Relevant bibliographies by topics / Crafters

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Crafters'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Crafters"

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Sulistiowati, Sulistiowati. "Peningkatan Perilaku Inovatif Perajin Tenun Melalui Perilaku Berbagi Pengetahuan dan Efikasi Diri." Jurnal Ekonomi Bisnis dan Kewirausahaan 7, no. 3 (December 30, 2018): 168. http://dx.doi.org/10.26418/jebik.v7i3.27236.

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Innovation is needed for creative businesses, especially crafts. Innovative behavior is closely related to innovation. This study aims to analyze the influence of knowledge sharing on the innovative behavior of weaving crafters and how the effect of self-efficacy on the innovative behavior of weaving crafters. The study was conducted on 50 weaving craftsmen in Sambas Regency, Kalimantan Barat Province. The conclusion of descriptive statistical analysis is the innovative behavior of weaving crafters in the very high category, knowledge sharing behavior in high category, and self efficacy in the very high category. Hypothesis testing is done by multiple regression analysis, with SPSS 20.0 software. The results of this study concluded that there was no significant influence of knowledge sharing behavior on the innovative behavior of weaving crafters, and there was a significant effect of self-efficacy on the innovative behavior of weaving crafters.
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Rahayu, Mieke, and Betty Magdalena. "Determinants Factors of Crafters Performance of SME’s at Tapis, Province of Lampung." WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY 8, no. 1 (March 30, 2021): 10. http://dx.doi.org/10.36262/widyakala.v8i1.409.

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This study aims to analyze and prove empirically the influence of managerial ability, work culture, organizational characteristics both partially and simultaneously on the innovation capability and performance of crafters at Tapis SMEs in Lampung Province. The research methods in this research are descriptive and verification methods. The population was 1,302 Tapis crafter in Lampung Province and a sample of 305 and as owner crafters as respondents, with questionnaires as data collection techniques, and data analysis technique was Structural Equation Modeling (SEM), using Lisrel 8.70. The results showed that partially or simultaneously, managerial ability, work culture, and organizational characteristics had a positive and significant influence on the capability of innovation. The results of this study also showed a positive effect of managerial ability, work culture, and innovation capabilities on the performance of crafters at Tapis SMEs in Lampung Province. Innovation capability can act as an intervening variable that strengthens the influence of managerial ability, organizational culture, and organizational characteristics on the performance of crafters the most dominant work culture influences the performance of craftsmen is 0.356.
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Tims, Maria, and Sharon K. Parker. "How coworkers attribute, react to, and shape job crafting." Organizational Psychology Review 10, no. 1 (December 30, 2019): 29–54. http://dx.doi.org/10.1177/2041386619896087.

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Job crafting, or proactive changes that individuals make in their job design, can influence and be influenced by coworkers. Although considerable research has emerged on this topic, overall, the way job crafting is responded to by coworkers has received little theoretical attention. The goal of this article is to develop a model that allows for a better understanding of job crafting in interdependent contexts. Drawing on attribution and social information theories, we propose that when job crafting has a negative or positive impact on coworkers, coworkers will make an attribution about the crafter’s prosocial motive. This attribution in turn influences whether coworkers respond in an antagonistic or a supportive way toward job crafters. Ultimately, coworkers’ reactions shape the experienced affective work outcomes of job crafters. We also theorize the factors that moderate coworkers’ reactions to job crafting behaviors and the job crafter’s susceptibility to coworker influence.
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Kästik, Helen. "Digitaalsed käsitöökogukonnad / Digital craft communities." Studia Vernacula 9 (November 6, 2018): 207–15. http://dx.doi.org/10.12697/sv.2018.9.207-215.

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While technological advances provide new freedoms and opportunities, they can also lead to insecurity or to a feeling of being left behind. This paradox motivated Swedish, Estonian and Italian crafts organisations to jointly develop a training course to increase the digital confidence of crafters. The educational programme was put together and carried out in the framework of the project EUdigiTAC – Digitally Crafting New Communities of Practice. The project was funded over two years (1st May 2016 – 30th April 2018) by the EU Creative Europe programme. The goal of the project was to encourage crafters from different generations to use digital tools. This change was especially vital to middle-aged or elderly experts of crafts heritage: IT offers a much more efficient means for the description of handicraft than slower alternatives, such as books or magazines. The project involved the development of an educational programme uniting textile crafters with skilled multimedia specialists. Unconstrained discussions in small groups allowed each master of crafts to find the best means and channel for presenting their work through media. In Estonia, the focus was on audiovisual methods. Things that are difficult to describe in words are much easier to present in videos. The use of social media allows simultaneously you to share your knowledge with a large number of people. Even language barriers can be broken: a crafts video does not necessarily require verbal instructions or comments. Special attention was paid to three types of videos: those documenting the work of a master in the course of field work, training videos, and promotional videos. In the field of traditional crafts, personal development often means doing fieldwork in the workshops of experienced artisans. Good videos require a skilful interviewing technique which directs the conversation, but a purely verbal interview will be less than informative without a simultaneous demonstration of hands-on work and tacit knowledge. The second genre emphasised by our crafters was that of preparing training materials, as these are often required when presenting workshops or training courses. Audiovisual training materials can also be used in the general promotion of your work or crafting technique, enabling the audience to distinguish genuine handicraft from mass production and teaching them to value the work of a master more highly. Promotional videos allow craft entrepreneurs to draw new participants to their events or workshops, as well as to introduce their work or company. In addition to shooting and editing videos, it is also important to focus on what should be done with the end result: where and to whom the video should be shown, and how followers might be gained on social media. All this international experience-sharing was important in creating an interactive web platform which crafters could continue to use after the end of the project. All the relevant materials can be found at the project website at http://eudigitac.eu/. Experience gained through the project was used in preparing guidance materials for other organisations seeking to carry out similar training courses or projects related to the development of crafts and digital skills. The most important result of the project, however, was the general increase in awareness and digital confidence among the crafters involved – moving them from ‘This is way over my head’ to ‘This could work; it is well worth a try’.
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Kästik, Helen. "Digitaalsed käsitöökogukonnad / Digital craft communities." Studia Vernacula 9 (November 6, 2018): 207–15. http://dx.doi.org/10.12697/sv.2018.9.207-215.

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While technological advances provide new freedoms and opportunities, they can also lead to insecurity or to a feeling of being left behind. This paradox motivated Swedish, Estonian and Italian crafts organisations to jointly develop a training course to increase the digital confidence of crafters. The educational programme was put together and carried out in the framework of the project EUdigiTAC – Digitally Crafting New Communities of Practice. The project was funded over two years (1st May 2016 – 30th April 2018) by the EU Creative Europe programme. The goal of the project was to encourage crafters from different generations to use digital tools. This change was especially vital to middle-aged or elderly experts of crafts heritage: IT offers a much more efficient means for the description of handicraft than slower alternatives, such as books or magazines. The project involved the development of an educational programme uniting textile crafters with skilled multimedia specialists. Unconstrained discussions in small groups allowed each master of crafts to find the best means and channel for presenting their work through media. In Estonia, the focus was on audiovisual methods. Things that are difficult to describe in words are much easier to present in videos. The use of social media allows simultaneously you to share your knowledge with a large number of people. Even language barriers can be broken: a crafts video does not necessarily require verbal instructions or comments. Special attention was paid to three types of videos: those documenting the work of a master in the course of field work, training videos, and promotional videos. In the field of traditional crafts, personal development often means doing fieldwork in the workshops of experienced artisans. Good videos require a skilful interviewing technique which directs the conversation, but a purely verbal interview will be less than informative without a simultaneous demonstration of hands-on work and tacit knowledge. The second genre emphasised by our crafters was that of preparing training materials, as these are often required when presenting workshops or training courses. Audiovisual training materials can also be used in the general promotion of your work or crafting technique, enabling the audience to distinguish genuine handicraft from mass production and teaching them to value the work of a master more highly. Promotional videos allow craft entrepreneurs to draw new participants to their events or workshops, as well as to introduce their work or company. In addition to shooting and editing videos, it is also important to focus on what should be done with the end result: where and to whom the video should be shown, and how followers might be gained on social media. All this international experience-sharing was important in creating an interactive web platform which crafters could continue to use after the end of the project. All the relevant materials can be found at the project website at http://eudigitac.eu/. Experience gained through the project was used in preparing guidance materials for other organisations seeking to carry out similar training courses or projects related to the development of crafts and digital skills. The most important result of the project, however, was the general increase in awareness and digital confidence among the crafters involved – moving them from ‘This is way over my head’ to ‘This could work; it is well worth a try’.
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Stannard, Casey R., and Kathy Mullet. "Consumption of Raw Materials by Crafters." Clothing and Textiles Research Journal 36, no. 1 (October 3, 2017): 17–32. http://dx.doi.org/10.1177/0887302x17734644.

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Crafters are reliant upon raw materials in order to create craft projects; however, there is little research focused on understanding how the characteristics of raw materials or the retail environment affect the consumption of crafters. The purpose of this research was to describe why crafters choose to consume from certain craft businesses and what characteristics of yarn affected the consumption of crafters. The levels of design as described by Donald Norman and principles of the slow fashion movement provided the theoretical framework for the study. Data were gathered using an online survey. Both quantitative and qualitative data were gathered. A total of 657 usable surveys were collected. Four themes emerged related to the characteristics of retail environments and raw materials, which influenced crafters to consume yarn: business factors, utilitarian requirements, visual/tactile requirements, and intangible requirements.
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Zala, Krista. "Crafters tinker with technology." Nature 452, no. 7183 (March 2008): 32. http://dx.doi.org/10.1038/452032a.

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Untari, R. "How do Batik Natural Dyes Crafter Spread Their Green Value (Case Studies on Batik Gemawang and Batik Warna Alam Si Putri)." IOP Conference Series: Earth and Environmental Science 940, no. 1 (December 1, 2021): 012073. http://dx.doi.org/10.1088/1755-1315/940/1/012073.

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Abstract Batik Indonesia was awarded as an intangible heritage by Unesco. Unfortunately, synthetic color batik has many advantages over natural dyes batik. The difficulty of selling natural color batik makes natural color batik crafters carry out educational activities to potential consumers to generate demand and purchases. The method for the research is observation for the long term, an in-depth interview to confirm the observation finding then do qualitative analysis. The research found that natural color batik crafters or ecopreneurs must have a solid green value to survive in their business. There are various ways, methods, and means to educate potential batik consumers and others. Natural color Batik artisans will choose the way he or she is most likely to do. The education is carried out continuously. This activity is aimed at prospective consumers knowing natural color batik and its advantages. This knowledge can defeat the attractiveness of low prices that synthetic color batik has. So that in the end, consumers will make a purchase. Especially for this research, its also found that the batik crafter also educates another party than potential customer therefore, the other party will support the education for the potential customer.
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Beamer, Becky, and Kimberly C. Gleason. "Reflections on the impact of informal sector tourism on indigenous Namibian Craft processes." Arts and the Market 12, no. 1 (February 22, 2022): 1–16. http://dx.doi.org/10.1108/aam-05-2020-0015.

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Purpose The purpose of this study is to use a spreadable form of creative expression, bookwork, to illustrate the encroachment upon the indigenous craft process of Namibian master crafters. In addition, the authors hope to inspire a dialogue regarding the value of interdisciplinary research between the arts and business and promote creative expression as scholarly output that can provide additional depth to research topics in business.Design/methodology/approach This study introduces bookwork as a research technique used to convey insights regarding the consequences to master crafters and indigenous craft practices arising from the economic activities of informal sector tourists as “outsiders” – those external to the indigenous Namibian Craft community.Findings In this paper, the authors convey the manner in which outsiders (such as tourists) permanently influence the traditional craft culture of indigenous communities in a largely unexplored cultural ecological niche in Namibia by purchasing low cost, easily mass produced, yet inauthentic brightly colored objects. It is likely that craft processes designed for revenue generation will encroach on the role of the master crafters in Namibian society and permanently redirect creative activities away from the indigenous practices.Research limitations/implications The researchers acknowledge the biases they have, as outsiders, in their perception of Namibian master crafters and craft practices.Social implications The human capital of the master crafters of Namibia is being eroded and traditional craft practices are being distorted due to incentives created by tourist preferences for cheap, inauthentic replicas of the master crafters’ work.Originality/value While some business disciplines, such as marketing, have incorporated the arts into their research, the use of creative expression in many business disciplines has been limited. The authors are the first to use bookwork to explore academic business research questions as per their knowledge. In addition, this study provides a new perspective, that of the outsider, in assessing how tourism impacts traditional Namibian Craft processes.
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Hidayat, Rahmat, Widodo Hariyono, and Adi Heru Sutomo. "Causes of musculoskeletal complaint on carving crafters in Bantul." Berita Kedokteran Masyarakat 32, no. 8 (March 29, 2018): 251. http://dx.doi.org/10.22146/bkm.9818.

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Causes of musculoskeletal complaint on carving crafters in BantulPurposeThe purpose of this study was to determine the factors causing musculoskeletal disorders in furniture carvers in Bantul. These factors are age, length of service, work stress and smoking habit.MethodsA cross-sectional study was conducted by distributing questionnaires to 56 respondents in a furniture carving business in Bantul. The independent variables were age, years of service, work stress, and smoking habits, while the dependent variable was a musculoskeletal disorder. Measurement of musculoskeletal disorder used a questionnaire, and Nordic Body Map while work stress measurement used a work stress indicator questionnaire.ResultsThe study found that there was a significant correlation between age and work stress with musculoskeletal complaints in furniture craftsmen in Bantul, while the working period and smoking habit did not significantly influence the musculoskeletal disorder in furniture crafters in Bantul.ConclusionAge and occupational stress are factors that affect musculoskeletal complaints, while the habit of work and smoking habit did not have a significant effect on the occurrence of musculoskeletal complaints in furniture crafters in Bantul. Work rotation and workspace design need to be done properly to minimize the risk of musculoskeletal problems in furniture crafters in Bantul.
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Dissertations / Theses on the topic "Crafters"

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Godfrey, Elizabeth. "Making gender: technologists and crafters in online makerspaces." Thesis, Georgia Institute of Technology, 2015. http://hdl.handle.net/1853/53621.

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The Maker Movement is a rapidly moving development towards non-traditional education through hands-on creation of technological artifacts, indicating tremendous potential for attracting previously marginalized groups underrepresented in science and technology fields. The movement is compellingly situated as the intersection of an expansive array of interdisciplinary efforts and thus equipped to be leveraged by women and girls who are more likely to originate from artistic and creative backgrounds. Women who make are severely underrepresented in all documented embodiments of the maker movement, including maker media, events, and tangible collaborative spaces. This study explores the possibilities of removing barriers to entry into making for women by converging upon the narrow focus of online makerspaces, engaging with the denizens of the space, and scrutinizing the manner in which they participate in the broader maker community. The timeliness of this probe into women’s personal engagement with science and technology making is indicated by the convergence of discussion surrounding the underrepresentation of women in STEM and approaches to increasing accessibility through making as a natural point of entry.
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Kalma, Anna. "Crafting and connecting: Co-designing technologies with older adult crafters to promote family connections." Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/235480/1/Anna%2BKalma%2BThesis%2B%286%29.pdf.

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This thesis presents research with older adults to design digital technologies that are accessible and support meaningful social connections. In collaboration with older adults who are passionate about fiber crafts like knitting and crochet, this research presents new insights on how to integrate craft and digital technology design. It presents new interaction design methods that harness craft materials and skills and a theoretical framework that illustrates key themes for technology designs that connect older adults with family members and fit with their routines and interests.
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Barnes, Jessica Ruth. "Aspirational Economies of Self and City:The Values and Governance of Independent Crafters in Columbus, Ohio." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1408691671.

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Luxande, Vuyokazi. "Assessment of the need for business skills training of crafters at the greater Stellenbosch Development Trust." Thesis, University of the Western Cape, 2006. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_3809_1256198129.

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The study dealt with one multi-site craft based poverty alleviation programme at the Greater Stellenbosch Development Trust and aimed to assess the business skills training needs of its participants. A literature review was undertaken which mainly focused on issues such as Poverty, Unemployment, Training, Craft, Skills Development, SMMEs and Gender. It also focused on the link between the above and poverty.

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Tepper, Leslie H. "Hand crafted : creating a market for Canada's Northwest Coast native arts and crafts." Thesis, University of Leicester, 2002. http://hdl.handle.net/2381/31141.

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Museum collections contain examples of Aboriginal Northwest Coast material culture that have been categorised as curios, artefacts, tourist art, arts and crafts, or art. This dissertation examines the emergence of Native Northwest Coast Aboriginal objects made for sale as "arts and crafts". The discussion draws on the multidisciplinary field of material culture studies, on the theories of commodification and on the concept of the reinvention of culture. At the end of the nineteenth century the British Arts and Crafts Movement called for a return to the values and practices of an earlier period of hand crafted objects. For the next half-century in North America government agents, missionaries and philanthropic societies encouraged the production of traditional Aboriginal functional objects as a form of arts and crafts. This activity was perceived as a means of economic self-sufficiency, and to promote feelings of self-identity and self-worth among Native producers. At the onset of World War II. various individuals, private organisations, and government departments worked to transform the producer and the marketplace through education and public policy. Change was to be accomplished by establishing new venues, new expectations of behaviour, and a new social relationship between the supplier and the consumer. Today, a growing number of Native studio crafts people create objects of traditional material culture as a means of livelihood, and as participants in the revitalisation of Northwest Coast Aboriginal society. The term arts and crafts, however, has fallen into disuse and disfavour among Western scholars and Indigenous producers who associate the phrase with poor quality and low income. The term of choice today is art and artist. This work suggests that the production of arts and crafts in British Columbia was an important transition stage in the development of the Native art market. The efforts by private individuals, philanthropic societies and government programs during the mid-20th century raised the value of the hand crafted object. The thesis also suggests that the concept inherent in the Arts and Crafts Movement of "doing good when doing craft", is cyclical, reappearing as strategic policy during times of economic and social crisis on the Northwest Coast.
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Svensson, Jessie. "Crafted Care." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-133170.

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Rieskamp, Julie. "The discount shopper, the crafter, the portrait artist." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1334934801.

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Hart, Imogen. "Arts and crafts objects." Thesis, University of York, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434024.

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Pustina, Petter. "Arts & Crafts Laboratory." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135596.

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Summerton, Janet. "Designer crafts practice in context." Thesis, City University London, 1990. http://openaccess.city.ac.uk/7724/.

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This research attempts to identify patterns of successful independent practice among contemporary visual arts practitioners for the purpose of increasing understanding of the structures of and activity within the visual arts in England. The intention is to draw conclusions regarding how such practice can be facilitated and supported. It looks at a particular kind of practice in the area of design craft, and at the organisations charged with the responsibility for state provision, setting this critique in a context of a historical and social perspective. Much of recent conventional practice in the visual arts is considered to have a narrow view of what constitutes acceptable practice and is based on the gallery-based fine arts model. This model is a dubious base line from which to encourage a healthy range of independentpractice, and is of little use to the practitioners in this study, and others of similar intent. The practitioners encountered in this research might beconsidered applied artists, as they have a need to engage with a public during the processes of conception, creation and selling of their work. The patterns have been documented with the assistance of concepts regarding small business, particularly a subsector called micro business. Micro business has recently been identified to describe a pattern of activity which is not conducted for profit or with goals of expansion. The motivation behind micro business is to maintain self determination.
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Books on the topic "Crafters"

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Casting for crafters. New York, NY: Sterling Pub. Co., 2006.

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Gear, Alan D. 1000 motifs for crafters. London: Collins & Brown, 2003.

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Olexiewicz, Charlene. Christmas crafters: Decorations & crafts to make your Christmas merry. Los Angeles: Lowell House Juvenile, 1996.

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Card sketches for paper crafters. Little Rock, Ark: Leisure Arts, 2012.

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Crafters' internet handbook: Research, connect and sell your crafts online. Cincinnati, OH: Muska & Lipman, 2002.

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Business and legal forms for crafters. New York, NY: Allworth Press, 2012.

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Levin, Susan. ColorSense: Creative color combinations for crafters. New York, NY: Sixth&Spring Books, 2008.

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Vernon, Seeley, ed. Fabulous French bébés: For collectors and crafters. Livonia, MI: Scott Publications, 1992.

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Brown, Lindy. Easy airbrush projects for crafters & decorative painters. Cincinnati, Ohio: North Light Books, 1997.

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Aimone, Katherine Duncan. Creative Collage for Crafters: Techniques, Projects, Inspirations. New York, New York: Lark Books, 2000.

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Book chapters on the topic "Crafters"

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Renn, Ortwin. "Risk Governance: From Knowledge to Regulatory Action." In Knowledge for Governance, 93–111. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47150-7_5.

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AbstractRisk governance is used to refer to a body of scholarly ideas and concepts for collective decision making involving uncertain consequences of events or actions. The risk governance concept developed by the International Risk Governance Council in Geneva provides guidance for constructing comprehensive assessment and management strategies to cope with risk. Its crafters integrate three types of scientific input: classic, curiosity-driven research; strategic, goal-oriented research: and catalytic, process-related investigations. In this paper, I demonstrate how these three knowledge pools can assist risk assessors and managers to improve their understanding of complex risk situations.
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Maceli, Monica, and Michael E. Atwood. "“Human Crafters” Once again: Supporting Users as Designers in Continuous Co-design." In End-User Development, 9–24. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-38706-7_3.

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Ingram, Linda J. "By her own hand: creativity, crafts, and commerce in the Verde Valley, Arizona." In Women, leisure and tourism: self-actualization and empowerment through the production and consumption of experience, 58–69. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789247985.0006.

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Abstract Many women choose entrepreneurship as one piece of a multifaceted life mosaic, rather than approaching it with single-minded purpose. This chapter explores how rural women empower themselves through leisure, creativity, and business ownership by focusing on the meaning of creativity and craft, the evolution of the creative experience, and the resulting effects on their lives. Through structured interviews, lifestyle entrepreneurs were encouraged to articulate their experiences with their small, home-based, tourism-oriented crafting businesses. While this type of small business receives little attention in tourism literature, its benefits to rural economic development are important. Results revealed crafters' relationships with, and to, creativity, artisanship, and entrepreneurship are more complex and fulfilling than previously understood. While there is no prototypical model for women's entrepreneurship, it appears, overall, women find the freedom, flexibility, control, and sense of accomplishment entrepreneurship provides to be beneficial to their lives.
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Maceli, Monica, and Michael E. Atwood. "From Human Crafters to Human Factors to Human Actors and Back Again: Bridging the Design Time – Use Time Divide." In End-User Development, 76–91. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-21530-8_8.

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Sheridan, Carmel. "Crafts." In Failure-Free Activities for the Alzheimer’s Patient, 46–52. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-12441-1_5.

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Plusnin, Juri. "Crafts." In Russian Provincial Society, 221–77. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97829-7_8.

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Savini, Federico. "Crafted imagination." In The Routledge Companion to Urban Imaginaries, 424–37. Abingdon, Oxon : New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315163956-31.

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Haasnoot, Ton, Andrew Woods, Thore Hagman, Jim Howe, Ruy Marra, and Peter George. "Rescue Crafts." In Drowning, 461–76. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-04253-9_71.

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"The stone crafters." In Thurrock’s Deeper Past: A Confluence of Time, 7–25. Archaeopress Publishing Ltd, 2018. http://dx.doi.org/10.2307/j.ctvndv8zs.7.

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Garber, Elizabeth, Lisa Hochtritt, and Manisha Sharma. "Introduction." In Makers, Crafters, Educators, 1–13. Routledge, 2018. http://dx.doi.org/10.4324/9781315179254-1.

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Conference papers on the topic "Crafters"

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Wolz, Ursula, Gwen Charles, Laura Feire, and Elanor Nicolson. "Code Crafters Curriculum." In SIGCSE '18: The 49th ACM Technical Symposium on Computer Science Education. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3159450.3162360.

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Sullivan, Anne, Anastasia Salter, and Gillian Smith. "Games crafters play." In FDG '18: Foundations of Digital Games 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3235765.3235802.

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Maceli, Monica, and Michael Atwood. "From human factors to human actors to human crafters." In the 2011 iConference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1940761.1940775.

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Irfan, Mr, Prof Dharsono, SP Gustami, and Dr Guntur. "Continuity of Traditional Ceramic Arts in The Socio-cultural Context of Crafters Society." In Proceedings of the 1st International Conference on Advanced Multidisciplinary Research (ICAMR 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icamr-18.2019.116.

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Jelen, Ben, Olivia K. Richards, Samantha A. Whitman, Tom Ongwere, K. Cassie Kresnye, and Katie A. Siek. "Exploring the Use of Electronics to Customize Pervasive Health Technologies with Older Adult Crafters." In PervasiveHealth '20: 14th EAI International Conference on Pervasive Computing Technologies for Healthcare. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3421937.3421976.

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Dantsker, Or D., and Renato Mancuso. "Flight Testing Data Set for Subscale GA Aircraft: 26%-scale Cub Crafters CC11-100 Sport Cub S2." In AIAA Scitech 2019 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2019. http://dx.doi.org/10.2514/6.2019-1616.

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Nurcahyanti, Desy, Agus Sachari, and Achmad Haldani Destiarmand. "Stylation of Women’s Batik Crafters in Mbok Semok Motif as a Visual Idioms of Javanese Cultural Change." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009447005170525.

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Pschetz, Larissa, Richard Banks, and Mike Molloy. "Movement crafter." In the 7th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2460625.2460709.

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Dhavlle, Abhijitt, Sahil Bhat, Setareh Rafatirad, Houman Homayoun, and Sai Manoj P. D. "Sequence-crafter." In the International Conference. New York, New York, USA: ACM Press, 2019. http://dx.doi.org/10.1145/3349569.3351543.

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Jelen, Ben, Anne Freeman, Mina Narayanan, Kate M. Sanders, James Clawson, and Katie A. Siek. "Craftec." In TEI '19: Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3294109.3295636.

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Reports on the topic "Crafters"

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Stannard, Casey R., and Kathy K. Mullet. Yarn Design Characteristics Which Influence Crafters. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-9.

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Galleguillos, R., M. Litt, and S. E. Rickert. Friedel Craft's synthesis and characterization of some acene quinone compounds. Office of Scientific and Technical Information (OSTI), January 1987. http://dx.doi.org/10.2172/6631885.

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Glass, George. Electrical Safety Program: Nonelectrical Crafts at LANL, Live #12175. Office of Scientific and Technical Information (OSTI), December 2016. http://dx.doi.org/10.2172/1338684.

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Klein, Randal, and Sam Johnson. Environmental Assessment: Proposed Automotive/Arts and Crafts Skills Center, Hill Air Force Base, Utah. Fort Belvoir, VA: Defense Technical Information Center, October 2010. http://dx.doi.org/10.21236/ada530627.

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Gombeda, Matthew, Estevan Rivera, and Zoe Lallas. Optimal Approach for Addressing Reinforcement Corrosion for Concrete Bridge Decks in Illinois. Illinois Center for Transportation, April 2022. http://dx.doi.org/10.36501/0197-9191/22-005.

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This report presents the results of a comprehensive literature review focusing on corrosion performance of reinforced concrete bridge decks, with a particular emphasis on the relative performance of alternative corrosion-resistant reinforcement types. Examples of alternative corrosion-protection options examined herein include epoxy-coated, galvanized, stainless-steel, and A1035 bars, considering conventional black reinforcing bars as the standard. Based upon the results of the literature review, a framework for determining the optimal reinforcement option for a bridge deck is presented as a function of the properties of each reinforcement type and other factors, such as design service life, location of the bridge, estimated maintenance/repair cycles, and relative costs. Several examples are also provided to demonstrate the procedure for using the framework and its applicability for different bridge types with varying design considerations, such as a congested urban artery and a rural interstate. The literature review findings and the optimal approach framework were crafted for use by bridge design engineers as preliminary guidance when determining the type of reinforcement for a given bridge deck and its corresponding conditions. Furthermore, the approach can also be used by Illinois Department of Transportation officials when deciding whether to invest in higher performing corrosion-protection systems for a given application or for updating current bridge design policies to reflect the latest developments in alternative corrosion-resistant reinforcement options.
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Sillah, Bukhari. Country Diagnostic Study – United Arab Emirates. Islamic Development Bank Institute, November 2021. http://dx.doi.org/10.55780/rp21002.

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The Country Diagnostic Study (CDS) for United Arab Emirates (U.A.E.) uses the Hausmann-Rodrik-Velasco growth diagnostics model to identify the binding constraints being faced in its quest for higher economic growth and make recommendations to relax these constraints. Hence, the findings of the CDS can help the Islamic Development Bank in identifying areas where it can have a greater impact and provide an evidence basis to support the development of the Member Country Partnership Strategy. U.A.E.’s development journey has been painstakingly crafted over time, with the latest being Vision 2021. Launched in 2010 and in the aftermath of the global financial crisis (GFC), Vision 2021 was designed to place the U.A.E. among the best nations in the world. It has achieved several targets under the competitive knowledge pillar of the Vision, but some key targets related to economic growth, innovation, and knowledge workers are yet to be fully realized. This is because growth has been low and inadequate with relatively low private investment since the 2008–2009 GFC, leading to a lower than potential real GDP trend. To bring in private investment and improve growth, both quantity and quality of human capital may need to be scaled up through improving the education system and spending on research and development to support industry-university collaboration on innovations. Efficient institutional governance in the areas of corruption control, regulatory quality and conducive bureaucracy is necessary for the vibrant functioning of the private sector.
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Becker, Sascha O., Stephen Broadberry, Nicholas Crafts, Sayatan Ghosal, Sharun W. Mukand, and Vera E. Troeger. Reversals of Fortune? A Long-term Perspective on Global Economic Prospects. Edited by Sascha O. Becker. CAGE Research Centre, March 2013. http://dx.doi.org/10.31273/978-0-9576027-00.

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It is conventional wisdom that: Continued fast growth in the BRICS will result in a rapid catch-up to match and even surpass Western income levels in the next few decades The crisis in Europe will soon be over and normal growth will then resume as if nothing had happened The tax competition resulting from globalization means a race to the bottom in which corporate tax rates fall dramatically everywhere The best way to escape the poverty trap is to give the poor more money Losers from globalization can be ignored by politicians in western democracies because they do not matter for electoral outcomes The adjustment problems for developing countries arising from the crisis are quite minor and easy to deal with Actually, as Reversals of Fortune shows, all of these beliefs are highly questionable. The research findings reported here provide economic analysis and evidence that challenge these claims. In the report, Nicholas Crafts asks: "What Difference does the Crisis make to Long-term West European Growth?" Vera Troeger considers "The Impact of Globalisation and Global Economic Crises on Social Cohesion and Attitudes towards Welfare State Policies in Developed Western Democracies." Stephen Broadberry looks at "The BRICs: What does Economic History say about their Growth Prospects?" Sharun Mukand takes "The View from the Developing World: Institutions, Global Shocks and Economic Adjustment." Finally, Sayantan Ghosal has a new perspective on "The Design of Pro-poor Policies."
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Broadberry, Stephen, Nicholas Crafts, Leigh Gardner, Rocco Macchiavello, Anandi Mani, and Christopher Woodruff. Unlocking Development: A CAGE Policy Report. Edited by Mark Harrison. The Social Market Foundation, November 2014. http://dx.doi.org/10.31273/978-1-904899-98-3.

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The world’s poor are ‘trapped’ in poverty. How can we unlock development so that poor countries can sustain economic growth over long periods of time? Our report considers this problem on three levels, the national economy, the private sector, and citizenship. At the core of each chapter is new research by CAGE members and associates. Chapter 1 addresses the factors underlying sustainable growth of the national economy. Chapter 2 looks for the sources of business capacity and sustainable growth of the private sector. Chapter 3 links citizenship to economic development, showing how political voice can enable women to participate more freely in society and the economy. In all three chapters we show how economic development relies on the rule of law, including a framework of laws and their enforcement that is applied to all and accessible by all. We show how, without such a framework, the sustainable growth of national economies and their businesses is threatened when laws fail to resolve conflicts. This failure is often accompanied by corruption or violence. So, we discuss what can be done to promote the rule of law; to make economic growth more stable and sustainable; to enhance the capacity of business organisations that are most likely to attract, grow and create jobs; and to enable women to play a full part in economic development as citizens, providers, and entrepreneurs. Foreword by Frances Cairncross; Introduced by Nicholas Crafts.
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Lederman, Jaimee, Peter Haas, Stephanie Kellogg, Martin Wachs, and Asha Weinstein Agrawal. Do Equity and Accountability Get Lost in LOSTs? An Analysis of Local Return Funding Provisions in California’s Local Option Sales Tax Measures for Transportation. Mineta Transportation Institute, February 2021. http://dx.doi.org/10.31979/mti.2021.1811.

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This study explores how local return provisions of local option sales taxes (LOSTs) for transportation are allocated and spent to meet local and regional transportation needs. Local return refers to the component of county LOST measures that provides funding directly to municipalities in the county to be used to meet local needs. Local return has become a fixture in LOSTs; 58 LOST measures placed on the ballot in California (as of 2019) that have included local return in their expenditure plan have an average of 35% of revenues dedicated to local return. Local return provisions in the ballot measures often contain guidelines on how a portion of the money should be spent. The allocation of local return funds to localities has rarely been discussed in research, and spending decisions have to our knowledge never been analyzed. This paper conducts a mixed-methods analysis of all LOSTs with local return, relying on ordinances and other public documents related to local return expenditures, and supplemented with interviews with officials in six counties. Findings indicate that local return provisions are crafted to balance the needs of the county across different dimensions, including trying to achieve equity between urban and rural residents, investment in different transportation modes, and meeting both local and regional policy needs. Moreover, significant accountability mechanisms provide regulations to ensure that funds are distributed to and spent by jurisdictions as promised by the measures. Overall, this research finds that local return is a vital part of LOST measures in California, allowing cities to meet local needs ranging from maintenance of local streets to funding for special programs, while simultaneously aligning local investment with regional priorities.
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Lundgren, Jonathan, Moshe Coll, and James Harwood. Biological control of cereal aphids in wheat: Implications of alternative foods and intraguild predation. United States Department of Agriculture, October 2014. http://dx.doi.org/10.32747/2014.7699858.bard.

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The overall objective of this proposal is to understand how realistic strategies for incorporating alternative foods into wheat fields affect the intraguild (IG) interactions of omnivorous and carnivorous predators and their efficacy as biological control agents. Cereal aphids are a primary pest of wheat throughout much of the world. Naturally occurring predator communities consume large quantities of cereal aphids in wheat, and are partitioned into aphid specialists and omnivores. Within wheat fields, the relative abilities of omnivorous and carnivorous predators to reduce cereal aphids depend heavily on the availability, distribution and type of alternative foods (alternative prey, sugar, and pollen), and on the intensity and direction of IG predation events within this community. A series of eight synergistic experiments, carefully crafted to accomplish objectives while accounting for regional production practices, will be conducted to explore how cover crops (US, where large fields preclude effective use of field margins) and field margins (IS, where cover crops are not feasible) as sources of alternative foods affect the IG interactions of predators and their efficacy as biological control agents. These objectives are: 1. Determine the mechanisms whereby the availability of alternative prey and plant-provided resources affect pest suppression by omnivorous and carnivorous generalist predators; 2. Characterize the intensity of IGP within generalist predator communities of wheat systems and assess the impact of these interactions on cereal aphid predation; and 3. Evaluate how spatial patterns in the availability of non-prey resources and IGP affect predation on cereal aphids by generalist predator communities. To accomplish these goals, novel tools, including molecular and biochemical gut content analysis and geospatial analysis, will be coupled with traditional techniques used to monitor and manipulate insect populations and predator efficacy. Our approach will manipulate key alternative foods and IG prey to determine how these individual interactions contribute to the ability of predators to suppress cereal aphids within systems where cover crop and field margin management strategies are evaluated in production scale plots. Using these strategies, the proposed project will not only provide cost-effective and realistic solutions for pest management issues faced by IS and US producers, but also will provide a better understanding of how spatial dispersion, IG predation, and the availability of alternative foods contribute to biological control by omnivores and carnivores within agroecosystems. By reducing the reliance of wheat producers on insecticides, this proposal will address the BARD priorities of increasing the efficiency of agricultural production and protecting plants against biotic sources of stress in an environmentally friendly and sustainable manner.
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