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Relevant bibliographies by topics / Craft practice

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Journal articles
Dissertations / Theses
Books
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Academic literature on the topic 'Craft practice'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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Journal articles on the topic "Craft practice"

1

Shanks, Michael, and Randall H. McGuire. "The Craft of Archaeology." American Antiquity 61, no. 1 (1996): 75–88. http://dx.doi.org/10.1017/s0002731600050046.

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The idea of archaeology as craft challenges the separation of reasoning and execution that characterizes the field today. The Arts and Crafts Movement of the late nineteenth century established craftwork as an aesthetic of opposition. We establish craft in a Marxian critique of alienated labor, and we propose a unified practice of hand, heart, and mind for archaeology. The debates engendered by postprocessual archaeology have firmly situated archaeology in the present as a cultural and political practice. Many, however, still do not know how to work with these ideas. We argue that a resolution

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Jõeste, Kristi, Madis Rennu, Ave Matsin, and Kadri Tüür. "Pärandtehnoloogiline käsitööuurimus: lähenemised ja väljavaated / Craft research and traditional technologies: practices and perspectives." Studia Vernacula 12 (November 5, 2020): 16–45. http://dx.doi.org/10.12697/sv.2020.12.16-45.

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The article provides an overview of the practices and perspectives related to craft research and traditional technologies as studied and taught in the Estonian Native Crafts Department in University of Tartu Viljandi Culture Academy. Academic craft research is discussed in the context of neighbouring disciplines in the humanities, such as ethnology, semiotics, archaeology, art history, and conservation, amongst others. Against this background, the distinctive traits of craft research are foregrounded. The article also aims to position Estonian craft research amongst its peer disciplines. We ho

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Jõeste, Kristi, Madis Rennu, Ave Matsin, and Kadri Tüür. "Pärandtehnoloogiline käsitööuurimus: lähenemised ja väljavaated / Craft research and traditional technologies: practices and perspectives." Studia Vernacula 12 (November 5, 2020): 16–45. http://dx.doi.org/10.12697/sv.2020.12.16-45.

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The article provides an overview of the practices and perspectives related to craft research and traditional technologies as studied and taught in the Estonian Native Crafts Department in University of Tartu Viljandi Culture Academy. Academic craft research is discussed in the context of neighbouring disciplines in the humanities, such as ethnology, semiotics, archaeology, art history, and conservation, amongst others. Against this background, the distinctive traits of craft research are foregrounded. The article also aims to position Estonian craft research amongst its peer disciplines. We ho

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Jõeste, Kristi, Madis Rennu, Ave Matsin, and Kadri Tüür. "Pärandtehnoloogiline käsitööuurimus: lähenemised ja väljavaated / Craft research and traditional technologies: practices and perspectives." Studia Vernacula 12 (November 5, 2020): 16–45. http://dx.doi.org/10.12697/sv.2020.12.16-45.

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The article provides an overview of the practices and perspectives related to craft research and traditional technologies as studied and taught in the Estonian Native Crafts Department in University of Tartu Viljandi Culture Academy. Academic craft research is discussed in the context of neighbouring disciplines in the humanities, such as ethnology, semiotics, archaeology, art history, and conservation, amongst others. Against this background, the distinctive traits of craft research are foregrounded. The article also aims to position Estonian craft research amongst its peer disciplines. We ho

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Groth, Camilla, Katherine Townsend, Tina Westerlund, and Gunnar Almevik. "Craft is ubiquitous." Craft Research 13, no. 2 (2022): 211–20. http://dx.doi.org/10.1386/crre_00076_2.

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This Special Issue presents a selection of contributions that seek to extend the idea of what craft practice and research can be. They stem from the conference presentations in the 1st Biennial International Conference for the Craft Sciences (BICCS), held online during 4‐6 May 2021. This conference was initiated by the Craft Laboratory in Mariestad city, which is affiliated with the Department of Conservation, University of Gothenburg, Sweden. What counts as craft, and what does not, has been discussed with the general consensus that craft often evades definitions and instead thrives as an adh

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Shaw, Ian F. "The craft of journal practice." Qualitative Social Work 18, no. 2 (2017): 194–211. http://dx.doi.org/10.1177/1473325017707029.

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This article reflects on journal practices in a study of The British Journal of Social Work conducted as a multiple method historical case study, focussing on the first 40 years of the journal. What constitutes a journal’s identity is slippery. Broadly speaking, there are those practices that are located primarily within the immediate creation of volume upon volume, and there are practices through which the journal interacts with those worlds that touch on its boundaries. Editorial appointments, editors’ visions, the work of reviewers, and the infrastructure of technology are all located fairl

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Almevik, Gunnar. "Mõtteid teadmussiirdest traditsioonilise käsitöö valdkonnast / Reflections on Knowledge Transfer within Traditional Crafts." Studia Vernacula 7 (November 4, 2016): 27–51. http://dx.doi.org/10.12697/sv.2016.7.27-51.

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This article concerns knowledge transfer within traditional crafts. Setting out from documented encounters with craftspeople, enterprises and craft communities, the objective is to reveal different notions of traditional craftsmanship and how ways of thinking about crafts affect knowledge transfer. The article focuses on a few general questions derived from surveys and interviews. What is the nature of craftsmanship? What constitutes a tradition? How can this knowledge be documented and passed on in a meaningful way? Particular interest is placed on relations between amateur communities and pr

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Almevik, Gunnar. "Mõtteid teadmussiirdest traditsioonilise käsitöö valdkonnast / Reflections on Knowledge Transfer within Traditional Crafts." Studia Vernacula 7 (November 4, 2016): 27–51. http://dx.doi.org/10.12697/sv.2016.7.27-51.

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This article concerns knowledge transfer within traditional crafts. Setting out from documented encounters with craftspeople, enterprises and craft communities, the objective is to reveal different notions of traditional craftsmanship and how ways of thinking about crafts affect knowledge transfer. The article focuses on a few general questions derived from surveys and interviews. What is the nature of craftsmanship? What constitutes a tradition? How can this knowledge be documented and passed on in a meaningful way? Particular interest is placed on relations between amateur communities and pr

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Molokwane, Shorn J. "Crafting the design: Connecting the changing societies through local designs that impact on global markets." ZOO! Investigación en Diseño y Comunicación Visual 2, no. 4 (2022): 19–29. http://dx.doi.org/10.20511/zoo.2013.v2n4.1605.

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This paper explores the nature and practice of art and craft ideals as practised by local communities, study their socio-culturaland economic contexts, and explore their potentialities for application in contemporary design. The decorative arts in Africa has been explored extensively and applied in variegated ways in the contemporary design and consumer world, the success of which would have benefitted from a deeper and truer interpretation of local contexts. The Botswana arts and crafts scene has been largely unexplored and as such their inspirational potentialities in design remainuntapped a

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Väänänen, Niina, Sinikka Pöllänen, Minna Kaipainen, and Leena Vartiainen. "Sustainable craft in practice: From practice to theory." Craft Research 8, no. 2 (2017): 257–84. http://dx.doi.org/10.1386/crre.8.2.257_1.

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Dissertations / Theses on the topic "Craft practice"

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Golsteijn, Connie. "Hybrid craft : towards an integrated physical-digital craft practice." Thesis, University of Surrey, 2014. http://epubs.surrey.ac.uk/805669/.

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Nowadays, people engage in a diverse range of craft practices in their everyday lives, which take place in physical and digital realms, such as creating decorations for their homes, modifying IKEA furniture, making digital photo collages, or creating their own personal websites. Within this increasingly hybrid age, in which people engage with physical and digital artefacts alongside each other and simultaneously, the research presented in this thesis poses that there are opportunities for new forms of making and creativity at the intersection of physical and digital realms. In other words, it

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Knott, Stephen. "Amateur craft as a differential practice." Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/1132/.

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This doctoral dissertation provides a theoretical examination of amateur craft as a differential practice. Concepts drawn from an inter-disciplinary source base are used to define, characterise and elucidate features of amateur craft practice that have long been presumed superfluous and opposite to valorised ‘professional’ practice. I investigate the attraction, motivation and complexities that lie behind this widespread, yet largely understudied, phenomenon of modern culture. Studies of everyday life, social history, aesthetics, material culture, art criticism and craft theory help conceptual

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Flood, S. M. "Canadian craft and museum practice 1900-1950." Thesis, University of Manchester, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550289.

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Donald, Elizabeth K. "Mind the gaps! : an advanced practice model for the understanding and development of fine craft practice." Thesis, University of Dundee, 2012. https://discovery.dundee.ac.uk/en/studentTheses/4434eab8-a793-4a76-9fb8-64bacaed0b62.

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The current uncertainty centres around Craft as a discipline as opposed to a set of skills applied to a process for a predefined product. This dichotomy is partly due to the lack of a clear definition of craft practice, its theoretical underpinning, and criteria for the evaluation of the products of practice. It appears that this problem emanates from craft itself which has few, if any, practitioners writing from their perspective of practice. A practitioner herself, with all the tacit knowledge from which craft practice is built, enables the researcher to articulate a particular viewpoint, th

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Peng, Fanke. "Visual Thinking - Beyond Craft Making : Identifying and verifying a visual analysis model (VAM) for craft practice." Thesis, University of Dundee, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521661.

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Josephson, Codi Lea. "Mama said sew: stitched samplers, contemporary art and domestic craft." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/827.

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My interest in the history of craft as it relates to women and craft in the context of contemporary art led to a more specific personal curiosity about colonial stitched samplers. The incredible skill and patience young colonial stitchers exhibited, layered with the revelatory nature of stitched samplers, sparked a desire to understand them more thoroughly. This thesis is a hybrid product that includes both writing and research about my interest in colonial stitched samplers, craft and contemporary art, as well as ongoing work on three stitched samplers inspired by both colonial schoolgirl sam

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Canning, Samuel. "Additive Manufacturing and its Potential Impact/Effect on Craft Practice." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366959.

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Additive manufacturing (or 3D printing) broadly refers to a group of technologies that create objects using material deposition rather than by reductive means, which describes most means of traditional manufacturing. This study is interested in the use of these additive manufacturing technologies by craftspeople located around the world. Craft practice has a tendency to be associated with manual processes and not with technology. This study questions whether these ideas are relevant to a new generation of craftspeople. The studio component of this study aims to push the boundaries of what is p

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Vones, Katharina Bianca. "Towards the uncanny object : creating interactive craft with smart materials." Thesis, University of Dundee, 2017. https://discovery.dundee.ac.uk/en/studentTheses/2d9a7303-4fd7-4110-ae83-6438904108a5.

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The increasing prevalence of digital fabrication technologies and the emergence of a novel materiality in contemporary craft practice have created the need to redefine the critical context of digital jewellery and wearable futures. Previous research in this area, such as that presented by Sarah Kettley (2007a) and Jayne Wallace (2007), has provided the foundations for further enquiry but has not been advanced significantly since its inception. The artistic research presented in this thesis focuses on how smart materials and microelectronic components could be used to create synergetic digital

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Furniss, Beverly. "Stitched in time: a progressive interpretation of embroidery." AUT University, 2009. http://hdl.handle.net/10292/947.

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This practice-based art and design project explores the potential use of contemporary materials and techniques in relation to extending aesthetic and structural possibilities of embroidery, with a focus on developing textile formations through the medium of ‘free stitch’ machine embroidery. Embroidery is often perceived by the non-enthusiast as a ‘granny craft’: an ‘old’ technique. Contemporary representations of embroidery suggest that new and innovative interpretations exist. Through investigation and experimentation with products, textiles and techniques, the embroidered artefacts that I ha

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Green, Lauren Grace. "Crafting a South African Brew: a study of South African craft breweries and their marketing strategies." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/13682.

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Includes bibliographical references.<br>In recent years South Africa has seen the formation of a nascent craft beer industry, with scores of small, independently owned breweries appearing in all corners of the country. Given this growth this descriptive study aims to provide an account of the marketing strategies used within the industry. This study used method and data triangulation, involving both qualitative and quantitative research approaches . Consecutive sampling of all active South African craft breweries was us ed, in order to give a holistic and accurate account (where n=86) . Data w

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Books on the topic "Craft practice"

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Mindful knitting: Inviting contemplative practice to the craft. Tuttle Pub., 2004.

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Lydon, Susan Gordon. The knitting Sutra: Craft as a spiritual practice. Broadway Books, 2004.

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Blumberg, Arthur. School administration as a craft: Foundations of practice. Allyn and Bacon, 1989.

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Code craft: The practice of writing excellent code. No Starch Press, 2007.

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Lydon, Susan Gordon. The knitting Sutra: Craft as a spiritual practice. HarperSanFrancisco, 1997.

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Yacht and small craft design: From principles to practice. Helmsman Books, 1992.

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Doing family therapy: Craft and creativity in clinical practice. Guilford Press, 1996.

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8

Peter, Brett. Carpentry and joinery for advanced craft students: Site practice. Stanley Thornes, 1989.

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Carpentry and joinery for advanced craft students: Site practice. Hutchinson, 1985.

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Directorate, Ireland Maritime Safety. Code of practice for: The safe operation of recreational craft. Stationery Office, 2008.

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Book chapters on the topic "Craft practice"

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Thomas, Nicola J. "Craft and Practice." In The SAGE Handbook of Historical Geography. SAGE Publications Ltd, 2020. http://dx.doi.org/10.4135/9781529739954.n50.

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House, David. "Survival Craft and Practice." In Seamanship Techniques. Routledge, 2018. http://dx.doi.org/10.4324/9781315560250-8.

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Spurling, Laurence. "Analytic “Rules” and Craft Practice." In The Psychoanalytic Craft. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-37711-1_7.

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Spurling, Laurence. "Why Theory Does Not Inform Practice." In The Psychoanalytic Craft. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-37711-1_5.

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Shaw, Ian. "The Craft of Journal Practice." In Research and Social Work in Time and Place. Routledge, 2023. http://dx.doi.org/10.4324/9781003306740-20.

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Travers, Max. "Craft skills and legal rules." In Legal Rules in Practice. Routledge, 2020. http://dx.doi.org/10.4324/9781003046776-11.

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Iyer, Mahesh. "Integrating Traditional Crafts Within Clinical Practice." In Craft in Art Therapy. Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-11.

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Spurling, Laurence. "How Working Models Inform Practice: An Example from a Supervision Group." In The Psychoanalytic Craft. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-37711-1_12.

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Kapitan, Lynn. "Crafting the Artist Book as Embodied, Relational Practice." In Craft in Art Therapy. Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-3.

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Thomson, Rachel. "Possession: Research Practice in the Shadow of the Archive." In The Craft of Knowledge. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137287342_3.

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Conference papers on the topic "Craft practice"

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Burt, S. D. "Revision of The UK Codes of Practice." In Small Craft Regulations. RINA, 2004. http://dx.doi.org/10.3940/rina.sc.2004.05.

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Groth, Camilla, and Arild Berg. "Co-creation in Professional Craft Practice." In Design Research Society Conference 2018. Design Research Society, 2018. http://dx.doi.org/10.21606/drs.2018.256.

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Smith, Thomas, Simon J. Bowen, Bettina Nissen, et al. "Exploring Gesture Sonification to Support Reflective Craft Practice." In CHI '15: CHI Conference on Human Factors in Computing Systems. ACM, 2015. http://dx.doi.org/10.1145/2702123.2702497.

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Groth, Camilla. "The role of sensory experiences and emotions in craft practice." In Design Research Society Conference 2016. Design Research Society, 2016. http://dx.doi.org/10.21606/drs.2016.337.

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Malasan, Prananda Luffiansyah. "The Role of Socio-technical Instruments in Craft and Design Practice in Indonesia." In DRS Pluriversal Design SIG Conference 2020. Design Research Society, 2020. http://dx.doi.org/10.21606/pluriversal.2020.035.

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Li, Yujuan. "Exploration and Innovation of Modular Teaching Practice Mode of Tourism Craft Design Course." In Proceedings of the 5th International Conference on Economics, Management, Law and Education (EMLE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/aebmr.k.191225.269.

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Lawlor, Chris. "FROM THEORY TO PRACTICE: IMPLEMENTING UNIVERSAL DESIGN FOR LEARNING INTO CRAFT APPRENTICESHIP TEACHING." In 14th annual International Conference of Education, Research and Innovation. IATED, 2021. http://dx.doi.org/10.21125/iceri.2021.0078.

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Doyle, Shelby Elizabeth. "Bringing Bauhaus Back: Digital Architecture + Contemporary Craft." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.12.

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“The Bauhaus believes the machine to be our modern medium of design and seeks to come to terms with it.”—Walter Gropius, The Theory and Organization of the Bauhaus German architect Walter Gropius founded the Bauhaus in 1919 and after fourteen prolific years, it closed. Despite its short tenure, the ramifications of the Bauhaus are still present in architectural education and practice. Its core objective was a radical, and still unrealized, concept: the unity of art and technology. The introduction of contemporary digital tools, techniques, and materials make this unity possible in new and prof

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Xiaolong Jiang and Yinan Cao. "Practice in the innovation design of traditional craft products—With the example of Longquan Swords." In 2010 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design 1. IEEE, 2010. http://dx.doi.org/10.1109/caidcd.2010.5681868.

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Strain, Eric, Jose L. S. Gamez, and Shai Yeshayahu. "Double (Hunch) Negative: Blending Practice/Research/Teaching and the Critical Imagination." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.48.

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In Duckler’s account of Michael Heizer’s Double Negative, the viewer becomes a part of the overall experience of scale, of site, and the knowledge of place. In a sense, perception, feeling, and scale hold a very complex relationship in the eye of the participant, and this brings Heizer’s earthwork closer to architecture than one might expect. This correlation between experience, scale perception, and placemaking can enrich the educational experience, thereby affecting the balance of forces that exist between academia, practice, and research. At least, that is the hunch that drew us to the 2019

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Reports on the topic "Craft practice"

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Aston, Thomas, and Marina Apgar. The Art and Craft of Bricolage in Evaluation. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/ids.2022.068.

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This CDI Practice Paper by Tom Aston and Marina Apgar makes the case for ‘bricolage’ in complexity-aware and qualitative evaluation methods. It provides a framework based on a review of 33 methods to support evaluators to be more intentional about bricolage and to combine the component parts of relevant methods more effectively. It discusses two cases from practice to illustrate the value added of taking a more intentional approach. It further argues that navigating different forms of power is a critical skill for bricolage, and that doing so can help to ensure rigour.

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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i

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Downes, Jane, ed. Chalcolithic and Bronze Age Scotland: ScARF Panel Report. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.184.

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The main recommendations of the panel report can be summarised under five key headings:  Building the Scottish Bronze Age: Narratives should be developed to account for the regional and chronological trends and diversity within Scotland at this time. A chronology Bronze Age Scotland: ScARF Panel Report iv based upon Scottish as well as external evidence, combining absolute dating (and the statistical modelling thereof) with re-examined typologies based on a variety of sources – material cultural, funerary, settlement, and environmental evidence – is required to construct a robust and up to da

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