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Journal articles on the topic 'Craft in Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Whyte, Jennifer. "Towards a new craft of architecture." Building Research & Information 43, no. 2 (2014): 263–65. http://dx.doi.org/10.1080/09613218.2015.962240.

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2

Tambat, Priyansi Nimish, and Ketaki Chandrakant Joshi. "Promoting Craft Entrepreneurship by Rejuvenating Tambat Craft in Old Tambat Ali, Nashik." Journal of Heritage Management 2, no. 1 (2017): 53–75. http://dx.doi.org/10.1177/2455929617726930.

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Tambat Ali1 is a part of ancient settlements in Nashik. The settlement houses craftsmen who are highly skilled in making handmade copper and brass utensils by their traditional techniques. The settlement is a living heritage of the city due to its unique craft, culture and traditional architecture. Today, Tambats are suffering a sharp decline in craft, and hence architecture is getting affected. This is mainly due to rapid changes in consumer preferences and taste, inadequate publicity, increased prices of raw materials and unexploited resources in the area. The article presents challenges fac

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3

Bilgrami, Noorjehan. "A Timeless Journey: Reflections on the Crafts Heritage of Pakistan." Journal of Heritage Management 5, no. 2 (2020): 121–43. http://dx.doi.org/10.1177/2455929620966848.

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Despite an immensely rich craft legacy that stretches back more than 7,000 years, Pakistan is losing many of its precious craft traditions to the modern world. As an artist, designer and educator, Noorjehan Bilgrami has spent the best part of five decades working with craftsmen in an effort to document, revive and sustain these traditions. The journey that began with a chance visit to an old block-printing workshop in her home town Karachi in the 1970s has since taken many turns. This article is a personal reflection of her experiences, including building local and international markets for Pa

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4

Goryunov, Vasiliy, Tatjana Konjkova, Vera Murgul, and Nikolay Vatin. "William Richard Lethaby – Architecture, Mysticism and Myth." Applied Mechanics and Materials 725-726 (January 2015): 1084–89. http://dx.doi.org/10.4028/www.scientific.net/amm.725-726.1084.

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This article deals with the art of a prominent English architect and architectural theorist - William Richard Lethaby. His theoretical outlook on architecture has been considered herein. His fundamental outlook – the book ‘Architecture, Mysticism, and Myth’ - has been analyzed. His innovative outlook, as well as the concept development regarding study of art in the 20th century described in this book, has been highlighted. The Lethaby’s relations with English movements ‘Art and Craft’ and ‘Aesthetic Movement’ have been indicated. Different outlooks on architecture supported by Lethaby and othe

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Bizio, Krzysztof. "Inspiracje kulturami lokalnymi w awangardowej architekturze początków XXI w." Środowisko Mieszkaniowe, no. 31 (2020): 4–17. http://dx.doi.org/10.4467/25438700sm.20.011.12684.

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Local cultural inspirations in avant-garde architecture in the wake of the twenty-first century This paper attempts to systematise the manner in which avant-garde architecture employed regional motifs during the first two decades of the twenty-first century. Architecture has used local patterns since its beginnings. However, as soon as the models of architectural orders had become widespread in the modern era, folk architecture and inspirations drawn from regional traditions were marginalised. Post-modern architecture questioned the ideas of universal practices, giving prominence to regional a

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Nurmamedov, Magomed N. "Problems of preservation of architectural and urban heritage of the historical village of Lahij in Azerbaijan." Vestnik MGSU, no. 4 (April 2021): 403–12. http://dx.doi.org/10.22227/1997-0935.2021.4.403-412.

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Introduction. Among the historical towns and settlements of Azerbaijan, the village of Lahij is one of the unique. Highly developed crafts, especially copper production, blacksmithing, and carpet making glorified Lahij masters not only in Azerbaijan but also abroad. The peculiar planning structure and architecture of Lahij were formed under the influence of craft production. Unfortunately, like many ancient settlements, Lahij is facing degradation associated with the socio-technical processes of modern civilization. Materials and methods. The paper uses theoretical analysis of scientific

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7

Mahmoud, Heba-Talla Hamdy. "Geometric Patterns in Egyptian Architecture & Interior Design." Academic Research Community publication 1, no. 1 (2017): 11. http://dx.doi.org/10.21625/archive.v1i1.140.

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This study will examine the role of geometric patterns in selected examples of Egyptian architecture, interior architecture and art. Ancient Egyptian, Coptic, and Islamic periods are the selected historical ages from Egyptian heritage due to the abundance of different works and styles with geometric pattern characteristics during their periods. In addition to the historical periods, the study will demonstrate some selected models from Egyptian contemporary architecture and arts. These models include architectural projects, traditional craft products and artistic works with geometrical characte

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8

Gore, Nils. "Craft and Innovation." Journal of Architectural Education 58, no. 1 (2004): 39–44. http://dx.doi.org/10.1162/1046488041578211.

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9

Saglam, Hakan. "The reciprocity between art and architecture." New Trends and Issues Proceedings on Humanities and Social Sciences 6, no. 4 (2019): 112–16. http://dx.doi.org/10.18844/prosoc.v6i4.4413.

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The concept of ‘Art’ in the modern meaning, evaluates within the Enlightenment’s seminal World of philosophy. Before the Enlightenment architecture and craft were instinctively united fields of creating, almost impossible to detach one from the other. From the beginning of twentieth century the avant-garde of modern architecture were aware of the growing schism between art and architecture and vice versa. The pioneers were writing manifestos, stating that art and architecture should form a new unity, a holistic entity, which would include all types of creativity and put an end to the severance

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10

Mehra, Aashish, Nidhi Mathur, and Vaibhav Tripathi. "Sahaj Crafts: the challenge of alleviating poverty in Western Rajasthan." Emerald Emerging Markets Case Studies 9, no. 1 (2019): 1–45. http://dx.doi.org/10.1108/eemcs-06-2018-0099.

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Learning outcomes The learning objectives of this case are as follows: identify and understand the major challenges/problems faced by a social enterprise in promoting handicraft business; examine the value chain architecture of handicraft products; assess the role of the protagonist (Sanjay) as a social change agent in shaping a successful social enterprise; assess Sahaj Crafts' initiatives and analyze whether the key intervention/s planned/executed were required for skilling up of rural artisans and upgradation of handicraft business; know the marketing strategies for handicraft products; and

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11

Bagchee, Aruna. "Vernacular Architecture of Handloom Sari Weavers in India: A Case for Conservation of Traditional Houses and Settlements of Handloom Weavers’ Clusters." Journal of Heritage Management 3, no. 1 (2018): 1–26. http://dx.doi.org/10.1177/2455929618769499.

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This article pleads for concerted action to conserve the tangible heritage of iconic sari weaving clusters in India. Handloom weaving is an ancient and highly skilled craft. Weavers’ homes which also function as their artisanal workshops represent a unique typology of dual purpose vernacular architecture. We discuss the significance of this architecture, its close links with the traditional craft of handloom weaving, and the results of a pilot project to safeguard this valuable built heritage in the historical town of Chanderi in India.

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12

Leonard, Misia. "Architecture and Craft: A New York City Government Perspective." APT Bulletin 33, no. 1 (2002): 33. http://dx.doi.org/10.2307/1504788.

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13

Stein, Joshua G. "Speculative Artisanry: The Expanding Scale of Craft within Architecture." Journal of Modern Craft 4, no. 1 (2011): 49–63. http://dx.doi.org/10.2752/174967811x12949160068811.

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14

Bioza, Betyona, Titis Srimuda Pitana, and Gunawan Gunawan. "SOLO CRAFT GALLERY EXPO DENGAN PENDEKATAN ARSITEKTUR JAWA KONTEMPORER." Arsitektura 15, no. 1 (2017): 269. http://dx.doi.org/10.20961/arst.v15i1.12182.

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<p><strong><em>Abstract: </em></strong><em>Solo Craft Gallery Expo is an effort to accommodate the presence of creative industries joined in the craft subsector SMEs, and facilitating MICE activities in the city of Solo. The space is in the form of art galleries as well as a market for good packaging and expo space with diverse capacities. Combining the two functions of this building is a strategy for mutually supporting each other’s existences. Gallery space presented as cultural charms, while the expo space plays a role in bringing visitors. The government

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15

Hvattum, Mari. "Panoramas of Style." Journal of the Society of Architectural Historians 70, no. 2 (2011): 190–209. http://dx.doi.org/10.1525/jsah.2011.70.2.190.

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Focusing on three nineteenth-century railroad lines in Norway, Mari Hvattum investigates the architectural and cultural significance of early railways. In Panoramas of Style: Railway Architecture in Nineteenth-century Norway, she argues that the seemingly frivolous historicism of mid-nineteenth-century railway architecture should be understood as an attempt to craft appropriate cultural associations for the new Norwegian nation state. Railway architects created an architecture that fused the local and the global, the modern and the traditional, into a new whole. They designed buildings with a

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16

Djabarouti, Johnathan, and Christopher O'Flaherty. "Architect and craftsperson: project perceptions, relationships and craft." Archnet-IJAR: International Journal of Architectural Research 14, no. 3 (2020): 423–38. http://dx.doi.org/10.1108/arch-01-2020-0010.

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PurposeArchitects and craftspeople work together on complicated built heritage projects as part of a diverse multidisciplinary team. Effective interactions and collaborations between them can lead to a more successful project outcome; however, differing perceptions of each other can cause professional relationship tensions, communicative barriers and disharmony.Design/methodology/approachThrough the analysis of online surveys completed by architects and craftspeople, this study examines the contemporary relationship between the two groups, including the architect's perceptions of the function

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17

Veliz Reyes, Alejandro, Wassim Jabi, Mohamed Gomaa, Aikaterini Chatzivasileiadi, Lina Ahmad, and Nicholas Mario Wardhana. "Negotiated matter: a robotic exploration of craft-driven innovation." Architectural Science Review 62, no. 5 (2019): 398–408. http://dx.doi.org/10.1080/00038628.2019.1651688.

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18

Leatherbarrow, David. "The Craft of Criticism." Journal of Architectural Education 62, no. 3 (2009): 20–99. http://dx.doi.org/10.1111/j.1531-314x.2008.00260.x.

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19

Pane, Imam Faisal, and Rofi Bintang Mishael. "Designing of Samosir Ulos Weaving Craft Center by Metaphorical Architecture." International Journal of Architecture and Urbanism 3, no. 3 (2019): 241–51. http://dx.doi.org/10.32734/ijau.v3i3.3739.

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Ulos weaving craft is one of the most famous cultures of the Batak tribe. And the Lumban Suhi-Suhi Toruan Village in Samosir District is one of the traditional villages that still maintain customs and native Batak Toba village. The residents of Lumban Suhi-Suhi Toruan village especially the women working as Ulos weavers, and Ulos from Lumban Suhi-Suhi Toruan village, have been quite well-known to foreign countries, however, at present, the number of weavers has diminished, and many types of Ulos cloth have become extinct because of losing its craftsman. The Samosir Ulos Weaving Craft Center is

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20

Valkenier, Elizabeth Kridl. "Review: A History of Russian Architecture by William Craft Brumfield." Journal of the Society of Architectural Historians 54, no. 1 (1995): 107–8. http://dx.doi.org/10.2307/991042.

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21

Dunlop, Beth. "Inventing Antiquity: The Art and Craft of Mediterranean Revival Architecture." Journal of Decorative and Propaganda Arts 23 (1998): 190. http://dx.doi.org/10.2307/1504169.

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22

Lin, Y. C., T. C. Wu, and M. F. Hsu. "3D DIGITAL SIMULATION OF MINNAN TEMPLE ARCHITECTURE CAISSON'S CRAFT TECHNIQUES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W2 (July 22, 2013): 403–8. http://dx.doi.org/10.5194/isprsarchives-xl-5-w2-403-2013.

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23

Mukhametzyanova, Liliya Rinatovna, Mikhail Konstantinovich Yao, Juliana Gennadievna Emanova, Lubov Markelovna Yao, and Taisiya Pushkar. "Artistic image in furniture craft." LAPLAGE EM REVISTA 7, Extra-D (2021): 76–81. http://dx.doi.org/10.24115/s2446-622020217extra-d1069p.76-81.

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The paper is devoted to the role of wood in the art of furniture. The work traces the typological relationship of certain types of furniture designed in the twentieth century with the prototypes of the XVIII and XIX centuries. The paper argues about the possibilities of the material for creating aesthetically significant furniture samples. The stage in recognizing the new possibilities of technologically processed wood is the furniture by J. Summers, which revealed the possibility of designing a chair from a single sheet of plywood “in one piece” without structural connections. H. Peak, C. Mol

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24

MacDonald, Juliette. "The Allied Arts: Architecture and Craft in Postwar Canada Sandra Alfoldy." Journal of Modern Craft 7, no. 1 (2014): 107–9. http://dx.doi.org/10.2752/174967814x13932425309877.

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25

Lico, Gerard. "Rising from of the Ashes: post-war Philippines Architecture." Modern Southeast Asia, no. 57 (2017): 46–55. http://dx.doi.org/10.52200/57.a.up2jbxrh.

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The 1945 battle for liberation witnessed the massive decimation of Manila’s urban built-heritage and the irreplaceable treasures of colonial architecture. Despite the seemingly impossible task to resuscitate war ravaged Manila, it rose again. Out of the ashes, modernism provided the opportunity to craft a new architecture for a newly independent nation. Modernism emerged as the period’s architectural symbol of survival and optimism. In a post-colonial cultural milieu, Filipino architects pursued the iconography of national mythology channeled through the pure surfaces and unadorned geometries

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26

Taha, Amin. "Exploring, Building, Completing: Context and Craft." Architectural Design 91, no. 1 (2021): 70–75. http://dx.doi.org/10.1002/ad.2655.

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27

Alarcón González, Luisa, and Francisco Montero-Fernández. "Lessons between apprentices. Vertical structure in the teaching of architecture." ZARCH, no. 12 (May 12, 2019): 36–47. http://dx.doi.org/10.26754/ojs_zarch/zarch.2019123539.

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The teaching of architectural projects structured in vertical workshops, in which students from different years have shared teaching, has been a formula adopted in different schools and historical periods, from the Bauhaus in Germany to the present time. This educational organisation constituted the fundamental structure of the teaching of projects in the School of Architecture of Seville from the 1975-76 to the 1994-95 academic year. This system generated important synergies between teachers and students, especially significant between the students themselves who learned not only from the tea

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28

Follett, Ken, and Mary N. Woods. "From Craft to Profession: The Practice of Architecture in Nineteenth-Century America." APT Bulletin 32, no. 1 (2001): 62. http://dx.doi.org/10.2307/1504697.

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29

Fenske, Gail, and Mary N. Woods. "From Craft to Profession: The Practice of Architecture in Nineteenth-Century America." Journal of American History 88, no. 4 (2002): 1517. http://dx.doi.org/10.2307/2700642.

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30

O'Connell, Lauren M. "Review: The Origins of Modernism in Russian Architecture by William Craft Brumfield." Journal of the Society of Architectural Historians 54, no. 2 (1995): 253–55. http://dx.doi.org/10.2307/990980.

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31

Garrison, J. Ritchie, and Mary N. Woods. "From Craft to Profession: The Practice of Architecture in Nineteenth-Century America." American Historical Review 106, no. 3 (2001): 993. http://dx.doi.org/10.2307/2692408.

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32

Irish, Sharon. "From Craft to Profession: The Practice of Architecture in Nineteenth-Century America." Technology and Culture 41, no. 3 (2000): 590–91. http://dx.doi.org/10.1353/tech.2000.0108.

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33

Faber, H. "Programming as a craft." Design Studies 6, no. 3 (1985): 172–73. http://dx.doi.org/10.1016/0142-694x(85)90010-9.

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34

Bernthal, J. Brad. "Procedural Architecture Matters." Texas A&M Law Review 1, no. 3 (2014): 615–79. http://dx.doi.org/10.37419/lr.v1.i3.5.

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This Article examines the puzzle of whether today’s Federal Communications Commission (“FCC” or the “Agency”) is institutionally suited to craft telecommunications innovation policy and, if not, what changes are needed to better equip the Agency to respond to twenty-first century realities. Evaluation of FCC innovation policy performance is stubbornly difficult. Some criticize the FCC as a brake on innovation yet, under the FCC’s oversight, the United States’ communications industry has become an innovative engine propelling the overall economy more than ever before. It is difficult to untangl

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35

Ermilova, Mariia Eduardovna, Mitsunari Terada, and Isami Kinoshita. "Tsurushibina Craft Story in the Context of Community Development: Inatori District of Higashiizu Town, Japan." Environment-Behaviour Proceedings Journal 3, no. 8 (2018): 117. http://dx.doi.org/10.21834/e-bpj.v3i8.1416.

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During the last century, global problems initiated the studies on a linkage between local culture and sustainability. Local craft production considered one of the way of sustainable community development, preserving the cultural connection with the natural environment, contributing to economic, social and environmental sustainability. This study aims to investigate origins of the traditional Japanese Tsurushibina decoration craft, its connection to natural environment, history of origin, preservation and use in Inatori district and consider the possibilities to use the Tsurushibina decoration

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36

Karimi, Hossein, Timothy R. B. Taylor, Paul M. Goodrum, and Cidambi Srinivasan. "Quantitative analysis of the impact of craft worker availability on construction project safety performance." Construction Innovation 16, no. 3 (2016): 307–22. http://dx.doi.org/10.1108/ci-10-2015-0050.

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Purpose This paper aims to quantify the impact of craft worker shortage on construction project safety performance. Design/methodology/approach A database of 50 North American construction projects completed between 2001 and 2014 was compiled by taking information from a research project survey and the Construction Industry Institute Benchmarking and Metrics Database. The t-test and Mann-Whitney test were used to determine whether there was a significant difference in construction project safety performance on projects with craft worker recruiting difficulty. Poisson regression analysis was th

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37

FUJIKI, Tatsuya. "Development of Paper Craft Architecture, and the Educational Effect on the Elementary Education." Journal of JSEE 61, no. 6 (2013): 6_60–6_65. http://dx.doi.org/10.4307/jsee.61.6_60.

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38

Coyne, Richard. "The embodied architect in the information age." Architectural Research Quarterly 3, no. 2 (1999): 175–86. http://dx.doi.org/10.1017/s1359135500001950.

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The relationship between architecture, the body and the computer is considered in this paper. Whereas the body has been related traditionally to architecture through concepts of geometry and proportion, the computer also brings to light the valorization of craft, McLuhan's philosophy of the changing sensorium, the projection of digital utopias, Freud's construction of the relationships between repetition, obsession and the uncanny, and the residence of the body in concepts of mind. The examination of these issues is productive in the context of the design studio.

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39

Brinckman, Adam, Ewa Deelman, Sandeep Gupta, et al. "Collaborative circuit designs using the CRAFT repository." Future Generation Computer Systems 94 (May 2019): 841–53. http://dx.doi.org/10.1016/j.future.2018.01.018.

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40

Chen, Xing, and Hao Zhong Yang. "The Research of Three Significant Changes Resulted from Industrialization in the Development of Architecture." Applied Mechanics and Materials 274 (January 2013): 539–42. http://dx.doi.org/10.4028/www.scientific.net/amm.274.539.

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Architecture has changed dramatically along with the development of industrialization. In contrast to some of the more traditional methods of the construction industry organized predominantly along craft lines, architecture can now be the industrial product of components made in a factory [1]. It is the big change in the process of designing, manufacturing and constructing. The three changes make architecture a kind of industrial product, and not only an art work or something else. What details about these changes involved, why these changes exist and how these changes influence architecture a

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41

Feringa, Jelle. "Entrepreneurship in Architectural Robotics: The Simultaneity of Craft, Economics and Design." Architectural Design 84, no. 3 (2014): 60–65. http://dx.doi.org/10.1002/ad.1755.

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42

Atifah N Tarigan and Morida Siagian Andrea. "Ulos Weaving Center (Neo Vernacular Architecture)." International Journal of Architecture and Urbanism 4, no. 3 (2020): 281–90. http://dx.doi.org/10.32734/ijau.v4i3.5040.

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Ulos is a well known cultural heritage, but as technology advances, the production of traditionally weaved Ulos began to be left behind, when in fact, the traditionally weaved Ulos held a very high artistic value and in need of preservation. Tarutung is an area with the potential to be developed as a tourist city with a variety of nature and culture, such as the Ulos craft, which is a valuable asset. Every year the Festival Tenun Nusantara is held in Tarutung that can support the design of the Ulos weaving center. That is why an Ulos center is needed. The methodology of this Ulos weaving cente

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43

Kouhia, Anna. "Perspectives on Craft: Products and Processes as Crafticultural Artifacts." International Journal of Designed Objects 6, no. 2 (2013): 71–84. http://dx.doi.org/10.18848/2325-1379/cgp/v06i02/38657.

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44

Silver, Mike. "Codes, eros and craft: an interview with Evan Douglis." Architectural Design 76, no. 4 (2006): 62–71. http://dx.doi.org/10.1002/ad.295.

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45

Retsin, Gilles. "Bits and Pieces: Digital Assemblies: From Craft to Automation." Architectural Design 89, no. 2 (2019): 38–45. http://dx.doi.org/10.1002/ad.2410.

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46

Haryadi, Haryadi, Etik Umiyati, and Sony Tian Dhora. "Competitiveness and export development strategy for Indonesia's creative economy sector in the ASEAN market." Jurnal Perspektif Pembiayaan dan Pembangunan Daerah 9, no. 2 (2021): 127–38. http://dx.doi.org/10.22437/ppd.v9i2.11832.

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The main objectives of this study are (1) to analyze the competitiveness of Indonesian exports in the ASEAN market (2) to formulate a strategy that will be able to support the export competitiveness of Indonesia's creative economy. Revealed Comparative Advantage, Acceleration Ratio, Export Competitiveness Index, and SWOT analysis (to determine a creative economy export development strategy using quantitative) were used as analysis tools. This study focused on examining the subsectors of architecture, movies, animation and video, craft, culinary, music, fashion, publishing, and art. Based on th

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47

Baleiko, Ruth. "Libraries of Today and Tomorrow: How Architecture Can Help Craft a Responsive New Language." Public Library Quarterly 38, no. 4 (2019): 369–87. http://dx.doi.org/10.1080/01616846.2019.1576116.

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48

Goshgarli, G., and I. Aliev. "Archaeological Investigations in Azerbaijan (1986-1990)1." Ancient Civilizations from Scythia to Siberia 1, no. 3 (1995): 263–72. http://dx.doi.org/10.1163/157005794x00147.

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AbstractArchaeologists in Azerbaijan have studied the period in the middle of the first millennium B.C. which laid the economic basis of later states in the area (e.g. Atropene and Caucasian Albania) and during which nomadic peoples became settled pastoralists and arable farmers. Their work has revealed the process of transformation of temporary camps into permanent settlements, confirming ancient references to ca. 30 cities in Albania, and indicates the emergence of a new culture integrating native and Iranian elements in the late 1 st mill. B.C. -early 1 st mill. A.D. Mediaeval archaeology s

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49

Christiansen, Elias Melvin. "Studying Cultural Heritage at San Marco Square for the 58th Art Biennale." Res Mobilis 9, no. 11 (2020): 154–63. http://dx.doi.org/10.17811/rm.9.11.2020.154-163.

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The study of cultural heritage was central to the CRAFT international workshop held at the Art Biennale in Venice in 2019 for students of architecture, engineering, art history and philosophy. For some of the students, the focus was on the cultural heritage at San Marco Square. This essay is a short reflection about the outcome of this workshop in regard to using cultural heritage in the teaching of contemporary students.

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50

Clericuzio, Peter. "Industry, Craft, Modern Architecture, and Regional Identity at the Paris 1925 and 1937 International Expositions." Journal of Modern Craft 13, no. 3 (2020): 227–46. http://dx.doi.org/10.1080/17496772.2020.1852645.

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