Relevant bibliographies by topics / Craftivism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Craftivism'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Craftivism"

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Sarah Corbett and Sarah Housley. "The Craftivist Collective Guide to Craftivism." Utopian Studies 22, no. 2 (2011): 344. http://dx.doi.org/10.5325/utopianstudies.22.2.0344.

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McGovern, Alyce, and Clementine Barnes. "Visible Mending, Street Stitching, and Embroidered Handkerchiefs: How Craftivism is Being Used to Challenge the Fashion Industry." International Journal for Crime, Justice and Social Democracy 11, no. 2 (2022): 87–101. http://dx.doi.org/10.5204/ijcjsd.2352.

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The contemporary practice of ‘craftivism’—which uses crafts such as knitting, sewing and embroidery to draw attention to ‘issues of social, political and environmental justice’ (Fitzpatrick 2018: 3)—has its origins in centuries of radical craft work where women and marginalised peoples, in particular, have employed crafts to protest, take a stand or comment on issues that concern them. Recently, craftivist actions have targeted the fashion and textile industry in an effort to highlight and address some of the social and environmental impacts of the global fashion industry, from the throwaway c
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Røstvik, Camilla Mørk, and Thomas Palmelund Johansen. "Craftivisme:." Slagmark - Tidsskrift for idéhistorie, no. 71 (August 18, 2015): 79–92. http://dx.doi.org/10.7146/sl.v0i71.107309.

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In this paper, we argue for craftivism as a form of social activism with a political depth reached through making. From Mary Wollstonecraft to the suffragettes, Betsy Greer to DIY, craftivism has had a place in feminist activism. The human tradition for making objects combined with the online possibility of documentation, has made craftivism a political weapon. But it is a soft weapon, where the power lies in the pain and suffering it reminds us off. This protest is often performed by women and history shows that this is why craft has been seen as something other than art, and as a form of pol
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Youngson, Bel. "Craftivism for occupational therapists: finding our political voice." British Journal of Occupational Therapy 82, no. 6 (2019): 383–85. http://dx.doi.org/10.1177/0308022619825807.

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Craftivism is an ongoing movement, combining craft with activism, to bring about positive change in the world. There is a growing emphasis on the need for occupational therapists to engage with the politics of the profession to tackle occupational challenges and injustice. This opinion piece considers whether, with the historical links to and resurgence of craft internationally within the profession, now is the time for occupational therapists to engage in craftivism to effect positive change and transformation for a just and inclusive society. It suggests that craftivism may enable the profes
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Ermer, Carolin. "Craftivism: An investigation of female critical crafting circles." Clothing Cultures 10, no. 2 (2023): 131–48. https://doi.org/10.1386/cc_00073_1.

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The specific relationship of female textile artists and crafters and political engagement has a long history and its social relevance is gaining more and more academic attention these days. At the same time, within recent still trending textile and fashion movements like DIY, Slow Fashion, Slow Crafting and Craftivism, the different sociocultural forms of female crafting circles and communities that have been at the margin of fashion studies under the non-fashionable term of ‘domestic arts’ are also getting more attention. This article explores craft activism, as e.g. the Craftivist Movement,
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Mason, Vicki. "Craftivism. Dissident Objects and Subversive Forms." Journal of Modern Craft 12, no. 2 (2019): 179–83. http://dx.doi.org/10.1080/17496772.2019.1620439.

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Wulandari, Sari, Guntur Guntur, and Martinus Dwi Marianto. "Exploring Self-existence through RajutKejut Craftivism: A case study in Penjaringan Forest, Jakarta." International Journal of Creative and Arts Studies 7, no. 2 (2020): 115–28. http://dx.doi.org/10.24821/ijcas.v7i2.4653.

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RajutKejut is a knitting community in Jakarta, Indonesia, that has been doing yarnbombing activities since 2014. In 2019, Jakarta Arts Council invited RajutKejut to collaborate with Kampung Air Baja residents in Penjaringan, North Jakarta, in a program called Young Curator Class: Titik Temu Gembira. The program combines forces between RajutKejut and urban village residents to explore life from a different perspective, specifically through art activism. This program’s spirit helps residents have joyful independent lives with dignity through art that encourages life’s passion. The RajutKejut Com
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Taylor, Steve, and Shannon Taylor. "When ‘#xmasangels’ Tweet: a Reception Study of Craftivism as Christian Witness." Ecclesial Practices 7, no. 2 (2020): 143–62. http://dx.doi.org/10.1163/22144471-bja10016.

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Abstract Craftivism combines craft and activism. This paper contributes to the field of contemporary culture, mission, and creative making by examining the Christmas Angels project, in which local churches yarn-bomb hand-knitted angels, as an ecclesial expression of craftivism. Recipient responses to this fresh expression of Christian witness are analysed by examination of over 1,100 ‘#xmasangel’ tweets. Analysis reveals a found theology, in which angels are received with joy and surprise, understood in the context of love, experienced as a place-based gift and embody a participative making. A
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Razor, Sasha. "The Code of Presence: Belarusian Protest Embroideries and Textile Patterns." FOLKLORICA - Journal of the Slavic, East European, and Eurasian Folklore Association 26 (July 29, 2022): 72–98. http://dx.doi.org/10.17161/folklorica.v26i.18373.

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Since the fraudulent presidential elections of 9 August 2020, the Republic of Belarus has become a battleground between the women-led democratic opposition forces and the authoritarian regime of Alexander Lukashenka. Current forms of political oppression in Belarus make open public protest dangerous. This exhibition report highlights safer ways to express dissent in a dictatorial society by grounding it in the textile arts, collective labor, and participatory practices. “The Code of Presence: Belarusian Protest Embroideries and Textile Patterns” is a permanent digital exhibition that I curated
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van den Berg, Sarah Gerth, and Maria Liu Wong. "Stitching story and life together: Participatory textile making practices at a Harlem gallery." Journal of Arts & Communities 11, no. 1-2 (2020): 81–91. http://dx.doi.org/10.1386/jaac_00016_1.

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What brings a tourist from Italy, a lifelong resident of Harlem and a graduate student from a local university together? Crochet hooks, knitting needles, an assortment of green acrylic yarn and time and space for community craftivism. This case study focuses on crossing boundaries through participatory textile making, making time and space for relationship building in the changing neighbourhood of Harlem and practicing institutional stewardship as a ‘good neighbour’. The Walls-Ortiz Gallery and Center – the arts and research space of City Seminary of New York, an intercultural urban theologica
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Dissertations / Theses on the topic "Craftivism"

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Eddy, Deborah J. "Meaningful Mischiefs: Feminist Craftivism and Performance." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/413981.

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This arts-based practice lead research project investigates the invisibility of older women in the media, in research, in galleries and in feminist enquiry. As an older woman and a feminist activist artist I am in an ideal position to make work that highlights the unnerving realisation that with invisibility (a phenomenon that occurs around the time of menopause) comes a silencing of older women’s voices. This results in the representation of older women in advertising and the movies as a homogenous collection rather than a diverse and interesting cohort. My research illuminated older women ar
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Brinn, Virginia H. "An Autoethnographic Journey Through Craftivism: Making with/for Meaning." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/6047.

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Through this dissertation, I set out to investigate how craftivism as a way of making with/for meaning might foster transformative experiences within the discipline of art education. My motivating questions for this research project as I began my qualitative process follow. In what ways does my art-making inform my teaching practice? How do both my art and teaching practice inform my research practice? In what ways does my feminist identity impact these practices, ways of thinking and knowing, and the process of becoming who I am? And why is this research relevant to the field of art education
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Husberg, Erika. "Slöjda med mening : En studie om hantverkets ideologiska drivkrafter." Thesis, Linköpings universitet, Estetiska avdelningen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-112505.

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Syftet är att genom en textanalys undersöka hur konsthantverk används och tolkas som ideologiska och politiska budskap. Fokus ligger på fyra olika tematiker nämligen DIY – Do ityourself, craftivism, välgörenhet och miljöfrågor. Frågeställningar som ska besvaras är hurkonsthantverk och slöjd framställs som ideologi i dag och hur man kan förstå den ideologiskarörelsen inom konsthantverk som en del av en historisk process.Tidigare forskning ger en bild av hur ämnet behandlats av olika forskare och en historiskttillbakablick på konsthantverkets roll i samhället.Analysen behandlar texter om nutida
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Evertson, Karin. ""Skit i frid" : Förmedla budskap genom broderi." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-23958.

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Lindvall, Ann-Marie, and Elsa Wahlgren. "Stickning : från dåtid till nutid i skola och samhälle." Thesis, Umeå University, Department of Creative Studies (Teacher Education), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-35673.

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<p>Avsikten med vår studie har varit att belysa historiken från stickningens uppkomst och fram till idag i både ett skol- och ett samhällsperspektiv. Syftet har även varit att göra en studie i hur stickning växt fram i Sverige och hur det tas tillvara i grundskola och samhälle. De metoder som använts för att få fram resultatet är litteraturstudier, Internet och en enkätundersökning. Vi har också besökt stickcaféer samt dokumenterat stickgraffiti. Enkäten skickades ut till textillärare som undervisade från skolår 3 till och med skolår 9 i Örebro, Stockholms och Västerbottens län. Av femtio utsk
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Crljen, Tonka. "Hacking the loop : How to encourage consumers to upcycle their clothes in order to reduce consumer fashion waste and lessen the environmental impact of fast fashion?" Thesis, Linnéuniversitetet, Institutionen för design (DE), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86099.

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The core of the project lies in upcycling. From the start of the research, I wanted to find new creative ways of upcycling garments and textiles.However, upcycling is a part of a greater whole which deals with addressing the problem of fashion waste. It gives new value to the clothes and prolongs the life span of the clothes. It is a craftivism act since it plugs into an existing system and shapes it towards a more sustainable direction. Thus this project wanted to take a larger approach and include consumers into the process. The purpose of the project was to explore one of the ways to encour
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Clegg, Bridget Dearie. "Craftivista: Craft blogging as a platform for activism." Miami University Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1271901842.

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Craig, Gabriel. "Altruism, Activism, and the Moral Imperative in Craft." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1713.

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I consider myself a metalsmith although my interest in materials and ideas extend beyond the boundaries of traditional practice. I approach my work thematically, meaning that I treat my discipline as a framework for a broad investigation rather than as a skill set or process. The outcomes of this approach are therefore varied and include jewelry, installation, performance, video, interactive community based projects, print and web based writing, and historical research. It is through humor or direct viewer interaction that I promote accessibility in my work. My ideas are layered and communica
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Feurst, Josefina. "Makeup, Glassnippor & Konstnaglar : om feminin maximalism som feministisk konstnärlig strategi." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-45645.

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Frågeställningarna som behandlas i denna kandidatuppsats är: Hur kan samtida konstnärer utmana rådande könsroller genom att inkorporera dess könsspecifika uttryckssätt (här: femininitet och dess bibetydelser) i sin konst? Samt: Vari ligger den politiska potentialen i en sådan strategi? Uppsatsen är skriven ur ett feministiskt perspektiv och berör de delvis överlappande fälten konsthantverk, design och konst, med en gemensam genusproblematik. Studien undersöker hur en maximalistisk feminin estetik kan verka som feministisk taktik, vilket karakteriseras genom semiotiska analyser av tre skulptura
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Lidbrink, Karin. "Jag har varit med och inredit det här! : barn inreder rum på sitt lokala bibliotek : ett designpedagogiskt projekt om DIY, craftivism och ett sociokulturellt perspektiv på lärande." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3284.

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Idag finns de varor vi behöver tillgängliga att köpa och de tillverkas ofta långt bort i andra delar av världen. Tyg-, sybehörs- och garnaffärer läggs ned i Stockholm, samtidigt som intresset för att göra själv tycks öka. Denna bakgrund synliggörs genom aktuella rörelser i gränslandet mellan design, konst och hantverk som har gett idéer till mitt designpedagogiska projekt och redskap för att analysera det. Dessa rörelser har ofta politiska eller konsumtionskritiska motiv och en vilja att uppmärksamma, tillgängliggöra, förändra eller förbättra någonting, nära eller i en annan del av världen, me
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Books on the topic "Craftivism"

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McGovern, Alyce. Craftivism and Yarn Bombing. Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-57991-1.

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Fitzpatrick, Tal. Craftivism. Blurb, 2018.

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Fitzpatrick, Tal. Craftivism. Blurb, 2018.

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A Little Book of Craftivism. Cicada Books Limited, 2013.

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Perry, Sarah. One Year of Street Craftivism. Independent Publishing Network, 2020.

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Craftivism: The art of craft and activism. 2014.

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McGovern, Alyce. Craftivism and Yarn Bombing: A Criminological Exploration. Palgrave Macmillan Limited, 2019.

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Overbeek, Hester Van. Rebel Crafts: 15 Craftivism Projects to Change the World. Welbeck Publishing Group Ltd., 2021.

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Overbeek, Hester van. Rebel Crafts: Fifteen Craftivism Projects to Change the World. Welbeck Publishing Group Ltd., 2021.

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Weida, Courtney Lee. Crafting Creativity and Creating Craft: Craftivism, Art Education, and Contemporary Craft Culture. BRILL, 2014.

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Book chapters on the topic "Craftivism"

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Millner, Jacqueline, and Catriona Moore. "Craftivism." In Contemporary Art and Feminism. Routledge, 2021. http://dx.doi.org/10.4324/9781003045175-4.

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McGovern, Alyce. "Introduction." In Craftivism and Yarn Bombing. Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-57991-1_1.

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McGovern, Alyce. "Unravelling the Threads: Contemporary Craftivism and Its Origins." In Craftivism and Yarn Bombing. Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-57991-1_2.

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McGovern, Alyce. "The Itch to Stitch: Yarn Bombers and Their Motivations." In Craftivism and Yarn Bombing. Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-57991-1_3.

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McGovern, Alyce. "Craft Attack: The Framing of Yarn Bombing." In Craftivism and Yarn Bombing. Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-57991-1_4.

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McGovern, Alyce. "Crafty Crimes: The Criminology of Craftivism." In Craftivism and Yarn Bombing. Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-57991-1_5.

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Claudio, Esther. "Estamos todas bien as craftivism." In The Political Imagination in Spanish Graphic Narrative. Routledge, 2023. http://dx.doi.org/10.4324/9781003370055-7.

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Ringrose, Jessica, Kaitlyn Regehr, and Shiva Zarabadi. "Feminist Craftivist Collaging." In Creative Approaches to Health Education. Routledge, 2021. http://dx.doi.org/10.4324/9781003126508-8.

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"On craftivism." In Rise and Resist. MUP, 2018. http://dx.doi.org/10.2307/jj.5371951.5.

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"craftivism, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/4799000307.

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Conference papers on the topic "Craftivism"

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Barbosa Ramos, Regina. "Una Bomba Arrojada: reflexiones sobre razones y efectos de yarnbombing." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4904.

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En este artículo se presenta la práctica de yarnbombing como una posición y una responsabilidad de las personas a partir del lugar en el cual viven. Estas intervenciones urbanas se producen mediante la re-territorialización de los actos anónimos y domésticos de trabajos hechos con agujas que se extienden sobre el espacio público, donde los grupos construyen discursos y posibles diálogos con los individuos de una manera divertida y próxima a través del craftivismo, forma de activismo que utiliza esas herramientas, materiales y técnicas tan familiares. Se pregunta si, por lo tanto, cuando explot
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