numerous varieties of international historical ship and boat models. Man

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41

Bell, Nicholas Robin. "Small consolations miniature architecture of memory in contemporary American art /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 78 p, 2008. http://proquest.umi.com/pqdweb?did=1654488991&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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42

Lillis, Julia A. "Analysis of the applicability of aircraft vulnerability assessment and reduction techniques to small surface craft." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2002. http://library.nps.navy.mil/uhtbin/hyperion-image/02Jun%5FLillis.pdf.

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43

MacManus, Sean Christopher. "Architectural Tectonics: A Shift Between the Cultural Tradition of Making to Contemporary Building Processes." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/25235.

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Modern architecture has lost its sense of place by the adoption of practices like standardization and universal modularity, over the focus and influence of unique local building practices. However, looking outside of the cultural main stream works of architecture, there exists some built structures with such purity around how they were constructed and a form of honesty deeply embedded within their material usage. Having been idealized in such a locally specific manner, these attributes become the essence of belonging that ties the building to its particular place. In this thesis, I have cons

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44

Rudko, David D. "Logistical analysis of the littoral combat ship." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2003. http://library.nps.navy.mil/uhtbin/hyperion-image/03Mar%5FRudko.pdf.

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Thesis (M.S. in Operations Research.)--Naval Postgraduate School, March 2003.<br>Thesis advisor(s): David A. Schrady, Kevin J. Maher. Includes bibliographical references (p. 71-74). Also available online.

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45

Shih, Huei-Mei. "An overview of Cochin ceramics in Taiwan with an emphasis on the influence of Hong Kun-Fu and his school 1910s to 1980s /." Access electronically, 2008. http://ro.uow.edu.au/theses/148.

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46

Hockemeyer, L. "Italian ceramics 1945-1958 : a synthesis of avant-garde ideals, craft traditions and popular culture." Thesis, Kingston University, 2008. http://eprints.kingston.ac.uk/20224/.

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Italy's post World War II art and artisan produce and her small and medium scale ceramic production between 1945 and 1958 has been characterised I by an apparent aesthetic synthesis of avant-garde ideals, craft traditions and popular culture. This thesis examines this particular occurrence through a multi and interdisciplinary approach. It has profited from the application of methodologies deriving from the different fields of history, ceramic-, art-, applied art-, design and architectural history and from information obtained from economic and naval histories and tourist guides. This has enab

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47

Roke, Rebecca Christina, and rebecca roke@gmail com. "Bits and pieces: crafting architecture in a post-digital age." RMIT University. Architecture and Design, 2010. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20100219.103357.

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This thesis examines how designs based on a conjunction between craft and digital techniques may offer new possibilities for an architect or designer in contemporary practice. How is it relevant that what initially appear to be two distinct approaches to designing and making can be introduced to each other and coalesce to form a constructive attitude of mutually borrowed logic? The thesis champions the crafting of innovative design and the incorporation of digitally derived procedures that allow for globally efficient dissemination and malleability. Such procedures have occupied the practice o

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48

Olivera, Cieza Itamarati. "Principios de la Arquitectura Regionalista aplicados en un Mercado Artesanal para la integración e interpretación arquitectónica en Lambayeque." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653125.

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Lambayeque es un departamento norteño que se caracteriza por su cultura ancestral. En él se desarrolló la civilización Sicán, por ende, heredó una tradición artesanal que sigue desarrollándose actualmente. Sin embargo, no existe un equipamiento adecuado para exponer y comercializar artesanía. Así mismo, la deficiente distribución y localización de centros de venta artesanal ha provocado la desvalorización de esta actividad. Por otro lado, los artesanos lambayecanos se encuentran afectados por las lluvias del Niño Costero que ha ocasionado la perdida de sus talleres, herramientas de trabajo

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49

Shepherd, Nathalie. "Craftwork." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/664.

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Chronologically I have described the different environments that I have been exposed to in the past five years and how my interactions with the different locations have affected my work. I started writing about what I was doing a year after finishing my undergraduate degree, when I started to feel as though I needed to re-invent my work in a way that also meant trying to see the process of creating art differently. I didn't know yet how this new work would begin to generate, or what would inspire it, but I knew that I was seeking a studio practice that would be personal enough to sustain

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50

Jones, Rebecca E. "Catching All Passions in His Craft of Will: Portraits and Pater in Oscar Wilde’s “The Portrait of Mr. W. H.”." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4219.

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This thesis examines Oscar Wilde’s “The Portrait of Mr. W. H.” as the product of Wilde’s long interest in critic Walter Pater’s literature and scholarship. From its first iteration published in 1889, through Wilde’s ongoing revision and expansion into the version commonly anthologized today, “The Portrait of Mr. W. H.” is an evolving work that mirrors Wilde’s enduring relationship with the art and ideas of his former teacher. This relationship is explored in three contexts: Pater’s contribution to Wilde’s understanding of the Renaissance period; the steady influence of Pater’s ideas and per

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